|
Mayara Magri (dancer)
Mayara Magri is a Brazilian ballet dancer. She is a principal dancer at The Royal Ballet. Her promotion to principal dancer took effect in September 2021. Early life and training Magri was born and raised in Brazil. When she was eight, she received a scholarship to train at Petite Danse School in Rio de Janeiro. When she was sixteen, she won the Senior Age Division of the Youth America Grand Prix and the Prix de Lausanne Scholarship and Audience Prize in 2011. Though her teachers encouraged her to train in the United States, she chose to go to The Royal Ballet School in London. Magri, who was trained in the Vaganova method, had to adjust to British ballet. Career In 2012, at age 17, Magri was offered a contract to join the company. She was named First artist in 2015, Soloist in 2016, First Soloist in 2018 and Principal Dancer in 2021. She has danced roles such as Kitri in ''Don Quixote (ballet), Don Quixote'', Gamzatti in ''La Bayadere'', Mitzi Caspar in ''Mayerling (ballet), Ma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kenneth MacMillan
Sir Kenneth MacMillan (11 December 192929 October 1992) was a British ballet dancer and choreographer who was artistic director of the Royal Ballet in London between 1970 and 1977, and its principal choreographer from 1977 until his death. Earlier he had served as director of ballet for the Deutsche Oper in Berlin. He was also associate director of the American Ballet Theatre from 1984 to 1989, and artistic associate of the Houston Ballet from 1989 to 1992. From a family with no background of ballet or music, MacMillan was determined from an early age to become a dancer. The director of Sadler's Wells Ballet, Ninette de Valois, accepted him as a student and then a member of her company. In the late 1940s, MacMillan built a successful career as a dancer, but, plagued by stage fright, he abandoned it while still in his twenties. After this he worked entirely as a choreographer; he created ten full-length ballets and more than fifty one-act pieces. In addition to his work for bal ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Within The Golden Hour
''Within the Golden Hour'' is a one-act contemporary ballet choreographed by Christopher Wheeldon, composed by Ezio Bosso and featured music by Antonio Vivaldi. The ballet premiered in 2008 at the War Memorial Opera House, danced by the San Francisco Ballet. Production ''Within the Golden Hour'' was created as part of San Francisco Ballet's New Work Festival, which commissioned 10 choreographers to create works for the company. It is performed by 14 dancers, including three main couples, originated by Sarah Van Patten, Pierre-François Vilanoba, Maria Kochetkova, Joan Boada, Katita Waldo and Damian Smith. In 2016, The Royal Ballet in London performed ''Within the Golden Hour'' for the first time, featuring Beatriz Stix-Brunell, Vadim Muntagirov, Lauren Cuthbertson, Matthew Golding, Sarah Lamb and Steven McRae. A 2019 revival, also danced by The Royal Ballet, was filmed and released on a DVD, with Stix-Brunell, Muntagirov, Lamb, Francesca Hayward, Valentino Zucchetti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
After The Rain (ballet)
''After the Rain'' is a ballet choreographed by Christopher Wheeldon on New York City Ballet to music of Arvo Pärt, including ''Tabula Rasa (Pärt), Tabula Rasa'' (first movement, ''Ludus'') and ''Spiegel im Spiegel''. The ballet premiered on January 22, 2005, at the David H. Koch Theater, New York State Theater, Lincoln Center for the Performing Arts, Lincoln Center. The final ''pas de deux'' is commonly performed separately from the remainder of the ballet. Production Background ''After the Rain'' was commissioned as a part of New York City Ballet's annual New Combinations Evening, which honors the anniversary of George Balanchine’s birth with new ballets. It was the last ballet Wheeldon created for Jock Soto before Soto's retirement in June 2005. Choreography and music The first part of the ballet, set to Arvo Pärt's ''Tabula Rasa (Pärt), Tabula Rasa'', features three couples. The second part is a pas de deux originated by Soto and Wendy Whelan, which Wheeldon said it ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Symphonic Variations (ballet)
