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Medium Essentialism
Medium essentialism is a philosophical theory stating that each artform has its own distinctive medium, and that the essence of such an artform is dependent on its particular medium. In practice, the theory argues that every artwork should manifest its essential properties, those which no other artform can employ. The theory relies on the presumption that every artform has a unique medium, and is divided into two main interpretations. The ‘limitation’ interpretation of medium essentialism argues that, due to their medium, some artforms should be constrained in their aspirations. The ‘productive’ interpretation reasons that a work's medium determines what content or style will function best, and that practitioners should pursue ventures aligning with the nature of this chosen medium. Clement Greenberg is a prolific medium-essentialist in relation to modernist art, proposing that artists such as Jackson Pollock are successful because they properly exploit elements of their c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Philosophical Theory
A philosophical theory or philosophical position''Dictionary of Theories'', Jennifer Bothamley is a view that attempts to explain or account for a particular problem in philosophy. The use of the term "theory" is a statement of colloquial English and not reflective of the term theory. While any sort of thesis or opinion may be termed a position, in analytic philosophy it is thought best to reserve the word "theory" for systematic, comprehensive attempts to solve problems. Overview The elements that comprise a philosophical position consist of statements which are believed to be true by the thinkers who accept them, and which may or may not be empirical. The sciences have a very clear idea of what a theory is; however in the arts such as philosophy, the definition is more hazy. Philosophical positions are not necessarily scientific theories, although they may consist of both empirical and non-empirical statements. The collective statements of all philosophical movements, schools of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Intention
Intentions are mental states in which the agent commits themselves to a course of action. Having the plan to visit the zoo tomorrow is an example of an intention. The action plan is the ''content'' of the intention while the commitment is the ''attitude'' towards this content. Other mental states can have action plans as their content, as when one admires a plan, but differ from intentions since they do not involve a practical commitment to realizing this plan. Successful intentions bring about the intended course of action while unsuccessful intentions fail to do so. Intentions, like many other mental states, have intentionality: they represent possible states of affairs. Theories of intention try to capture the characteristic features of intentions. The ''belief-desire theory'' is the traditionally dominant approach. According to a simple version of it, having an intention is nothing but having a desire to perform a certain action and a belief that one will perform this action. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Celluloid
Celluloids are a class of materials produced by mixing nitrocellulose and camphor, often with added dyes and other agents. Once much more common for its use as photographic film before the advent of safer methods, celluloid's common contemporary uses are table tennis balls, musical instruments, combs, office equipment, and guitar picks. History Nitrocellulose Nitrocellulose-based plastics slightly predate celluloid. Collodion, invented in 1848 and used as a wound dressing and an emulsion for photographic plates, is dried to a celluloid like film. Alexander Parkes The first celluloid as a bulk material for forming objects was made in 1855 in Birmingham, England, by Alexander Parkes, who was never able to see his invention reach full fruition, after his firm went bankrupt due to scale-up costs. Parkes patented his discovery as Parkesine in 1862 after realising a solid residue remained after evaporation of the solvent from photographic collodion. Parkes patented it as a clothi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Film Editing
Film editing is both a creative and a technical part of the post-production process of filmmaking. The term is derived from the traditional process of working with film stock, film which increasingly involves the use Digital cinema, of digital technology. The film editor works with raw footage, selecting Shot (filming), shots and combining them into Sequence (filmmaking), sequences which create a finished Film, motion picture. Film editing is described as an art or skill, the only art that is unique to cinema, separating filmmaking from other art forms that preceded it, although there are close parallels to the editing process in other art forms such as poetry and novel writing. Film editing is often referred to as the "invisible art" because when it is well-practiced, the viewer can become so engaged that they are not aware of the editor's work. On its most fundamental level, film editing is the art, technique and practice of assembling shots into a coherent sequence. The job ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sergei Eisenstein
Sergei Mikhailovich Eisenstein (russian: Сергей Михайлович Эйзенштейн, p=sʲɪrˈɡʲej mʲɪˈxajləvʲɪtɕ ɪjzʲɪnˈʂtʲejn, 2=Sergey Mikhaylovich Eyzenshteyn; 11 February 1948) was a Soviet film director, screenwriter, film editor and film theorist. He was a pioneer in the theory and practice of montage. He is noted in particular for his silent films ''Strike'' (1925), ''Battleship Potemkin'' (1925) and ''October'' (1928), as well as the historical epics ''Alexander Nevsky'' (1938) and ''Ivan the Terrible'' (1944, 1958). In its 2012 decennial poll, the magazine ''Sight & Sound'' named his ''Battleship Potemkin'' the 11th greatest film of all time. Early life Sergei Eisenstein was born on 22 January 1898 in Riga, Latvia (then part of the Russian Empire in the Governorate of Livonia), to a middle-class family. His family moved frequently in his early years, as Eisenstein continued to do throughout his life. His father, the architect Mikhail Osipov ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vsevolod Pudovkin
