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Mary Warburg (artist)
Mary Warburg, born Mary Hertz (October 13, 1866 – December 4, 1934), was a German painter and sculptor. She was married to the art historian Aby Warburg, the founder of the Warburg Institute, London. Mary Warburg was a daughter of the Hamburg senator and merchant Adolph Ferdinand Hertz and his wife Maria, née Goßler. From the age of 16 she took private drawing lessons and often travelled with her father. She married Aby Warburg in 1897. They moved to Florence, where Mary Warburg entered into artistic exchange with the sculptor Adolf Hildebrand and the painter Arnold Böcklin. After four years, the Warburgs returned to Hamburg. Mary Warburg created drawings, pastels, watercolours – landscapes as well as portraits and figurative studies – and sculptures. She exhibited her works from the 1890s in Hamburg, where the director of the Hamburger Kunsthalle, Alfred Lichtwark, was a prominent supporter of her art. She contributed illustrations to several publications such as the ...
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Mary Warburg Kiefern Am Hang 1893
Mary may refer to: People * Mary (name), a feminine given name (includes a list of people with the name) Religious contexts * New Testament people named Mary, overview article linking to many of those below * Mary, mother of Jesus, also called the Blessed Virgin Mary * Mary Magdalene, devoted follower of Jesus * Mary of Bethany, follower of Jesus, considered by Western medieval tradition to be the same person as Mary Magdalene * Mary, mother of James * Mary of Clopas, follower of Jesus * Mary, mother of John Mark * Mary of Egypt, patron saint of penitents * Mary of Rome, a New Testament woman * Mary, mother of Zechariah and sister of Moses and Aaron; mostly known by the Hebrew name: Miriam * Mary the Jewess one of the reputed founders of alchemy, referred to by Zosimus. * Mary 2.0, Roman Catholic women's movement * Maryam (surah) "Mary", 19th surah (chapter) of the Qur'an Royalty * Mary, Countess of Blois (1200–1241), daughter of Walter of Avesnes and Margaret of Blois ...
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Pan (magazine)
''Pan'' (1895-1915) was a Berlin-based German arts magazine, published by the PAN co-operative of artists, poets and critics. Focused on literature, theatre and music, the magazine published more than 20 issues "without reference to commercial, moral, personal or polemical questions, appreciating only the purely aesthetic viewpoint.” The magazine's mission was democratic in its commitment to '' Gesamtkunstwerk'' ("synthesized artwork"), and providing support to young artists of all kinds. To that end, the magazine sold tiered subscriptions: standard and luxury, and quickly "became the most expensive German art magazine of its era. Its artists-first commitment also led to its becoming one of the best representations of pan-European art in the early days of Abstract and Expressionist art. History Co-founded by Richard Dehmel and published from 1895 to 1900 in Berlin by Otto Julius Bierbaum and Julius Meier-Graefe, the group only ended up publishing three issues. In 1910, th ...
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Painters From Hamburg
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, nar ...
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1934 Deaths
Events January–February * January 1 – The International Telecommunication Union, a specialist agency of the League of Nations, is established. * January 15 – The 8.0 1934 Nepal–Bihar earthquake, Nepal–Bihar earthquake strikes Nepal and Bihar with a maximum Mercalli intensity scale, Mercalli intensity of XI (''Extreme''), killing an estimated 6,000–10,700 people. * January 26 – A 10-year German–Polish declaration of non-aggression is signed by Nazi Germany and the Second Polish Republic. * January 30 ** In Nazi Germany, the political power of federal states such as Prussia is substantially abolished, by the "Law on the Reconstruction of the Reich" (''Gesetz über den Neuaufbau des Reiches''). ** Franklin D. Roosevelt, President of the United States, signs the Gold Reserve Act: all gold held in the Federal Reserve is to be surrendered to the United States Department of the Treasury; immediately following, the President raises the statutory gold price from ...
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1866 Births
Events January–March * January 1 ** Fisk University, a historically black university, is established in Nashville, Tennessee. ** The last issue of the abolitionist magazine '' The Liberator'' is published. * January 6 – Ottoman troops clash with supporters of Maronite leader Youssef Bey Karam, at St. Doumit in Lebanon; the Ottomans are defeated. * January 12 ** The ''Royal Aeronautical Society'' is formed as ''The Aeronautical Society of Great Britain'' in London, the world's oldest such society. ** British auxiliary steamer sinks in a storm in the Bay of Biscay, on passage from the Thames to Australia, with the loss of 244 people, and only 19 survivors. * January 18 – Wesley College, Melbourne, is established. * January 26 – Volcanic eruption in the Santorini caldera begins. * February 7 – Battle of Abtao: A Spanish naval squadron fights a combined Peruvian-Chilean fleet, at the island of Abtao, in the Chiloé Archipelago of southern Chile. * February 13 ...
