Maurice Franck
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Maurice Franck
Maurice Franck (22 April 1897 – 21 March 1983) was a French conductor, composer and music educator. Life Born in the 9th arrondissement of Paris, Franck was one of the sons of Jules Franck, harp soloist at the Paris Opera, and Clémence Braun, a good amateur pianist. He married Marcelle Horvilleur, also a musician. Among his cousins were Geneviève Zadoc-Kahn, stage manager of the concerts, and Suzanne Braun, ophthalmologist and wife of politician .Family genealogical sources Franck studied at the Conservatoire de Paris with Marcel Samuel-Rousseau and Paul Vidal. He participated five times in the Prix de Rome, where he won the first Second Grand Prix with his cantata ''L’autre Mère''. From 1937 onwards, he directed a harmony class at the Conservatoire de Paris. Later, he became president of the Conservatoire's alumni association. At the same time, he taught at Studios Pleyel, Lycée la Fontaine and at the Beethoven Institute founded by Hélène Amiot, alongside othe ...
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Conducting
Conducting is the art of directing a musical performance, such as an orchestral or choral concert. It has been defined as "the art of directing the simultaneous performance of several players or singers by the use of gesture." The primary duties of the conductor are to interpret the score in a way which reflects the specific indications in that score, set the tempo, ensure correct entries by ensemble members, and "shape" the phrasing where appropriate. Conductors communicate with their musicians primarily through hand gestures, usually with the aid of a baton, and may use other gestures or signals such as eye contact. A conductor usually supplements their direction with verbal instructions to their musicians in rehearsal. The conductor typically stands on a raised podium with a large music stand for the full score, which contains the musical notation for all the instruments or voices. Since the mid-19th century, most conductors have not played an instrument when conducting, ...
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Oflag
An Oflag (from german: Offizierslager) was a type of prisoner of war camp for Officer (armed forces), officers which the German Army (Wehrmacht), German Army established in World War I in accordance with the requirements of the Hague Conventions (1899 and 1907), 1899 Hague Convention, and in World War II in accordance with the requirements of the Geneva Convention on Prisoners of War (1929), Geneva Convention (1929). Although officers were not required to work, at Oflag XIII-B (Hammelburg) when the POWs asked to be able to work for more food, they were told the Geneva Convention forbade them from working.http://www.indianamilitary.org/German%20PW%20Camps/Prisoner%20of%20War/PW%20Camps/Oflag%20XIII-B/Prell/Prell-Donald.pdf In some Oflags a limited number of non-commissioned soldiers working as Batman (military), orderlies were allowed to carry out the work needed to care for the officers. Officers of the Allied air forces were held in special camps called Stalags Luft but were acco ...
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French Classical Composers
French (french: français(e), link=no) may refer to: * Something of, from, or related to France ** French language, which originated in France, and its various dialects and accents ** French people, a nation and ethnic group identified with France ** French cuisine, cooking traditions and practices Fortnite French places Arts and media * The French (band), a British rock band * "French" (episode), a live-action episode of ''The Super Mario Bros. Super Show!'' * ''Française'' (film), 2008 * French Stewart (born 1964), American actor Other uses * French (surname), a surname (including a list of people with the name) * French (tunic), a particular type of military jacket or tunic used in the Russian Empire and Soviet Union * French's, an American brand of mustard condiment * French catheter scale, a unit of measurement of diameter * French Defence, a chess opening * French kiss, a type of kiss involving the tongue See also * France (other) * Franch, a surname * Frenc ...
