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Metcalf Chateau
The Metcalf Chateau, also known as The Group of Seven, was a group of Asian-American artists with ties to Honolulu. The name is derived from a house slated for demolition on Metcalf Street in Honolulu, in which they exhibited in 1954. The exhibition was seen by Robert Griffin, director of the Honolulu Academy of Arts, who arranged for the artists to have a group show at the museum. The group's members were Satoru Abe (born 1926), Bumpei Akaji (1921-2002), Edmund Chung, Tetsuo Ochikubo (1923-1975), Jerry T. Okimoto (1924-1998), James Park, and Tadashi Sato (1923-2005). The Metcalf Chateau overlaps with a loosely associated group of eleven modernist artists of Japanese descent, all ''nisei'' (second generation) born in Hawaii. These artists are Satoru Abe, Bumpei Akaji, Isami Doi, Keichi Kimura, Sueko Matsueda Kimura, Harue Oyama McVay, Tetsuo Ochikubo, Jerry T. Okimoto, Tadashi Sato, Toshiko Takaezu, and Harry Tsuchidana. Isami Doi Isami Doi (May 12, 1903 – Novem ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Metcalf Chateau Group At The Honolulu Museum Of Art In 1954
''The'' () is a grammatical article in English, denoting persons or things already mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with pronouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have different forms of the definite article for different genders or numbers. Pronunciation In most dialects, "the" is pronounced as (with the voiced dental fricative followed by a schwa) when followed by a consonant sound, and as (homophone of pronoun ''thee'') when followed by a v ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Modernism
Modernism is both a philosophy, philosophical and arts movement that arose from broad transformations in Western world, Western society during the late 19th and early 20th centuries. The movement reflected a desire for the creation of new forms of art, philosophy, and social organization which reflected the newly emerging industrial society, industrial world, including features such as urbanization, architecture, new technologies, and war. Artists attempted to depart from traditional forms of art, which they considered outdated or obsolete. The poet Ezra Pound's 1934 injunction to "Make it New" was the touchstone of the movement's approach. Modernist innovations included abstract art, the stream-of-consciousness novel, montage (filmmaking), montage cinema, atonal and twelve-tone music, divisionist painting and modern architecture. Modernism explicitly rejected the ideology of Realism (arts), realism and made use of the works of the past by the employment of reprise, incorpor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Harry Tsuchidana
Harry Suyemi Tsuchidana (born 1932) is an American abstract painter. He was born in Waipahu, Hawaii to parents who owned a two-acre farm. Tsuchidana enlisted in the United States Marine Corps upon graduation from high school in 1952. When discharged from the Marines in 1955, he enrolled in the Corcoran School of Art (Washington, D. C.). He then moved to New York City, where he studied at the Brooklyn Museum Art School, and at the Pratt Contemporary Graphic Arts Center in New York City. While enrolled in classes, he worked as a guard and custodian at the Corcoran Gallery of Art and as a night watchman at the Museum of Modern Art. In 1959, he received a John Hay Whitney Fellowship. Although best known as an abstract painter, Tsuchidana made significant forays into printmaking and photography. He is best known for his drawings and prints in which the entire surface of the paper is covered with monochromatic lines of varying thicknesses, and for his ''Stage Series''. ''To ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Toshiko Takaezu
Toshiko Takaezu (June 17, 1922 – March 9, 2011) was an American ceramic artist, painter, sculptor, and educator who was known for her rounded, closed forms that viewed ceramics as a fine art and more than a functional vessel. She is of Japanese descent and from Pepeeko, Hawaii. Early life and education Takaezu was born to Japanese immigrant parents in Pepeekeo, Hawaii, on 17 June 1922. She moved to Honolulu in 1940, where she worked at the Hawaii Potter's Guild creating identical pieces from press molds. While she hated creating hundreds of identical pieces, she appreciated that she could practice glazing. Takaezu attended Saturday classes at the Honolulu Museum of Art School (1947 to 1949) and attended the University of Hawaii (1948, and 1951) where she studied under Claude Horan. From 1951 to 1954, she continued her studies at Cranbrook Academy of Art in Bloomfield Hills, Michigan (1951), where she met Finnish ceramist Maija Grotell, who became her mentor.Honolulu Muse ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Harue Oyama McVay