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Michael Diers
Michael Diers (born 15 March 1950, in Werl, West Germany) is a German people, German art historian and professor of art history in Hamburg and Berlin. Diers studied art history, literature, and philosophy in Münster and Hamburg, where he received his doctorate with a doctoral dissertation, thesis on Aby Warburg. He also received his postdoctoral lecture qualification in 1994. From 1990 to 1992 he was assistant professor at the Kulturwissenschaftliches Institut, Essen, and subsequently at the Department of Art History, Universität Hamburg, in the joint research project "Politische Ikonographie". In 1994 he became lecturer at the Universität Jena, in 1999 at the Humboldt-Universität zu Berlin, where he also served as Director of the Department of Art History (2000–2002). In 2004, Diers was appointed professor of art history and visual studies at the Hochschule für bildende Künste Hamburg, where he retired in 2017. In the same time, he was also adjunct professor of art histor ...
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Ernst Barlach House
The Ernst Barlach House – Hermann F. Reemtsma Foundation (german: Ernst-Barlach-Haus – Stiftung Hermann F. Reemtsma) is an art museum in Hamburg, Germany, devoted to the Expressionist artist Ernst Barlach. The museum was founded by the industrialist Hermann F. Reemtsma,Ernst Barlach and Käthe Kollwitz
''HUMA3'', 27 April 2009. Retrieved 7 September 2010.
and is located in the in in the west of the city. The squat, functionalist ...
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Warburg Haus, Hamburg
The Warburg Haus, Hamburg is a German interdisciplinary forum for art history and cultural sciences and primarily for political iconography. It is dedicated to the life and work of Aby Warburg and run by the University of Hamburg as a semi-independent seminar. "It issues a series of art historical publications directly modeled on the original institution's studies and lectures, and is a sponsor of the reprinted 'Study Edition' released through the Akademie Verlag in Berlin." Built in 1926 for the ''Kulturwissenschaftliche Bibliothek Warburg'' (KBW) in Heilwigstraße 116, Eppendorf, Hamburg, the Warburg Haus was a center of interdisciplinary research and global exchange in the humanities during the Weimar Republic. The Warburg Haus helped to shape the thought and work of some of the greatest scholars of the first half of the twentieth century, from Fritz Saxl and Erwin Panofsky to Ernst Cassirer. In 1933, the house was closed and its library shipped to London in order to escape t ...
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Alfred Lichtwark
Alfred Lichtwark (14 November 1852 – 13 January 1914) was a German art historian, museum curator, and art educator in Hamburg. He is one of the founders of museum education and the art education movement. Background and career Alfred Lichtwark was the son of Herr Johann Karl Ernst Lichtwark, a minor lord who owned the Reitbrook Mill. From his father's first marriage he had three half-siblings. Alfred Lichtwark's mother Johanne Helene Henrietta (née Bach) (1829–1909) was believed to be a direct descendant of the composer Johann Sebastian Bach. Lichtwark had a happy childhood in the countryside with his siblings Hans and Marianne (1857–1930) until 1858, when his father was forced to sell the mill for financial reasons. The family moved to Hamburg, where his father ran an inn which fared poorly, and the family lived in poverty. Lichtwark, who attended the civil school, proved to be very talented and versatile, helping students after school as an assistant teacher. In 18 ...
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Painter
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, Composition (visual arts), composition, gesture (as in gestural painting), narrative, narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape art, lands ...
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Hamburger Kunsthalle
The Hamburger Kunsthalle is the art museum of the Free and Hanseatic City of Hamburg, Germany. It is one of the largest art museums in the country. The museum consists of three connected buildings, dating from 1869 (main building), 1921 (Kuppelsaal) and 1997 (Galerie der Gegenwart), located in the Altstadt district between the Hauptbahnhof (central train station) and the two Alster lakes. The name ''Kunsthalle'' indicates the museum's history as an 'art hall' when it was founded in 1850. Today, the museum houses one of the few art collections in Germany that cover seven centuries of European art, from the Middle Ages to the present day. The Kunsthalle's permanent collections focus on North German painting of the 14th century, paintings by Dutch, Flemish and Italian artists of the 16th and 17th centuries, French and German drawings and paintings of the 19th century, and international modern and contemporary art. History The museum collection traces its origin to 1849, when it ...
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Arnold Böcklin
Arnold Böcklin (16 October 182716 January 1901) was a Swiss symbolist painter. Biography He was born in Basel. His father, Christian Frederick Böcklin (b. 1802), was descended from an old family of Schaffhausen, and engaged in the silk trade. His mother, Ursula Lippe, was a native of the same city. Arnold studied at the Düsseldorf academy under Schirmer, and became a friend of Anselm Feuerbach. He is associated with the Düsseldorf school of painting. Schirmer, who recognized in him a student of exceptional promise, sent him to Antwerp and Brussels, where he copied the works of Flemish and Dutch masters. Böcklin then went to Paris, worked at the Louvre, and painted several landscapes. After serving his time in the army, Böcklin set out for Rome in March 1850. The many sights of Rome were a fresh stimulus to his mind. These new influences brought allegorical and mythological figures into his compositions. In 1856 he returned to Munich, and remained there for four years ...
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