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Mercy Street
"Mercy Street" is a song written by English musician Peter Gabriel from his 1986 album '' So''. Background and recording The song was inspired by the personal and confessional works of the American poet Anne Sexton, who wrote a play titled ''Mercy Street'' and a poem titled "45 Mercy Street". It features two harmonious Gabriel vocals; one a shadow vocal an octave below the main vocal. Intended to give a sensual, haunting effect, he could only capture this effect upon waking up. The song is based around the Forró drum rhythm, which Gabriel recorded in Brazil. Originally the rhythm was used in an early incarnation of the song, titled "Don’t Break This Rhythm" (later released as a B-side to ''Sledgehammer''), but he became dissatisfied with it. He then changed the song to include an English folk melody and strapped on lyrics based on Anne Sexton’s work. Piano playing by Richard Tee was added to the song, but Gabriel felt it made the song too complex arrangement-wise, so it ...
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Peter Gabriel
Peter Brian Gabriel (born 13 February 1950) is an English musician, singer, songwriter, record producer, and activist. He rose to fame as the original lead singer of the progressive rock band Genesis. After leaving Genesis in 1975, he launched a successful solo career with "Solsbury Hill" as his first single. His fifth studio album, '' So'' (1986), is his best-selling release and is certified triple platinum in the UK and five times platinum in the US. The album's most successful single, " Sledgehammer", won a record nine MTV Awards at the 1987 MTV Video Music Awards and, according to a report in 2011, it was MTV's most played music video of all time. Gabriel has been a champion of world music for much of his career. He co-founded the WOMAD festival in 1982. He has continued to focus on producing and promoting world music through his Real World Records label. He has also pioneered digital distribution methods for music, co-founding OD2, one of the first online music download ...
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Richard Tee
Richard Edward Tee (born Richard Edward Ten Ryk; November 24, 1943 – July 21, 1993) was an American pianist, studio musician, singer and arranger, who had several hundred studio credits and played on such notable hits as "In Your Eyes", "Slip Slidin' Away", "Just the Two of Us", "I'll Be Sweeter Tomorrow (Than I Was Today)", "Crackerbox Palace", "Tell Her About It", " Don't Give Up" and many others. Biography Tee was born in Brooklyn, New York to Edward James Ten Ryk (1886–1963), who was from Guyana, and Helen G. Ford Skeete Ten Ryk (1902–2000), of New York. Tee spent most of his life in Brooklyn and lived with his mother in a brownstone apartment building. Tee graduated from The High School of Music & Art in New York City and attended the Manhattan School of Music. Though better known as a studio and session musician, Tee led a jazz ensemble, the Richard Tee Committee, and was a founding member of the band Stuff. In 1981, he played the piano and Fender Rhodes for Simo ...
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Black Uhuru
Black Uhuru is a Jamaican reggae group formed in 1972, initially as Uhuru ( Swahili for 'freedom'). The group has undergone several line-up changes over the years, with Derrick "Duckie" Simpson as the mainstay. They had their most successful period in the 1980s, with their album ''Anthem'' winning the first ever Grammy Award for Best Reggae Album in 1985. History The group formed in the Waterhouse district of Kingston in 1972, initially called “Uhuru" (the Swahili word for freedom), with a line-up of Garth Dennis, Don Carlos, and Derrick "Duckie" Simpson.Thompson, p. 38 Their first release was a cover version of The Impressions' "Romancing to the Folk Song", which was followed by "Time is on Our Side"; Neither song was a success and they split up, with Carlos pursuing a solo career, as did Dennis, before joining The Wailing Souls. Simpson also briefly worked with the Wailing Souls, before forming a new version of Uhuru with Errol Nelson (of The Jayes) and Michael Rose, the ...
