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Master Of The Children Of The Chapel Royal
The Master of the Children of the Chapel Royal was the choirmaster of the Chapel Royal of England. They were responsible for the musical direction of the choir, which consisted of the Gentlemen of the Chapel and Children of the Chapel. In some periods regarded as the most prestigious choral directorship in the country, the holder was given power to take boys into service from the leading cathedral choirs. Description As well as singing in divine service in the chapel, in Tudor times the Masters of the Children were also involved in staging plays with the choristers. Initially these were for the entertainment of the Royal Court, but by Elizabethan times were taking place in theatres for the paying public. This culminated in the Clifton Star Chamber Case when the then Master of the Children, Nathaniel Giles, allowed his warrant for recruiting choir boys to be used for legal abduction of a nobleman's son to act in a theatre in which he had a financial stake. Following this case t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chapel Royal
The Chapel Royal is an establishment in the Royal Household serving the spiritual needs of the sovereign and the British Royal Family. Historically it was a body of priests and singers that travelled with the monarch. The term is now also applied to the chapels within royal palaces, most notably at Hampton Court and St James's Palace, and other chapels within the Commonwealth designated as such by the monarch. Within the Church of England, some of these royal chapels may also be referred to as Royal Peculiars, an ecclesiastical jurisdiction of the monarch. The Dean of His Majesty's Chapels Royal is a royal household office that in modern times is usually held by the Bishop of London. The Chapel Royal's most public role is to perform choir, choral liturgical music, liturgical service. It has played a significant role in the musical life of the nation, with composers such as Thomas Tallis, Tallis, William Byrd, Byrd, John Bull (composer), Bull, Orlando Gibbons, Gibbons and Henry ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
William Crane (musician)
William Crane (died 1545) was Master of the Children of the Chapel Royal The Master of the Children of the Chapel Royal was the choirmaster of the Chapel Royal of England. They were responsible for the musical direction of the choir, which consisted of the Gentlemen of the Chapel and Children of the Chapel. In some per ... from 1523 to 1545, under Henry VIII. The King bestowed several favourable appointments on Crane throughout his life by which he became a wealthy man, apparently through involvement in maritime trade. In 1509, already having been a Gentleman of the Chapel since about 1506, he was appointed Water-Bailiff of Dartmouth. In 1514 he was appointed Comptroller of the Petty Customs in the Port of London. In 1535 he was made Water-Bailiff of Lynn. Crane married a woman named Margaret and they are known to have had a daughter. He fell ill in June 1545 and died shortly afterwards. He was buried in St Helen's Church, Bishopsgate. References {{reflist Gentlemen of t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anglican Church Music
Anglican church music is music that is written for Christian worship in Anglican religious services, forming part of the liturgy. It mostly consists of pieces written to be sung by a church choir, which may sing ''a cappella'' or accompanied by an organ. Anglican music forms an important part of traditional worship not only in the Church of England, but also in the Scottish Episcopal Church, the Church in Wales, the Church of Ireland, the Episcopal Church in America, the Anglican Church of Canada, the Anglican Church of Australia and other Christian denominations which identify as Anglican. It can also be used at the Personal Ordinariates of the Roman Catholic Church. Forms The chief musical forms in Anglican church music are centred around the forms of worship defined in the liturgy. Service settings Service settings are choral settings of the words of the liturgy. These include: ; The Ordinary of the Eucharist : Sung Eucharist is a musical setting of the service of Hol ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thomas Helmore
Thomas Helmore (7 May 1811, in Kidderminster – 6 July 1890, in Westminster) was a choirmaster, writer about singing and author and editor of hymns and carols. Helmore's father was a congregationalist minister (also called Thomas). During the boy's childhood, the family moved from Kidderminster to Stratford-upon-Avon, where Helmore later trained his father's choir and taught in a school which his father had founded. Until the age of sixteen, he was educated at Mill Hill School with his brother Frederick. In 1837, he began his studies at Magdalen Hall, Oxford, graduating in 1840. He was ordained in the Church of England in the same year, and took up a curacy at St Michael on Greenhill, Lichfield, where he was also a priest-vicar in the Cathedral. Two years later, he was appointed as precentor and vice-principal at St Mark's College, Chelsea, where the principal was Derwent Coleridge (son of the poet Samuel Taylor Coleridge). He soon came to be on friendly terms with his ne ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
William Hawes
William Hawes (178518 February 1846) was an English musician and composer. He was the Master of the Children of the Chapel Royal and musical director of the Lyceum Theatre bringing several notable works to the public's attention. Life Hawes was born in London, and was for eight years (1793–1801) a chorister of the Chapel Royal, where he studied music, mainly under Edmund Ayrton. He subsequently held various musical posts, being master of the choristers at St Paul's Cathedral in London from 1812 to 1846. In 1816 his third daughter, Maria Hawes, was born. She was baptised in the same year and the singer Elizabeth Billington was her godmother. Her full name was Maria Dowding Billington Hawes and she would be a noted singer. In 1817 he was appointed Master of the Children of the Chapel Royal. According to one of the choristers under his charge at that time, Samuel Sebastian Wesley, William Hawes was a disciplinarian who would freely whip the choirboys with a riding whip when they ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Stafford Smith
John Stafford Smith (bapt. 30 March 175021 September 1836) was a British composer, church organist, and early musicologist. He was one of the first serious collectors of manuscripts of works by Johann Sebastian Bach. Smith is best known for writing the music for " The Anacreontic Song", which became the tune for the American patriotic song "The Star-Spangled Banner" following the War of 1812, and in 1931 was adopted as the national anthem of the United States. Early life and education Smith was baptised in Gloucester Cathedral, England, on 30 March 1750, the son of Martin Smith, organist of Gloucester Cathedral from 1743 to 1782. He attended the Gloucester cathedral school, where he became a boy-singer. He furthered his career as a choir boy at the Chapel Royal, London, and also studied under Dr. William Boyce. Career By the 1770s he had gained a reputation as a composer and an organist. He was elected as a member of the select Anacreontic Society which boasted amongst ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Edmund Ayrton
Dr. Edmund Ayrton (1734 – 22 May 1808) was an English organist who was Master of the Children of the Chapel Royal. Early life Edmund Ayrton was born in Ripon and baptised on 19 November 1734. His father was Edward Ayrton (1698-1774), a 'barber chirurgion,' who became a magistrate, an alderman on 14 August 1758 and then mayor of Ripon in 1760. Edmund was the second son of the barber-surgeon and it had been thought that he would take holy orders, as had his grandfather and other forebears. However, displaying considerable musical talent, he was placed under the supervision of Dr. James Nares, the organist of York Minster. He succeeded Samuel Wise as organist, auditor, and rector chori of Southwell Minster in 1755. Career Ayrton became a member of the Royal Society of Musicians on 2 June 1765 (Records of Roy. Soc. of Musicians). He was appointed a gentleman of the Chapel Royal in 1764, and soon after became a vicar choral of St. Paul's Cathedral, and a lay vicar of Westm ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