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Bass Trombone
The bass trombone (german: Bassposaune, it, trombone basso) is the bass instrument in the trombone family of brass instruments. Modern instruments are pitched in the same B♭ as the tenor trombone but with a larger bore, bell and mouthpiece to facilitate low register playing, and usually two valves to fill in the missing range immediately above the pedal tones. History The earliest bass trombones were the bass sackbuts, usually pitched in G, F, or E♭ below the B♭ tenor. They had a smaller bore and less flared bell than modern instruments, and a longer slide with an attached handle to allow slide positions otherwise beyond the reach of a fully outstretched arm. The earliest known surviving specimen is an instrument in G built in Germany in 1593. This instrument matches descriptions and illustrations by Praetorius from his 1614–20 ''Syntagma Musicum''. These bass sackbuts were sometimes called , , and (Old German, , referring to intervals below B♭), though sometimes ...
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Saxhorn
The saxhorn is a family of valved brass instruments that have conical bores and deep cup-shaped mouthpieces. The saxhorn family was developed by Adolphe Sax, who is also known for creating the saxophone family. The sound of the saxhorn has a characteristic mellow tone quality and blends well with other brass. The saxhorn family The saxhorns form a family of seven brass instruments (although at one point ten different sizes seem to have existed). Designed for band use, they are pitched alternately in E and B, like the saxophone group. Modern saxhorns still manufactured and in use: *B soprano saxhorn: flugelhorn *E alto/tenor saxhorn: alto/tenor horn *B baritone saxhorn: baritone horn *The B bass, E bass, and B contrabass saxhorns are basically the same as the modern euphonium, E bass tuba, and BB contrabass tuba, respectively. Historically, much confusion exists as to the nomenclature of the various instruments in different languages. The following table lists the membe ...
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Opéra Bouffe
Opéra bouffe (, plural: ''opéras bouffes'') is a genre of late 19th-century French operetta, closely associated with Jacques Offenbach, who produced many of them at the Théâtre des Bouffes-Parisiens, inspiring the genre's name. Opéras bouffes are known for elements of comedy, satire, parody and farce. The most famous examples are ''La belle Hélène'', '' Barbe-bleue'' (''Bluebeard''), '' La Vie parisienne'', ''La Périchole'' and ''La Grande-Duchesse de Gérolstein ''La Grande-Duchesse de Gérolstein'' (''The Grand Duchess of Gerolstein'') is an opéra bouffe (a form of operetta), in three acts and four tableaux by Jacques Offenbach to an original French libretto by Henri Meilhac and Ludovic Halévy. The s ...''. Sources * Bartlet, M. Elizabeth C.: "Opéra bouffe" Stanley Sadie (ed.), ''The New Grove Dictionary of Opera'' (London, 1992). {{DEFAULTSORT:Opera Bouffe Opera genres Opera terminology ...
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A Cappella
''A cappella'' (, also , ; ) music is a performance by a singer or a singing group without instrumental accompaniment, or a piece intended to be performed in this way. The term ''a cappella'' was originally intended to differentiate between Renaissance polyphony and Baroque concertato musical styles. In the 19th century, a renewed interest in Renaissance polyphony, coupled with an ignorance of the fact that vocal parts were often doubled by instrumentalists, led to the term coming to mean unaccompanied vocal music. The term is also used, rarely, as a synonym for ''alla breve''. Early history A cappella could be as old as humanity itself. Research suggests that singing and vocables may have been what early humans used to communicate before the invention of language. The earliest piece of sheet music is thought to have originated from times as early as 2000 B.C. while the earliest that has survived in its entirety is from the first century A.D.: a piece from Greece called the ...
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Suzanne Juyol
Suzanne Juyol (1 January 1920 in Paris – 20 July 1994 in Paris) was a French opera singer, the leading dramatic soprano of her era in France. Suzanne Juyol studied at the Conservatoire de Paris and made her professional debut at the Palais Garnier, in 1942, as Margared in ''Le roi d'Ys'', followed by Fauré's ''Pénélope'', Dukas's ''Ariadne'', Marguerite in Berlioz's ''La damnation de Faust'' and in Gounod's ''Faust''. Her debut at the Opéra-Comique took place in 1946, as Charlotte in ''Werther'', other roles included: ''Carmen'', ''Tosca'', Santuzza in ''Cavalleria rusticana'', etc. She made her debut at the Monte Carlo Opera in 1947, where she began singing Wagnerian roles such as Kundry, the two Brunhildes and Ortrud. The success was such that she was invited to sing at the Berlin Staatsoper in ''Tristan und Isolde'', opposite Max Lorenz, in 1951. Just as an international career was in the making, Suzanne Juyol retired from the stage in 1960, aged only 40. She was marr ...
