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Mary Had A Little Boy
"Mary Had a Little Boy" is a 1990 song recorded by German Eurodance group Snap!. It was released in December that year as the fourth and final single from their debut studio album, ''World Power'' (1990). The song reached number-one in Zimbabwe and on the ''RPM'' Dance/Urban chart in Canada. It's lyrics are based on the nineteenth century Nursery rhyme, ''Mary Had a Little Lamb''. The chorus includes the line "Mary had a little boy, little did she know; and everywhere that Mary went, the little boy was sure to go". The song was re-recorded and included on their 2003 remix album ''The Cult of Snap!'' featuring Milky & 2NF. Critical reception AllMusic editor Andrew Hamilton constated that Penny Ford's "telling vocal and the story line" on the song make it "the most accessible cut" on the ''World Power'' album. Larry Flick from ''Billboard'' described it as a "fairly appealing hip-houser". Pan-European magazine ''Music & Media'' declared it as an "irresistable, [sic] nervou ...
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Snap!
Snap! is a German Eurodance group formed in 1989 by Record producer, producers Michael Münzing and Luca Anzilotti. The act has been through a number of line-up changes over the years, including American singers, songwriters and rappers Thea Austin, Turbo B, Niki Haris and Penny Ford. Their best known hits are "The Power (Snap! song), The Power" and "Rhythm Is a Dancer", both of which took the No. 1 spot in multiple countries. Musical career Previous projects Luca Anzilotti and Michael Münzing started working together in 1985 in the group Off (Organisation For Fun) with Sven Väth. They recorded two albums, ''Organisation For Fun'' (1988) and ''Ask Yourself'' (1989), and a series of singles, including "Electrica Salsa", until 1990. The two created the side project 16 BIT in 1986 and had a big success with their first single "Where Are You?". In 1987, they released the album ''Inaxycvgtgb'' for Bertelsmann Music Group, BMG. Formation and first album Anzilotti and Münzing for ...
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Music Week
''Music Week'' is a trade publication for the UK record industry distributed via a website and a monthly print magazine. It is published by Future. History Founded in 1959 as '' Record Retailer'', it relaunched on 18 March 1972 as ''Music Week''. On 17 January 1981, the title again changed, owing to the increasing importance of sell-through videos, to ''Music & Video Week''. The rival ''Record Business'', founded in 1978 by Brian Mulligan and Norman Garrod, was absorbed into Music Week in February 1983. Later that year, the offshoot ''Video Week'' launched and the title of the parent publication reverted to ''Music Week''. Since April 1991, ''Music Week'' has incorporated ''Record Mirror'', initially as a 4 or 8-page chart supplement, later as a dance supplement of articles, reviews and charts. In the 1990s, several magazines and newsletters become part of the Music Week family: ''Music Business International (MBI)'', ''Promo'', ''MIRO Future Hits'', ''Tours Report'', ''Fono ...
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Musica E Dischi
''Musica e dischi'' was the oldest and long-running music industry publication in Italy. '' Billboard'' defined the publication as the "Italian record bible". History It was founded in October 1945 in Milan, Italy, on the initiative of the journalist and musicologist Aldo Mario De Luigi, a former record executive at La Voce Del Padrone-Columbia-Marconiphone (VCM, now EMI Italy). Originally, the magazine was published under the name ''Musica'' (''Dischi'' was added on the second edition) on a monthly basis. In the 1960s, ''Musica e dischi'' started to issue a list of best-seller music recordings nationally. After the death of Aldo Mario in 1968, his son Mario De Luigi, already reviewer and editor of the magazine since 1958, became the director. In 1999, the official website was opened. On its 735th issue in December 2009, ''Musica e dischi'' director Mario De Luigi announced that from March 2010 they would publish an online magazine and stop the publication of the physical magazi ...
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Irish Recorded Music Association
The Irish Recorded Music Association (IRMA) is a non-profit association set up in 1999 to promote certain interests of the music industry in Ireland. It is particularly active in addressing copyright issues, and it compiles the official music charts for Ireland. Membership Only Irish companies can become members of the IRMA. All members pay a yearly fee based on company size. Currently, the IRMA has 51 member companies. Board member companies The recording companies and other music-related companies that are on the IRMA board are: * Warner Music Ireland * Universal Music Ireland * Sony Music Ireland (formerly Sony BMG Ireland) *IML Irish Music Licensing Ltd *Faction Records *Rubyworks Goals and activities IRMA operates to promote and protect the welfare and interests of the Irish record industry. Specifically, IRMA is involved in lobbying to protect and enhance the interest of member companies and lobby to prevent illegal downloading of music content from local and internati ...
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Suomen Virallinen Lista
The Official Finnish Charts ( fi, Suomen virallinen lista; sv, Finlands officiella lista) are national record charts in Finland compiled and published by Musiikkituottajat – IFPI Finland. The name ''Suomen virallinen lista/Finlands officiella lista'' (lit. "the Official Finnish Chart"), which is singular in both Finnish and Swedish, is used generically to refer to both the albums and the singles chart, and the context (albums or songs) reveals which chart is meant. History The first charts were published in 1951. In January 1991, the Yle radio station Radiomafia started to compile the first weekly chart in Finland called ''Radiomafian lista'', which was broadcast on the radio every Sunday. Prior to that, all singles and album charts in Finland had been either monthly or biweekly published sales charts. ''Radiomafian lista'' became the official Finnish charts in January 1994 when they began a partnership with Suomen Ääni- ja kuvatallennetuottajat (ÄKT) (now known as Musiik ...
