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Messe In G (Tambling)
''Messe in G'' is a mass in G major by the English composer Christopher Tambling. He composed it in 2013, scored for mixed choir and organ, optionally also with orchestra. The congregation is meant to participate, singing the theme of the Gloria as a refrain, and the theme of the Sanctus. The mass was first published in 2014. History Tambling, a church musician and music pedagogue, was described as "a great believer in making church music accessible". In ''Messe in G'', he set the Latin text of the mass ordinary, without the Credo, which makes it a formally a short mass or missa brevis. The congregation can optionally participate in the Gloria and the Sanctus. Tambling dedicated it to the church St. Cyriakus in Schwäbisch Gmünd-Bettringen. The mass was first published in 2014 by Dr. J. Butz Dr. J. Butz is a music publishing house in Bonn-Beuel, Germany, focused on sacred vocal music and organ music. The publisher is the representative in Germany of English composers such ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Missa Brevis
Missa brevis (plural: Missae breves) is . The term usually refers to a mass composition that is short because part of the text of the Mass ordinary that is usually set to music in a full mass is left out, or because its execution time is relatively short. Full mass with a relatively short execution time The concise approach is found in the mostly syllabic settings of the 16th century, and in the custom of "telescoping" (or simultaneous singing by different voices) in 18th-century masses. After the period when all church music was performed a cappella, a short execution time usually also implied modest forces for performance, that is: apart from Masses in the "brevis et solemnis" genre. Polyphony * Orlande de Lassus: (''Hunters' Mass'') * Giovanni Pierluigi da Palestrina: Missa Brevis * Andrea Gabrieli: Missa brevis quatuor vocum * Gaspar van Weerbeke: Missa brevis Classical period For composers of the classical period such as Mozart, ''missa brevis'' meant "short in du ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Christopher Tambling
Christopher Tambling (13 May 1964 – 3 October 2015) was a British composer, organist and choirmaster. From 1997 to 2015 he was Director of Music at Downside School and organist and Choirmaster of the Schola Cantorum at Downside Abbey, leading the choir to international success. Life He received his musical education from Malcolm McKelvey at Christ's Hospital in Horsham, Sussex and at St Peter's College, Oxford. He later became the city organist and conductor of the Symphony Orchestra and Music Director of Glenalmond College in Perth, Scotland. His organ pupils have gone on to continuing success, including scholarships to Oxford and Cambridge. Tambling died in Somerset in 2015 and was survived by his wife and two sons, both of whom are professional musicians. Works Tambling established himself as a composer and arranger of choral and organ works especially, well beyond the borders of his country. His compositions are often characterized by a romantic, expressive and an easy ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
G Major
G major (or the key of G) is a major scale based on G, with the pitches G, A, B, C, D, E, and F. Its key signature has one sharp. Its relative minor is E minor and its parallel minor is G minor. The G major scale is: Notable compositions Baroque period In Baroque music, G major was regarded as the "key of benediction". Of Domenico Scarlatti's 555 keyboard sonatas, G major is the home key for 69, or about 12.4%, sonatas. In the music of Johann Sebastian Bach, "G major is often a key of chain rhythms", according to Alfred Einstein, although Bach also used the key for some -based works, including his third and fourth '' Brandenburg Concertos''. Pianist Jeremy Denk observes that the ''Goldberg Variations'' are 80 minutes in G major. Classical era Twelve of Joseph Haydn's 106 symphonies are in G major. Likewise, one of Haydn's most famous piano trios, No. 39 (with the ''Gypsy Rondo''), and one of his last two complete published string quartets (Op. 77, No. 1), a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ordinary (liturgy)
The ordinary, in Roman Catholic and other Western Christian liturgies, refers to the part of the Mass or of the canonical hours that is reasonably constant without regard to the date on which the service is performed. It is contrasted to the ''proper'', which is that part of these liturgies that varies according to the date, either representing an observance within the liturgical year, or of a particular saint or significant event, or to the ''common'' which contains those parts that are common to an entire category of saints such as apostles or martyrs. The ordinary of both the Eucharist and the canonical hours does, however, admit minor variations following the seasons (such as the omission of "Alleluia" in Lent and its addition in Eastertide). These two are the only liturgical celebrations in which a distinction is made between an ordinary and other parts. It is not made in the liturgy of the other sacraments or of blessings and other rites. In connection with liturgy, the te ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
SATB
SATB is an initialism that describes the scoring of compositions for choirs, and also choirs (or consorts) of instruments. The initials are for the voice types: S for soprano, A for alto, T for tenor and B for bass. Choral music Four-part harmony using soprano, alto, tenor and bass is a common scoring in classical music, including chorales and most Bach cantatas.Shrock, DennisChoral Repertoire''Oxford University Press'', 2009, p. 298, The letters of the abbreviation are also used by publishers to describe different scorings for soloists and choirs other than four-part harmony. For example, the listing "STB solos, SATB choir", of Bach's ''Wachet auf, ruft uns die Stimme'', BWV 140, indicates that a performance needs three soloists: soprano, tenor and bass, and a four-part choir. "SATB/SATB" is used when a double choir is required, as in Penderecki's ''Polish Requiem''. or SSATB, with divided sopranos, which is a typical scoring in English church music. A listing for Bach's ''M ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mass (music)
