Masterfile (Icehouse Album)
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Masterfile (Icehouse Album)
''Masterfile'' is the second compilation album by Australian rock band, Icehouse. The album covers material from the band's first album ''Icehouse'' to 1986's ''Measure for Measure''. It also features a re-recorded version of their 1981 single "Love In Motion" with Christina Amphlett of Divinyls. Track listing # " Icehouse" - 4:21 # "Walls" - 4:22 # "Sister" - 3:25 # " We Can Get Together" - 3:46 # " Can't Help Myself" - 3:12 # "Great Southern Land" - 5:21 # "Street Cafe" - 4:14 # "Hey Little Girl" - 4:24 # "Dusty Pages" - 4:49 # "Don't Believe Anymore" - 5:16 # "Taking The Town" - 3:32 # "Mr. Big" - 3:32 # "Baby, You're So Strange" - 3:57 # "No Promises" - 4:40 # "Cross The Border" - 4:00 # " Love in Motion" (feat. Christina Amphlett) - 4:45 Bonus tracks on Australian release # "Crazy" - 4:49 # "Electric Blue" - 4:33 # "Man of Colours" - 5:11 Bonus tracks on Japanese release # "Byrralku Dhangudha" (feat. Buckethead) Personnel Credits: * Buckethead - guitar ("Byrralku ...
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Icehouse (band)
Icehouse are an Australian Rock music, rock band, formed in Sydney in 1977 as Flowers. Initially known in their homeland for their Pub rock (Australia), pub rock style, the band later achieved mainstream success playing New wave music, new-wave and synth-pop music and attained Top 10 singles chart success locally and in both Europe and the U.S. The mainstay of both Flowers and Icehouse has been Iva Davies (singer-songwriter, record producer, guitar, bass, keyboards, oboe) supplying additional musicians as required. The name "Icehouse", adopted in 1981, comes from an old, cold flat Davies lived in and the strange building across the road populated by itinerant people. Davies and Icehouse extended the use of synthesisers particularly the Sequential Circuits Prophet-5 ("Love in Motion (Icehouse song), Love in Motion", 1981), Linn LM-1, Linn drum machine ("Hey Little Girl", 1982) and Fairlight CMI (''Razorback (film), Razorback'' trailer, 1983) in Australian popular music. Their be ...
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We Can Get Together
"We Can Get Together" is the second single released by the Australian rock band Flowers, later known as Icehouse. It was released in September 1980, on the independent label Regular Records from their first album, '' Icehouse'', two weeks before the album itself was released. It peaked at #16 on the Australian Kent Music Report Singles Charts. NOTE: Used for Australian Singles and Albums charting from 1970 until ARIA created their own charts in mid-1988. Following their signing with Chrysalis Records in early 1981 for the European, Japanese, UK and US releases Flowers had to change their name due to legal restrictions preventing confusion with a Scottish group The Flowers. "We Can Get Together" was released in the UK on Chrysalis in 1981 under the band name Icehouse as both a 7" and 10" vinyl single and later in the US as a 7" single. A remix version by sonicanimation was released on the Icehouse album ''Meltdown'' in 2002. Reception In a single review ''Cash Box magazine'' ...
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Brian Eno
Brian Peter George St John le Baptiste de la Salle Eno (; born Brian Peter George Eno, 15 May 1948) is a British musician, composer, record producer and visual artist best known for his contributions to ambient music and work in rock, pop and electronica. A self-described "non-musician", Eno has helped introduce unconventional concepts and approaches to contemporary music. He has been described as one of popular music's most influential and innovative figures. Born in Suffolk, Eno studied painting and experimental music at the art school of Ipswich Civic College in the mid 1960s, and then at Winchester School of Art. He joined glam rock group Roxy Music as its synthesiser player in 1971, recording two albums with the group before departing in 1973. Eno then released a number of solo pop albums beginning with ''Here Come the Warm Jets'' (1974) and, also in the mid-1970s, began exploring a minimalist direction on influential recordings such as '' Discreet Music'' (1975) and ...
