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Mean Time
''Mean Time'' is the second studio album by English rock band The Barracudas, released in 1983 by record label Closer. The incorporation of Chris Wilson from The Flamin' Groovies gave this new formation a paramount weight in the eighties' garage rock bands' scene. Track listing All tracks composed by Jeremy Gluck and Robin Wills; except where noted. #"Grammar of Misery" #"Bad News" (Robin Wills) #" I Ain't No Miracle Worker" (Nancy Mantz, Annette Tucker) #"Be My Friend Again" (Jeremy Gluck, Chris Wilson) #"Shades of Today" #"Dead Skin" #"Middle Class Blues" (Bob Ronco, Chris Wilson) #"You've Come a Long Way" (Robin Wills) #"Ballad of a Liar" #"When I'm Gone" (Robin Wills) #"Eleventh Hour" #"Hear Me Calling" (Robin Wills) Personnel ;The Barracudas *Jeremy Gluck - vocals * Chris Wilson, Robin Wills - guitar, vocals *Jim Dickson - bass, vocals *Terry Smith - drums, percussion * Peter Gage - keyboards ;Technical *Mike O'Donnell - engineer Content ''Trouser Press'' described the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Barracudas
The Barracudas are an English surf music, surf rock band formed in late 1978. The band's original line-up consisted of Jeremy Gluck (Singing, vocals), Robin Wills (guitar and vocals), Starkie Phillips (Bass guitar, bass and vocals) and Adam Phillips (Drum kit, drums). Before the band recorded its first single, Starkie and Adam Phillips left the band. The band is notable for their 1980 hit single "Summer Fun", which started with an excerpt from a 1960s spoof advertisement for the Plymouth Barracuda campaign. The song included dialogue where announcers had difficulty pronouncing the word ''barracuda''. The single reached number 37 on the UK Singles Chart. The band officially lasted until 1981 with a final performance in Madrid. There have been few occasional performances since. Early history The beginnings of the band can be traced back to the year of 1978 when Canadian-born Gluck met Wills at a Dead Fingers Talk concert. Here the pair bonded over a shared passion for "60's garag ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pop Punk
Pop punk (or punk pop) is a rock music genre that combines elements of punk rock with power pop or pop. It is defined for its emphasis on classic pop songcraft, as well as adolescent and anti-suburbia themes, and is distinguished from other punk-variant genres by drawing more heavily from 1960s bands such as the Beatles, the Kinks, and the Beach Boys. The genre has evolved throughout its history, absorbing elements from new wave, college rock, ska, rap, emo, and boy bands. It is sometimes considered interchangeable with power pop and skate punk. Pop punk emerged in the late 1970s with groups such as the Ramones, the Undertones, and the Buzzcocks. 1980s punk bands like Bad Religion, Descendents and the Misfits were influential to pop punk, and it expanded in the 1980s and early 1990s by a host of bands signed to Lookout! Records, including Screeching Weasel, the Queers, and the Mr. T Experience. In the mid–late 1990s, the genre saw a massive widespread popularity increase w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
AllMusic
AllMusic (previously known as All Music Guide and AMG) is an American online music database. It catalogs more than three million album entries and 30 million tracks, as well as information on musicians and bands. Initiated in 1991, the database was first made available on the Internet in 1994. AllMusic is owned by RhythmOne. History AllMusic was launched as ''All Music Guide'' by Michael Erlewine, a "compulsive archivist, noted astrologer, Buddhist scholar and musician". He became interested in using computers for his astrological work in the mid-1970s and founded a software company, Matrix, in 1977. In the early 1990s, as CDs replaced LPs as the dominant format for recorded music, Erlewine purchased what he thought was a CD of early recordings by Little Richard. After buying it he discovered it was a "flaccid latter-day rehash". Frustrated with the labeling, he researched using metadata to create a music guide. In 1990, in Big Rapids, Michigan, he founded ''All Music Guide' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Folk Rock