''Symphonic Variations'' is a one-act ballet by Frederick Ashton set to the eponymous music (M. 46) of César Franck. The premiere, performed by the Sadler's Wells Ballet, took place at the Royal Opera House, Covent Garden, on 24 April 1946 in a triple bill; the other works were Ashton's '' Les Patineurs'' and Robert Helpmann's ''Adam Zero''. The ballet was conducted by Constant Lambert and the set designed by Sophie Fedorovitch. Background During the Second World War, Ashton listened to Franck's '' Symphonic Variations'' a great deal and he decided to develop an elaborate scenario to be set to the music. Constant Lambert, music director for the Sadler's Wells Ballet, at first objected to the use of Franck's music for a ballet; Ashton dropped his original scenario and created an abstract ballet. During the war, the repertory had become increasingly literary, and Ashton's purpose was to counteract this. It was not his intention to display ingenuity of invention but to construct ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Monotones (ballet)
''Monotones'' is a one-act ballet in two parts choreographed by Frederick Ashton to music by Erik Satie. ''Monotones II'' was created first as a gala piece for a gala performance in aid of the Royal Ballet Benevolent Fund in 1965. Ashton had long been inspired by the '' Gymnopedies'' by Erik Satie of 1888 and took orchestrations by Claude Debussy and Roland-Manuel as the basis of a ''pas de trois'' for two men and one woman. The premiere was on 24 March 1965 with Vyvyan Lorrayne, Anthony Dowell, and Robert Mead. The piece was a great success – so much so that in 1966 Ashton enlarged the piece so that it would be long enough to be performed in the normal repertory, by the addition of ''Monotones I'', which formed an overture to the earlier work. This piece in many ways forms a mirror image of ''Monotones II''. Based on Satie's ''Gnossiennes'', it is another ''pas de trois'', but in this case for two women and one man; the premiere was given by Antoinette Sibley, Georgina Par ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jewels (ballet)
''Jewels'' is a three-act ballet created for the New York City Ballet by co-founder and founding choreographer George Balanchine. It premièred on Thursday, 13 April 1967 at the New York State Theater, with sets designed by Peter Harvey and lighting by Ronald Bates. ''Jewels'' has been called the first full-length abstract ballet. It has three related movements: ''Emeralds'', ''Rubies'', and ''Diamonds'' (usually separated by intermissions). It can also be seen as three separate ballets, linked by their jewel-colored costumes. Balanchine commented: "The ballet had nothing to do with jewels. The dancers are just dressed like jewels." Each of the three acts features the music of a different composer: ''Emeralds'' is set to the music of Gabriel Fauré, ''Rubies'' to the music of Igor Stravinsky and ''Diamonds'' to music by Pyotr Ilyich Tchaikovsky. Costumes The costumes were created by Balanchine's long-time collaborator Barbara Karinska, who created a distinct look for each differen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Swan Lake
''Swan Lake'' ( rus, Лебеди́ное о́зеро, r=Lebedínoye ózero, p=lʲɪbʲɪˈdʲinəjə ˈozʲɪrə, link=no ), Op. 20, is a ballet composed by Russian composer Pyotr Ilyich Tchaikovsky in 1875–76. Despite its initial failure, it is now one of the most popular ballets of all time. The scenario, initially in two acts, was fashioned from Russian and German folk tales and tells the story of Odette, a princess turned into a swan by an evil sorcerer's curse. The choreographer of the original production was Julius Reisinger (Václav Reisinger). The ballet was premiered by the Bolshoi Ballet on at the Bolshoi Theatre in Moscow. Although it is presented in many different versions, most ballet companies base their stagings both choreographically and musically on the 1895 revival of Marius Petipa and Lev Ivanov, first staged for the Imperial Ballet on 15 January 1895, at the Mariinsky Theatre in St. Petersburg. For this revival, Tchaikovsky's score was revised by ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Apollo (ballet)
''Apollo'' (originally ''Apollon musagète'' and variously known as ''Apollo musagetes'', ''Apolo Musageta'', and ''Apollo, Leader of the Muses'') is a neoclassical ballet in two ''tableaux'' composed between 1927 and 1928 by Igor Stravinsky. It was choreographed in 1928 by twenty-four-year-old George Balanchine, with the composer contributing the libretto. The scenery and costumes were designed by André Bauchant, with new costumes by Coco Chanel in 1929. The scenery was executed by Alexander Shervashidze, with costumes under the direction of Mme. A. Youkine. The American patron of the arts Elizabeth Sprague Coolidge had commissioned the ballet in 1927 for a festival of contemporary music to be held the following year at the Library of Congress in Washington, D.C. The story centres on Apollo, the Greek god of music, who is visited by three Muses: Terpsichore, muse of dance and song; Polyhymnia, muse of mime; and Calliope, muse of poetry. The ballet takes Classical antiquity a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Nutcracker