Harue Oyama McVay (born 1928) is a ceramist born in Honolulu, Hawaii. While growing up, she had the opportunity to watch the landscape painter D. Howard Hitchcock (1861–1943), who rented his studio from the Oyama family. As an undergraduate at the University of Hawaii, she enrolled in a ceramics class taught by Claude Horan. She graduated from the university in 1950 and earned an MA from Ohio State University in 1951. She taught at the University of Hawaii from 1951 until 1993, when she retired as a professor emeritus. McVay is best known for starting with wheel thrown clay and then manipulating it, often into organic forms. The Hawaii State Art Museum, the Honolulu Museum of Art, the Museum of Arts and Design (New York City), and the Smithsonian American Art Museum The Smithsonian American Art Museum (commonly known as SAAM, and formerly the National Museum of American Art) is a museum in Washington, D.C., part of the Smithsonian Institution. Together with its branch museum, t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sueko Matsueda Kimura
Sueko Matsueda Kimura (June 10, 1912 – December 25, 2001) was an American artist. She was born in Papaikou, Hawaii in 1912. She received her Bachelor of Arts and Master of Fine Arts degrees from the University of Hawaii at Manoa, where she met fellow art student Keichi Kimura, whom she married in 1942. She also attended the Chouinard Art Institute (Los Angeles), Columbia University (New York City), the Brooklyn Museum Art School (New York City), and with Yasuo Kuniyoshi at the Art Students League of New York. She taught at the University of Hawaii at Manoa from 1952 until her retirement as Professor of Art in 1977. The Hawaii State Art Museum and the Honolulu Museum of Art hold work by Sueko Matsueda Kimura.Papanikolas, Theresa and Stephen Salel, Stephen, ''Abstract Expressionism, Looking East from the Far West'', Honolulu Museum of Art, 2017, , p. 105 References * Haar, Francis and Neogy, Prithwish, "Artists of Hawaii: Nineteen Painters and Sculptors", University ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Keichi Kimura
Keichi Kimura (1914–1988) was a painter and illustrator who was born in Waiʻanae, Hawaiʻi in 1914. He received his first art instruction from teacher Shirley Ximena Hopper Russell, Shirley Russell while attending President William McKinley High School in Honolulu. In 1936, he earned a B.A. from the University of Hawaii at Manoa, where he studied under Henry H. Rempel and Huc-Mazelet Luquiens, and also met fellow art student and future wife, Sueko Matsueda Kimura, Sueko Matsueda. Keichi continued his education at Chouinard Art Institute (Los Angeles), Columbia University (New York City) and the Brooklyn Museum, Brooklyn Museum Art School (New York City). He first exhibited at the Honolulu Museum of Art at 19 years of age. During the Second World War, he served with the 100th Battalion of the 442nd Regimental Combat Team (United States), 442nd Regimental Combat Team in Italy and France, where he produced many drawings that were also exhibited at the Honolulu Museum of Art. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Isami Doi
Isami Doi (May 12, 1903 – November 29, 1965) was an American printmaker and painter. Biography Doi was the first son of Japanese immigrants, born in Ewa on the island of Oahu in the Hawaiian Islands in 1903. He moved with his family to the island of Kauai, and he thereafter considered Kalaheo, Kauai his home.Forbes, David W., "Encounters with Paradise", p. 268 Doi studied for two years at the University of Hawaii, went on to Columbia University for five years, and then continued his studies for a year in Paris. In 1927 his print ''Woodstock Village'' was named one of the 50 best prints in America. He stayed in New York until 1938, when he returned to the Hawaiian Islands. Doi taught printmaking, drawing, and metal work. He also designed jewelry for the S. and S. Gumps store, a San Francisco firm that had opened a store in Honolulu in 1929, and later for Mings jewelers. His first solo show at the Honolulu Museum of Art took place in April 1929, and featured painted landsca ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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