Mediterranean Sundance
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Mediterranean Sundance
"Mediterranean Sundance" is the third track on ''Elegant Gypsy'' (1977), the second album by Al Di Meola. This piece and "Lady Of Rome, Sister Of Brazil", are the only two entirely acoustic tracks on the album. However, unlike "Lady Of Rome, Sister Of Brazil" which is an acoustic solo by Di Meola, "Mediterranean Sundance" consists of an acoustic guitar duet with flamenco guitarist Paco de Lucía. With a duration of 5' 13", the song is a complex blend of jazz and flamenco influences. Composition Set in 4/4 time and in the key of E minor, the song begins with a duet between Di Meola and de Lucía and then progresses to feature each guitar player taking turns playing rhythm and soloing, and occasionally soloing together. The song consists of a relatively simple lyrical harmonic progression, adorned by a flamenco rhythm. It poses extreme difficulties to the performers, however, because of the speed and precision required of Di Meola's picking on the steel-stringed guitar, playing extr ...
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Al Di Meola
Albert Laurence Di Meola (born July 22, 1954) is an American guitarist. Known for his works in jazz fusion and world music, he began his career as a guitarist of the group Return to Forever in 1974. Between the 1970s and 1980s, albums such as ''Elegant Gypsy'' and '' Friday Night in San Francisco'' earned him both critical and commercial success. Early life Born in Jersey City, New Jersey, into an Italian family with roots in Cerreto Sannita, a small town northeast of Benevento, Di Meola grew up in Bergenfield, where he attended Bergenfield High School. He has been a resident of Old Tappan, New Jersey. When he was eight years old, he was inspired by Elvis Presley and the Ventures to start playing guitar. His teacher directed him toward jazz standards. He cites as influences jazz guitarists George Benson and Kenny Burrell and bluegrass and country guitarists Clarence White and Doc Watson. Career He attended Berklee College of Music in 1971. At nineteen, he was hired by Chick ...
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Hammer-on
A hammer-on is a playing technique performed on a stringed instrument (especially on a fretted string instrument, such as a guitar) by sharply bringing a fretting-hand finger down on to the fingerboard behind a fret, causing a note to sound. This technique is the opposite of the pull-off. Passages in which a large proportion of the notes are performed as hammer-ons and pull-offs instead of being plucked or picked in the usual fashion are known in classical terminology as ''legato'' phrases. The sound is smoother and more connected than in a normally picked phrase, due to the absence of the necessity to synchronize the plucking of one hand with the fingering on the fingerboard with the other hand; however, the resulting sounds are not as brightly audible, precisely due to the absence of the plucking of the string, the vibration of the string from an earlier plucking dying off. The technique also facilitates very fast playing because the picking hand does not have to move at such ...
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1977 Songs
Events January * January 8 – Three bombs explode in Moscow within 37 minutes, killing seven. The bombings are attributed to an Armenian separatist group. * January 10 – Mount Nyiragongo erupts in eastern Zaire (now the Democratic Republic of the Congo). * January 17 ** 49 marines from the and are killed as a result of a collision in Barcelona harbour, Spain. * January 18 ** Scientists identify a previously unknown bacterium as the cause of the mysterious Legionnaires' disease. ** Australia's worst railway disaster at Granville, a suburb of Sydney, leaves 83 people dead. ** SFR Yugoslavia Prime minister Džemal Bijedić, his wife and 6 others are killed in a plane crash in Bosnia and Herzegovina. * January 19 – An Ejército del Aire CASA C-207C Azor (registration T.7-15) plane crashes into the side of a mountain near Chiva, on approach to Valencia Airport in Spain, killing all 11 people on board. * January 20 – Jimmy Carter is sworn in as the 39th Preside ...
