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Messiah Stradivarius
The ''Messiah - Salabue Stradivarius'' of 1716 is a violin made by the Italian luthier Antonio Stradivari of Cremona. It is considered to be the only Stradivarius in existence in ''as new'' state. It is in the collection of the Ashmolean Museum in Oxford, England. The violin, known as the ''Messiah'' (''Messie'' in French), remained in Stradivari's workshop until his death in 1737. It was then sold by his son Paolo to Count Cozio di Salabue in 1775, and for a time, the violin bore the name ''Salabue''. The instrument was then purchased by Luigi Tarisio in 1827. Upon Tarisio’s death, in 1854, the French luthier Jean Baptiste Vuillaume of Paris purchased The ''Messiah'' along with Tarisio's entire collection. "One day Tarisio was discoursing with Vuillaume on the merits of this unknown and marvelous instrument, when the violinist Jean-Delphin Alard, Vuillaume's son-in-law, exclaimed: 'Really, Mister Tarisio, your violin is like the Messiah of the Jews: one always expects him but ...
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Messiah Stradivarius
The ''Messiah - Salabue Stradivarius'' of 1716 is a violin made by the Italian luthier Antonio Stradivari of Cremona. It is considered to be the only Stradivarius in existence in ''as new'' state. It is in the collection of the Ashmolean Museum in Oxford, England. The violin, known as the ''Messiah'' (''Messie'' in French), remained in Stradivari's workshop until his death in 1737. It was then sold by his son Paolo to Count Cozio di Salabue in 1775, and for a time, the violin bore the name ''Salabue''. The instrument was then purchased by Luigi Tarisio in 1827. Upon Tarisio’s death, in 1854, the French luthier Jean Baptiste Vuillaume of Paris purchased The ''Messiah'' along with Tarisio's entire collection. "One day Tarisio was discoursing with Vuillaume on the merits of this unknown and marvelous instrument, when the violinist Jean-Delphin Alard, Vuillaume's son-in-law, exclaimed: 'Really, Mister Tarisio, your violin is like the Messiah of the Jews: one always expects him but ...
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Bequest
A bequest is property given by will. Historically, the term ''bequest'' was used for personal property given by will and ''deviser'' for real property. Today, the two words are used interchangeably. The word ''bequeath'' is a verb form for the act of making a bequest. Etymology Bequest comes from Old English ''becwethan'', "to declare or express in words" — cf. "quoth". Interpretations Part of the process of probate involves interpreting the instructions in a will. Some wordings that define the scope of a bequest have specific interpretations. "All the estate I own" would involve all of the decedent's possessions at the moment of death. A ''conditional bequest'' is a bequest that will be granted only if a particular event has occurred by the time of its operation. For example, a testator might write in the will that "Mary will receive the house held in trust if she is married" or "if she has children," etc. An ''executory bequest'' is a bequest that will be granted only if ...
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Stradivari Instruments
Antonio Stradivari (, also , ; – 18 December 1737) was an Italian luthier and a craftsman of string instruments such as violins, cellos, guitars, violas and harps. The Latinized form of his surname, ''Stradivarius'', as well as the colloquial ''Strad'' are terms often used to refer to his instruments. It is estimated that Stradivari produced 1,116 instruments, of which 960 were violins. Around 650 instruments survive, including 450 to 512 violins. His instruments are considered some of the finest ever made, and are extremely valuable collector's items. Biography Family and early life Antonio Stradivari's birthdate, presumably between 1644 and 1649, has been debated amongst historians due to the numerous inconsistencies in the evidence of the latter. The 1668 and 1678 censuses report him actually growing younger, a fact explained by the probable loss of statistics from 1647 to 1649, when renewed belligerency between France's Modenese and Spain's Milanese proxies led ...
