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Metahistory (Hayden White)
''Metahistory: The Historical Imagination in Nineteenth-century Europe'' is a work of historiography by Hayden White first published in 1973. On the second page of his introduction, White stated: The theoretical framework is outlined in the first 50 pages of the book, which consider in detail eight major figures of 19th-century history and the philosophy of history. The larger context of historiography and writing in general is also considered. White's approach uses systematically a fourfold structural schema with two terms mediating between a pair of opposites. Synopsis According to White, historians begin their work by constituting a chronicle of events which is to be organized into a coherent story. These are the two preliminary steps before processing the material into a plot which is argumented as to express an ideology. Thus the historical work is "a verbal structure in the form of a narrative prose discourse that purports to be a model, or icon, of past structures and pro ...
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Hayden White
Hayden V. White (July 12, 1928 – March 5, 2018) was an American historian in the tradition of literary criticism, perhaps most famous for his work '' Metahistory: The Historical Imagination in Nineteenth-Century Europe'' (1973/2014). Career White received his Bachelor of Arts degree from Wayne State University (1951) and his Master of Arts (1952) and Doctor of Philosophy (1955) degrees from the University of Michigan. While an undergraduate at Wayne State, White studied history under William J. Bossenbrook alongside then-classmate Arthur Danto. In 1998, White directed a seminar ("The Theory of the Text") at the School of Criticism and Theory. He was elected to the American Academy of Arts and Sciences in 1991. In 2000, he was elected to the American Philosophical Society. Among White's influences, there were two major figures who taught him "how the historian interprets something." The first was William J. Bossenbrook, who taught White as an undergraduate at Wayne State Uni ...
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Elective Affinities
''Elective Affinities'' (German: ''Die Wahlverwandtschaften''), also translated under the title ''Kindred by Choice'', is the third novel by Johann Wolfgang von Goethe, published in 1809. Situated around the city of Weimar, the book relates the story of Eduard and Charlotte, an aristocratic couple enjoying an idyllic but somewhat mundane life on a secluded estate; although it is the second marriage for both, their relationship deteriorates after they invite Eduard's friend Captain Otto and Charlotte's orphaned niece, Ottilie, to live with them in their mansion. The invitation to Ottilie and the Captain is described as an "experiment", as it indeed is. The house and its surrounding gardens are described as "a chemical retort in which the human elements are brought together for the reader to observe the resulting reaction." As if in a chemical reaction, each of the spouses experiences a strong new attraction, which is reciprocated: Charlotte, who represents reason, to the sensible a ...
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Romance (prose Fiction)
The type of romance considered here is mainly the genre of novel defined by the novelist Walter Scott as "a fictitious narrative in prose or verse; the interest of which turns upon marvellous and uncommon incidents", in contrast to mainstream novels which realistically depict the state of a society. These works frequently, but not exclusively, take the form of the historical novel. Scott's novels are also frequently described as historical romances, and Northrop Frye suggested "the general principle that most 'historical novels' are romances". Scott describes romance as a "kindred term", and many European languages do not distinguish between romance and novel: "a novel is ''le roman'', ''der Roman'', ''il romanzo''". There is second type of romance where the primary focus is on "romance", in the sense of love and marriage. Jane Austen wrote this type of romance. A strong love interest is also found in a very different type of literary fiction romance such as ''Wuthering Heights' ...
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Metaphor
A metaphor is a figure of speech that, for rhetorical effect, directly refers to one thing by mentioning another. It may provide (or obscure) clarity or identify hidden similarities between two different ideas. Metaphors are often compared with other types of figurative language, such as antithesis, hyperbole, metonymy, and simile. One of the most commonly cited examples of a metaphor in English literature comes from the "All the world's a stage" monologue from '' As You Like It'': All the world's a stage, And all the men and women merely players; They have their exits and their entrances And one man in his time plays many parts, His Acts being seven ages. At first, the infant... :—William Shakespeare, '' As You Like It'', 2/7 This quotation expresses a metaphor because the world is not literally a stage, and most humans are not literally actors and actresses playing roles. By asserting that the world is a stage, Shakespeare uses points of comparison between the world an ...
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Trope (philosophy)
Trope denotes figurative and metaphorical language and one which has been used in various technical senses. The term ''trope'' derives from the Greek τρόπος (''tropos''), "a turn, a change", related to the root of the verb τρέπειν (''trepein''), "to turn, to direct, to alter, to change"; this means that the term is used metaphorically to denote, among other things, metaphorical language. The term is also used in technical senses, which do not always correspond to its linguistic origin. Its meaning has to be judged from the context, some of which are given below. Basic meaning as metaphor Here a trope is a figurative and metaphorical use of a word or a phrase. The verb ''to trope'' means then to make a trope. In epistemology A trope or "mode" refers to skeptical stock arguments or "ways of refuting dogmatism." There are two sets of these tropes: the ten modes of Aenesidemus and the five modes of Agrippa. In metaphysics Trope theory (or trope nominalism) in metaph ...