Folk rock is a hybrid music genre that combines the elements of folk and rock music, which arose in the United States, Canada, and the United Kingdom in the mid-1960s. In the U.S., folk rock emerged from the folk music revival. Performers such as Bob Dylan and the Byrds—several of whose members had earlier played in folk ensembles—attempted to blend the sounds of rock with their pre-existing folk repertoire, adopting the use of electric instrumentation and drums in a way previously discouraged in the U.S. folk community. The term "folk rock" was initially used in the U.S. music press in June 1965 to describe the Byrds' music. The commercial success of the Byrds' cover version of Dylan's "Mr. Tambourine Man" and their debut album of the same name, along with Dylan's own recordings with rock instrumentation—on the albums ''Bringing It All Back Home'' (1965), ''Highway 61 Revisited'' (1965), and '' Blonde on Blonde'' (1966)—encouraged other folk acts, such as Simon & Ga ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Byrds
The Byrds () were an American rock band formed in Los Angeles, California, in 1964. The band underwent multiple lineup changes throughout its existence, with frontman Roger McGuinn (known as Jim McGuinn until mid-1967) remaining the sole consistent member. Although their time as one of the most popular groups in the world only lasted for a short period in the mid-1960s, the Byrds are today considered by critics to be among the most influential rock acts of their era. Their signature blend of clear harmony singing and McGuinn's jangly 12-string Rickenbacker guitar was "absorbed into the vocabulary of rock" and has continued to be influential. Initially, the Byrds pioneered the musical genre of folk rock as a popular format in 1965, by melding the influence of the Beatles and other British Invasion bands with contemporary and traditional folk music on their first and second albums, and the hit singles " Mr. Tambourine Man" and "Turn! Turn! Turn!". As the 1960s progressed, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Psychedelic Music
Psychedelic music (sometimes called psychedelia) is a wide range of popular music styles and genres influenced by 1960s psychedelia, a subculture of people who used psychedelic drugs such as LSD, psilocybin mushrooms, mescaline, and cannabis to experience synesthesia and altered states of consciousness. Psychedelic music may also aim to enhance the experience of using these drugs and has been found to have a significant influence on psychedelic therapy. Psychedelia embraces visual art, movies, and literature, as well as music. Psychedelic music emerged during the 1960s among folk and rock bands in the United States and the United Kingdom, creating the subgenres of psychedelic folk, psychedelic rock, acid rock, and psychedelic pop before declining in the early 1970s. Numerous spiritual successors followed in the ensuing decades, including progressive rock, krautrock, and heavy metal. Since the 1970s, revivals have included psychedelic funk, neo-psychedelia, and stoner rock as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Merseybeat
Beat music, British beat, or Merseybeat is a British popular music genre that developed, particularly in and around Liverpool, in the late 1950s and early 1960s. The genre melded influences from American rock and roll, rhythm and blues, skiffle, traditional pop and music hall. It rose to mainstream popularity in the UK and Europe by 1963 before spreading to the North America in 1964 with the British Invasion. The beat style had a significant impact on popular music and youth culture, from 1960s movements such as garage rock, folk rock and psychedelic music to 1970s punk rock and 1990s Britpop. Origin The exact origins of the terms 'beat music' and 'Merseybeat' are uncertain. The "beat" in each, however, derived from the driving rhythms which the bands had adopted from their rock and roll, R&B and soul music influences, rather than the Beat Generation literary movement of the 1950s. As the initial wave of rock and roll subsided in the later 1950s, "big beat" music, later shorten ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rock And Roll
Rock and roll (often written as rock & roll, rock 'n' roll, or rock 'n roll) is a Genre (music), genre of popular music that evolved in the United States during the late 1940s and early 1950s. It Origins of rock and roll, originated from African-American music such as jazz, rhythm and blues, boogie woogie, gospel music, gospel, as well as country music. While rock and roll's formative elements can be heard in blues records from the 1920s and in country records of the 1930s,Peterson, Richard A. ''Creating Country Music: Fabricating Authenticity'' (1999), p. 9, . the genre did not acquire its name until 1954. According to journalist Greg Kot, "rock and roll" refers to a style of popular music originating in the United States in the 1950s. By the mid-1960s, rock and roll had developed into "the more encompassing international style known as rock music, though the latter also continued to be known in many circles as rock and roll."Kot, Greg"Rock and roll", in the ''Encyclopædia Bri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Trouser Press
