Mauro Coducci
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Mauro Coducci
Mauro Codussi (1440–1504) was an Italian architect of the early-Renaissance, active mostly in Venice. The name is also rendered as ''Coducci''. He was one of the first to bring the classical style of the early renaissance to Venice to replace the prevalent Gothic style. Born near Bergamo about 1440, he is first recorded in Venice in 1469, where he was working on the church of San Michele in Isola on the island between Venice and Murano, where Venice now has its cemetery. Little is known of his early experience and training. Other works include San Zaccaria, San Giovanni Crisostomo and Santa Maria Formosa, and the residences Ca' Vendramin Calergi and Palazzo Zorzi Galeoni. The St Mark's Clocktower The Clock Tower in Venice is an early Renaissance building on the north side of the Piazza San Marco, at the entrance to the Merceria. It comprises a tower, which contains the clock, and lower buildings on each side. It adjoins the eastern end of ... (Torre dell'Orologio), built in ...
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Ca' Vendramin Calergi
Ca' Loredan Vendramin Calergi is a 15th-century palace on the Grand Canal (Venice), Grand Canal in the ''sestiere'' (quarter) of Cannaregio in Venice, northern Italy. It was commissioned by the patrician House of Loredan, Loredan dynasty, namely Andrea Loredan, and paid for by Doge Leonardo Loredan, with construction starting in 1481. The architecturally distinguished building was the home of many prominent people through history and was the place where composer Richard Wagner died. It houses the Venice Casino (''Casinò di Venezia'') and the Wagner Museum (''Museo Wagner''). History Ca' Vendramin Calergi was designed in the late 15th century by Mauro Codussi, architect of San Zaccaria, Venice, Chiesa di San Zaccaria and other noteworthy churches and private residences in Venice. Construction began in 1481 and was finished after his death by the Lombardo (family), Lombardo family of architects, who completed it in 1509. The twenty-eight-year period it took to complete constructi ...
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Palazzo Zorzi Galeoni
The Palazzo Zorzi Galeoni or Palazzo Zorzi a Rio San Severo is a Renaissance style palace of the Zorzi family (also spelled Giorgi)in the Sestiere of Castello, number 4930, in central Venice, Italy; it was designed after 1480 by Mauro Codussi. It lies a few streets away from Santa Maria Formosa, also designed by Codussi. There are a number of Zorzi palaces in Venice, including the Palazzo Zorzi Liassidi and Palazzo Zorzi Bon. The Zorzi Galeoni in 2018 houses the offices of UNESCO in Venice. The United Nations Educational, Scientific and Cultural Organization. It seeks to build peace through international cooperation in Education, the Sciences and Culture. Gallery Paolo Monti - Servizio fotografico (Venezia, 1977) - BEIC 6349299.jpg, Palazzo Zorzi Galeoni, entrance. Photo by Paolo Monti Paolo Monti (11 August 1908 – 29 November 1982) was an Italian photographer, known for his architectural photography. In his early period, Monti experimented with abstractionism as well as w ...
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15th-century Italian Architects
The 15th century was the century which spans the Julian dates from 1 January 1401 ( MCDI) to 31 December 1500 ( MD). In Europe, the 15th century includes parts of the Late Middle Ages, the Early Renaissance, and the early modern period. Many technological, social and cultural developments of the 15th century can in retrospect be seen as heralding the "European miracle" of the following centuries. The architectural perspective, and the modern fields which are known today as banking and accounting were founded in Italy. The Hundred Years' War ended with a decisive French victory over the English in the Battle of Castillon. Financial troubles in England following the conflict resulted in the Wars of the Roses, a series of dynastic wars for the throne of England. The conflicts ended with the defeat of Richard III by Henry VII at the Battle of Bosworth Field, establishing the Tudor dynasty in the later part of the century. Constantinople, known as the capital of the world an ...