Vsevolod Illarionovich Pudovkin ( rus, Всеволод Илларионович Пудовкин, p=ˈfsʲevələt ɪlərʲɪˈonəvʲɪtɕ pʊˈdofkʲɪn; 16 February 1893 – 30 June 1953) was a Russian and Soviet film director, screenwriter and actor who developed influential theories of montage. Pudovkin's masterpieces are often contrasted with those of his contemporary Sergei Eisenstein, but whereas Eisenstein utilized montage to glorify the power of the masses, Pudovkin preferred to concentrate on the courage and resilience of individuals. He was granted the title of People's Artist of the USSR in 1948. Biography Vsevolod Pudovkin was born in Penza into a Russian family, the third of six children. His father Illarion Epifanovich Pudovkin came from peasants of the Penza Governorate, the village of Shuksha and worked in several companies as a manager and a door-to-door salesman. Vsevolod's mother Elizaveta Alexandrovna Pudovkina (née Shilkina) was a housewife. A student of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dziga Vertov
Dziga Vertov (russian: Дзига Вертов, born David Abelevich Kaufman, russian: Дави́д А́белевич Ка́уфман, and also known as Denis Kaufman; – 12 February 1954) was a Soviet Union, Soviet pioneer documentary film and newsreel director, as well as a cinema theorist. His filming practices and theories influenced the cinéma vérité style of documentary movie-making and the Dziga Vertov Group, a radical film-making cooperative which was active from 1968 to 1972. He was a member of the Kinoks collective, with Elizaveta Svilova and Mikhail Kaufman. In the 2012 ''Sight & Sound'' poll, critics voted Vertov's ''Man with a Movie Camera'' (1929) the eighth-greatest film ever made. Vertov's younger brothers Boris Kaufman and Mikhail Kaufman were also noted filmmakers, as was his wife, Yelizaveta Svilova. Biography Early years Vertov was born David Abelevich Kaufman into a Jewish family in Białystok, Congress Poland, Poland, then a part of the Russian ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Béla Balázs
Béla Balázs (; 4 August 1884 in Szeged – 17 May 1949 in Budapest), born Herbert Béla Bauer, was a Hungarian film criticism, film critic, aesthetics, aesthetician, writer and poet of History of the Jews in Hungary, Jewish heritage. He was a proponent of formalist film theory. Career Balázs was the son of Simon Bauer and Eugénia Léwy, adopting his ''nom de plume'' in newspaper articles written before his 1902 move to Budapest, where he studied Hungarian and German at the Eötvös Collegium. Balázs was a moving force in the Sonntagskreis or Sunday Circle, the intellectual discussion group which he founded in the autumn of 1915 together with Lajos Fülep, Arnold Hauser, György Lukács and Karl Mannheim, Károly (Karl) Mannheim. Meetings were held at his flat on Sunday afternoons; already in December 1915 Balázs wrote in his diary of the success of the group.Mary Gluck (1985''Georg Lukács and His Generation, 1900–1918'' Cambridge, Massachusetts: Harvard University Press ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Balázs Béla
Balázs () is a Hungarian surname and male given name, equivalent to the name Blaise. Its feast day is on 3 of February. As a surname: * Andre Balazs (born 1957), American hotelier and residential developer * Árpád Balázs (born 1937), Hungarian classical music composer * Attila Balázs (born 1988), Hungarian tennis player * Béla Balázs (1884–1949), Hungarian-Jewish film critic and poet * Endre Alexander Balazs (1920–2015), Hungarian-American in the New Jersey Inventors Hall of Fame * Étienne Balázs (1905–1963), Hungarian-French sinologist * Harold Balazs (1928–2017), American sculptor * Janika Balázs (1925–1988), Serbian musician * Márton Balázs, (1929–2016), Romanian mathematician of Hungarian descent * Mihály Balázs (born 1948), Hungarian historian * Nándor Balázs (1926–2003), Hungarian-American physicist * Péter Balázs (born 1941), Hungarian politician * Péter Balázs (canoeist) (born 1982), Hungarian canoeist * Peter Balazs (mathematician), (bo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Transparency And Translucency
In the field of optics, transparency (also called pellucidity or diaphaneity) is the physical property of allowing light to pass through the material without appreciable scattering of light. On a macroscopic scale (one in which the dimensions are much larger than the wavelengths of the photons in question), the photons can be said to follow Snell's law. Translucency (also called translucence or translucidity) allows light to pass through, but does not necessarily (again, on the macroscopic scale) follow Snell's law; the photons can be scattered at either of the two interfaces, or internally, where there is a change in index of refraction. In other words, a translucent material is made up of components with different indices of refraction. A transparent material is made up of components with a uniform index of refraction. Transparent materials appear clear, with the overall appearance of one color, or any combination leading up to a brilliant spectrum of every color. The opposit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roger Scruton
Sir Roger Vernon Scruton (; 27 February 194412 January 2020) was an English philosopher and writer who specialised in aesthetics and political philosophy, particularly in the furtherance of traditionalist conservative views. Editor from 1982 to 2001 of ''The Salisbury Review'', a conservative political journal, Scruton wrote over 50 books on philosophy, art, music, politics, literature, culture, sexuality, and religion; he also wrote novels and two operas. His most notable publications include ''The Meaning of Conservatism'' (1980), ''Sexual Desire'' (1986), ''The Aesthetics of Music'' (1997), and ''How to Be a Conservative'' (2014). He was a regular contributor to the popular media, including ''The Times'', ''The Spectator'', and the ''New Statesman''. Scruton embraced conservatism after witnessing the May 1968 student protests in France. From 1971 to 1992 he was a lecturer and professor of aesthetics at Birkbeck College, London, after which he held several part-time academic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stanley Cavell
Stanley Louis Cavell (; September 1, 1926 – June 19, 2018) was an American philosopher. He was the Walter M. Cabot Professor of Aesthetics and the General Theory of Value at Harvard University. He worked in the fields of ethics, aesthetics, and ordinary language philosophy. As an interpreter, he produced influential works on Wittgenstein, Austin, Emerson, Thoreau, and Heidegger. His work is characterized by its conversational tone and frequent literary references. Life Cavell was born as Stanley Louis Goldstein to a Jewish family in Atlanta, Georgia. His mother, a locally renowned pianist, trained him in music from his earliest days. During the Depression, Cavell's parents moved several times between Atlanta and Sacramento, California. As an adolescent, Cavell played lead alto saxophone as the youngest member of a black jazz band in Sacramento. Around this time he changed his name, anglicizing the family's original Polish name, Kavelieruskii (sometimes spelled "Kavelieriski ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
