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Mass, Op. 130
The Mass, Op. 130, is a setting of the Latin Mass ordinary by Joseph Jongen for choir, brass band and organ. Jongen composed it in 1945 in memory of his brother Alphonse. The full title is '. Five movements were first performed in 1946 at the Liège Cathedral. The work was published by Oxford University Press in 1990. History The Belgian composer Joseph Jongen is known mostly for instrumental and chamber music. He has written around 60 art songs and secular choral works, but little sacred music. After he retired as the director of the Brussels Conservatoire in 1939 however, his interest in choral compositions for the church was raised by Georges Alexis, who had studied with him at the Liège Conservatoire. Alexis possibly initiated the writing of a mass to celebrate the 700th anniversary of the feast in Liège. During world War II, Jongen could not compose anything from August 1944, due to the depressing circumstances of his life at the time. His brother Alphonse who had been ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joseph Jongen
Joseph Marie Alphonse Nicolas Jongen (14 December 1873 – 12 July 1953) was a Belgian organist, composer, and music educator. Biography Jongen was born in Liège, where his parents had moved from Flanders. On the strength of an amazing precocity for music, he was admitted to the Liège Conservatoire at the extraordinarily young age of seven, and spent the next sixteen years there. Jongen won a First Prize for Fugue in 1895, an honors diploma in piano the next year, and another for organ in 1896. In 1897, he won the Belgian Prix de Rome, which allowed him to travel to Italy, Germany and France. He began composing at the age of 13, and immediately exhibited exceptional talent in that field too. By the time he published his Opus 1, he already had dozens of works to his credit. His monumental and massive First String Quartet was composed in 1894 and was submitted for the annual competition for fine arts held by the Royal Academy of Belgium, where it was awarded the top prize by the j ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pontifical Mass
A Pontifical High Mass, also called Solemn Pontifical Mass, is a Solemn or High Mass celebrated by a bishop using certain prescribed ceremonies. Although in modern English the word "pontifical" is almost exclusively associated with the pope, any bishop may be properly called a pontiff. Thus, the celebrant of a Pontifical High Mass may be the pope, any bishop or any other prelate who is allowed to wear pontificals. The term is also used among Anglo-Catholic Anglicans. Origins In the early Church, Mass was normally celebrated by the bishop, with other clergy. In the Roman Rite this evolved into a form of Solemn High Mass celebrated by a bishop accompanied by a deacon, subdeacon, assistant deacons, thurifer, acolyte(s) and other ministers, under the guidance of a priest acting as Master of Ceremonies. Most often the specific parts assigned to deacon and subdeacon are performed by priests. The parts to be said aloud are all chanted, except that the Prayers at the Foot of the Alt ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Reger-Chor
The Reger-Chor is a German-Belgian choir. It was founded in Wiesbaden in 1985 and has been conducted by Gabriel Dessauer in Wiesbaden. Since 2001 it has grown to Regerchor-International in a collaboration with the organist Ignace Michiels of the St. Salvator's Cathedral of Bruges. The choir performs an annual concert both in Germany and Belgium of mostly sacred choral music for choir and organ. Concerts have taken place regularly in St. Bonifatius, Wiesbaden, and in the cathedral of Bruges in its series "Kathedraalconcerten". The choir performed additional concerts at other churches of the two countries and in the Concertgebouw of Bruges. History Gabriel Dessauer (born 1955) was cantor of St. Bonifatius, Wiesbaden, since 1981. In 1985 he called singers together to form a choir in order to perform a single work, the '' Hebbel-Requiem'' of Max Reger in the organ version of the Munich organist and composer Max Beckschäfer. The concert on 16 October 1985 was part of the ''I ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fugato
