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Maurice Emmanuel
Marie François Maurice Emmanuel (2 May 1862 – 14 December 1938) was a French composer of classical music and musicologist born in Bar-sur-Aube, a small town in the Champagne-Ardenne region of northeastern France. It was there where he first heard his grandfather's printing press which according to his granddaughter, Anne Eichner-Emmanuel, first gave him the feeling of rhythm. Brought up in Dijon, Maurice Emmanuel became a chorister at Beaune cathedral after his family moved to the city in 1869. According to his granddaughter, Anne Eichner-Emmanuel, he was influenced by the brass bands on the streets of Beaune and by the "songs of the grape pickers which imprinted melodies in his memory so different from all the classical music he was taught in the academy of music." Subsequently, he went to Paris, and in 1880 he entered the Paris Conservatoire, where his composition teacher was Léo Delibes. His other teachers included Théodore Dubois (harmony) and Louis-Albert Bourgault-Ducoud ...
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Maurice Emmanuel 1930
Maurice may refer to: People *Saint Maurice (died 287), Roman legionary and Christian martyr *Maurice (emperor) or Flavius Mauricius Tiberius Augustus (539–602), Byzantine emperor *Maurice (bishop of London) (died 1107), Lord Chancellor and Lord Keeper of England *Maurice of Carnoet (1117–1191), Breton abbot and saint *Maurice, Count of Oldenburg (fl. 1169–1211) *Maurice of Inchaffray (14th century), Scottish cleric who became a bishop *Maurice, Elector of Saxony (1521–1553), German Saxon nobleman *Maurice, Duke of Saxe-Lauenburg (1551–1612) *Maurice of Nassau, Prince of Orange (1567–1625), stadtholder of the Netherlands *Maurice, Landgrave of Hesse-Kassel or Maurice the Learned (1572–1632) *Maurice of Savoy (1593–1657), prince of Savoy and a cardinal *Maurice, Duke of Saxe-Zeitz (1619–1681) *Maurice of the Palatinate (1620–1652), Count Palatine of the Rhine *Maurice of the Netherlands (1843–1850), prince of Orange-Nassau *Maurice Chevalier (1888–1972), Fre ...
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Lycée Racine
The lycée Racine is a public school in the quartier de l'Europe located in the 8th arrondissement of Paris. It consists of a lycée as well as BTS assistant manager and BTS bank staff courses. It takes the name of Jean Racine, playwright and historiographer to the King. The main site is served by the métro stations of Saint-Lazare, Saint-Augustin and Europe. The second site (Naples) is served by the stations Villiers, Europe and Miromesnil. History Lycée Racine was built by the architect Paul Gout and opened in 1886. It was the second girls' school to open in Paris, after the lycée Fénelon. The establishment bears the name of Jean Racine, French playwright of the 17th century. Organisation The lycée is split into two sites: the main site is located at 20 rue du Rocher (''Rocher''), and the second site is located at 38 rue de Naples (''Naples''). The acquisition of the second site allowed the school to increase capacity, and start bilingual and trilingual BTS ...
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Prix De Rome
The Prix de Rome () or Grand Prix de Rome was a French scholarship for arts students, initially for painters and sculptors, that was established in 1663 during the reign of Louis XIV of France. Winners were awarded a bursary that allowed them to stay in Rome for three to five years at the expense of the state. The prize was extended to architecture in 1720, music in 1803 and engraving in 1804. The prestigious award was abolished in 1968 by André Malraux, then Minister of Culture, following the May 68 riots that called for cultural change. History The Prix de Rome was initially created for painters and sculptors in 1663 in France, during the reign of Louis XIV. It was an annual bursary for promising artists having proved their talents by completing a very difficult elimination contest. To succeed, a student had to create a sketch on an assigned topic while isolated in a closed booth with no reference material to draw on. The prize, organised by the Académie Royale de Peinture ...
