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Maîtres Contemporains De L'orgue
Maîtres contemporains de l'orgue is an eight-volume collection edited by abbot Joseph Joubert published by Éditions Maurice Senart; the first three volumes appeared in 1912. The first six volumes are "for organ or harmonium", so the pieces in them do not include a mandatory pedal part. Preface ''L'Anthologie des Maîtres Contemporains de l'Orgue'' offers church musicians and all lovers of good music a careful selection of pieces that have not so far been published elsewhere. These pieces represent all styles and schools of composition, and have been drawn from all countries. They are in general not too demanding, and can be performed on a standard harmonium just as well as on the most elaborate instrument. The Anthology is thus a veritable encyclopædia of modern writing for the organ, gaining an exceptional interest from offering a wide range of styles and from its international character. I am delighted to take this occasion of publicly acknowledging the gratitude I owe to th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joseph Joubert (abbot)
Joseph Joubert (15 March 1878 – 15 November 1963) was a French Catholic priest and organist. Biography Born in Coëx, Joubert was ordained a priest on 22 February 1902. He was appointed secretary and vice-chancellor of the Roman Catholic Diocese of Luçon in 1919. He also held the position of chaplain of the Carmel from July 1904 until his death. He studied music at the Schola Cantorum de Paris from 1903 to 1904. Upon the sudden death of his predecessor, he had to abandon his studies in order to hold the position of titular organist of the Cavaillé-Coll organ of the Cathédrale Notre-Dame-de-l'Assomption de Luçon from 1904 to 1935, then from 1940 to 1946. Joubert died in Luçon in 1963. Publications He had the idea of soliciting composers to ask them for unpublished pieces for organ or harmonium (590) which he collected and had published in 8 volumes (1912 and 1914) at Éditions Maurice Senart in Paris. This important anthology is entitled ''Maîtres contemporains de ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Claude Delvincourt
Claude Étienne Edmond Marie Pierre Delvincourt (12 January 1888 – 5 April 1954) was a French pianist and composer of classical music. Biography Delvincourt was born in Paris, the son of Pierre Delvincourt and Marguerite Fourès. He studied at the Conservatoire de Paris, first under Leon Boëllmann, then under the centenarian Henri Büsser. Also, he was taught counterpoint and fugue by Georges Caussade and composition by Charles-Marie Widor. A Prix de Rome winner in 1911 and again in 1913 (on the latter occasion he shared the award with Lili Boulanger), he was appointed Director of Conservatoire at Versailles in 1932 and Director of the Paris Conservatoire in 1940, following the resignation of Henri Rabaud. During the German occupation of France, Delvincourt was forced to apply the racial laws of the Vichy government to the Paris Conservatoire, excluding Jewish professors and students. But he managed, with the help of his former teacher's niece Marie-Louise Boëllmann, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Adolphe Marty
Adolphe Alexandre Silvain Marty (29 September 1865 – 28 October 1942) was a French organist, improviser, composer and music educator who was blind for most of his life. Early life and education Born in Albi in the Tarn (department), Tarn department in the south of France, Marty became blind at the age of two and a half years. He entered the Institut National des Jeunes Aveugles in Paris in 1874 and worked the organ with Louis Lebel (1831–1888). From 1884 to 1886 he studied music composition with Ernest Guiraud and pipe organ with César Franck at the Conservatoire de Paris, winning the First Prize (music diploma), first prize for organ in 1886, the first blind person to do so. Career In 1888 Marty succeeded Louis Lebel as organ teacher at the Institut National des Jeunes Aveugles, where he taught until 1930. His students included Louis Vierne, Augustin Barié, Paul Allix, André Marchal, Jean Langlais and Gaston Litaize. Léonce de Saint-Martin also worked with him privately ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Henri Letocart
