Max Brode
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Max Brode
Max Brode (25 February 1850 – 29 December 1917) was a German violinist and conductor. He shaped the music life of East Prussia's provincial capital for over 41 years. Life Born in Berlin as the youngest son into a simple Jewish family, Brode was taught to play the violin at an early age by his father. Among his teachers was Heinrich de Ahna. Paul Mendelssohn-Bartholdy took Brode into his care and sent him to Ferdinand David (musician), Ferdinand David, the concertmaster of the Gewandhaus in Leipzig. There he played music with Franz Liszt and the singer George Henschel, who became a lifelong friend. After graduating, at the age of 19, he accepted an engagement as primarius of a private string quartet in Courland, kurland Mitau. For a long time he lived in the house of . When Anton Rubinstein heard him there, he advised Brode against a concertmaster position at the Mariinsky Theatre in St Petersburg. He recommended him to Joseph Joachim, who had come to the Stern Conservatory ...
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Max Brode
Max Brode (25 February 1850 – 29 December 1917) was a German violinist and conductor. He shaped the music life of East Prussia's provincial capital for over 41 years. Life Born in Berlin as the youngest son into a simple Jewish family, Brode was taught to play the violin at an early age by his father. Among his teachers was Heinrich de Ahna. Paul Mendelssohn-Bartholdy took Brode into his care and sent him to Ferdinand David (musician), Ferdinand David, the concertmaster of the Gewandhaus in Leipzig. There he played music with Franz Liszt and the singer George Henschel, who became a lifelong friend. After graduating, at the age of 19, he accepted an engagement as primarius of a private string quartet in Courland, kurland Mitau. For a long time he lived in the house of . When Anton Rubinstein heard him there, he advised Brode against a concertmaster position at the Mariinsky Theatre in St Petersburg. He recommended him to Joseph Joachim, who had come to the Stern Conservatory ...
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Berlin University Of The Arts
The Universität der Künste Berlin (UdK; also known in English as the Berlin University of the Arts), situated in Berlin, Germany, is the largest art school in Europe. It is a public art and design school, and one of the four research universities in the city. The university is known for being one of the biggest and most diversified universities of the arts worldwide. It has four colleges specialising in fine arts, architecture, media and design, music and the performing arts with around 3,500 students. Thus the UdK is one of only three universities in Germany to unite the faculties of art and music in one institution. The teaching offered at the four colleges encompasses the full spectrum of the arts and related academic studies in more than 40 courses. Having the right to confer doctorates and post-doctoral qualifications, Berlin University of the Arts is also one of Germany's few art colleges with full university status. Outstanding professors and students at all its colleg ...
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Martial Music
Martial music or military music is a specific genre of music intended for use in military settings performed by professional soldiers called field musicians. Much of the military music has been composed to announce military events as with bugle calls and fanfares, or accompany marching formations with drum cadences, or mark special occasions as by military bands. However, music has been employed in battle for centuries, sometimes to intimidate the enemy and other times to encourage combatants, or to assist in organization and timing of actions in warfare. Depending on the culture, a variety of percussion and musical instruments have been used, such as drums, fifes, bugles, trumpets or other horns, bagpipes, triangles, cymbals, as well as larger military bands or full orchestras. Although some martial music has been composed in written form, other music has been developed or taught by ear, such as bugle calls or drum cadences, relying on group memory to coordinate the sounds. ...
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Solo (music)
In music, a solo (from the Spanish language, Spanish and Italian language, Italian based-word: ''Solo'', meaning ''alone'' or ''by yourself'') is a musical composition, piece or a section (music), section of a piece played or sung featuring a single performer, who may be performing completely alone or supported by an accompanying instrument such as a piano or Organ (music), organ, a Basso continuo, continuo group (in Baroque music), or the rest of a choir, orchestra, band, or other ensemble. Performing a solo is "to solo", and the performer is known as a ''soloist''. The plural is soli or the anglicisation, anglicised form solos. In some contexts these are interchangeable, but ''soli'' tends to be restricted to classical music, and mostly either the solo performers or the solo passage (music), passages in a single piece. Furthermore, the word ''soli'' can be used to refer to a small number of simultaneous parts assigned to single players in an orchestral composition. In the Baroq ...
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Max Staegemann
Max Staegemann (10 May 1843 – 29 January 1905) was a German actor, operatic baritone and theatre director. Life Actor and singer Born in Bad Freienwalde, Staegemann came from the Berlin merchant family Staegemann. His mother was Mathilde Leontine née Devrient (28 June 1809 in Berlin - 25 October 1884 in Leipzig), the sister of the actors Karl, Emil and Eduard Devrient, who was famous for her beauty. Staegemann attended the Kreuzschule in Dresden, where the family had moved. Especially his uncle Emil encouraged the acting talent of his nephew, who was supposed to attend university according to his father's wish. Staegemann chose instead to attend the Dresdner Konservatorium, where the actor Heine gave him lessons in dramatic performance. As early as 1862, the talented eleve received an engagement at the Bremer Stadttheater. There, Staegemann perfected his acting techniques under director Heinrich Behr. At the same time, he trained his singing voice, a naturally melodiou ...