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Hungary
Hungary ( hu, Magyarország ) is a landlocked country in Central Europe. Spanning of the Carpathian Basin, it is bordered by Slovakia to the north, Ukraine to the northeast, Romania to the east and southeast, Serbia to the south, Croatia and Slovenia to the southwest, and Austria to the west. Hungary has a population of nearly 9 million, mostly ethnic Hungarians and a significant Romani minority. Hungarian, the official language, is the world's most widely spoken Uralic language and among the few non-Indo-European languages widely spoken in Europe. Budapest is the country's capital and largest city; other major urban areas include Debrecen, Szeged, Miskolc, Pécs, and Győr. The territory of present-day Hungary has for centuries been a crossroads for various peoples, including Celts, Romans, Germanic tribes, Huns, West Slavs and the Avars. The foundation of the Hungarian state was established in the late 9th century AD with the conquest of the Carpathian Basin by Hungar ...
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Friday Night In San Francisco
''Friday Night in San Francisco'' is a 1981 live album by Al Di Meola, John McLaughlin and Paco de Lucía. It was described by jazz author and critic Walter Kolosky as "a musical event that could be compared to the Benny Goodman Band's performance at Carnegie Hall in 1938 ... tmay be considered the most influential of all live acoustic guitar albums". All the tracks except "Guardian Angel" were recorded live at The Warfield Theatre on 5 December 1980, in San Francisco; "Guardian Angel" was recorded at Minot Sound, in White Plains, New York. Track listing Personnel *Al Di Meola – acoustic steel-string guitar *John McLaughlin – acoustic nylon-string guitar (played w/ flatpick) *Paco de Lucía – spanish guitar Chart performance References External linksReviewat All About Jazz ''All About Jazz'' is a website established by Michael Ricci in 1995. A volunteer staff publishes news, album reviews, articles, videos, and listings of concerts and other events havin ...
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Río Ancho
"Río Ancho" is a Spanish flamenco guitar piece that combines flamenco and gypsy jazz influences. The piece is in the key of E minor and progresses to A minor, D, G, C and B7. The original performances of the song had notable flute solos towards the end of the piece, reminiscent of classic Spanish gypsy music with trumpets. The track first featured on Paco de Lucia's 1976 album '' Almoraima''. In 1980, Paco de Lucia and Al Di Meola collaborated and produced an ensemble track composed of Di Meola's " Mediterranean Sundance" from his 1977 album '' Elegant Gypsy'' with "Río Ancho". It was performed live in San Francisco on December 5, 1980, and the set was released by Columbia as '' Friday Night in San Francisco''. The collaborative version of the song consists of a relatively simple lyrical harmonic progression adorned by a flamenco rhythm. However, it poses technical difficulties due to the speed and precision required of Di Meola's picking on the steel-stringed guitar, playi ...
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John McLaughlin (musician)
John McLaughlin (born 4 January 1942), frequently known as Mahavishnu John, is an English guitarist, bandleader, and composer. A pioneer of jazz fusion, his music combines elements of jazz with rock, world music, Indian classical music, Western classical music, flamenco, and blues. After contributing to several key British groups of the early 1960s, McLaughlin made ''Extrapolation'', his first album as a bandleader, in 1969. He then moved to the U.S., where he played with drummer Tony Williams's group Lifetime and then with Miles Davis on his electric jazz fusion albums ''In a Silent Way'', '' Bitches Brew'', '' Jack Johnson'', and ''On the Corner''. His 1970s electric band, the Mahavishnu Orchestra, performed a technically virtuosic and complex style of music that fused electric jazz and rock with Indian influences. McLaughlin's solo on "Miles Beyond" from his album ''Live at Ronnie Scott's'' won the 2018 Grammy Award for the Best Improvised Jazz Solo. He has been award ...
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The Guitar Trio
''The Guitar Trio'' is a reunion album by Al Di Meola, Paco de Lucía and John McLaughlin, released in 1996 after 13 years without playing together. This 1996 effort has three originals apiece from McLaughlin and Di Meola, two by de Lucía and a McLaughlin-Di Meola duet on "Manhã de Carnaval". Track listing #"La Estiba" (Paco de Lucía) – 5:51 #"Beyond the Mirage" (Al Di Meola) – 6:10 #"Midsummer Night" (John McLaughlin) – 4:36 #"Manhã de Carnaval" (Luiz Bonfá, Antônio Maria) – 6:11 #"Letter from India" (John McLaughlin) – 3:54 #"Espiritu" (Al Di Meola) – 5:30 #"Le Monastère dans les Montagnes" (John McLaughlin) – 6:15 #"Azzura" (Al Di Meola) – 7:58 #"Cardeosa" (Paco de Lucía) – 6:36 Personnel *Paco de Lucía – guitar (1-3,5,7-9) - plays a Hermanos Conde guitar *Al Di Meola – guitar (tracks 1-4,6-9), percussion (6) - plays both Ovation and a Hermanos Conde guitar-percution/hands, shaker *John McLaughlin John or Jon McLaughlin may refer to: ...
