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Mercurial Manoeuvres
''Mercurial Manoeuvres'' is a ballet choreographed by Christopher Wheeldon to Shostakovich's Piano Concerto No. 1, with costumes designed by Carole Divet. The ballet premiered on April 28, 2000 at the New York State Theater. The first movement features a male soloist, two female demi-soloists, four male demi-soloists and a ''corps de ballet'' of twelve women. The second movement is a ''pas de deux''. The entire cast then return to the stage for the final movement. ''Mercurial Manoeuvres'' was made as part of the New York City Ballet's Diamond Project. The original cast includes Miranda Weese, Jock Soto, Edwaard Liang, Audrey Morgan and Elena Diner. When the ballet was made, Wheeldon was dancing with the company as a soloist. He retired from performing after ''Mercurial Manoeuvres'' to become a full-time choreographer. In 2020, in response to the impacts of the coronavirus pandemic on the performing arts, the New York City Ballet will release a 2017 video recording of the pa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Christopher Wheeldon
Christopher Peter Wheeldon OBE (born 22 March 1973) is an English international choreographer of contemporary ballet. Life and career Born in Yeovil, Somerset, to an engineer and a physical therapist, Wheeldon began training to be a ballet dancer at the age of 8. He attended the Royal Ballet School between the ages of 11 and 18. In 1991, Wheeldon joined the Royal Ballet, London; and in that same year, he won the gold medal at the Prix de Lausanne competition. In 1993, at the age of 19, Wheeldon moved to New York City to join the New York City Ballet. Wheeldon was named Soloist in 1998.Brown, Mark. "Ballet world abuzz at British choreographer's huge gamble," ''Manchester Guardian'', 5 January 2007. Wheeldon began choreographing for the New York City Ballet in 199 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dmitri Shostakovich
Dmitri Dmitriyevich Shostakovich, , group=n (9 August 1975) was a Soviet-era Russian composer and pianist who became internationally known after the premiere of his Symphony No. 1 (Shostakovich), First Symphony in 1926 and was regarded throughout his life as a major composer. Shostakovich achieved early fame in the Soviet Union, but had a complex relationship with its government. His 1934 opera ''Lady Macbeth of Mtsensk (opera), Lady Macbeth of Mtsensk'' was initially a success, but eventually was Muddle Instead of Music, condemned by the Soviet government, putting his career at risk. In 1948 his work was #Second denunciation, denounced under the Zhdanov Doctrine, with professional consequences lasting several years. Even after his censure was On the Cult of Personality and Its Consequences, rescinded in 1956, performances of his music were occasionally subject to state interventions, as with his Symphony No. 13 (Shostakovich), Thirteenth Symphony (1962). Shostakovich was a m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
New York State Theater
The David H. Koch Theater is a theater for ballet, modern and other forms of dance, part of the Lincoln Center, at the intersection of Columbus Avenue and 63rd Street in the Lincoln Square neighborhood of Manhattan in New York City. Originally named the New York State Theater, the venue has been home to the New York City Ballet since its opening in 1964, the secondary venue for the American Ballet Theatre in the fall, and served as home to the New York City Opera from 1964 to 2011. The theater occupies the south side of the main plaza of Lincoln Center, opposite David Geffen Hall. History The New York State Theater was built with funds from the State of New York as part of New York State's cultural participation in the 1964–1965 World's Fair. The theater was designed by architects Philip Johnson and John Burgee, opened on April 23, 1964. After the Fair, the State transferred ownership of the theater to the City of New York. The City leases the theater to Lincoln Center ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
New York City Ballet
New York City Ballet (NYCB) is a ballet company founded in 1948 by choreographer George Balanchine and Lincoln Kirstein. Balanchine and Jerome Robbins are considered the founding choreographers of the company. Léon Barzin was the company's first music director. City Ballet grew out of earlier troupes: the Producing Company of the School of American Ballet, 1934; the American Ballet, 1935, and Ballet Caravan, 1936, which merged into American Ballet Caravan, 1941; and directly from the Ballet Society, 1946. History In a 1946 letter, Kirstein stated, "The only justification I have is to enable Balanchine to do exactly what he wants to do in the way he wants to do it."Alastair Macaulay, "A Paragon of the Arts, as Both Man and Titan" (review of Martin Du ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Piano Concerto No
The piano is a stringed keyboard instrument in which the strings are struck by wooden hammers that are coated with a softer material (modern hammers are covered with dense wool felt; some early pianos used leather). It is played using a keyboard, which is a row of keys (small levers) that the performer presses down or strikes with the fingers and thumbs of both hands to cause the hammers to strike the strings. It was invented in Italy by Bartolomeo Cristofori around the year 1700. Description The word "piano" is a shortened form of ''pianoforte'', the Italian term for the early 1700s versions of the instrument, which in turn derives from ''clavicembalo col piano e forte'' (key cimbalom with quiet and loud)Pollens (1995, 238) and ''fortepiano''. The Italian musical terms ''piano'' and ''forte'' indicate "soft" and "loud" respectively, in this context referring to the variations in volume (i.e., loudness) produced in response to a pianist's touch or pressure on the keys: the grea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Corps De Ballet
In ballet, the ''corps de ballet'' (; French for "body of the ballet") is the group of dancers who are not principal dancers or soloists. They are a permanent part of the ballet company and often work as a backdrop for the principal dancers. A ''corps de ballet'' works as one, with synchronized movements and corresponding positioning on the stage. Specific roles are sometimes made for the ''corps de ballet'', such as Swan Lake, the Snow Corps de Ballet and the Flower Corps in ''The Nutcracker''. See also *Ballet dancer A ballet dancer ( it, ballerina fem.; ''ballerino'' masc.) is a person who practices the art of classical ballet. Both females and males can practice ballet; however, dancers have a strict hierarchy and strict gender roles. They rely on yea ... References * Ballet occupations Ballet terminology it:Glossario della danza classica#Corps de ballet {{ballet-dance-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pas De Deux