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Königsberg Stock Exchange
The Königsberg Stock Exchange (russian: Здание кёнигсбергской биржи, Zdaniye kyonigsbergskoy birzhi; german: Königsberger Börse) is a former stock exchange in Kaliningrad, Russia. One of the few buildings in central Königsberg to survive World War II, it is now a cultural centre. The first stock exchange in Königsberg was documented in 1619. Four years later, it was located in a new building of Kneiphof on the northern shore of the Alter Pregolya, Pregel; until 1798, it was accessible from the bridge Grüne Brücke. In 1699, Altstadt (Königsberg), Altstadt built its own stock exchange along the Hundegatt branch of the Pregel River. Kneiphof's building was rebuilt in 1798 as its second exchange, but it burned down in 1800. Kneiphof's third exchange was then partially constructed within the river in 1801. It was closed in 1875 because it was too small for the growing city. Kneiphof's fourth and final stock exchange opened in 1875 in Vorstadt (Köni ...
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Rehearsal
A rehearsal is an activity in the performing arts that occurs as preparation for a performance in music, theatre, dance and related arts, such as opera, musical theatre and film production. It is undertaken as a form of practising, to ensure that all details of the subsequent performance are adequately prepared and coordinated. The term ''rehearsal'' typically refers to ensemble activities undertaken by a group of people. For example, when a musician is preparing a piano concerto in their music studio, this is called ''practising'', but when they practice it with an orchestra, this is called a ''rehearsal''. The music rehearsal takes place in a music rehearsal space. A rehearsal may involve as few as two people, as with a small play for two actors, an art song by a singer and pianist or a folk duo of a singer and guitarist. On the other end of the spectrum, a rehearsal can be held for a very large orchestra with over 100 performers and a choir. A rehearsal can involve only perf ...
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Piano Duet
According to the ''Grove Dictionary of Music and Musicians'', there are two kinds of piano duet: "those for two players at one instrument, and those in which each of the two pianists has an instrument to themself." In American usage the former is often referred to as "piano four hands". Grove notes that the one-piano duet has the larger repertory, but has come to be regarded as a modest, domestic form of music-making by comparison with "the more glamorous two-piano duet".Dawes, Frank"Piano duet" ''Grove Music Online'', Oxford Music Online, accessed 31 March 2012 The latter is more often referred to as a piano duo.Bellingham, Jane"piano duet" ''The Oxford Companion to Music'', Ed. Alison Latham, Oxford Music Online, accessed 31 March 2012 The piano duet came to popularity in the second half of the 18th century. Mozart played duets as a child with his sister, and later wrote sonatas for four hands at one piano; Schubert was another composer who composed for the genre, notably with ...
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Wind Instrument
A wind instrument is a musical instrument that contains some type of resonator (usually a tube) in which a column of air is set into vibration by the player blowing into (or over) a mouthpiece set at or near the end of the resonator. The pitch of the vibration is determined by the length of the tube and by manual modifications of the effective length of the vibrating column of air. In the case of some wind instruments, sound is produced by blowing through a reed; others require buzzing into a metal mouthpiece, while yet others require the player to blow into a hole at an edge, which splits the air column and creates the sound. Methods for obtaining different notes * Using different air columns for different tones, such as in the pan flute. These instruments can play several notes at once. * Changing the length of the vibrating air column by changing the length of the tube through engaging valves ''(see rotary valve, piston valve)'' which route the air through additional tubing ...
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Conducting
Conducting is the art of directing a musical performance, such as an orchestral or choral concert. It has been defined as "the art of directing the simultaneous performance of several players or singers by the use of gesture." The primary duties of the conductor are to interpret the score in a way which reflects the specific indications in that score, set the tempo, ensure correct entries by ensemble members, and "shape" the phrasing where appropriate. Conductors communicate with their musicians primarily through hand gestures, usually with the aid of a baton, and may use other gestures or signals such as eye contact. A conductor usually supplements their direction with verbal instructions to their musicians in rehearsal. The conductor typically stands on a raised podium with a large music stand for the full score, which contains the musical notation for all the instruments or voices. Since the mid-19th century, most conductors have not played an instrument when conducting, ...
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Concertmaster
The concertmaster (from the German ''Konzertmeister''), first chair (U.S.) or leader (U.K.) is the principal first violin player in an orchestra (or clarinet in a concert band). After the conductor, the concertmaster is the second-most significant leader in an orchestra, symphonic band or other musical ensemble. Orchestra In an orchestra, the concertmaster is the leader of the first violin section. There is another violin section, the second violins, led by the principal second violin. Any violin solo in an orchestral work is played by the concertmaster (except in the case of a concerto, in which case a guest soloist usually plays). It is usually required that the concertmaster be the most skilled musician in the section, experienced at learning music quickly, counting rests accurately and leading the rest of the string section by their playing and bow gestures. The concertmaster sits to the conductor's left, closest to the audience, in what is called the "first chair," " ...
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Stadttheater Königsberg
For over 200 years, the Stadttheater Königsberg (Königsberg municipal theatre) in Königsberg was one of the most respected theatres in Prussia and in the German Empire. History Forerunner The Königsberg theatre began with carnival games and school comedies at the beginning of the 16th century. In 1552, ''Conquest of Rome'' by Georg Sabinus was performed in the courtyard, and in 1573 ''The Fall of Man'' by the schoolmaster Roll. In 1605, Marie Eleonore of Cleves had English comedians perform for her in Königsberg Castle. In 1618, they played Shakespeare. The first opera, ''Cleomedes'' by Heinrich Albert, was performed by students in 1635 before Władysław IV Vasa. In 1688 Christopher Marlowe's The Tragic History of Doctor Faustus was performed. Arranged by director Hilferding, the Schönemann company played Dr. Faustus, Molière's ''Tartuffe'' and Gottsched's ''The Dying Cato''.Herbert Meinhard Mühlpfordt: ''Königsberg von A bis Z. Ein Stadtlexikon.'' München 1972, . In 1 ...
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