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LinnDrum
The LinnDrum, also referred to as the LM-2, is a drum machine manufactured by Linn Electronics between 1982 and 1985. About 5,000 units were sold. Its high-quality samples, flexibility and affordability made the LinnDrum popular; it sold far more units than its predecessor (the LM-1) and its successor (the Linn 9000) combined. Roger Linn re-used the moniker on the LinnDrum Midistudio and the Roger Linn Designs' LinnDrum II. The LinnDrum was used on many recordings throughout the 1980s, including international hits such as Frankie Goes to Hollywood's "Relax", a-Ha's "Take On Me", Harold Faltermeyer's "Axel F", Billy Idol's " Eyes Without a Face", Deniece Williams's "Let's Hear It for the Boy" and Madonna's " Lucky Star". When Linn Electronics closed in 1986, Forat Electronics purchased its assets and offered service, sounds and modifications for the LinnDrum. The LinnDrum was pre-MIDI, using a DIN sync interface, but MIDI Retrofit Kits were offered by JL Cooper and are curre ...
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Fairlight CMI
The Fairlight CMI (short for Computer Musical Instrument) is a digital synthesizer, sampler, and digital audio workstation introduced in 1979 by Fairlight. — with links to some Fairlight history and photos It was based on a commercial licence of the Qasar M8 developed by Tony Furse of Creative Strategies in Sydney, Australia. It was one of the earliest music workstations with an embedded sampler and is credited for coining the term sampling in music. It rose to prominence in the early 1980s and competed with the Synclavier from New England Digital. History Origins: 1971–1979 In the 1970s, Kim Ryrie, then a teenager, had an idea to develop a build-it-yourself analogue synthesizer, the ETI 4600, for the magazine he founded, ''Electronics Today International'' (ETI). Ryrie was frustrated by the limited number of sounds that the synthesizer could make. After his classmate, Peter Vogel, graduated from high school and had a brief stint at university in 1975, Ryrie asked ...
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Keyboard Instrument
A keyboard instrument is a musical instrument played using a keyboard, a row of levers which are pressed by the fingers. The most common of these are the piano, organ, and various electronic keyboards, including synthesizers and digital pianos. Other keyboard instruments include celestas, which are struck idiophones operated by a keyboard, and carillons, which are usually housed in bell towers or belfries of churches or municipal buildings. Today, the term ''keyboard'' often refers to keyboard-style synthesizers. Under the fingers of a sensitive performer, the keyboard may also be used to control dynamics, phrasing, shading, articulation, and other elements of expression—depending on the design and inherent capabilities of the instrument. Another important use of the word ''keyboard'' is in historical musicology, where it means an instrument whose identity cannot be firmly established. Particularly in the 18th century, the harpsichord, the clavichord, and the early ...
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Guitar
The guitar is a fretted musical instrument that typically has six strings. It is usually held flat against the player's body and played by strumming or plucking the strings with the dominant hand, while simultaneously pressing selected strings against frets with the fingers of the opposite hand. A plectrum or individual finger picks may also be used to strike the strings. The sound of the guitar is projected either acoustically, by means of a resonant chamber on the instrument, or amplified by an electronic pickup and an amplifier. The guitar is classified as a chordophone – meaning the sound is produced by a vibrating string stretched between two fixed points. Historically, a guitar was constructed from wood with its strings made of catgut. Steel guitar strings were introduced near the end of the nineteenth century in the United States; nylon strings came in the 1940s. The guitar's ancestors include the gittern, the vihuela, the four- course Renaissance guitar, and the ...