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Georges Chaperot
Georges Chaperot (born 21 April 1902, date of death unknown) was a French screenwriter who co-wrote the story of the film ''A Cage of Nightingales'' (1945) with René Wheeler, for which they both received an Academy Award nomination in 1947. Their story would later serve as an inspiration for the hugely successful film '' The Chorus'' (2004). Selected filmography * ''Moutonnet'' (1936) * ''The Murdered Model ''The Murdered Model'' (French: ''Le mannequin assassiné'') is a 1948 French-Belgian comedy crime film directed by Pierre de Hérain and starring Blanchette Brunoy, Gilbert Gil and Julien Carette.Goble p. 440 It is based on the 1932 novel ''The M ...'' (1948) References External links *Georges Chaperot's profile at the Swedish Film Database French male screenwriters French screenwriters 1902 births Year of death missing {{France-film-bio-stub ...
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Concerts Colonne
The Colonne Orchestra is a French symphony orchestra, founded in 1873 by the violinist and conductor Édouard Colonne. History While leader of the Opéra de Paris orchestra, Édouard Colonne was engaged by the publisher Georges Hartmann to lead a series of popular concerts which he founded under the title of ‘Concert National’ in March 1873.''Cinquante Ans de Musique Française de 1874 à 1925.'' Les Éditions Musicales de la Librairie de France, Paris, 1925. While at first a great success, the financial burden forced Hartmann to withdraw from the enterprise. However, Colonne then decided to form his own orchestra, ‘l’Association artistique des Concerts Colonne’ based at the Théâtre du Châtelet in November 1873. The Concerts Colonne placed particular emphasis on contemporary music of the time ( Saint-Saëns, Massenet, Charpentier, Fauré, d'Indy, Debussy, Ravel, Widor, Enescu, Dukas and Chabrier). Alongside these were programmed Wagner and Richard Strauss, and Colo ...
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18th Arrondissement Of Paris
The 18th arrondissement of Paris (''XVIIIe arrondissement'') is one of the 20 arrondissements of the capital city of France. In spoken French, this arrondissement is referred to as ''dix-huitième''. The arrondissement, known as Butte-Montmartre, is located on the right bank of the River Seine. It is mostly known for hosting the district of Montmartre which contains a hill known for its artistic history, the Bateau-Lavoir where Pablo Picasso, Georges Braque, and Amedeo Modigliani lived and worked in early 20th century, the house of music diva Dalida, the Moulin Rouge cabaret, other historic features, and the prominent Sacré Cœur basilica which sits atop the hill. The 18th arrondissement also contains the North African and African district of Goutte d'Or which is famous for its market, the marché Barbès, where one can find various products from the African continent. Geography The land area of this arrondissement is exactly 6.005 km2 (2.319 sq. miles, or 1,484 acres). ...
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Chamber Music
Chamber music is a form of classical music that is composed for a small group of instruments—traditionally a group that could fit in a palace chamber or a large room. Most broadly, it includes any art music that is performed by a small number of performers, with one performer to a part (in contrast to orchestral music, in which each string part is played by a number of performers). However, by convention, it usually does not include solo instrument performances. Because of its intimate nature, chamber music has been described as "the music of friends". For more than 100 years, chamber music was played primarily by amateur musicians in their homes, and even today, when chamber music performance has migrated from the home to the concert hall, many musicians, amateur and professional, still play chamber music for their own pleasure. Playing chamber music requires special skills, both musical and social, that differ from the skills required for playing solo or symphonic works. ...
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