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Musical Mode
In music theory, the term mode or ''modus'' is used in a number of distinct senses, depending on context. Its most common use may be described as a type of musical scale coupled with a set of characteristic melodic and harmonic behaviors. It is applied to major and minor keys as well as the seven diatonic modes (including the former as Ionian and Aeolian) which are defined by their starting note or tonic. (Olivier Messiaen's modes of limited transposition are strictly a scale type.) Related to the diatonic modes are the eight church modes or Gregorian modes, in which authentic and plagal forms of scales are distinguished by ambitus and tenor or reciting tone. Although both diatonic and gregorian modes borrow terminology from ancient Greece, the Greek ''tonoi'' do not otherwise resemble their mediaeval/modern counterparts. In the Middle Ages the term modus was used to describe both intervals and rhythm. Modal rhythm was an essential feature of the modal notation system o ...
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Oriental
The Orient is a term for the East in relation to Europe, traditionally comprising anything belonging to the Eastern world. It is the antonym of ''Occident'', the Western World. In English, it is largely a metonym for, and coterminous with, the continent of Asia, loosely classified into the Western Asia, Southeast Asia, South Asia, Central Asia, East Asia, and sometimes including the Caucasus. Originally, the term ''Orient'' was used to designate only the Near East, and later its meaning evolved and expanded, designating also the Middle East, Central Asia, South Asia, Southeast Asia, or the Far East. The term ''oriental'' is often used to describe objects from the Orient; however in the United States it is considered an outdated and often offensive term by some, especially when used to refer to people of East Asian and Southeast Asian descent. Etymology The term "Orient" derives from the Latin word ''oriens'' meaning "east" (lit. "rising" < ''orior'' " rise"). The use of th ...
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Folksong
Folk music is a music genre that includes traditional folk music and the contemporary genre that evolved from the former during the 20th-century folk revival. Some types of folk music may be called world music. Traditional folk music has been defined in several ways: as music transmitted orally, music with unknown composers, music that is played on traditional instruments, music about cultural or national identity, music that changes between generations (folk process), music associated with a people's folklore, or music performed by custom over a long period of time. It has been contrasted with commercial and classical styles. The term originated in the 19th century, but folk music extends beyond that. Starting in the mid-20th century, a new form of popular folk music evolved from traditional folk music. This process and period is called the (second) folk revival and reached a zenith in the 1960s. This form of music is sometimes called contemporary folk music or folk revi ...
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Henri Dutilleux
Henri Paul Julien Dutilleux (; 22 January 1916 – 22 May 2013) was a French composer active mainly in the second half of the 20th century. His small body of published work, which garnered international acclaim, followed in the tradition of Maurice Ravel, Claude Debussy, Albert Roussel and Olivier Messiaen, but in an idiosyncratic, individual style. Some of his notable compositions include a piano sonata, two symphonies, the cello concerto '' Tout un monde lointain…'' (''A whole distant world''), the violin concerto ''L'arbre des songes'' (''The tree of dreams''), the string quartet '' Ainsi la nuit'' (''Thus the night'') and a sonatine for flute and piano. Some of these are regarded as masterpieces of 20th-century classical music. Works were commissioned from him by such major artists as Charles Munch, George Szell, Mstislav Rostropovich, the Juilliard String Quartet, Isaac Stern, Paul Sacher, Anne-Sophie Mutter, Simon Rattle, Renée Fleming, and Seiji Ozawa. French orga ...
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Olivier Messiaen
Olivier Eugène Prosper Charles Messiaen (, ; ; 10 December 1908 – 27 April 1992) was a French composer, organist, and ornithologist who was one of the major composers of the 20th century. His music is rhythmically complex; harmonically and melodically he employs a system he called ''modes of limited transposition'', which he abstracted from the systems of material generated by his early compositions and improvisations. He wrote music for chamber ensembles and orchestra, vocal music, as well as for solo organ and piano, and also experimented with the use of novel electronic instruments developed in Europe during his lifetime. Messiaen entered the Paris Conservatoire at the age of 11 and studied with Paul Dukas, Maurice Emmanuel, Charles-Marie Widor and Marcel Dupré, among others. He was appointed organist at the Église de la Sainte-Trinité, Paris, in 1931, a post held for 61 years until his death. He taught at the Schola Cantorum de Paris during the 1930s. After the ...