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Bass Guitar
The bass guitar, electric bass or simply bass (), is the lowest-pitched member of the string family. It is a plucked string instrument similar in appearance and construction to an electric or an acoustic guitar, but with a longer neck and scale length, and typically four to six strings or courses. Since the mid-1950s, the bass guitar has largely replaced the double bass in popular music. The four-string bass is usually tuned the same as the double bass, which corresponds to pitches one octave lower than the four lowest-pitched strings of a guitar (typically E, A, D, and G). It is played primarily with the fingers or thumb, or with a pick. To be heard at normal performance volumes, electric basses require external amplification. Terminology According to the ''New Grove Dictionary of Music and Musicians'', an "Electric bass guitar sa Guitar, usually with four heavy strings tuned E1'–A1'–D2–G2." It also defines ''bass'' as "Bass (iv). A contraction of Double bas ...
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Vocal
The human voice consists of sound made by a human being using the vocal tract, including talking, singing, laughing, crying, screaming, shouting, humming or yelling. The human voice frequency is specifically a part of human sound production in which the vocal folds (vocal cords) are the primary sound source. (Other sound production mechanisms produced from the same general area of the body involve the production of unvoiced consonants, clicks, whistling and whispering.) Generally speaking, the mechanism for generating the human voice can be subdivided into three parts; the lungs, the vocal folds within the larynx (voice box), and the articulators. The lungs, the "pump" must produce adequate airflow and air pressure to vibrate vocal folds. The vocal folds (vocal cords) then vibrate to use airflow from the lungs to create audible pulses that form the laryngeal sound source. The muscles of the larynx adjust the length and tension of the vocal folds to 'fine-tune' pitch and to ...
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Australian Rock Database
The Australian Rock Database was a website with a searchable online database that listed details of Australian rock music artists, albums, bands, producers and record labels. It was established in 2000 by Swedish national Magnus Holmgren, who had developed an interest in Australian music when visiting as an exchange student. Information for the database entries was initially gleaned from Chris Spencer, Zbig Nowara and Paul McHenry's ''Who's Who of Australian Rock'' (3rd ed, 1993) and Ian McFarlane's ''Encyclopedia of Australian Rock and Pop'' (1999). Australian Government The Australian Government, also known as the Commonwealth Government, is the national government of Australia, a federal parliamentary constitutional monarchy. Like other Westminster-style systems of government, the Australian Government i ...'s former website on Culture and Recreation listed Australian Rock Database as a resource for Australian rock music. References ;General * * NOTE: Online copy ...
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Buckethead
Brian Patrick Carroll (born May 13, 1969), known professionally as Buckethead, is an American guitarist, songwriter, and multi-instrumentalist. He has received critical acclaim for his innovative electric guitar playing. His music spans several genres, including progressive metal, funk, blues, bluegrass, ambient, and avant-garde music. He performs primarily as a solo artist, although he has collaborated with a wide variety of artists such as Bill Laswell, Bootsy Collins, Bernie Worrell, Iggy Pop, Les Claypool, Serj Tankian, Bill Moseley, Mike Patton, Viggo Mortensen, That 1 Guy, Bassnectar, and Skating Polly. He was also a member of Guns N' Roses from 2000 to 2004. He has recorded 325 studio albums, four special releases, and one EP. He has performed on more than fifty albums by other artists. Buckethead performs wearing a KFC bucket on his head, emblazoned with an orange bumper sticker reading ''FUNERAL'' in block letters, and an expressionless plain white mask inspir ...
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No Promises (Icehouse Song)
"No Promises" is a song by Australian band Icehouse, released in October 1985, as the first single issued from the band's 1986 album, ''Measure for Measure''. The single was released in Australia through Regular Records, on 7", 12" and maxi-cassette single formats. Chrysalis Records issued the single in the UK and Europe on 7" and 12" formats, with different track listings. "No Promises" was subsequently released in the US by Chrysalis on 7" and 12" formats, again with different track listings. The single peaked at #30 on the Australian singles chart in February 1986. N.B. The Kent Music Report chart was licensed by ARIA from mid-1983 to 12 June 1988. A remixed version by (Love) Tattoo was included on the Icehouse remix album ''Meltdown'' in 2002. Two music videos were filmed to promote the single; the second of these was directed by Dieter Trattmann Dieter Trattmann (b. Switzerland) is a director/editor and producer who resides in California. Life and career Dieter Trattmann ...
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