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Ideal Type
Ideal type (german: Idealtypus), also known as pure type, is a typological term most closely associated with sociologist Max Weber (1864–1920). For Weber, the conduct of social science depends upon the construction of abstract, hypothetical concepts. The "ideal type" is therefore a subjective element in social theory and research, and one of the subjective elements distinguishing sociology from natural science. Meaning An ideal type is formed from characteristics and elements of the given phenomena, but it is not meant to correspond to all of the characteristics of any one particular case. It is not meant to refer to perfect things, moral ideals nor to statistical averages but rather to stress certain elements common to most cases of the given phenomenon. It is also important to pay attention that in using the word "ideal" Max Weber refers to the world of ideas (german: Gedankenbilder, "mental images") and not to perfection; these "ideal types" are idea-constructs that hel ...
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The Order Of Things
''The Order of Things: An Archaeology of the Human Sciences'' (Les mots et les choses: Une archéologie des sciences humaines, 1966) by French philosopher Michel Foucault proposes that every historical period has underlying epistemic assumptions, ways of thinking, which determine what is truth and what is acceptable discourse about a subject, by delineating the origins of biology, economics, and linguistics. The introduction to the origins of the human sciences begins with detailed, forensic analyses and discussion of the complex networks of sightlines, hidden-ness, and representation that exist in the group painting (''The Ladies-in-waiting'', 1656) by Diego Velázquez. Foucault's application of the analyses shows the structural parallels in the similar developments in perception that occurred in researchers’ ways of seeing the subject in the human sciences. The concept of episteme In ''The Order of Things: An Archaeology of the Human Sciences'' Foucault said that an hist ...
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Michel Foucault
Paul-Michel Foucault (, ; ; 15 October 192625 June 1984) was a French philosopher, historian of ideas, writer, political activist, and literary critic. Foucault's theories primarily address the relationship between power and knowledge, and how they are used as a form of social control through societal institutions. Though often cited as a structuralist and postmodernist, Foucault rejected these labels. His thought has influenced academics, especially those working in communication studies, anthropology, psychology, sociology, criminology, cultural studies, literary theory, feminism, Marxism and critical theory. Born in Poitiers, France, into an upper-middle-class family, Foucault was educated at the Lycée Henri-IV, at the École Normale Supérieure, where he developed an interest in philosophy and came under the influence of his tutors Jean Hyppolite and Louis Althusser, and at the University of Paris (Sorbonne), where he earned degrees in philosophy and psychology. Aft ...
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Giambattista Vico
Giambattista Vico (born Giovan Battista Vico ; ; 23 June 1668 – 23 January 1744) was an Italian philosopher, rhetorician, historian, and jurist during the Italian Enlightenment. He criticized the expansion and development of modern rationalism, finding Cartesian analysis and other types of reductionism impractical to human life, and he was an apologist for classical antiquity and the Renaissance humanities, in addition to being the first expositor of the fundamentals of social science and of semiotics. He is recognised as one of the first Counter-Enlightenment figures in history. The Latin aphorism ''Verum esse ipsum factum'' ("truth is itself something made") coined by Vico is an early instance of constructivist epistemology. He inaugurated the modern field of the philosophy of history, and, although the term ''philosophy of history'' is not in his writings, Vico spoke of a "history of philosophy narrated philosophically." Although he was not an historicist, contemporar ...
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Emile Benveniste
Emil or Emile may refer to: Literature *''Emile, or On Education'' (1762), a treatise on education by Jean-Jacques Rousseau *Émile (novel), ''Émile'' (novel) (1827), an autobiographical novel based on Émile de Girardin's early life *''Emil and the Detectives'' (1929), a children's novel *"Emil", nickname of the Kurt Maschler Award for integrated text and illustration (1982–1999) *''Emil i Lönneberga'', a series of children's novels by Astrid Lindgren Military *Emil (tank), a Swedish tank developed in the 1950s *Sturer Emil, a German tank destroyer People *Emil (given name), including a list of people with the given name ''Emil'' or ''Emile'' *Aquila Emil (died 2011), Papua New Guinean rugby league footballer Other *Emile (film), ''Emile'' (film), a Canadian film made in 2003 by Carl Bessai *Emil (river), in China and Kazakhstan See also

* * *Aemilius (other) *Emilio (other) *Emílio (other) *Emilios (other) {{Disambiguation, sur ...
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Roman Jakobson
Roman Osipovich Jakobson (russian: Рома́н О́сипович Якобсо́н; October 11, 1896Kucera, Henry. 1983. "Roman Jakobson." ''Language: Journal of the Linguistic Society of America'' 59(4): 871–883. – July 18,
compiled by Stephen Rudy
1982) was a Russian-American and . A pioneer of , Jakobson was one of the most celebrated and influential
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Irony
Irony (), in its broadest sense, is the juxtaposition of what on the surface appears to be the case and what is actually the case or to be expected; it is an important rhetorical device and literary technique. Irony can be categorized into different types, including ''verbal irony'', ''dramatic irony'', and ''situational irony''. Verbal, dramatic, and situational irony are often used for emphasis in the assertion of a truth. The ironic form of simile, used in sarcasm, and some forms of litotes can emphasize one's meaning by the deliberate use of language which states the opposite of the truth, denies the contrary of the truth, or drastically and obviously understates a factual connection. Definitions Henry Watson Fowler, in ''The King's English'', says, "any definition of irony—though hundreds might be given, and very few of them would be accepted—must include this, that the surface meaning and the underlying meaning of what is said are not the same." Also, Eric Partrid ...
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