The Mass ( la, missa) is a form of sacred musical composition that sets the invariable portions of the Christian Eucharistic liturgy (principally that of the Catholic Church, the Anglican Communion, and Lutheranism), known as the Mass. Most Masses are settings of the liturgy in Latin, the sacred language of the Catholic Church's Roman Rite, but there are a significant number written in the languages of non-Catholic countries where vernacular worship has long been the norm. For example, there have been many Masses written in English for a United States context since the Second Vatican Council, and others (often called "communion services") for the Church of England. Masses can be ''a cappella'', that is, without an independent accompaniment, or they can be accompanied by instrumental ''obbligatos'' up to and including a full orchestra. Many masses, especially later ones, were never intended to be performed during the celebration of an actual mass. History Middle Ages The earli ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Latin
Latin (, or , ) is a classical language belonging to the Italic branch of the Indo-European languages. Latin was originally a dialect spoken in the lower Tiber area (then known as Latium) around present-day Rome, but through the power of the Roman Republic it became the dominant language in the Italian region and subsequently throughout the Roman Empire. Even after the fall of Western Rome, Latin remained the common language of international communication, science, scholarship and academia in Europe until well into the 18th century, when other regional vernaculars (including its own descendants, the Romance languages) supplanted it in common academic and political usage, and it eventually became a dead language in the modern linguistic definition. Latin is a highly inflected language, with three distinct genders (masculine, feminine, and neuter), six or seven noun cases (nominative, accusative, genitive, dative, ablative, and vocative), five declensions, four verb conjuga ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Missa Brevis
Missa brevis (plural: Missae breves) is . The term usually refers to a mass composition that is short because part of the text of the Mass ordinary that is usually set to music in a full mass is left out, or because its execution time is relatively short. Full mass with a relatively short execution time The concise approach is found in the mostly syllabic settings of the 16th century, and in the custom of "telescoping" (or simultaneous singing by different voices) in 18th-century masses. After the period when all church music was performed a cappella, a short execution time usually also implied modest forces for performance, that is: apart from Masses in the "brevis et solemnis" genre. Polyphony * Orlande de Lassus: (''Hunters' Mass'') * Giovanni Pierluigi da Palestrina: Missa Brevis * Andrea Gabrieli: Missa brevis quatuor vocum * Gaspar van Weerbeke: Missa brevis Classical period For composers of the classical period such as Mozart, ''missa brevis'' meant "short in du ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Schwäbisch Gmünd
Schwäbisch Gmünd (, until 1934: Gmünd; Swabian: ''Gmẽẽd'' or ''Gmend'') is a city in the eastern part of the German state of Baden-Württemberg. With a population of around 60,000, the city is the second largest in the Ostalb district and the whole East Württemberg region after Aalen. The city is a ''Große Kreisstadt'' since 1956, i.e. a chief city under district administration; it was the administrative capital of its own rural district until the local government reorganisation on 1 January 1973. There are some institutions of higher education in the city, most notably the Pädagogische Hochschule Schwäbisch Gmünd (University of Education Schwäbisch Gmünd) and the Landesgymnasium für Hochbegabte (State Highschool for gifted children). Schwäbisch Gmünd was a self-ruling free imperial city from the 13th century until its annexation to Württemberg in 1802. Geography Schwäbisch Gmünd is situated within the northern foothills of the Swabian Jura Mountains o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Movement (music)
A movement is a self-contained part of a musical composition or musical form. While individual or selected movements from a composition are sometimes performed separately as stand-alone pieces, a performance of the complete work requires all the movements to be performed in succession. A movement is a section Section, Sectioning or Sectioned may refer to: Arts, entertainment and media * Section (music), a complete, but not independent, musical idea * Section (typography), a subdivision, especially of a chapter, in books and documents ** Section sig ..., "a major structural unit perceived as the result of the coincidence of relatively large numbers of structural phenomena". Sources Formal sections in music analysis {{music-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Unison
In music, unison is two or more musical parts that sound either the same pitch or pitches separated by intervals of one or more octaves, usually at the same time. ''Rhythmic unison'' is another term for homorhythm. Definition Unison or perfect unison (also called a prime, or perfect prime)Benward & Saker (2003), p. 53. may refer to the (pseudo-) interval formed by a tone and its duplication (in German, ''Unisono'', ''Einklang'', or ''Prime''), for example C–C, as differentiated from the second, C–D, etc. In the unison the two pitches have the ratio of 1:1 or 0 half steps and zero cents. Although two tones in unison are considered to be the same pitch, they are still perceivable as coming from separate sources, whether played on instruments of a different type: ; or of the same type: . This is because a pair of tones in unison come from different locations or can have different "colors" (timbres), i.e. come from different musical instruments or human voices. Voices wit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Diocese Of Cologne
The Archdiocese of Cologne ( la, Archidioecesis Coloniensis; german: Erzbistum Köln) is an archdiocese of the Catholic Church in western North Rhine-Westphalia and northern Rhineland-Palatinate in Germany. History The Electorate of Cologne—not to be confused with the larger Archdiocese of Cologne—was one of the major ecclesiastical principalities of the Holy Roman Empire. The city of Cologne as such became a free city in 1288 and the archbishop eventually moved his residence from Cologne Cathedral to Bonn to avoid conflicts with the Free City, which escaped his jurisdiction. After 1795, the archbishopric's territories on the left bank of the Rhine were occupied by France, and were formally annexed in 1801. The Reichsdeputationshauptschluss of 1803 secularized the rest of the archbishopric, giving the Duchy of Westphalia to the Landgraviate of Hesse-Darmstadt. As an ecclesial government, however, the archdiocese remained (more or less) intact: while she lost ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