In music, a fugue () is a contrapuntal compositional technique in two or more voices, built on a subject (a musical theme) that is introduced at the beginning in imitation (repetition at different pitches) and which recurs frequently in the course of the composition. It is not to be confused with a ''fuguing tune'', which is a style of song popularized by and mostly limited to early American (i.e. shape note or "Sacred Harp") music and West Gallery music. A fugue usually has three main sections: an exposition, a development and a final entry that contains the return of the subject in the fugue's tonic key. Some fugues have a recapitulation. In the Middle Ages, the term was widely used to denote any works in canonic style; by the Renaissance, it had come to denote specifically imitative works. Since the 17th century, the term ''fugue'' has described what is commonly regarded as the most fully developed procedure of imitative counterpoint. Most fugues open with a short mai ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giovanni Gabrieli
Giovanni Gabrieli (c. 1554/1557 – 12 August 1612) was an Italian composer and organist. He was one of the most influential musicians of his time, and represents the culmination of the style of the Venetian School, at the time of the shift from Renaissance to Baroque idioms. Biography Gabrieli was born in Venice. He was one of five children, and his father came from the region of Carnia and went to Venice shortly before Giovanni's birth. While not much is known about Giovanni's early life, he probably studied with his uncle, the composer Andrea Gabrieli, who was employed at St Mark's Basilica from the 1560s until his death in 1585. Giovanni may indeed have been brought up by his uncle, as is implied by the dedication to his 1587 book of concerti, in which he described himself as "little less than a son" to his uncle.Bryant, Grove online Giovanni also went to Munich to study with the renowned Orlando de Lassus at the court of Duke Albert V; most likely he stayed there unti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gregorian Chant
Gregorian chant is the central tradition of Western plainchant, a form of monophonic, unaccompanied sacred song in Latin (and occasionally Greek) of the Roman Catholic Church. Gregorian chant developed mainly in western and central Europe during the 9th and 10th centuries, with later additions and redactions. Although popular legend credits Pope Gregory I with inventing Gregorian chant, scholars believe that it arose from a later Carolingian synthesis of the Old Roman chant and Gallican chant. Gregorian chants were organized initially into four, then eight, and finally 12 modes. Typical melodic features include a characteristic ambitus, and also characteristic intervallic patterns relative to a referential mode final, incipits and cadences, the use of reciting tones at a particular distance from the final, around which the other notes of the melody revolve, and a vocabulary of musical motifs woven together through a process called centonization to create families of related ch ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Agnus Dei (music)
is the Latin name under which the " Lamb of God" is honoured within the Catholic Mass and other Christian liturgies descending from the Latin liturgical tradition. It is the name given to a specific prayer that occurs in these liturgies, and is the name given to the music pieces that accompany the text of this prayer. The use of the title "Lamb of God" in liturgy is based on , in which St. John the Baptist, upon seeing Jesus, proclaims "Behold, the Lamb of God, who takes away the sin of the world!" Liturgical usage Latin Catholic The Syrian custom of a chant addressed to the Lamb of God was introduced into the Roman Rite Mass by Pope Sergius I (687–701) in the context of his rejection of the Council of Trullo of 692 (which was well received in the Byzantine East), whose canons had forbidden the iconographic depiction of Christ as a lamb instead of a man. The verse used in the first and second invocations may be repeated as many times as necessary whilst the celeb ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sanctus Benedictus
The Sanctus ( la, Sanctus, "Holy") is a hymn in Christianity, Christian liturgy. It may also be called the ''epinikios hymnos'' ( el, ἐπινίκιος ὕμνος, "Hymn of Victory") when referring to the Greek rendition. In Western Christianity, the ''Sanctus'' forms part of the Ordinary (liturgy), Ordinary and is sung (or said) as the final words of the Preface (Liturgy), Preface of the Eucharistic Prayer of remembrance, consecration, and praise. The preface, which alters according to the Liturgical year, season, usually concludes with words describing the praise of the worshippers joining with the angels, who are pictured as praising God with the words of the ''Sanctus''. In the Byzantine Rite and general Eastern Orthodox Christianity, the ''Sanctus'' is offered as a response by the choir during the Anaphora (liturgy), Holy Anaphora. ''Tersanctus'' ("Thrice Holy") is another, rarer name for the Sanctus. The same name is sometimes used for the ''Trisagion''. Text In G ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