In ballet, a pas de deux (French language, French, literally "step of two") is a dance duet in which two dancers, typically a male and a female, perform ballet steps together. The pas de deux is characteristic of classical ballet and can be found in many well-known ballets, including ''Sleeping Beauty (ballet), Sleeping Beauty'', ''Swan Lake'', and ''Giselle''. It is most often performed by a male and a female (a ''danseur'' and a ''ballerina'') though there are exceptions, such as in the film ''White Nights (1985 film), White Nights'', in which a pas de deux is performed by Mikhail Baryshnikov and Gregory Hines. Grand pas de deux A grand pas de deux is a structured pas de deux that typically has five parts, consisting of an ''entrée'' (introduction), an ''adagio'', two variations (a solo for each dancer), and a ''coda'' (conclusion). It is effectively a suite of dances that share a common theme, often symbolic of a love story or the partnership inherent in love, with the dan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Miranda Weese
Miranda Weese (born ) is an American former ballet dancer, teacher and ballet master. She joined the New York City Ballet in 1993 and was promoted to principal dancer in 1996. In 2007, she left to perform with the Pacific Northwest Ballet, first as a guest artist, then joined the company as a principal dancer, before retiring in 2010. In 2017, she joined the Boston Ballet as a children's ballet master. Early life and training Weese was born in San Bernardino, California. She started living with her maternal grandparents as an infant, and was adopted by them as a child. Weese refers to the couple as her parents. She has claims Cherokee and Blackfoot ancestry. She was raised primarily in Orange County, but had also lived in La Puente for a few years. Weese started dancing at age five, after a doctor recommended it to help her with knock knees. She later trained with Catherine Joyce while living in La Puente, then with Shery Gilbert upon returning to Orange County, becoming Gilbert ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jock Soto
Jock Soto (born 1965)Kisselgoff, Anna. "Not Only a Partner, a Dynamic Interpreter", ''The New York Times'', June 18, 2005. p. B7. is a former American ballet dancer and current ballet instructor. Career Jock Soto danced featured roles in over 40 ballets, of which more than 35 were created for him. While a student at the School of American Ballet (SAB) he danced the role of Luke in Peter Martins' ''The Magic Flute'', which was choreographed for SAB's 1981 workshop performances. It transferred to the New York City Ballet, and he retained his role. He joined New York City Ballet in 1981 and made his debut as Luke in ''The Magic Flute'' the following January. He was promoted to soloist in 1984 and to principal dancer in 1985. Soto danced the role of a parent in the 1993 film version of ''The Nutcracker'', a version based on the New York City Ballet production choreographed by George Balanchine. He gave his farewell performance on Sunday, June 19, 2005. The program featured balle ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Edwaard Liang
Edwaard Liang (born c. 1975/1976 Also available a. in Taipei, Taiwan) is a Taiwanese-born American dancer and choreographer. He grew up in Marin County, California. Career Liang began studying dance at the age of 5. He entered the School of American Ballet in New York City in 1989, joined New York City Ballet in 1993 and was promoted to the rank of soloist in 1998.In 2001, Liang left the New York City Ballet to dance in '' Fosse'' on Broadway. He returned to New York City Ballet from 2004 to 2007 where he danced in ballets by Jorma Elo ('' Slice to Sharp'') and Mauro Bigonzetti (''In Vento''). Liang began choreographing around 2003. He created FLIGHT OF ANGELS for Nederlands Dans Theatre and in 2005 his pas de deux DISTANT CRIES was premiered at the Joyce Theatre, NYC, by Peter Boal and Wendy Whelan and was later performed by the same dancers at the New York State Theater. In July 2013 Liang became artistic director of BalletMet the professional company based in Columbus, Ohio. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Impact Of The COVID-19 Pandemic On The Performing Arts
The COVID-19 pandemic has had a significant impact on the performing arts, mirroring its impacts across all arts sectors. Due to physical distancing requirements and closure of the physical venues, curtailing not only public performances but also rehearsals, many performing arts institutions attempted to adapt by offering new (or newly expanded) digital services. In particular this resulted in the free online streaming of previously recorded performances of many companies – especially orchestral performances and plays – lists of which were collated by journalists as well as bespoke crowdsourcing projects. Cancellations and closures Live music and theatre Live musical performances in indoor spaces were cancelled. Theatre performances were cancelled or delayed. All Broadway theatres in New York were closed as well as West End theatres in London. ''Waitress'' on West End and '' Frozen'' on Broadway announced they would close permanently. '' 9 to 5: The Musical'' on West End,'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tiler Peck
Tiler Kalyn Peck (born January 12, 1989) is an American ballet dancer who is a principal dancer with the New York City Ballet. As well as ballet, she has performed in musical theatre shows and has made cameo appearances in films including ''Donnie Darko'' and television series including ''Tiny Pretty Things''. Early life Born in Bakersfield, California, Peck started her studies at her mother's ballet studio in Bakersfield, at the age of two. She started her formal training in classical ballet at the age of seven when she received private lessons in Hollywood from Alla Khaniashvili, a former dancer with the Bolshoi Ballet. Later, she began to study with New York City Ballet dancers Colleen and Patricia Neary in California. During this time she enrolled at the Westside School of Ballet in Santa Monica where she studied with the former New York City Ballet principal Yvonne Mousey and learned the Balanchine technique. Ballet career While performing on Broadway in Susan Stroman ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
