Matt Bianco (album)
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Matt Bianco (album)
''Matt Bianco'' was the second album by the British band Matt Bianco, released in 1986 for WEA. For this album, the band's line-up comprised vocalist Mark Reilly and musician Mark Fisher. Jenni Evans sings backing vocals on nearly every track (and lead vocal on two cuts), but was not listed as an official band member. Album background and chart history Jenni Evans and Mark Fisher were brought in after the departure of Polish singer Basia Trzetrzelewska and keyboard player Danny White, who left the original trio to establish the singer's solo career under the name of Basia. Evans would leave Matt Bianco shortly after this album, but Fisher would become a long-term member of the group. Fisher, a keyboardist, composer, and studio wizard, contributed a more contemporary sound compared to the band's earlier work. The use of synthesizers increased notably: Yamaha's DX-7 can be heard providing the slap bass in most songs, but the choice of noted studio musicians remained consistent f ...
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Matt Bianco
Matt Bianco are a British band that were formed in 1983. They are mainly known for their success in the mid-1980s and their jazz, Latin-flavoured music. The group's name suggests that Matt Bianco is a person, often assumed to be an alias for the main member and front man Mark Reilly. According to the group, however, Matt is in fact "a made up spy, a secret agent; we loved spy TV themes and film scores". Early years Matt Bianco was formed in 1983 by Mark Reilly (vocals), Danny White (keyboard), Kito Poncioni (bass) – all of whom had just left art pop group Blue Rondo A La Turk – and vocalist Basia Trzetrzelewska. The band called itself "Bronze" before settling on the name Matt Bianco in 1983. The group was pictured as a quartet for their first single (" Get Out of Your Lazy Bed"/"Big Rosie"), although Poncioni only played on the non-album B-side "Big Rosie". He dropped out of the group entirely before the recording of their first album ''Whose Side Are You On?'' (1984), al ...
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Whose Side Are You On?
''Whose Side Are You On?'' is the debut album by British band Matt Bianco, released in 1984. For this album, Matt Bianco was a trio of Basia Trzetrzelewska (vocals), Mark Reilly (vocals), and Danny White (keyboards). The album contains the band's first five UK Singles Chart hits, including " Get Out of Your Lazy Bed", "Sneaking Out the Back Door", "Matt's Mood", "Half a Minute" and "More Than I Can Bear". All are sung by Trzetrzelewska and Reilly, except "Matt's Mood" which is an instrumental. Track listings The original vinyl record featured 10 tracks. The cassette edition had 12 tracks, adding two bonus tracks: the 12" version of "Big Rosie" (B-side of the band's debut 12" " Get Out of Your Lazy Bed"), and "The Other Side", the instrumental B-side of the 7" single "Whose Side Are You On?". Additionally, the versions of "More Than I Can Bear", "Half a Minute", "Matt’s Mood", "Get Out of Your Lazy Bed" and "Sneaking Out the Back Door" on the cassette are different from th ...
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UK Number One
The UK Singles Chart is a weekly record chart which for most of its history was based on single sales from Sunday to Saturday in the United Kingdom. Since July 2014 it has also incorporated streaming data, and from 10 July 2015 has been based on a Friday to Thursday week. As of 13 May 2021, 1386 singles have reached number one. The chart was founded in 1952 by Percy Dickins of ''New Musical Express'' (''NME''), who telephoned 20 record stores to ask what their top 10 highest-selling singles were. Dickins aggregated the results into a top 12 hit parade, which was topped by "Here in My Heart" by Al Martino. ''NME''s chart was published each week in its eponymous magazine. The sources, in accordance with the official canon of the Official Charts Company, are the ''New Musical Express'' chart from 1952 to 1960; the ''Record Retailer'' chart from 1960 to 1969; and the Official UK Singles Chart from 1969 onwards. Turnover of number ones The calendar year that has featured the most UK ...
