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Mel Tormé Sings Fred Astaire
''Mel Tormé Sings Fred Astaire'' is a 1956 album by Mel Tormé, recorded in tribute to Fred Astaire. This was Tormé's second recording with Marty Paich and his Dek-Tette. Track listing # "Nice Work If You Can Get It (song), Nice Work If You Can Get It" (George Gershwin, Ira Gershwin) – 3:12 # "Something's Gotta Give (Johnny Mercer song), Something's Gotta Give" (Johnny Mercer) – 4:00 # "A Foggy Day" (G. Gershwin, I. Gershwin) – 2:47 # "A Fine Romance (song), A Fine Romance" (Dorothy Fields, Jerome Kern) – 3:04 # "Let's Call the Whole Thing Off" (G. Gershwin, I. Gershwin) – 3:29 # "Top Hat, White Tie and Tails" (Berlin) – 3:11 # "The Way You Look Tonight" (Fields, Kern) – 2:25 # "The Piccolino" (Berlin) – 2:38 # "They Can't Take That Away from Me" (G. Gershwin, I. Gershwin) – 3:04 # "Cheek to Cheek" (Berlin) – 3:01 # "Let's Face the Music and Dance" (Berlin) – 2:22 # "They All Laughed (song), They All Laughed" (G. Gershwin, I. Gershwin) – 2:30 Personne ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mel Tormé
Melvin Howard Tormé (September 13, 1925 – June 5, 1999), nicknamed "The Velvet Fog", was an American musician, singer, composer, arranger, drummer, actor, and author. He composed the music for "The Christmas Song" ("Chestnuts Roasting on an Open Fire") and co-wrote the lyrics with Bob Wells. Early life Melvin Howard Tormé was born in Chicago, Illinois, to William David Torme, a Jewish immigrant from Poland, and Betty Torme (née Sopkin), a New York City native. He graduated from Hyde Park High School. A child prodigy, he first performed professionally at age four with the Coon-Sanders Orchestra, singing "You're Driving Me Crazy" at Chicago's Blackhawk restaurant. He played drums in the drum-and-bugle corps at Shakespeare Elementary School. From 1933 to 1941, he acted in the radio programs ''The Romance of Helen Trent'' and ''Jack Armstrong, the All-American Boy''. He wrote his first song at 13. Three years later his first published song, "Lament to Love", became a hit for ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jerome Kern
Jerome David Kern (January 27, 1885 – November 11, 1945) was an American composer of musical theatre and popular music. One of the most important American theatre composers of the early 20th century, he wrote more than 700 songs, used in over 100 stage works, including such classics as " Ol' Man River", "Can't Help Lovin' Dat Man", " A Fine Romance", "Smoke Gets in Your Eyes", "The Song Is You", "All the Things You Are", "The Way You Look Tonight" and "Long Ago (and Far Away)". He collaborated with many of the leading librettists and lyricists of his era, including George Grossmith Jr., Guy Bolton, P. G. Wodehouse, Otto Harbach, Oscar Hammerstein II, Dorothy Fields, Johnny Mercer, Ira Gershwin and Yip Harburg. A native New Yorker, Kern created dozens of Broadway musicals and Hollywood films in a career that lasted for more than four decades. His musical innovations, such as 4/4 dance rhythms and the employment of syncopation and jazz progressions, built on, rather than rejec ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pete Candoli
Pete Candoli (born Walter Joseph Candoli; June 28, 1923 – January 11, 2008) was an American jazz trumpeter. He played with the big bands of Woody Herman and Stan Kenton and worked in the studios of the recording and television industries. Career A native of Mishawaka, Indiana, Pete Candoli was the older brother of Conte Candoli. During the 1940s he was a member of big bands led by Sonny Dunham, Will Bradley, Ray McKinley, Tommy Dorsey, Teddy Powell, Woody Herman, Boyd Raeburn, Tex Beneke, and Jerry Gray. For his ability to hit high notes on the trumpet he was given the nickname "Superman". While he was a member of Woody Herman's First Herd, he sometimes wore a Superman costume during his solo. In the 1950s he belonged to the bands of Stan Kenton and Les Brown and in Los Angeles began to work as a studio musician. His studio work included recording soundtracks for the movies ''Bell, Book and Candle'', ''Private Hell 36'', Day the World Ended, (1955), ('The S.F. Blues'), ''Pe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jack Montrose
