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Mayabazaar
''Mayabazar'' () is a 1957 Indian epic Hindu mythological film directed by K. V. Reddy. It was produced by Nagi Reddi and Chakrapani under their banner, Vijaya Productions. The film was shot simultaneously in Telugu and Tamil languages, with a few differences in the cast. The story is an adaptation of the folk tale '' Sasirekha Parinayam'', which is based on the characters of the epic '' Mahabharata''. It revolves around the roles of Krishna ( N. T. Rama Rao) and Ghatotkacha (S. V. Ranga Rao), as they try to reunite Arjuna son Abhimanyu (Telugu: Akkineni Nageswara Rao, Tamil: Gemini Ganesan) with his love, Balarama's daughter (Savitri). The Telugu version features Gummadi, Mukkamala, Ramana Reddy, and Relangi in supporting roles, with D. Balasubramaniam, R. Balasubramaniam, V. M. Ezhumalai, and K. A. Thangavelu playing those parts in the Tamil version. The first mythological film produced by their studio, ''Mayabazar'' marked a milestone for Nagi Reddi and Chakrap ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Savitri (actress)
Savitri Ganesan (born Nissankara Savitri; 6 December 1935 – 26 December 1981) was an Indian actress, playback singer, dancer, director, and producer known for her works primarily in Telugu and Tamil cinema. She had also worked in Kannada, Hindi and Malayalam films. She starred in more than 250 films over three decades. She was one of the highest-paid and most popular Indian actresses of the 1950s, 60s, and early 70s. She is known by the epithets ''Mahanati'' () and ''Nadigaiyar Thilagam'' (). Savitri's first significant role was in the 1952 Telugu-Tamil bilingual film ''Pelli Chesi Choodu'' which simultaneously made in Tamil as Kalyanam Panni Paar . She has starred in successful ventures such as '' Devadasu'' (1953) which received special mentions at India International Film Festival, '' Donga Ramudu'' (1955), ''Mayabazar'' (1957), and ''Nartanasala'' (1963), featured at the Afro-Asian film festival in Jakarta. She also starred in works such as ''Missamma'' (1955), ''Ardhangi'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nagi Reddi
Bommireddy Nagi Reddi (2 December 1912 – 25 February 2004) was an Indian film producer and director mainly in Telugu cinema. He set up Vijaya Vauhini Studios in Chennai, which was then Asia's biggest film studio. As his elder brother (who was also a director) had the same initials and was known as B. N. Reddi, Nagi Reddi was popularly known as B. Nagi Reddi. Some of the movies produced by Nagi Reddi include ''Patala Bhairavi'' (1951), ''Missamma'' (1955), ''Maya Bazaar'' (1957), ''Gundamma Katha'' (1962), ''Maduve Madinodu'' (1965-Kannada), ''Enga Veetu Pillai'' (1965), ''Ram Aur Shyam'' (1967), '' Shriman Shrimati'' (1982), ''Julie'' (1975), and ''Swarg Narak'' (1978), '' Nam Naadu'' (1969) the latter two of which were in Hindi. Reddi has served as the president of Film Federation of India twice, in 1960–61 and 1962–63. Film career Nagi Reddi along with his friend and partner Aluri Chakrapani produced over fifty films in four decades in the four South Indian languages an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Folklore Of India
The folklore of India encompasses the folklore of the nation of India and the Indian subcontinent. India is an ethnically and religiously diverse country. Given this diversity, it is difficult to generalize the vast folklore of India as a unit. Although India is a Hinduism, Hindu-majority country, with more than three-fourths of the population identifying themselves as Hindus, there is no single, unified, and all-pervading concept of identity present in it. Various heterogeneous traditions, numerous regional cultures and different religions to grow and flourish here. Folk religion in Hinduism may explain the rationale behind local religious practices, and contain local mythology, myths that explain the customs or rituals. However, folklore goes beyond religious or supernatural beliefs and practices, and encompasses the entire body of social tradition whose chief vehicle of transmission is oral or outside institutional channels. Folk art of India The folk and tribal arts of Indi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Casting (performing Arts)
