Marzio Di Colantonio
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Marzio Di Colantonio
Marzio di Colantonio or di Colantonio Ganassini or di Cola Antonio (c. 1580s – after 1623) was an Italian painter, as a painter of still-lifes and landscapes, and fresco decorations of ''grotteschi'' and battle scenes with small figures. His still-life paintings contain hunted game. Biography He was born in Rome, and trained initially under his father, a painter of Grotteschi. He is said to have then trained under Antonio Tempesta. He painted some sacred subjects including frescoes for the church of Santa Maria della Consolazione Santa Maria della Consolazione is a Roman Catholic church in Rome, Italy at the foot of the Palatine Hill, in rione Campitelli. History The church is named after an icon of the Virgin Mary which was placed on this site to console criminals who we ... of Rome, he was best known for his battle paintings, for which he was recruited by the Cardinal of Savoy to work for a time in Piedmont for the House of Savoy. He died young in Viterbo.< ...
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Marzio Di Colantonio - Alexander The Great In His Conquest Of Asia - Walters 37617
Marzio is a ''comune'' (municipality) in the Province of Varese in the Italian region Lombardy, located about northwest of Milan and about north of Varese. The origin of the name ''"Marzio"'' could derive from the Latin name "Marcius" or it could refer to the Italian word "rotten". The council of Marzio covers an area of 1.98 kilometers2 Marzio borders the following municipalities: Brusimpiano, Cadegliano-Viconago, Cuasso al Monte, Lavena Ponte Tresa, Marchirolo; the territory of the ''Comune'' is comprised in the Cinque Vette Park The Cinque Vette Park is a natural park, established by the Region of Lombardy on 19 June 2017. The park is located in the north-eastern part of the Province of Varese, in the Italian region of Lombardy. It takes the name from the main geographic .... Demographic evolution Colors= id:lightgrey value:gray(0.9) id:darkgrey value:gray(0.8) id:sfondo value:rgb(1,1,1) id:barra value:rgb(0.6,0.7,0.8) ImageSize = width:455 height:303 PlotArea ...
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Still-lifes
A still life (plural: still lifes) is a work of art depicting mostly inanimate subject matter, typically commonplace objects which are either natural (food, flowers, dead animals, plants, rocks, shells, etc.) or man-made (drinking glasses, books, vases, jewelry, coins, pipes, etc.). With origins in the Middle Ages and Ancient Greco-Roman art, still-life painting emerged as a distinct genre and professional specialization in Western painting by the late 16th century, and has remained significant since then. One advantage of the still-life artform is that it allows an artist much freedom to experiment with the arrangement of elements within a composition of a painting. Still life, as a particular genre, began with Netherlandish painting of the 16th and 17th centuries, and the English term ''still life'' derives from the Dutch word ''stilleven''. Early still-life paintings, particularly before 1700, often contained religious and allegorical symbolism relating to the objects depi ...
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Landscape Art
Landscape painting, also known as landscape art, is the depiction of natural scenery such as mountains, valleys, trees, rivers, and forests, especially where the main subject is a wide view—with its elements arranged into a coherent composition. In other works, landscape backgrounds for figures can still form an important part of the work. Sky is almost always included in the view, and weather is often an element of the composition. Detailed landscapes as a distinct subject are not found in all artistic traditions, and develop when there is already a sophisticated tradition of representing other subjects. Two main traditions spring from Western painting and Chinese art, going back well over a thousand years in both cases. The recognition of a spiritual element in landscape art is present from its beginnings in East Asian art, drawing on Daoism and other philosophical traditions, but in the West only becomes explicit with Romanticism. Landscape views in art may be entirely ...
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Grotteschi
Since at least the 18th century (in French and German as well as English), grotesque has come to be used as a general adjective for the strange, mysterious, magnificent, fantastic, hideous, ugly, incongruous, unpleasant, or disgusting, and thus is often used to describe weird shapes and distorted forms such as Halloween masks. In art, performance, and literature, however, ''grotesque'' may also refer to something that simultaneously invokes in an audience a feeling of uncomfortable bizarreness as well as sympathetic pity. The English word first appears in the 1560s as a noun borrowed from French, and comes originally from the Italian ''grottesca'' (literally "of a cave" from the Italian ''grotta'', 'cave'; see grotto), an extravagant style of ancient Roman decorative art rediscovered at Rome at the end of the fifteenth century and subsequently imitated. The word was first used of paintings found on the walls of basements of ruins in Rome that were called at that time ''le Grot ...
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Antonio Tempesta
Antonio Tempesta, also called il Tempestino (1555 – 5 August 1630), was an Italian painter and engraver, whose art acted as a point of connection between Baroque Rome and the culture of Antwerp. Much of his work depicts major battles and historical figures. Life He was born and trained in Florence and painted in a variety of styles, influenced to some degree by "Counter-''Maniera''" or Counter-Mannerism. He enrolled in the Florentine Accademia delle Arti del Disegno in 1576. He was a pupil of Santi di Tito, then of the Flemish painter Joannes Stradanus. He was part of the large team of artists working under Giorgio Vasari on the interior decoration of the Palazzo Vecchio in Florence. His favourite subjects were battles, cavalcades, and processions. He relocated to Rome, where he associated with artists from the Habsburg Netherlands, which may have led to his facility with landscape painting. Among his followers was Marzio di Colantonio. Commissions Tempesta and the F ...