''Trouser Press'' was a rock and roll magazine started in New York in 1974 as a mimeographed fanzine by editor/publisher Ira Robbins, fellow fan of the Who Dave Schulps and Karen Rose under the name "Trans-Oceanic Trouser Press" (a reference to a song by the Bonzo Dog Doo-Dah Band and an acronymic play on the British TV show ''Top of the Pops)''. Publication of the magazine ceased in 1984. The unexpired portion of mail subscriptions was completed by ''Rolling Stone'' sister publication ''Record'', which itself folded in 1985. ''Trouser Press'' has continued to exist in various formats. History The magazine's original scope was British bands and artists (early issues featured the slogan "America's Only British Rock Magazine"). Initial issues contained occasional interviews with major artists like Brian Eno and Robert Fripp and extensive record reviews. After 14 issues, the title was shortened to simply ''Trouser Press'', and it gradually transformed into a professional magazine w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tittenhurst Park
Tittenhurst Park is a Grade II listed early Georgian country house set in off London Road at Beggar's Bush near Ascot and over the parish border into Sunningdale, both in the English county of Berkshire. It was famously the home of musicians John Lennon and Yoko Ono from the late summer of 1969 until August 1971, and then the home of Ringo Starr and family from 1973 until 1988. Starr sold the property to Sheikh Zayed bin Sultan Al Nahyan, President of the United Arab Emirates, in 1989. Early history The present house dates back to 1737, although its fronts are largely . In 1869, the property was owned by Thomas Holloway, philanthropist and founder of two large institutions which he built nearby: Holloway Sanatorium in Virginia Water, Surrey, and Royal Holloway College, now known as Royal Holloway, University of London in Englefield Green. About 1898, the house was purchased by Thomas Hermann Lowinsky, the former general manager of the Hyderabad (Deccan) Co coal mines i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Annette Tucker
Annette May Tucker is an American songwriter, who found success in the 1960s as co-writer of songs for The Electric Prunes ("I Had Too Much to Dream (Last Night)", "Get Me to the World on Time"), The Brogues (" I Ain't No Miracle Worker"), The Knickerbockers ("A Coming Generation"), Nancy and Frank Sinatra ("Feelin' Kinda Sunday") and others. Career Tucker was born in Los Angeles. In 1961, as an aspiring songwriter, she met musician and songwriter Al Hazan, and together they wrote "Stick Around", which Tucker recorded. It was released as a single by Piper Records in Los Angeles in 1962. However, she aimed to become a songwriter rather than a singer. The following year, she introduced herself to the Four Star music company on Sunset Boulevard with some songs she had written. They were impressed, and teamed her with another aspiring songwriter, Nancie Mantz. The first song they wrote together, "She's Somethin' Else", was recorded by Freddy Cannon and released as a singl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
I Ain't No Miracle Worker
"I Ain't No Miracle Worker" is a song by the American garage rock band, the Brogues, written by Annette Tucker and Nancie Mantz, and released as the group's second and final single on Challenge Records, in November 1965 (''see'' 1965 in music). The composition is now considered a classic of the musical genre of garage rock, and has reappeared on several compilation albums and has been covered by other musical artists. The Brogues' original rendition was musically influenced by their contemporaries on the R&B circuit and the British Invasion. Background The Brogues version The Brogues were hurried to record a follow-up single after the regional success of their debut, "Someday". Over the span of a few months, the group's rebellious image and dynamic stage show launched them into prominence on the West Coast. In mid-1965, the band, bolstered by their addition of ex-Ratz lead vocalist Gary Cole, entered Sunset Recorders in Los Angeles to record "I Ain't No Miracle Worker", which wa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