Jack Montrose (December 30, 1928 – February 7, 2006) was a jazz tenor saxophonist and arranger. After attending college in Los Angeles, he worked with Jerry Gray and then Art Pepper. Montrose also did arrangements for Clifford Brown. He became known for cool jazz and/or West coast jazz. Montrose was born in Detroit. Beginning in the mid-1950s Montrose's heroin addiction became a liability and by the time he had overcome it his style of jazz was no longer popular. This led him to play in strip joints for a time until he relocated to Las Vegas where he worked in casinos. Montrose returned to recording in 1977 and in 1986 had some success in collaboration with Pete Jolly.All Music/ref> Jack Montrose (West Coast Jack) is not to be confused with tenorist J.R. Monterose (East Coast Jake) who played on Charles Mingus's album '' Pithecanthropus Erectus''. He died in Las Vegas. Discography As leader *''Arranged by Montrose'' (Pacific Jazz, 1954) with Bob Gordon Quartet / Clifford ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Herb Geller
Herbert Arnold Geller (November 2, 1928 – December 19, 2013) was an American jazz saxophonist, composer and arranger. He was born in Los Angeles, California, United States. Early life His mother, Frances ''(née'' Frances Mildred Fullman, also known as Fannie Fullman; 1899–1980), worked at the Hollywood neighborhood cinemas playing piano, accompanying silent movies. At the age of 8, Geller was presented with an alto saxophone, purchased from a local music store owner and music teacher who was also a family friend and had a used instrument for sale. Two years later, he started playing the clarinet. Geller attended Dorsey High School in the southwestern part of Los Angeles and joined the school band which among others included the musicians Eric Dolphy and Vi Redd. At the age of 14, he heard Benny Carter perform at the Orpheum Theatre in Los Angeles and was so impressed that he decided to pursue a career in music, specializing on the alto saxophone. Two years later, he had hi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Conducting
Conducting is the art of directing a musical performance, such as an orchestral or choral concert. It has been defined as "the art of directing the simultaneous performance of several players or singers by the use of gesture." The primary duties of the conductor are to interpret the score in a way which reflects the specific indications in that score, set the tempo, ensure correct entries by ensemble members, and "shape" the phrasing where appropriate. Conductors communicate with their musicians primarily through hand gestures, usually with the aid of a baton, and may use other gestures or signals such as eye contact. A conductor usually supplements their direction with verbal instructions to their musicians in rehearsal. The conductor typically stands on a raised podium with a large music stand for the full score, which contains the musical notation for all the instruments or voices. Since the mid-19th century, most conductors have not played an instrument when conducting, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arrangement
In music, an arrangement is a musical adaptation of an existing composition. Differences from the original composition may include reharmonization, melodic paraphrasing, orchestration, or formal development. Arranging differs from orchestration in that the latter process is limited to the assignment of notes to instruments for performance by an orchestra, concert band, or other musical ensemble. Arranging "involves adding compositional techniques, such as new thematic material for introductions, transitions, or modulations, and endings. Arranging is the art of giving an existing melody musical variety".(Corozine 2002, p. 3) In jazz, a memorized (unwritten) arrangement of a new or pre-existing composition is known as a ''head arrangement''. Classical music Arrangement and transcriptions of classical and serious music go back to the early history of this genre. Eighteenth century J.S. Bach frequently made arrangements of his own and other composers' piec ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Singing