Victor Jean Félix Henri LetocartArchives of the Hauts-de-Seine online, 7/2/66 act #39, view n°12, without mention of death (6 February 1866 – 1945) was a French organist and composer. Biography Born in Courbevoie, Henri Letocard was the son of a music teacher, Joseph Félix Letocart. He began his musical studies in 1879 at the École Niedermeyer, with Clément Loret and Eugène Gigout for the organ, before entering the Conservatoire de Paris in 1885 in the organ classes of César Franck and music composition of Ernest Guiraud. After the Conservatory, where he obtained a second degree in organ in 1887, he was first called to the position of organist of the church of St. Vincent de Paul. In 1900, he was appointed organist of the new instrument by at until 1920, and maître de chapelle, a position he held until 1933. Letocart was one of the most militant supporters of the restoration of liturgical chant Liturgy is the customary public ritual of worship performed by ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Auguste Le Guennant
Auguste Joseph-Marie François Le Guennant (10 January 1881 – 17 May 1972) was a French organist, church musician and composer. He was, after positions as organist and head of the chapel in Paris and Nantes, the director and teacher at the Gregorian Institute of Paris, as a specialist of Gregorian chant. Biography Born in 1881 in Auray (Morbihan), Auguste Le Guennant was the son of Auguste Marie Le Guennant and his wife Valentine Joséphine Françoise le Duff. Le Guennant studied at the Schola Cantorum de Paris – the organ with Alexandre Guilmant and composition with Vincent d'Indy. He held for some time the position of organist at the grand organ of Notre-Dame de Clignancourt, and left Paris in 1905 to become head of the chapel at Notre-Dame-de-Bon-Port in Les Sables-d'Olonne, and from 1908 at the Basilica of Saint-Nicolas in Nantes. He founded the mixed group A Capella in this city, in collaboration with A. Mahot. The Mutual Edition of the Schola Cantorum published h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles-Édouard Lefebvre
Charles-Édouard Lefebvre (19 June 1843 – 8 September 1917) was a French composer. Lefebvre was born in Paris, the son of painter Charles Lefebvre, and studied with Charles Gounod and Ambroise Thomas at the Paris Conservatoire. In 1870, he was awarded the Prix de Rome together with Henri Maréchal (1842–1924) for the cantata ''Le Jugement de Dieu''. He was awarded the Prix Chartier for his compositions twice, in 1884 and 1891. In 1895 he succeeded Benjamin Godard as director of the Paris Conservatoire's chamber music class. According to Elaine Brody's entry on him in The New Grove Dictionary of Music and Musicians (1980), "In his own words, he worked in pastels rather than oils." He died in Aix-les-Bains, Savoie, aged 74. Works *''Le Jugement de Dieu'' (1870) *''Le Chant du cavalier'' (Duo for Cello (or Bassoon) and Piano (or Organ), 1876) *op. 46: ''3 Pièces'' (Duos for Cello and Piano, 1877) *''Lucrèce'' (opera, 1878) *op. 53: ''Le Trésor'' (comic opera in 1 act, libret ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Georges Jacob (organist)
Georges (Armand Paul) Jacob (19 August 1877 – 28 December 1950) was a French organist, improviser and composer. Biography Born in Paris, Georges Paul made his first musical studies at the École Niedermeyer de Paris. After he joined the Conservatoire de Paris in 1896, he won a First prize in organ in 1900, in Alexandre Guilmant's class. From 1892 to 1912, G. Jacob gave organ recitals, which were very well attended at the Schola Cantorum de Paris. His aim was to bring out the best of both ancient and modern works of organ literature. As a composer, he has already written and published many works. In addition, he began publishing, with an explanatory commentary, the great works for organ of J.-S. Bach. From 1902 to 1914, he was a piano teacher at the Schola Cantorum. Organist and Kapellmeister of from 1897 to 1903, organist of the great organ of the from 1903 to 1906, he then held the position of organist and Kapellmeister of the , from 1907 to his death in 1950. In 192 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vincent D'Indy
Paul Marie Théodore Vincent d'Indy (; 27 March 18512 December 1931) was a French composer and teacher. His influence as a teacher, in particular, was considerable. He was a co-founder of the Schola Cantorum de Paris and also taught at the Paris Conservatoire. His students included Albéric Magnard, Albert Roussel, Arthur Honegger, Darius Milhaud, and Erik Satie, as well as Cole Porter. D'Indy studied under composer César Franck, and was strongly influenced by Franck's admiration for German music. At a time when nationalist feelings were high in both countries (circa the Franco-Prussian War of 1871), this brought Franck into conflict with other musicians who wished to separate French music from German influence. Life Paul Marie Théodore Vincent d'Indy was born in Paris into an aristocratic family of royalist and Catholic persuasion. He had piano lessons from an early age from his paternal grandmother, who passed him on to Antoine François Marmontel and Louis Diém ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean Huré