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Cover Version
In popular music, a cover version, cover song, remake, revival, or simply cover, is a new performance or recording by a musician other than the original performer or composer of the song. Originally, it referred to a version of a song released around the same time as the original in order to compete with it. Now, it refers to any subsequent version performed after the original. History The term "cover" goes back decades when cover version originally described a rival version of a tune recorded to compete with the recently released (original) version. Examples of records covered include Paul Williams' 1949 hit tune "The Hucklebuck" and Hank Williams' 1952 song "Jambalaya". Both crossed over to the popular hit parade and had numerous hit versions. Before the mid-20th century, the notion of an original version of a popular tune would have seemed slightly odd – the production of musical entertainment was seen as a live event, even if it was reproduced at home via a cop ...
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Yeh Yeh
"Yeh, Yeh" (in some territories released as "Yeah, yeh, yeh") is a Latin soul tune that was written as an instrumental by Rodgers Grant and Pat Patrick, and first recorded by Mongo Santamaría on his 1963 album ''Watermelon Man!'' Lyrics were written for it shortly thereafter by Jon Hendricks of the vocal group Lambert, Hendricks & Ross. This version of the song was taken to the top of the UK Singles Chart in January 1965 by Georgie Fame and the Blue Flames (b/w "Preach and Teach", Columbia DB 7428), breaking The Beatles' long-term hold on the number one spot of five weeks with "I Feel Fine", and a month later appeared on the US '' Billboard'' pop singles chart to peak at #21. The US single edited out the saxophone solo break. Interviewed after the 2003 Jools Holland '' Spring Hootennany'', where he had played a "dynamite version" of the song, Fame explained that the arrangement had been written by Tubby Hayes. Matt Bianco cover British band Matt Bianco covered the song in 19 ...
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UK Albums Chart
The Official Albums Chart is a list of albums ranked by physical and digital sales and (from March 2015) audio streaming in the United Kingdom. It was published for the first time on 22 July 1956 and is compiled every week by the Official Charts Company (OCC) on Fridays (previously Sundays). It is broadcast on BBC Radio 1 (top 5) and found on the OCC website as a Top 100 or on UKChartsPlus as a Top 200, with positions continuing until all sales have been tracked in data only available to industry insiders. However, even though number 100 was classed as a hit album (as in the case of The Guinness Book of British Hit Albums) in the 1980s until January 1989, since the compilations were removed this definition was changed to Top 75 with follow-up books such as The Virgin Book of British Hit Albums book only including this data. As of 2021, the OCC still only tracks how many UK Top 75s album hits and how many weeks in Top 75 albums chart each artist has achieved. To qualify for the Offi ...
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Ronnie Ross
Albert Ronald Ross (2 October 1933 – 12 December 1991) was a British jazz baritone saxophonist. Life Born in Calcutta, India, to Scottish parents, Ross moved to England in 1946 and was educated at the Perse School in Cambridge. He began playing tenor saxophone in the 1950s with Tony Kinsey, Ted Heath, and Don Rendell. During his tenure with Rendell, he switched to baritone saxophone. He played at the Newport Jazz Festival in 1958, and formed a group called the Jazz Makers with drummer Allan Ganley that same year. He toured the United States in 1959 and Europe later that year with the Modern Jazz Quartet. From 1961 to 1965 he played with Bill Le Sage, and later with Woody Herman, John Dankworth, Friedrich Gulda, and Clark Terry. Ross was a saxophone tutor for a young David Bowie, played baritone saxophone on The Beatles' ''White Album'' track, "Savoy Truffle", and four years later was the baritone sax soloist on the Lou Reed song " Walk on the Wild Side", which was c ...
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Slap Bass
Slapping and popping are ways to produce percussive sounds on a stringed instrument. It is primarily used on the double bass or bass guitar. Slapping on bass guitar involves using the edge of one's knuckle, where it is particularly bony, to quickly strike the string against the fretboard. On bass guitars, this is commonly done with the thumb, while on double bass, the edge of the hand or index finger may be used. Popping refers to pulling the string away from the fretboard and quickly releasing it so it snaps back against the fretboard. On bass guitar, the two techniques are commonly used together in alternation, though either may be used separately. Overview On the double bass, the technique was developed by jazz bands in New Orleans in the early 1900s, and later spread to other genres, including western swing, rockabilly, and other offshoots of those styles. On the bass guitar, the technique is widely credited to Larry Graham, an electric bassist playing with Sly and the F ...
