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Megara (Disney Character)
Megara, also known as Meg, is a fictional character who appears in the Walt Disney Pictures 35th animated film ''Hercules'' (1997). Voiced by actress Susan Egan, Meg is introduced as a cynical young woman enslaved by Hades, god of the underworld. Hades forces Meg to uncover Hercules' weaknesses by seducing him in return for her freedom, only to develop genuine feelings for the character instead. Loosely based on Megara and Deianira, Hercules' first and second wives in Greek mythology, directors Ron Clements and John Musker adapted Meg into a morally conflicted con artist, while basing her role and personality on 1940s screwball comediennes, particularly actress Barbara Stanwyck's performance in ''The Lady Eve'' (1941). Egan had already been starring as Belle in the stage adaptation of Disney's ''Beauty and the Beast'' (1994) when she learned of auditions for ''Hercules''. Despite campaigning heavily for the role of Meg, Disney initially prevented Egan from auditioning becau ...
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Hercules (franchise)
''Hercules'' is a Disney media franchise comprising a film series and additional merchandise, starting with the 1997 animated Disney feature of the same name, directed by Ron Clements and John Musker. Films ''Hercules'' ''Hercules'' is a 1997 American animated musical comedy-fantasy film produced by Walt Disney Animation Studios and released by Walt Disney Pictures. The 35th Disney animated feature film, the film was directed by Ron Clements and John Musker. The film is based on the legendary Greek mythology hero Heracles (known in the film by his Roman name, Hercules), the son of Zeus, in Greek mythology. ''Hercules: Zero to Hero'' '' Hercules: Zero to Hero'' is a 1999 direct-to-video followup to Disney's 1997 animated feature ''Hercules''. It was released on August 31, 1999, and serves as the pilot to '' Hercules: The Animated Series''. It packages four episodes of the television series to make a single narrative. Live-action remake In April, 2020, it was reported that a ...
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Confidence Trick
A confidence trick is an attempt to defraud a person or group after first gaining their trust. Confidence tricks exploit victims using their credulity, naïveté, compassion, vanity, confidence, irresponsibility, and greed. Researchers have defined confidence tricks as "a distinctive species of fraudulent conduct ..intending to further voluntary exchanges that are not mutually beneficial", as they "benefit con operators ('con men') at the expense of their victims (the 'marks')". Terminology Synonyms include con, confidence game, confidence scheme, ripoff, scam, and stratagem. The perpetrator of a confidence trick (or "con trick") is often referred to as a confidence (or "con") man, con-artist, or a "grifter". The shell game dates back at least to Ancient Greece. Samuel Thompson (1821–1856) was the original "confidence man". Thompson was a clumsy swindler who asked his victims to express confidence in him by giving him money or their watch rather than gaining their confi ...
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Zero To Hero
Zero to Hero may refer to: * '' Hercules: Zero to Hero'', 1999 American animated film * "Zero to Hero", a song in ''Hercules'', the soundtrack to the 1997 film, Hercules * ''Zero to Hero'' (TV series), 2005 Singaporean TV series * ''Zero to Hero'' (film), 2021 Hong Kong drama film {{disambig ...
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Pottery Of Ancient Greece
Ancient Greek pottery, due to its relative durability, comprises a large part of the archaeological record of ancient Greece, and since there is so much of it (over 100,000 painted vases are recorded in the Corpus vasorum antiquorum), it has exerted a disproportionately large influence on our understanding of Greek society. The shards of pots discarded or buried in the 1st millennium BC are still the best guide available to understand the customary life and mind of the ancient Greeks. There were several vessels produced locally for everyday and kitchen use, yet finer pottery from regions such as Attica was imported by other civilizations throughout the Mediterranean, such as the Etruscans in Italy.John H. Oakley (2012). "Greek Art and Architecture, Classical: Classical Greek Pottery," in Neil Asher Silberman et al. (eds), ''The Oxford Companion to Archaeology, Vol 1: Ache-Hoho'', Second Edition, 641–644. Oxford & New York: Oxford University Press. , p. 641. There were a multi ...
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Realism (arts)
Realism in the arts is generally the attempt to represent subject matter truthfully, without artificiality and avoiding speculative and supernatural elements. The term is often used interchangeably with naturalism, although these terms are not synonymous. Naturalism, as an idea relating to visual representation in Western art, seeks to depict objects with the least possible amount of distortion and is tied to the development of linear perspective and illusionism in Renaissance Europe. Realism, while predicated upon naturalistic representation and a departure from the idealization of earlier academic art, often refers to a specific art historical movement that originated in France in the aftermath of the French Revolution of 1848. With artists like Gustave Courbet capitalizing on the mundane, ugly or sordid, realism was motivated by the renewed interest in the common man and the rise of leftist politics. The Realist painters rejected Romanticism, which had come to dominate ...
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Lauren Bacall
Lauren Bacall (; born Betty Joan Perske; September 16, 1924 – August 12, 2014) was an American actress. She was named the 20th-greatest female star of classic Hollywood cinema by the American Film Institute and received an Academy Honorary Award from the Academy of Motion Picture Arts and Sciences in 2009 in recognition of her contribution to the Golden Age of motion pictures. She was known for her alluring, sultry presence and her distinctive, husky voice. Bacall was one of the last surviving major stars from the Golden Age of Hollywood cinema. Bacall began a career as a model for the Walter Thornton Model Agency before making her film debut at the age of 19 as the leading lady opposite her future husband Humphrey Bogart in ''To Have and Have Not'' (1944). She continued in the film noir genre with appearances alongside her new husband in '' The Big Sleep'' (1946), '' Dark Passage'' (1947), and '' Key Largo'' (1948), and she starred in the romantic comedies '' How to Mar ...