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New Blood (Peter Gabriel Album)
''New Blood'' is the ninth studio album by the English rock musician Peter Gabriel, released on 10 October 2011. The album consists of orchestral re-recordings of various tracks from Gabriel's career. Background The album continues the project Gabriel began with his previous album, ''Scratch My Back'', which was orchestral covers of other artists' songs. The idea came about after rearranging Gabriel's songs for orchestra for the second half of shows on the ''Scratch My Back'' Tour of 2010. For this album Gabriel continued to work with arranger John Metcalfe. He originally planned to rerecord the songs with home-made instruments, but did not find the range and tone of expression available in existing instruments. "I really didn't want to make this new album all about the hits," Gabriel explained to Mark Blake. "So there's no 'Sledgehammer'… I was unsure at first about ' Red Rain' and about doing ' Don't Give Up' without Kate, but then it felt like it would fit. In the end i ...
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Blood Of Eden
"Blood of Eden" is the third single from English rock musician Peter Gabriel's 1992 album '' Us'', featuring backing vocals by Sinéad O'Connor. It narrowly failed to enter the UK top 40, peaking at number 43. The single has two B-side tracks: A remix of "Mercy Street" (originally from Gabriel's previous studio album '' So'', released in 1986) by William Orbit and an earlier version of the a-side. This version had originally appeared in the Wim Wenders film ''Until the End of the World'' (1991) but was not included on the official soundtrack. The female vocal part of the song was performed on the 1993–1994 Secret World Tour first by British musician Joy Askew, then by Sinéad O'Connor for a few months, and finally by American singer-songwriter Paula Cole. Cole's duet with Gabriel was released on both the ''Secret World Live'' album, as well as on the ''Secret World Live'' concert film. In 2011, Gabriel re-released the song with orchestral background on the album '' New Blood ...
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William Orbit
William Mark Wainwright (born 15 December 1956),"William Orbit." ''Contemporary Musicians''. Vol. 30. Farmington Hills, MI: Gale, 2000. Retrieved via ''Biography in Context'' database, 7 May 2017. Available onlinvia ''Encyclopedia.com'' known professionally as William Orbit, is a British musician and record producer who has sold 200 million recordings worldwide of his own work, his production and song-writing work. He is a recipient of multiple Grammy Awards, Ivor Novello Awards and other music industry awards. Early life Orbit (Wainwright) was raised in Palmers Green, a suburb of London. His parents were both schoolteachers; he was the elder of two sons. He left school at the age of 16, and subsisted for a number of years in various low-paying jobs, while seeking an outlet for his creativity. Around this time, while rooming with a friend who was trying to start a recording studio, Orbit found his musical calling. Torch Song and Bassomatic In 1980, Orbit teamed up with electro ...
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Yamaha CS-80
The Yamaha CS-80 is an analog synthesizer released in 1977. It supports true 8-voice polyphony, with two independent synthesizer layers per voice each with its own set of front panel controls, in addition to a number of hardwired preset voice settings and four parameter settings stores based on banks of subminiature potentiometers (rather than the digital programmable presets the Prophet-5 would sport soon after). It has exceptionally complete performer expression features, such as a layered keyboard that was both velocity-sensitive (like a piano's) and pressure-sensitive (" after-touch") but unlike most modern keyboards the aftertouch could be applied to individual voices rather than in common, and a ribbon controller allowing for polyphonic pitch-bends and glissandos. Production of the instrument ceased in 1980. Vying with the Sequential Circuits Prophet-5 and Oberheim OB-X polysynths for the title, the CS-80 is often described as the pre-eminent polyphonic analog synthes ...
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Sequential Circuits Prophet-5
The Prophet-5 is an analog synthesizer manufactured by the American company Sequential. It was designed by Dave Smith and John Bowen in 1977, who used microprocessors, then a new technology, to create the first polyphonic synthesizer with fully programmable memory. This allowed users to store sounds and recall them instantly rather than having to reprogram them manually; whereas synthesizers had once created unpredictable sounds, the Prophet-5 moved synthesizers to producing "a standard package of familiar sounds". Between 1978 and 1984, about 6,000 units were produced across three revisions. In 1981, Sequential released a 10-voice, double-keyboard version, the Prophet-10. Sequential introduced new versions in 2020, and it has been emulated in software synthesizers and hardware. The Prophet-5 has been widely used in popular music and film soundtracks. Development The Prophet-5 was created in 1977 by Dave Smith and John Bowen at Sequential Circuits. At the time, Smith had ...