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DX-7
The Yamaha DX7 is a synthesizer manufactured by the Yamaha Corporation from 1983 to 1989. It was the first successful digital synthesizer and is one of the best-selling synthesizers in history, selling more than 200,000 units. In the early 1980s, the synthesizer market was dominated by analog synthesizers. FM synthesis, a means of generating sounds via frequency modulation, was developed by John Chowning at Stanford University, California. FM synthesis created brighter, "glassier" sounds, and could better imitate acoustic sounds such as brass. Yamaha licensed the technology to create the DX7, combining it with very-large-scale integration chips to lower manufacturing costs. With its complex menus and lack of conventional controls, few learned to program the DX7 in depth. However, its preset sounds became staples of 1980s pop music, used by artists including A-ha, Kenny Loggins, Kool & the Gang, Whitney Houston, Chicago, Phil Collins, Luther Vandross, and Billy Ocean. Its electri ...
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Yamaha Corporation
is a Japanese multinational corporation and conglomerate with a very wide range of products and services. It is one of the constituents of Nikkei 225 and is the world's largest musical instrument manufacturing company. The former motorcycle division was established in 1955 as Yamaha Motor Co., Ltd., which started as an affiliated company but later became independent, although Yamaha Corporation is still a major shareholder. History Nippon Gakki Co. Ltd. (currently Yamaha Corporation) was established in 1887 as a reed organ manufacturer by Torakusu Yamaha (山葉寅楠) in Hamamatsu, Shizuoka Prefecture and was incorporated on 12 October 1897. In 1900, the company started the production of pianos. The first piano to be made in Japan was an upright built in 1900 by Torakusu Yamaha, founder of Nippon Gakki Co., Ltd. — later renamed Yamaha Corporation. The company's origins as a musical instrument manufacturer are still reflected today in the group's logo—a trio of interloc ...
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Basia
Barbara Stanisława Trzetrzelewska (Polish: , born 30 September 1954), better known as Basia, is a Polish singer-songwriter and recording artist noted for her Latin-inspired jazz-pop music. She began singing professionally in various Polish bands from the late 1960s throughout the 1970s, then relocated to the UK in 1981. She rose to fame as a singer in the British trio Matt Bianco. By 1986, Basia and her bandmate Danny White had left the group to focus on her solo career. She signed on with Epic Records and enjoyed a successful international career between 1987 and 1995, particularly in the USA where her first two albums '' Time and Tide'' and ''London Warsaw New York'' were platinum-certified, million-unit sellers. During that period, her biggest hits were " Time and Tide", "New Day for You", " Promises", "Baby You're Mine", "Cruising for Bruising", and " Drunk on Love". She had also built up a fan base in Asia. She took a lengthy hiatus due to personal tragedies, then made a co ...
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Keyboard (instrument)
A keyboard instrument is a musical instrument played using a keyboard, a row of levers which are pressed by the fingers. The most common of these are the piano, organ, and various electronic keyboards, including synthesizers and digital pianos. Other keyboard instruments include celestas, which are struck idiophones operated by a keyboard, and carillons, which are usually housed in bell towers or belfries of churches or municipal buildings. Today, the term ''keyboard'' often refers to keyboard-style synthesizers. Under the fingers of a sensitive performer, the keyboard may also be used to control dynamics, phrasing, shading, articulation, and other elements of expression—depending on the design and inherent capabilities of the instrument. Another important use of the word ''keyboard'' is in historical musicology, where it means an instrument whose identity cannot be firmly established. Particularly in the 18th century, the harpsichord, the clavichord, and the early piano c ...
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