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Bette Davis
Ruth Elizabeth "Bette" Davis (; April 5, 1908 – October 6, 1989) was an American actress with a career spanning more than 50 years and 100 acting credits. She was noted for playing unsympathetic, sardonic characters, and was famous for her performances in a range of film genres, from contemporary crime melodramas to historical films, suspense horror, and occasional comedies, although her greater successes were in romantic dramas. A recipient of two Academy Awards, she was the first thespian to accrue ten nominations. Bette Davis appeared on Broadway in New York, then the 22-year-old Davis moved to Hollywood in 1930. After some unsuccessful films, she had her critical breakthrough playing a vulgar waitress in ''Of Human Bondage'' (1934) although, contentiously, she was not among the three nominees for the Academy Award for Best Actress that year. The next year, her performance as a down-and-out actress in '' Dangerous'' (1935) did land Davis her first Best Actress nomination, ...
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Joan Crawford
Joan Crawford (born Lucille Fay LeSueur; March 23, [uncertain year from 1904 to 1908] was an American actress. She started her career as a dancer in traveling theatrical companies before debuting on Broadway theatre, Broadway. Crawford was signed to a motion picture contract by Metro-Goldwyn-Mayer in 1925. Initially frustrated by the size and quality of her parts, Crawford launched a publicity campaign and built an image as a nationally-known flapper by the end of the 1920s. By the 1930s, Crawford's fame rivaled MGM colleagues Norma Shearer and Greta Garbo. Crawford often played hardworking young women who find romance and financial success. These "rags-to-riches" stories were well received by Great Depression, Depression-era audiences and were popular with women. Crawford became one of Hollywood, Los Angeles, California, Hollywood's most prominent movie stars and one of the highest paid women in the United States, but her films began losing money. By the end of the 1930s, she ...
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Classical Hollywood Cinema
Classical Hollywood cinema is a term used in film criticism to describe both a narrative and visual style of filmmaking which became characteristic of American cinema between the 1910s (rapidly after World War I) and the 1960s. It eventually became the most powerful and pervasive style of filmmaking worldwide. Similar or associated terms include classical Hollywood narrative, the Golden Age of Hollywood, Old Hollywood, and classical continuity. For centuries, the only visual standard of narrative storytelling art was the theatre. Since the first narrative films in the mid-late 1890s, filmmakers have sought to capture the power of live theatre on the cinema screen. Most of these filmmakers started as directors on the late 19th-century stage, and likewise most film actors had roots in vaudeville (e.g. The Marx Brothers) or theatrical melodramas. Visually, early narrative films had adapted little from the stage, and their narratives had adapted very little from vaudeville and m ...
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Beauty And The Beast (1991 Film)
''Beauty and the Beast'' is a 1991 American animated musical romantic fantasy film produced by Walt Disney Feature Animation and released by Walt Disney Pictures. The 30th Disney animated feature film and the third released during the Disney Renaissance period, it is based on the 1756 fairy tale of the same name by Jeanne-Marie Leprince de Beaumont (who was only credited in the French dub), while also containing ideas from the 1946 French film of the same name directed by Jean Cocteau. The film was directed by Gary Trousdale and Kirk Wise (in their feature directorial debuts) and produced by Don Hahn, from a screenplay by Linda Woolverton. ''Beauty and the Beast'' focuses on the relationship between the Beast (voice of Robby Benson), a prince who is magically transformed into a monster and his servants into household objects as punishment for his arrogance, and Belle (voice of Paige O'Hara), a young woman whom he imprisons in his castle in exchange for her father. To brea ...
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Beauty And The Beast (musical)
''Beauty and the Beast'' is a Disney stage musical with music by Alan Menken, lyrics by Howard Ashman and Tim Rice, and a book by Linda Woolverton. Adapted from Walt Disney Pictures' Academy Award-winning 1991 animated musical film of the same name – which in turn had been based on the classic French fairy tale by Jeanne-Marie Leprince de Beaumont – ''Beauty and the Beast'' tells the story of an unkind prince who has been magically transformed into an unsightly creature as punishment for his selfish ways. To revert into his true human form, the Beast must learn to love a bright, beautiful young lady who he has imprisoned in his enchanted castle before it is too late. Critics, who hailed the film as one of the year's finest musicals, instantly noted its Broadway musical potential when it was first released in 1991, encouraging Disney CEO Michael Eisner to venture into Broadway. All eight songs from the animated film were reused in the musical, including a resurrected mu ...
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Belle (Beauty And The Beast)
Belle is a fictional character in Disney's 30th animated feature film '' Beauty and the Beast'' (1991). Voiced by actress and singer Paige O'Hara, Belle, the book-loving daughter of an eccentric inventor, yearns to abandon her predictable village life in return for adventure. When her father Maurice is imprisoned by a cold-hearted beast in an enchanted castle, Belle offers her own freedom in exchange for her father's, and gradually learns to love the Beast despite his outward appearance. Disney chairman Jeffrey Katzenberg commissioned ''Beauty and the Beast'' as an animated musical with a strong heroine, for which he hired first-time screenwriter Linda Woolverton. Basing her on the heroine of the 1740 fairy tale of the same name, Woolverton adapted Belle into a more proactive character for the film, deliberately conceiving her as a feminist to curtail criticisms Disney had long received for purportedly portraying female characters as victims. Inspired by the women's ...
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