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Jacques Chailley
Jacques Chailley (24 March 1910 – 21 January 1999) was a French musicologist and composer.Alain Lompech, "Jacques Chailley, musicologue-praticien et infatigable chercheur", ''Consociatio internationalis musicæ sacræ, Musicæ sacræ ministerium'', Anno XXXIV-XXXVI (1997 - 1999), Rome, p. 146 - 147 Biography His mother was the pianist Céliny Chailley-Richez (1884–1973), his father the cellist Marcel Chailley (1881–1936). Adolescent, he was a boarder at the Fontgombault Abbey (Indre) where he learned to play the organ and learned about choir directing. At the age of 14, he composed a four-voice ''Domine non sum dignus''. He received a classical and musical teaching of high quality, studying harmony with Nadia Boulanger, counterpoint and fugue with Claude Delvincourt, musicology with Yvonne Rokseth who gave him insight into medieval music. At the Conservatoire de Paris, he followed Maurice Emmanuel's class of music history and studied music composition with Henri Büsser ...
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Georges Migot
Georges Elbert Migot (27 February 1891 – 5 January 1976) was a prolific French composer. Though primarily known as a composer, he was also a poet, often integrating his poetry into his compositions, and an accomplished painter. He won the 1921 Prix Blumenthal. Biography Of a Protestant family, Migot was born in the 11th arrondissement of Paris on 27 February 1891.See birth certificate (page 29): http://archives.paris.fr/arkotheque/visionneuse/visionneuse.php?arko=YTo2OntzOjQ6ImRhdGUiO3M6MTA6IjIwMTktMTEtMDciO3M6MTA6InR5cGVfZm9uZHMiO3M6MTE6ImFya29fc2VyaWVsIjtzOjQ6InJlZjEiO2k6NDtzOjQ6InJlZjIiO2k6MjM0MDE2O3M6MTY6InZpc2lvbm5ldXNlX2h0bWwiO2I6MTtzOjIxOiJ2aXNpb25uZXVzZV9odG1sX21vZGUiO3M6NDoicHJvZCI7fQ#uielem_move=-1604.183349609375%2C-1283.13330078125&uielem_islocked=1&uielem_zoom=227&uielem_brightness=0&uielem_contrast=0&uielem_isinverted=0&uielem_rotate=F His father was a doctor and his mother gave him his first piano lessons when he was seven years old. He very quickly began to com ...
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Yvonne Lefébure
Yvonne Lefébure (29 June 1898, Ermont – 23 January 1986, Paris) was a French pianist and teacher. Born in Ermont, she studied with Alfred Cortot at the Conservatoire de Paris, taking a ''premier prix'' in piano and numerous other subjects. She performed with the Orchestre des Concerts Lamoureux and the Orchestre des Concerts Colonne and in recital. She performed at the first Prades Festival in 1950. She taught at the École Normale de Musique, Conservatoire de Paris and Conservatoire Européen, and gave masterclasses at her own festival in Saint-Germain-en-Laye. Among her pupils were Dinu Lipatti, Samson François, Imogen Cooper, Janina Fialkowska, André Laplante, Branka Musulin, Catherine Collard, Michaël Levinas, Françoise Thinat, Jean-Marc Savelli, Évelyne Crochet, István Kassai, Hélène Boschi Hélène Boschi ( ; 11 August 19179 July 1990) was a Franco-Swiss pianist, born in Lausanne. She studied with Yvonne Lefébure and Alfred Cortot at the Ecole normale ...
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Robert Casadesus
Robert Marcel Casadesus (7 April 1899 – 19 September 1972) was a renowned 20th-century French pianist and composer. He was the most prominent member of a distinguished musical family, being the nephew of Henri Casadesus and Marius Casadesus, husband of Gaby Casadesus, and father of Jean Casadesus. Biography Casadesus was born in Paris, and studied there at the Conservatoire with Louis Diémer, taking a ''Premier Prix'' (First Prize) in 1913 and the Prix Diémer in 1920. Robert then entered the class of Lucien Capet, who had exceptional influence. Capet had founded a famous quartet that bore his name ( Capet Quartet) and in which two of Robert's uncles played: Henri and Marcel. The Quartet often rehearsed in the Casadesus home, and so it was that Robert was exposed to chamber music. The Beethoven Quartets held no secret for him—he knew them backwards and forwards. Beginning in 1922, Casadesus collaborated with the composer Maurice Ravel on a project to create piano rolls ...
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