Jean-Louis Charles Huré (17 September 1877 – 27 January 1930) was a French composer and organist. Though educated in music at a monastery in Angers, he was mostly self-taught. Life Born in Gien, Loiret, Huré studied anthropology, Musical composition, composition, improvisation and medieval music at the École Saint-Maurille in Angers and served as organist at Angers Cathedral, the cathedral in the city. In 1895 he moved to Paris, where he was advised by Charles-Marie Widor and Charles Koechlin to study at the Conservatory. Huré preferred to live an independent life. From 1910 he taught at the École Normale Supérieure, where Yves Nat and Manuel Rosenthal were among his students. In 1911 he helped found the Paris Mozart Society; he was also a member of the short-lived Association des Compositeurs Bretons during 1912–14. He worked as organist at the churches of Notre-Dame-des-Blancs-Manteaux, St-Martin-des-Champs Priory, Saint-Martin-des-Champs and Saint-Séverin, Paris, Sa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Georges Guiraud
Georges, Dominique, Jacques Guiraud (8 March 1868 – 11 March 1928) was a French organist, cellist and composer. Career Born in Toulouse, Georges Guiraud first studied with the Jesuits and in 1898 won a first prize for cello at the Toulouse Conservatory where his father, Omer Guiraud, organist of Basilique Saint-Sernin de Toulouse teaches. He entered the École Niedermeyer de Paris, then the Conservatoire de Paris. He followed the classes of Charles-Marie Widor, César Franck, and Jules Massenet. During this time in the capital, he was singing conductor at the concerts Colonne. After his father's death, he returned to Toulouse in 1912, and took over from him at Saint-Sernin. He was then a professor of harmony at the Toulouse conservatory. Marcel Vidal-Saint-André dedicated his ''choral et mouvement vif'' to him and Émile Goué in 1923-24. Taking over from his father, he will also be a correspondent for ''L'Express du Midi ''L'Express du Midi'' was a daily newspaper ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alexandre Guilmant
Félix-Alexandre Guilmant (; 12 March 1837 – 29 March 1911) was a French organist and composer. He was the organist of La Trinité from 1871 until 1901. A noted pedagogue, performer, and improviser, Guilmant helped found the Schola Cantorum de Paris. He was appointed as Professor of Organ at the Paris Conservatoire in 1896. Biography Guilmant was born in Meudon. A student first of his father Jean-Baptiste and later of the Belgian master Jacques-Nicolas Lemmens, he became an organist and teacher in his place of birth. In 1871 he was appointed to play the organ regularly at la Trinité church in Paris, and this position, ''organiste titulaire'', was one he held for 30 years.Ochse, Orpha Caroline (1994), ''Organists and Organ Playing in Nineteenth-Century France and Belgium'', Indiana University Press, pp. 195–96, Guilmant was known for his improvisations, both in the concert and church setting. His inspiration came from gregorian chants, and he was greatly noted amon ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ernest Grosjean
Ernest Grosjean (18 December 1844 – 28 December 1936) was a French organist and composer. Biography Born in Vagney (Vosges), Ernest Grosjean was the nephew and pupil of Jean-Romary Grosjean, founder and director of the ''Journal des organistes''. In addition to his uncle, he had successively Henri Hess, Camille-Marie Stamaty and Alexis Chauvet as masters of piano, organ, harmony, music composition and fugue. He made his debut as organist in the cathedral of Uzès (Gard) in 1864, before competing for the position of organist, and later of maître de chapelle of the Verdun Cathedral, that he held from 1868 until 1935, even though the Jacquot-Jeanpierre organ of Rambervillers (Vosges), built in 1898, was dismantled during the First World War to preserve it. The instrument was rebuilt and inaugurated on 25 March 1935 jointly by the titular master Marcel Dupré and abbot Pierre Camonin who succeeded him in June of the same year. Grosjean was the maternal grandfather of Éli ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