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People From The Province Of Bergamo
A person ( : people) is a being that has certain capacities or attributes such as reason, morality, consciousness or self-consciousness, and being a part of a culturally established form of social relations such as kinship, ownership of property, or legal responsibility. The defining features of personhood and, consequently, what makes a person count as a person, differ widely among cultures and contexts. In addition to the question of personhood, of what makes a being count as a person to begin with, there are further questions about personal identity and self: both about what makes any particular person that particular person instead of another, and about what makes a person at one time the same person as they were or will be at another time despite any intervening changes. The plural form "people" is often used to refer to an entire nation or ethnic group (as in "a people"), and this was the original meaning of the word; it subsequently acquired its use as a plural form of per ...
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1504 Deaths
Fifteen or 15 may refer to: *15 (number), the natural number following 14 and preceding 16 *one of the years 15 BC, AD 15, 1915, 2015 Music *Fifteen (band), a punk rock band Albums * ''15'' (Buckcherry album), 2005 * ''15'' (Ani Lorak album), 2007 * ''15'' (Phatfish album), 2008 * ''15'' (mixtape), a 2018 mixtape by Bhad Bhabie * ''Fifteen'' (Green River Ordinance album), 2016 * ''Fifteen'' (The Wailin' Jennys album), 2017 * ''Fifteen'', a 2012 album by Colin James Songs * "Fifteen" (song), a 2008 song by Taylor Swift *"Fifteen", a song by Harry Belafonte from the album '' Love Is a Gentle Thing'' *"15", a song by Rilo Kiley from the album ''Under the Blacklight'' *"15", a song by Marilyn Manson from the album ''The High End of Low'' *"The 15th", a 1979 song by Wire Other uses *Fifteen, Ohio, a community in the United States * ''15'' (film), a 2003 Singaporean film * ''Fifteen'' (TV series), international release name of ''Hillside'', a Canadian-American teen drama *Fi ...
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1440 Births
144 may refer to: * 144 (number), the natural number following 143 and preceding 145 * AD 144, a year of the Julian calendar, in the second century AD * 144 BC, a year of the pre-Julian Roman calendar * ''144'' (film), a 2015 Indian comedy * ''144'' (video game), working title of ''The Path'', a psychological horror art game * 144 (New Jersey bus), a bus route in New Jersey, USA * Volvo 144, the main 4-door sedan model of the Volvo 140 Series * Worcestershire bus route 144 Worcestershire bus route 144 is a bus service connecting the Worcestershire areas of Catshill, Bromsgrove. Droitwich and Worcester, operated by First Worcestershire. The service dates back to 1914 and was one of the longest-running double-deck ... See also * List of highways numbered 144 * {{numberdis ...
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Frederick Hartt
Frederick Hartt (1914–1991) was an Italian Renaissance scholar, author and professor of art history. His books include ''History of Italian Renaissance Art'', '' Art: A History of Painting, Sculpture, and Architecture ''(two volumes), ''Michelangelo (Masters of Art Series)'', ''The Sistine Chapel'' and ''The Renaissance in Italy and Spain (Metropolitan Museum of Art Series)''. He was also involved with cataloging and repatriating art work looted and stolen by the Third Reich during World War II. Biography Hartt was born in Boston, Massachusetts on 22 May 1914, the son of Rollin Lynde Hartt and Jessie Clark Knight (Hartt). He graduated from Columbia College in 1935 and received his PhD from New York University's Institute of Fine Arts in 1950; the subject of his dissertation was ''Giulio Romano and the Palazzo del Te''. From 1942 to 1946, during World War II, Hartt was an officer in the Monuments, Fine Arts, and Archives program of the US Army and received a Bronze Star. He ...
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St Mark's Clocktower
The Clock Tower in Venice is an early Renaissance building on the north side of the Piazza San Marco, at the entrance to the Merceria. It comprises a tower, which contains the clock, and lower buildings on each side. It adjoins the eastern end of the Procuratie Vecchie. Both the tower and the clock date from the last decade of the 15th century, though the mechanism of the clock has subsequently been much altered. It was placed where the clock would be visible from the waters of the lagoon and give notice to everyone of the wealth and glory of Venice. The lower two floors of the tower make a monumental archway into the main street of the city, the Merceria, which linked the political and religious centre (the Piazza) with the commercial and financial centre (the Rialto). Today it is one of the 11 venues managed by the Fondazione Musei Civici di Venezia. General description On a terrace at the top of the tower are two great bronze figures, hinged at the waist, which strike the ...