Singing is the act of creating musical sounds with the voice. A person who sings is called a singer, artist or vocalist (in jazz and/or popular music). Singers perform music (arias, recitatives, songs, etc.) that can be sung with or without accompaniment by musical instruments. Singing is often done in an ensemble of musicians, such as a choir. Singers may perform as soloists or accompanied by anything from a single instrument (as in art song or some jazz styles) up to a symphony orchestra or big band. Different singing styles include art music such as opera and Chinese opera, Indian music, Japanese music, and religious music styles such as gospel, traditional music styles, world music, jazz, blues, ghazal, and popular music styles such as pop, rock, and electronic dance music. Singing can be formal or informal, arranged, or improvised. It may be done as a form of religious devotion, as a hobby, as a source of pleasure, comfort, or ritual as part of music education or ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
They All Laughed (song)
"They All Laughed" is a song composed by George Gershwin, with lyrics by Ira Gershwin, written for the 1937 film ''Shall We Dance'' where it was introduced by Ginger Rogers as part of a song and dance routine with Fred Astaire. Lyrics The lyrics compare those who "laughed at me, wanting you" with those who laughed at some of history's famous scientific and industrial pioneers, asking, "Who's got the last laugh now?" People and advances mentioned are Christopher Columbus's proof the Earth is round; Thomas Edison's phonograph; Guglielmo Marconi's wireless telegraphy; the Wright brothers's first flight; the Rockefeller Center; Eli Whitney's cotton gin; Robert Fulton's ''North River Steamboat''; Milton S. Hershey's Hershey bar chocolate; and Henry Ford's "Tin Lizzy" Model T car. Recording and releases Fred Astaire with Johnny Green and His Orchestra recorded the song on March 18, 1937. Brunswick Records released it as a single, which appeared on the U.S. record charts. Astaire rec ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Let's Face The Music And Dance
"Let's Face the Music and Dance" is a song written in 1936 by Irving Berlin for the film ''Follow the Fleet'', where it was introduced by Fred Astaire and featured in a celebrated dance duet with Astaire and Ginger Rogers. The jazz song has also been covered by various artists years following its release, including Nat King Cole, Ella Fitzgerald, Frank Sinatra, Mel Torme, Todd Gordon and others. Background The song was composed and written by Irving Berlin. Berlin's repertoire of Hollywood compositions was growing at the time, as he ‘adapted’ to the trends and ideas in vogue in Hollywood. “Let’s Face the Music and Dance’s” debut as an original song for the Hollywood film, ''Follow the Fleet'', signified the popularisation of jazz, demonstrating a notable example of jazz on the silver screen. This jazz composition adheres to the typical conventions within the genre of jazz in the 1930s paradigm, classed as part of the ‘classical age.' “Let’s Face the Music ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cheek To Cheek
"Cheek to Cheek" is a song written by Irving Berlin in 1934–35, specifically for the star of his new musical, Fred Astaire. The movie was ''Top Hat'', co-starring Ginger Rogers."Cheek to Cheek" by Fred Astaire, 1935 ; from the University of Virginia's American Studies website, subsection : 1935-1939"; retrieved 2012-03-07. In the movie, Astaire sings the song to Rogers as they dance. The song was nominated for the Best Song for 1936, which it lost to " [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
They Can't Take That Away From Me
"They Can't Take That Away from Me" is a 1937 popular song with music by George Gershwin and lyrics by Ira Gershwin. It was introduced by Fred Astaire in the 1937 film ''Shall We Dance'' and gained huge success. Overview The song is performed by Astaire on the lonely foggy deck of a ferry from New Jersey to Manhattan. It is sung to Ginger Rogers, who remains silent listening throughout. No dance sequence follows, which was unusual for the Astaire-Rogers numbers. Astaire and Rogers did dance to it later in their last movie ''The Barkleys of Broadway'' (1949) in which they played a married couple with marital issues. The song, in the context of ''Shall We Dance'', notes some of the things that Peter (Astaire) will miss about Linda (Rogers). The lyrics include "the way you wear your hat, the way you sip your tea", and "the way you hold your knife, the way we danced till three". Each verse is followed by the line "no, no, they can't take that away from me". The basic meaning of the s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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