''The Nutcracker'' ( rus, Щелкунчик, Shchelkunchik, links=no ) is an 1892 two-act ballet (""; russian: балет-феерия, link=no, ), originally choreographed by Marius Petipa and Lev Ivanov with a score by Pyotr Ilyich Tchaikovsky (Op. 71). The libretto is adapted from E. T. A. Hoffmann's 1816 short story "The Nutcracker and the Mouse King". Although the original production was not a success, the 20-minute suite that Tchaikovsky extracted from the ballet was. The complete ''Nutcracker'' has enjoyed enormous popularity since the late 1960s and is now performed by countless ballet companies, primarily during the Christmas season, especially in North America. Major American ballet companies generate around 40% of their annual ticket revenues from performances of ''The Nutcracker''. The ballet's score has been used in several film adaptations of Hoffmann's story. Tchaikovsky's score has become one of his most famous compositions. Among other things, the score is ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anastasia (ballet)
''Anastasia'' is a ballet created by Kenneth MacMillan. The first version in one act was premiered in 1967 by the Deutsche Oper Berlin, Deutsche Oper Ballet. In 1971 MacMillan expanded the work to three acts for the Royal Ballet; the original one-act version became the final act of the 1971 work."Anastasia (three acts)" Royal Opera House Collections Online, retrieved 10 October 2014 The 1967 version uses Bohuslav Martinů's Symphony No. 6 (Martinů), Symphony No. 6 (1953) and untitled electronic music by Fritz Winckel and Rüdiger Rüfer. The three-act version also used Pyotr Ilyich Tchaikovsky, Tchaikovsky's Symphony No. 1 (Tchaikovsky), Symphony No. 1 and Symphony No. 3 (Tchaikovsky), Symphony No. 3. The ballet is based on the story of Anna Anderson, who purported to be the Grand Duchess Anastasia N ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Sleeping Beauty (ballet)
''The Sleeping Beauty'' ( rus, Спящая красавица, Spyashchaya krasavitsa ) is a ballet in a prologue and three acts, first performed in 1890. The music was composed by Pyotr Ilyich Tchaikovsky (Opus 66). The score was completed in 1889, and is the second of his three ballets. The original scenario was conceived by Ivan Vsevolozhsky, and is based on Charles Perrault's '' La Belle au bois dormant''. The choreographer of the original production was Marius Petipa. The premiere performance took place at the Mariinsky Theatre in St. Petersburg on January 15, 1890. The work has become one of the classical repertoire's most famous ballets. History Tchaikovsky was approached by the Director of the Imperial Theatres in St. Petersburg, Ivan Vsevolozhsky on 25 May 1888 about a possible ballet adaptation on the subject of the story of ''Undine''. It was later decided that Charles Perrault's '' La Belle au bois dormant'' would be the story for which Tchaikovsky would co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Two Pigeons (ballet)
''Les Deux Pigeons'' is a ballet originally choreographed in two acts by Louis Mérante to music by André Messager. The libretto by Mérante and Henri de Régnier is based on the fable ''The Two Pigeons'' by Jean de La Fontaine. The work was first performed at the Paris Opéra on 18 October 1886.Noel E & Stoullig E. ''Les Annales du Théâtre et de la Musique, 12eme édition, 1886.'' G Charpentier et Cie, Paris, 1887. The premiere cast included Rosita Mauri as Gourouli and Marie Sanlaville as Pépio. Frederick Ashton later created a new ballet to Messager's music under the title ''The Two Pigeons''. Background The score is dedicated to Camille Saint-Saëns, whose influence helped gain Messager the commission for the ballet, following three ballets which the younger composer had written for the Folies Bergère, ''Fleur d’oranger'', ''Vins de France'' and ''Odeurs et Parfums''. ''Les Deux pigeons'' was first performed on the same evening as a performance of ''La Favorite''. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
.jpg "Click for more on -> Kenneth MacMillan")