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Larry Coryell
Larry Coryell (born Lorenz Albert Van DeLinder III; April 2, 1943 – February 19, 2017) was an American jazz guitarist. Early life Larry Coryell was born in Galveston, Texas, United States. He never knew his biological father, a musician. He was raised by his stepfather Gene, a chemical engineer, and his mother Cora, who encouraged him to learn piano when he was four years old. In his teens he switched to guitar. After his family moved to Richland, Washington, he took lessons from a teacher who lent him albums by Les Paul, Johnny Smith, Barney Kessel, and Tal Farlow. When asked what jazz guitar albums influenced him, Coryell cited ''On View at the Five Spot Cafe'' by Kenny Burrell, ''Red Norvo with Strings'', and ''The Incredible Jazz Guitar of Wes Montgomery''. He liked blues and pop music and tried to play jazz when he was eighteen. He said that hearing Wes Montgomery changed his life. Coryell graduated from Richland High School, where he played in local bands the Jailers, ...
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War Child (charity)
War Child International is a network of three independent non-governmental organisations: War Child UK, War Child Holland, and War Child Canada, each legally, operationally, and financially independent but sharing a common brand identity and mission to support children and young people affected by armed conflict and war. They work with parents, caregivers, community members, NGOs, governments, corporations, and other partners worldwide to ensure children have access to protection as well as education and psychosocial support. War Child has its work rooted in the United Nations Convention on the Rights of the Child. History War Child was established by film-makers Bill Leeson, David Wilson, and social entrepreneur and peace activist Willemijn Verloop in response to violence and ethnic cleansing they witnessed in war-torn former Yugoslavia in 1993, in the midst of the Bosnian War. The trio were deeply shocked by the children’s experiences of conflict but were inspired by the ...
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Glissando
In music, a glissando (; plural: ''glissandi'', abbreviated ''gliss.'') is a glide from one pitch to another (). It is an Italianized musical term derived from the French ''glisser'', "to glide". In some contexts, it is distinguished from the continuous portamento. Some colloquial equivalents are slide, sweep (referring to the "discrete glissando" effects on guitar and harp, respectively), bend, smear, rip (for a loud, violent gliss to the beginning of a note), lip (in jazz terminology, when executed by changing one's embouchure on a wind instrument), plop, or falling hail (a glissando on a harp using the back of the fingernails). On wind instruments, a scoop is a glissando ascending to the onset of a note achieved entirely with the embouchure. Portamento Prescriptive attempts to distinguish the glissando from the portamento by limiting the former to the filling in of discrete intermediate pitches on instruments like the piano, harp, and fretted stringed instruments have run u ...
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Vibrato
Vibrato (Italian language, Italian, from past participle of "wikt:vibrare, vibrare", to vibrate) is a musical effect consisting of a regular, pulsating change of pitch (music), pitch. It is used to add expression to vocal and instrumental music. Vibrato is typically characterised in terms of two factors: the amount of pitch variation ("extent of vibrato") and the speed with which the pitch is varied ("rate of vibrato"). In singing it can occur spontaneously through variations in the larynx. The vibrato of a string instrument and wind instrument is an imitation of that vocal function. Vibrato and tremolo The terms vibrato and tremolo are sometimes incorrectly used interchangeably, although (in the classical world) they are properly defined as separate effects with vibrato defined as a periodic variation in the pitch (frequency) of a musical note, and tremolo as a fast repetition of the same note (usually a semiquaver) in order to produce the audible effect of a longer note, es ...
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