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Stradivari Violins
Antonio Stradivari (, also , ; – 18 December 1737) was an Italian luthier and a craftsman of string instruments such as violins, cellos, guitars, violas and harps. The Latinized form of his surname, ''Stradivarius'', as well as the colloquial ''Strad'' are terms often used to refer to his instruments. It is estimated that Stradivari produced 1,116 instruments, of which 960 were violins. Around 650 instruments survive, including 450 to 512 violins. His instruments are considered some of the finest ever made, and are extremely valuable collector's items. Biography Family and early life Antonio Stradivari's birthdate, presumably between 1644 and 1649, has been debated amongst historians due to the numerous inconsistencies in the evidence of the latter. The 1668 and 1678 censuses report him actually growing younger, a fact explained by the probable loss of statistics from 1647 to 1649, when renewed belligerency between France's Modenese and Spain's Milanese proxies led to ...
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Collection Of The Ashmolean Museum
Collection or Collections may refer to: * Cash collection, the function of an accounts receivable department * Collection (church), money donated by the congregation during a church service * Collection agency, agency to collect cash * Collections management (museum) ** Collection (museum), objects in a particular field forms the core basis for the museum ** Fonds in archives ** Private collection, sometimes just called "collection" * Collection (Oxford colleges), a beginning-of-term exam or Principal's Collections * Collection (horse), a horse carrying more weight on his hindquarters than his forehand * Collection (racehorse), an Irish-bred, Hong Kong based Thoroughbred racehorse * Collection (publishing), a gathering of books under the same title at the same publisher * Scientific collection, any systematic collection of objects for scientific study Collection may also refer to: Computing * Collection (abstract data type), the abstract concept of collections in computer science ...
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1716 Works
Events January–March * January 16 – The application of the Nueva Planta decrees to Catalonia make it subject to the laws of the Crown of Castile, and abolishes the Principality of Catalonia as a political entity, concluding the unification of Spain under Philip V. * January 27 – The Tugaloo massacre changes the course of the Yamasee War, allying the Cherokee nation with the British province of South Carolina against the Creek Indian nation. * January 28 – The town of Crieff, Scotland, is burned to the ground by Jacobites returning from the Battle of Sheriffmuir. * February 3 – The 1716 Algiers earthquake sequence began with an 7.0 mainshock that caused severe damage and killed 20,000 in Algeria. * February 10 – James Edward Stuart flees from Scotland to France with a handful of supporters, following the failure of the Jacobite rising of 1715. * February 24 – Jacobite leaders James Radclyffe, 3rd Earl of Derwentwater and Wi ...
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List Of Stradivarius Instruments
This is a list of Stradivarius string instruments made by members of the house of Antonio Stradivari. Stradivarius instruments Violins This list has 282 entries. Early period: 1666–1699 Golden period: 1700–1725 Late period: 1726–1737 Violas There are twelve known extant Stradivari violas. Cellos Antonio Stradivari built between 70 and 80 cellos in his lifetime, of which 63 are extant. Guitars Five complete guitars by Stradivari exist, and a few fragments of others – including the neck of a sixth guitar, owned by the Conservatoire de Musique in Paris. These guitars have ten (doubled, five-course) strings, which was typical of the era. Harps The only surviving Stradivarius harp is the ''arpetta'' (little harp), owned by San Pietro a Maiella Music Conservatory in Naples, Italy. Mandolins There are two known extant Stradivari mandolins. The ''Cutler-Challen Choral Mandolino'' of 1680 is in the collection of the National Music Museum at the Universi ...
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Nativity Of Jesus In Art
The Nativity of Jesus has been a major subject of Christian art since the 4th century. The artistic depictions of the ''Nativity'' or birth of Jesus, celebrated at Christmas, are based on the narratives in the Bible, in the Gospels of Matthew and Luke, and further elaborated by written, oral and artistic tradition. Christian art includes a great many representations of the Virgin Mary and the Christ Child. Such works are generally referred to as the "Madonna and Child" or "Virgin and Child". They are not usually representations of the ''Nativity'' specifically, but are often devotional objects representing a particular aspect or attribute of the Virgin Mary, or Jesus. ''Nativity'' pictures, on the other hand, are specifically illustrative, and include many narrative details; they are a normal component of the sequences illustrating both the Life of Christ and the Life of the Virgin. The Nativity has been depicted in many different media, both pictorial and sculptural. Pictoria ...