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Canadian Dance Chart
The Canadian dance chart was first known to be published on November 13, 1976 by ''RPM'' magazine under the name ''Top 30 Disco Playlist''. The song which held the number-one spot on this first chart was "Keep It Comin' Love / I'm Your Boogie Man" by KC and the Sunshine Band. No chart was published from January 1980 until September 3, 1988. The final archived chart was under the name ''Top 30 Dance'' and was published on October 16, 2000, three weeks before the magazine ceased publication. The song which held the number-one spot on the final archived chart was "Here Comes the Sunshine" by Love Inc. See also *List of number-one dance hits (Canada) References External links''RPM'' Dance/Urban archive {{Record Charts Canadian record charts Electronic dance music Dance music Dance music is music composed specifically to facilitate or accompany dancing. It can be either a whole musical piece or part of a larger musical arrangement. In terms of performance, the major categorie ...
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YouTube
YouTube is a global online video platform, online video sharing and social media, social media platform headquartered in San Bruno, California. It was launched on February 14, 2005, by Steve Chen, Chad Hurley, and Jawed Karim. It is owned by Google, and is the List of most visited websites, second most visited website, after Google Search. YouTube has more than 2.5 billion monthly users who collectively watch more than one billion hours of videos each day. , videos were being uploaded at a rate of more than 500 hours of content per minute. In October 2006, YouTube was bought by Google for $1.65 billion. Google's ownership of YouTube expanded the site's business model, expanding from generating revenue from advertisements alone, to offering paid content such as movies and exclusive content produced by YouTube. It also offers YouTube Premium, a paid subscription option for watching content without ads. YouTube also approved creators to participate in Google's Google AdSens ...
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MTV Europe
MTV Global (formerly as MTV Europe) is the international version of the American TV channel MTV, a 24-hour music and entertainment TV channel that began broadcasting on August 1, 1987, as part of the worldwide MTV network. Initially, MTV served all regions of Europe, being one of the few TV channels focused on the entire European market. At the moment, MTV serves a number of European countries, African, Asian, Oceanian, Middle Eastern, Latin American and Caribbean territories. Over the years, MTV Global has been divided into many different channels for certain countries. Most countries in Europe, Asia, Oceania, Latin America and the Caribbean now have their own versions of the channel, and therefore MTV Global is now mostly available in those countries where there is no localized version of MTV. History On August 1, 1987, at 00:01 Western European time, MTV Europe began broadcasting with an Elton John concert in Amsterdam. The first video clip shown on the air was " Money for ...
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Rotation (music)
In broadcasting, rotation is the repeated airing of a limited playlist of songs on a radio station or satellite radio channel, or music videos on a TV network. They are usually in a different order each time. However, they are not completely shuffled, so as to avoid varying the time between any two consecutive plays of a given song by either too much or too little. When measuring airplay, the number of times a song is played is counted as spins. Stations playing new music typically have a short rotation of around four hours, while stations playing "classics" may go as long as eight hours, with a few stations promising "no repeats" where a song is not played again during a broadcast day to allow a much broader playlist (or if there is a purposeful repeat on that type of station, it ties into a station contest for a prize, such as tickets to the played artist's concert). College radio and indie radio stations sometimes have no particular rotation, only the music director's sug ...
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Music Video
A music video is a video of variable duration, that integrates a music song or a music album with imagery that is produced for promotion (marketing), promotional or musical artistic purposes. Modern music videos are primarily made and used as a music marketing device intended to promote the sale of Music Recording, music recordings. Although the origins of music videos date back to musical short, musical short films that first appeared, they again came into prominence when Paramount Global's MTV based its format around the medium. These kinds of videos were described by various terms including "illustrated song", "filmed insert", "promotional (promo) film", "promotional clip", "promotional video", "song video", "song clip", "film clip" or simply "video". Music videos use a wide range of styles and contemporary video-making techniques, including animation, live action, live-action, documentary film, documentary, and non-narrative approaches such as Non-narrative film, abstract fi ...
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Dance Club Songs
Dance Club Songs is a chart published weekly by '' Billboard'' magazine in the United States. It is a national look over of club disc jockeys to determine the most popular songs being played in nightclubs across the country. It was launched as the Disco Action Top 30 chart on August 28, 1976, and became the first chart by ''Billboard'' to document the popularity of dance music. The first number-one song on the chart for the issue dated August 28, 1976, was "You Should Be Dancing" by the Bee Gees, spending five weeks atop the chart and the group's only number-one song on the chart. In January 2017, ''Billboard'' proclaimed Madonna as the most successful artist in the history of the chart, ranking her first in their list of the 100 top all-time dance artists. Madonna holds the record for the most number-one songs with 50. Katy Perry holds the record for having eighteen consecutive number-one songs. Perry's third studio album, '' Teenage Dream'' (2010), became the first album in ...
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Official Charts Company
The Official Charts (legal name: The Official UK Charts Company Limited) is a British inter-professional organization that compiles various "official" record charts in the United Kingdom, Ireland and France. In the United Kingdom, its charts include ones for singles, albums and films, with the data compiled from a mixture of downloads, purchases (of physical media) and streaming. The OCC produces its charts by gathering and combining sales data from retailers through market researchers Kantar, and claims to cover 99% of the singles market and 95% of the album market, and aims to collect data from any retailer who sells more than 100 chart items per week. The OCC is operated jointly by the British Phonographic Industry and the Entertainment Retailers Association (ERA) (formerly the British Association of Record Dealers (BARD)) and is incorporated as a private company limited by shares jointly owned by BPI and ERA. The Chart Information Network (CIN) took over as compilers of the o ...
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