In the performing arts industry such as theatre, film, or television, casting, or a casting call, is a pre-production process for selecting a certain type of actor, dancer, singer, or extra (acting), extra for a particular role or part in a script, screenplay, or teleplay. This process may be used for a motion picture, television program, documentary film, music video, play (theatre), play, or advertisement, intended for an audience. Cast types or roles Actors are selected to play various types of roles. Main cast, also called starring roles, consist of several actors whose appearances are significant in film, theatre, or television. There is often a leading actor (or sometimes leading actress for a woman) who lays the largest role, that of the protagonist in a production. When there is not a single leading actor, the main roles are called ensemble cast, which comprises multiple principal actors and performers who are typically assigned roughly equal amounts of screen time. A s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pre-production
Pre-production is the process of planning some of the elements involved in a film, television show, play, or other performance, as distinct from production and post-production. Pre-production ends when the planning ends and the content starts being produced. In film Pre-production formally begins once a project has been greenlit. It involves finalizing the script, hiring the actors and crew, finding locations, determining what equipment is needed, and figuring out the budget. At this stage, finalizing preparations for production go into effect. Financing will generally be confirmed and many of the key elements such as principal cast members, director, and cinematographer are set. By the end of pre-production, the screenplay is usually finalized and satisfactory to all the financiers and other stakeholders. During pre-production, the script is broken down into individual scenes with storyboards and all the locations, props, cast members, costumes, special effects, and vi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hindu Mythology
Hindu mythology is the body of myths and literature attributed to, and espoused by, the adherents of the Hindu religion, found in Hindu texts such as the Vedic literature, epics like ''Mahabharata'' and ''Ramayana'', the Puranas, and regional literature like the Tamil ''Periya Puranam'' and ''Divya Prabandham'', and the '' Mangal Kavya'' of Bengal. Hindu myths are also found in widely translated popular texts such as the fables of the '' Panchatantra'' and the ''Hitopadesha'', as well as in Southeast Asian texts. Primary sources * Vedas ** Rig ** Sama ** Yajur ** Atharva * Itihasa ** Ramayana ** Mahabharata * Maha-Puranas **Agni Purana **Brahma Purana ** Brahmanda Purana **Bhagavata Purana **Devi-Bhagavata Purana **Garuda Purana **Kurma Purana **Shiva Purana **Skanda Purana **Markandeya Purana **Matsya Purana ** Narada Purana **Linga Purana **Padma Purana **Varaha Purana **Vayu Purana **Vishnu Purana *Bengali literature **Mangal-Kāvya *Tamil literature ** Divya ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Relangi (actor)
Relangi Venkata Ramayya ( 9 August 1910 – 27 November 1975), known mononymously by his surname as Relangi, was an Indian actor, comedian, and producer known for his works predominantly in Telugu cinema. He was honoured with the Padma Shri for his contribution to Indian cinema in 1970. Relangi is particularly known for his comic expressions, and dialogues during the 1950s and 1960s. Together with Ramana Reddy, they were a comedy double act. Notable Relangi performances include films like ''Gunasundari Katha'' (1949), ''Vipra Narayana'' (1954), ''Missamma'' (1955), '' Donga Ramudu'' (1955), ''Mayabazar'' (1957), ''Appu Chesi Pappu Koodu'' (1958), ''Velugu Needalu'' (1961), '' Iddaru Mitrulu (''1961), ''Kula Gothralu'' (1962), ''Lava Kusa ''(1963), '' Chaduvukunna Ammayilu'' (1963), ''Nartanasala'' (1963), and '' Preminchi Choodu (''1965). The ''Relangi Art Academy Award'' was instituted in his honour for best comic performances. Early life Relangi was born in the village of Rav ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ramana Reddy
Ramana Reddy (1 October 1921 – 11 November 1974) was an Indian character actor, comedian and producer known for his works predominantly in Telugu cinema. In a career spanning 24 years, he acted in more than 200 movies. Ramana Reddy and Relangi were a comedy double act during the era of early Telugu cinema. Some of his memorable roles are David in ''Missamma'' (1955), Karanam in ''Rojulu Marayi'' (1955), Chinnamaya in Mayabazar (1957), Kanchu Gantayya in ''Gundamma Katha'' (1962). Ramana Reddy is the paternal uncle of Indian politician, and filmmaker T. Subbarami Reddy. Career While acting in the role of a magician in the movie ''Akka Chellelu'' (1957) he actually learned the art of magic as a hobby. He gave more than 100 magic performances, mostly in aid of educational institutions and voluntary organizations. Ramana Reddy is regarded as one of the finest comic actors of India, noted particularly for his comic expressions, and dialogues during the golden age of Telugu cinema ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mukkamala (actor)