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Tailpiece
A tailpiece is a component on many stringed musical instruments that anchors one end of the strings, usually opposite the end with the tuning mechanism (the scroll, headstock, peghead, etc.). Function and construction The tailpiece anchors the strings, so it must be strong enough to withstand their combined tension. Tailpieces of the violin family or viol families of instruments, including double basses, are attached by a "tailgut" looped around the tailpin or end button, which is let into the bottom bock of the instrument. Originally made of animal gut and adjusted with difficulty by means of a knot, tailguts are now usually made of wire or nylon monofilament, and easily adjusted with threaded collars, usually made of brass, on the ends. Tailpieces are made of many materials. Violin tailpieces are typically made of wood: ebony, rosewood, boxwood, or rarely pernambuco. Other materials include cast light metal, and composites including plastic. Choice of material may have mo ...
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Tuning Peg
A variety of methods are used to tune different stringed instruments. Most change the pitch produced when the string is played by adjusting the tension of the strings. A tuning peg in a pegbox is perhaps the most common system. A peg has a grip or knob on it to allow it to be turned. A tuning pin is a tuning peg with a detachable grip, called a tuning lever. The socket on the tuning lever fits over the pin and allows it to be turned. Tuning pins are used on instruments where there is no space for a knob on each string, such as pianos and harps. Turning the peg or pin tightens or loosens the string. Some tuning pegs and pins are tapered, some threaded. Some tuning pegs are ornamented with shell, metal, or plastic inlays, beads (pips) or rings. Other tuning systems include screw-and-lever tuners, geared tuners, and the konso friction tuning system (using braided leather rings). Pegbox A pegbox is the part of certain stringed musical instruments (violin, viola, cello, double ...
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Nathan Milstein
Nathan Mironovich Milstein ( – December 21, 1992) was a Russian-born American virtuoso violinist. Widely considered one of the finest violinists of the 20th century, Milstein was known for his interpretations of Bach's solo violin works and for works from the Romantic period. He was also known for his long career: he performed at a high level into his mid-80s, retiring only after suffering a broken hand. Biography Milstein was born in Odessa, Russian Empire, the fourth child of seven, to a middle-class Jewish family with no musical background. It was a concert by the 11-year-old Jascha Heifetz that inspired his parents to make a violinist out of Milstein. As a child of seven, he started violin studies (as suggested by his parents, to keep him out of mischief) with the eminent violin pedagogue Pyotr Stolyarsky, also the teacher of renowned violinist David Oistrakh. When Milstein was 11, Leopold Auer invited him to become one of his students at the St. Petersburg Conservator ...
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Joseph Joachim
Joseph Joachim (28 June 1831 – 15 August 1907) was a Hungarian violinist, conductor, composer and teacher who made an international career, based in Hanover and Berlin. A close collaborator of Johannes Brahms, he is widely regarded as one of the most significant violinists of the 19th century. Joachim studied violin early, beginning in Buda at age five, then in Vienna and Leipzig. He made his debut in London in 1844, playing Beethoven's Violin Concerto, with Mendelssohn conducting. He returned to London many times throughout life. After years of teaching at the Leipzig Conservatory and playing as principal violinist of the Gewandhausorchester, he moved to Weimar in 1848, where Franz Liszt established cultural life. From 1852, Joachim served at the court of Hanover, playing principal violin in the opera and conducting concerts, with months of free time in summer for concert tours. In 1853, he was invited by Robert Schumann to the Lower Rhine Music Festival, where he met Clara ...
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