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Santa Maria Della Consolazione
Santa Maria della Consolazione is a Roman Catholic church in Rome, Italy at the foot of the Palatine Hill, in rione Campitelli. History The church is named after an icon of the Virgin Mary which was placed on this site to console criminals who were tossed down off the cliff above the church, thought to be the Tarpeian Rock from where condemned Ancient Roman criminals were tossed to their death in Roman times. In 1385 a condemned nobleman, Giordanello degli Alberini, paid 2 gold florins for the icon to provide consolation for criminals facing death. Architecture and art A church originally was built here in 1470, but rebuilt during 1583–1600 by Martino Longhi the Elder, during which time the Mannerist façade was installed. The tympanum was completed in 1827 by Pasquale Belli. The first chapel on the right has frescoes of ''Scenes of the Passion'' (1556) by Taddeo Zuccari. The second chapel on has a ''Madonna with Child and Saints'' (1575) by Livio Agresti. The third chapel ...
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Piedmont
it, Piemontese , population_note = , population_blank1_title = , population_blank1 = , demographics_type1 = , demographics1_footnotes = , demographics1_title1 = , demographics1_info1 = , demographics1_title2 = , demographics1_info2 = , demographics1_title3 = , demographics1_info3 = , timezone1 = CET , utc_offset1 = +1 , timezone1_DST = CEST , utc_offset1_DST = +2 , postal_code_type = , postal_code = , area_code_type = ISO 3166 code , area_code = IT-21 , blank_name_sec1 = GDP (nominal) , blank_info_sec1 = €137 billion (2018) , blank1_name_sec1 = GDP per capita , blank1_info_sec1 = €31,500 (2018) , blank2_name_sec1 = HDI (2019) , blank2_info_sec1 = 0.898 · 10th of 21 , blank_name_sec2 = NUTS Region , blank_info_sec2 = ITC1 , website www.regione ...
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Viterbo
Viterbo (; Viterbese: ; lat-med, Viterbium) is a city and ''comune'' in the Lazio region of central Italy, the capital of the province of Viterbo. It conquered and absorbed the neighboring town of Ferento (see Ferentium) in its early history. It is approximately north of GRA (Rome) on the Via Cassia, and it is surrounded by the Monti Cimini and Monti Volsini. The historic center of the city is surrounded by medieval walls, still intact, built during the 11th and 12th centuries. Entrance to the walled center of the city is through ancient gates. Apart from agriculture, the main resources of Viterbo's area are pottery, marble, and wood. The town is home to the Italian gold reserves, an important Academy of Fine Arts, the University of Tuscia, and the Italian Army's Aviation Command headquarters and training centre. It is located in a wide thermal area, attracting many tourists from the whole of central Italy. History The first report of the new city dates to the eighth century ...
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16th-century Italian Painters
The 16th century begins with the Julian year 1501 ( MDI) and ends with either the Julian or the Gregorian year 1600 ( MDC) (depending on the reckoning used; the Gregorian calendar introduced a lapse of 10 days in October 1582). The 16th century is regarded by historians as the century which saw the rise of Western civilization and the Islamic gunpowder empires. The Renaissance in Italy and Europe saw the emergence of important artists, authors and scientists, and led to the foundation of important subjects which include accounting and political science. Copernicus proposed the heliocentric universe, which was met with strong resistance, and Tycho Brahe refuted the theory of celestial spheres through observational measurement of the 1572 appearance of a Milky Way supernova. These events directly challenged the long-held notion of an immutable universe supported by Ptolemy and Aristotle, and led to major revolutions in astronomy and science. Galileo Galilei became a champion o ...
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Italian Male Painters
Italian(s) may refer to: * Anything of, from, or related to the people of Italy over the centuries ** Italians, an ethnic group or simply a citizen of the Italian Republic or Italian Kingdom ** Italian language, a Romance language *** Regional Italian, regional variants of the Italian language ** Languages of Italy, languages and dialects spoken in Italy ** Italian culture, cultural features of Italy ** Italian cuisine, traditional foods ** Folklore of Italy, the folklore and urban legends of Italy ** Mythology of Italy, traditional religion and beliefs Other uses * Italian dressing, a vinaigrette-type salad dressing or marinade * Italian or Italian-A, alternative names for the Ping-Pong virus, an extinct computer virus See also * * * Italia (other) * Italic (other) * Italo (other) * The Italian (other) * Italian people (other) Italian people may refer to: * in terms of ethnicity: all ethnic Italians, in and outside of Italy * ...
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17th-century Italian Painters
The 17th century lasted from January 1, 1601 ( MDCI), to December 31, 1700 ( MDCC). It falls into the early modern period of Europe and in that continent (whose impact on the world was increasing) was characterized by the Baroque cultural movement, the latter part of the Spanish Golden Age, the Dutch Golden Age, the French ''Grand Siècle'' dominated by Louis XIV, the Scientific Revolution, the world's first public company and megacorporation known as the Dutch East India Company, and according to some historians, the General Crisis. From the mid-17th century, European politics were increasingly dominated by the Kingdom of France of Louis XIV, where royal power was solidified domestically in the civil war of the Fronde. The semi-feudal territorial French nobility was weakened and subjugated to the power of an absolute monarchy through the reinvention of the Palace of Versailles from a hunting lodge to a gilded prison, in which a greatly expanded royal court could be more easily ...
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Renaissance Painters
Renaissance art (1350 – 1620 AD) is the painting, sculpture, and decorative arts of the period of European history known as the Renaissance, which emerged as a distinct style in Italy in about AD 1400, in parallel with developments which occurred in philosophy, literature, music, science, and technology. Renaissance art took as its foundation the art of Classical antiquity, perceived as the noblest of ancient traditions, but transformed that tradition by absorbing recent developments in the art of Northern Europe and by applying contemporary scientific knowledge. Along with Renaissance humanist philosophy, it spread throughout Europe, affecting both artists and their patrons with the development of new techniques and new artistic sensibilities. For art historians, Renaissance art marks the transition of Europe from the medieval period to the Early Modern age. The body of art, painting, sculpture, architecture, music and literature identified as "Renaissance art" was primar ...
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