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Fairlight CMI
The Fairlight CMI (short for Computer Musical Instrument) is a digital synthesizer, sampler, and digital audio workstation introduced in 1979 by Fairlight. — with links to some Fairlight history and photos It was based on a commercial licence of the Qasar M8 developed by Tony Furse of Creative Strategies in Sydney, Australia. It was one of the earliest music workstations with an embedded sampler and is credited for coining the term sampling in music. It rose to prominence in the early 1980s and competed with the Synclavier from New England Digital. History Origins: 1971–1979 In the 1970s, Kim Ryrie, then a teenager, had an idea to develop a build-it-yourself analogue synthesizer, the ETI 4600, for the magazine he founded, ''Electronics Today International'' (ETI). Ryrie was frustrated by the limited number of sounds that the synthesizer could make. After his classmate, Peter Vogel, graduated from high school and had a brief stint at university in 1975, Ryrie asked ...
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Mark Rivera
Mark Rivera (born May 24, 1953) is an American saxophonist, multi-instrumentalist, singer, musical director and corporate entertainment provider who is mostly known for his work with Billy Joel. In addition to playing soprano, alto, tenor and baritone saxophones, Rivera's musical abilities encompass vocals, guitar, bass, flute, percussion, hammer and chromium steel pipe, and keyboards. Early life Mark Rivera was born in Brooklyn, New York, and attended the High School of Performing Arts in Manhattan. His mother is American and his father is a Puerto Rican American. Career Rivera's first national exposure came with the band Tycoon in the mid 1970s. From this venture he met the legendary producer Robert John "Mutt" Lange. Lange, as part of an association with Mick Jones and Lou Gramm of Foreigner, introduced Rivera to the "big leagues" of rock music, recording and performing. Over the years, Rivera has worked with Hall & Oates, Tycoon, Peter Gabriel on his groundbreaking '' So ...
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Larry Klein
Larry Klein (born March 17, 1956) is an American musician, songwriter, and record producer. He is based in Los Angeles. He began his career as a bassist, playing with jazz artists Willie Bobo, Freddie Hubbard, Carmen McRae, Joe Henderson, Bobby Hutcherson, Wayne Shorter, Herbie Hancock, Bobby McFerrin, and Dianne Reeves. As a bass player he has also worked with artists such as Bob Dylan, Robbie Robertson, Peter Gabriel, Don Henley, Lindsey Buckingham, and Randy Newman. As a record producer, Klein is a four-time Grammy Award winner, for his work on albums by Joni Mitchell and Herbie Hancock, and has been nominated for six additional Grammy Awards, including three nominations for Producer of the Year. Klein has produced more than 100 albums during his career, for musicians such as Joni Mitchell, Herbie Hancock, Shawn Colvin, Holly Cole, Madeleine Peyroux, Melody Gardot, Walter Becker and Tracy Chapman. Early life and musical career Klein grew up in Monterey Park, Californi ...
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Triangle (musical Instrument)
The triangle is a musical instrument in the percussion family, and is classified as an idiophone in the Hornbostel-Sachs classification system. Triangles are made from a variety of metals including aluminum, beryllium copper, brass, bronze, iron, and steel. The metal is formed into a triangle shape by bending or casting methods. The instrument is usually held by a loop of some form of thread or wire at the top curve. The triangle theoretically has indefinite pitch, and produces a plurality of overtones when struck with an appropriate beater. History Iconography is the primary source for knowledge of the history of the triangle, and provides insight into the musical and social context in which the instrument developed. Some scholars believe the triangle to be a direct descendant of the ancient Egyptian sistrum. Others do not go quite so far, referring to the triangle as being "allied" with the sistrum throughout history, but not a direct descendant. It is thought that if ...
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