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Santa Maria Formosa
Santa Maria Formosa, formally The Church of the Purification of Mary, is a church in Venice, northern Italy. It was erected in 1492 under the design by Renaissance architect Mauro Codussi. It lies on the site of a previous church dating from the 7th century, which, according to tradition, was one of the eight founded by San Magno, bishop of Oderzo. The name "formosa" relates to an alleged appearance of the Holy Virgin disguised as a voluptuous woman1. Exterior The plan is on the Latin cross, with a nave and two aisles. The two façades were commissioned in 1542, the Renaissance-style one facing the canal, and 1604, the Baroque one facing the nearby square. The dome of the church was rebuilt in after falling during an earthquake in 1688. Santa Maria Formosa Facciata e campanile2.jpg, West facade Santa Maria Formosa - Monumento di Vicenzo Cappello - Domenico di Pietro Grazioli.jpg, Monument to Vincenzo Cappello 0 Venise, grotesque en pierre sculptée - Santa Maria Formosa.JPG ...
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Renaissance
The Renaissance ( , ) , from , with the same meanings. is a period in European history marking the transition from the Middle Ages to modernity and covering the 15th and 16th centuries, characterized by an effort to revive and surpass ideas and achievements of classical antiquity. It occurred after the Crisis of the Late Middle Ages and was associated with great social change. In addition to the standard periodization, proponents of a "long Renaissance" may put its beginning in the 14th century and its end in the 17th century. The traditional view focuses more on the early modern aspects of the Renaissance and argues that it was a break from the past, but many historians today focus more on its medieval aspects and argue that it was an extension of the Middle Ages. However, the beginnings of the period – the early Renaissance of the 15th century and the Italian Proto-Renaissance from around 1250 or 1300 – overlap considerably with the Late Middle Ages, conventionally da ...
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San Giovanni Crisostomo Di Venezia
San Giovanni Grisostomo (English: Saint John Chrysostom) is a small church in the ''sestiere'' or neighborhood of Cannaregio, Venice. The church was founded in 1080, destroyed by fire in 1475, then rebuilt starting in 1497 by Mauro Codussi and his son, Domenico. Construction was completed in 1525. The bell tower dates from the late 16th century. The interior is based on a Greek cross design. Behind the façade are hung two canvasses, formerly organ doors, by Giovanni Mansueti depicting Saints Onuphrius, Agatha, Andrew and John Chrysostom. Onuphrius was the co-titular patron saint who was revered by the confraternity of the ''Tentori'' (dyers of fabrics, covers, and sheets). In 1516, a relic of the saint, his finger, was donated to this church. The chapel on the right has the painting '' Saints Christopher, Jerome and Louis of Toulouse'' (1513) by Giovanni Bellini. On the left rear the chapel of the Rosary or Madonna della Grazie has an altarpiece of '' Saints John Chrysostom, ...
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San Zaccaria Di Venezia
The Church of San Zaccaria is a 15th-century former monastic church in central Venice, Italy. It is a large edifice, located in the Campo San Zaccaria, just off the waterfront to the southeast of Piazza San Marco and St Mark's Basilica. It is dedicated to St. Zechariah, the father of John the Baptist. History The first church on the site was founded by Doge Giustiniano Participazio in the early 9th century to house the body of the saint to which it is dedicated, a gift of the Byzantine Emperor Leo V the Armenian, which it contains under the second altar on the right. The remains of various doges are buried in the crypt of the church. The original church was rebuilt in the 1170s (when the present campanile was built) and was replaced by a Gothic church in the 15th century. The remains of this building still stand, as the present church was built beside and not over it. The present church was built between 1458 and 1515. Antonio Gambello was the original architect, who starte ...
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