Mukkamala Krishna Murthy (1920–1987), known mononymously by his surname as Mukkamala (Telugu: ముక్కామల), was a lawyer turned actor who was active in Telugu films in the 1950s and the 1960s. He was a stage actor in his student days and was popular in the role of French General Bussy in ''Bobbili Yuddham'', a stage play based on the historical Battle of Bobbili (Bobbili Yuddham). He joined the Telugu film industry in the late 1940s in Madras and played a variety of character roles in a career lasting for about 35 years. He died in 1987. Filmography Actor 1940s * ''Maya Machindra'' (1945) * ''Laila Majnu'' (1949) 1950s * '' Swapna Sundari'' (1951) * '' Nirdoshi'' (1951) * '' Niraparadhi'' (1951) * ''Mayalamari'' (1951) * '' Prema'' (1952) as Parasuram * '' Maradalu Pelli'' (1952) * '' Dharma Devata'' (1952) as Raghunatha Varma * ''Rechukka'' (1954) as Maharaju * '' Aggiramudu'' (1954) * '' Rani Ratnaprabha'' (1955) * ''Tenali Ramakrishna'' (1956) as Tatachar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gummadi (actor)
Gummadi Venkateswara Rao (9 July 1927 – 26 January 2010), known Mononym, mononymously by his surname Gummadi, was an Indian actor and producer, who worked predominantly in Telugu cinema and a few Tamil films. Known as one of the finest method acting, method actors, Gummadi starred in around five hundred feature films. He received critical recognition for his work in ''Thodu Dongalu (1954 film), Thodu Dongalu'' (1954) and ''Mahamantri Timmarusu (film), Mahamantri Timmarusu'' (1962), for which he has received the erstwhile Rashtrapati Award. Gummadi was an official member of the Indian delegation from South India to the ''Tashkent Film Festival'' in 1978 and 1982. Gummadi served as a jury member thrice for the 28th National Film Awards, 28th, 33rd National Film Awards, 33rd and 39th National Film Awards. He served twice on the state Nandi Awards Committee. In 1977, he was awarded India's fourth-highest civilian honor Padma Shri for his contributions to Indian cinema. He is wid ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Balarama
Balarama (Sanskrit: बलराम, IAST: ''Balarāma'') is a Hindu god and the elder brother of Krishna. He is particularly significant in the Jagannath tradition, as one of the triad deities. He is also known as Haladhara, Halayudha, Baladeva, Balabhadra, and Sankarshana. The first two epithets associate him with ''hala'' (''langala'', "plough") from his strong associations with farming and farmers, as the deity who used farm equipment as weapons when needed, and the next two refer to his strength. Balarama is sometimes described as incarnation of Shesha, the serpent associated with the deity Vishnu; Krishna is regarded as an incarnation of Vishnu. Some traditions regard him as one of the 10 principal avatars of Vishnu himself. Balarama's significance in Indian culture has ancient roots. His image in artwork is dated to around the start of the common era, and in coins dated to the second-century BCE. In Jainism, he is known as Baladeva, and has been a historically signif ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Abhimanyu
Abhimanyu is a legendary warrior from the ancient Hindu history ''Mahabharata''. He was born to the third Pandava prince Arjuna and the Yadu princess Subhadra, who was Krishna's younger sister. The ''Sambhava Parva'' of the Adi Parva states that he was an incarnation of Varchas, son of Soma. Soma was reluctant to part with his son, agreeing to do so solely on the condition that Varchas would return to him after he turned sixteen. Abhimanyu was raised by his mother and her relatives as his father Arjuna, along with his brothers and their common wife Draupadi, had been exiled for thirteen years. After his father's return Abhimanyu married Uttarā, the princess of the Matsya Kingdom. During the Kurukshetra War, Abhimanyu fought for the Pandavas. On the thirteenth day of the war, the mightiest Kaurava warriors came together and formed the Chakravyuha to trap the Pandavas, Arjuna having been enticed to another side of the battlefield. The young Abhimanyu was able to br ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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