Marva (thaat)
Marva or Marwa () is one of the ten basic thaats of Hindustani music from the Indian subcontinent. It is also the name of a raga within this thaat. Description Marva thaat is obtained by adding a komal Rishabh to the Kalyan thaat. The mood of the Marva family of ragas is strongly and easily recognisable. Ragas Other ragas in Marva thaat: *Marva *Puriya * Sohni * Lalit (although it is sometimes placed in Purvi thaat) *Bibhas (two other types of Bibhas are placed in Bhairav thaat or Purvi thaat) * Pancham (Hindol Pancham) * Maligaura * Purba (Purbya) * Purvakalyan * Jait (Jayat) (not to be confused with Jait Kalyan * Varati (raga) * Bhatiyar * Bhankar *Lalita Gauri (sometimes placed in Purvi thaat) * Sazgiri According to O. Thakur Pūrvā Kalyāṇa is Marwa with Pa and less emphasis on komal Re. R. Jha treats Bhaṭiya as a mixture of Marwa and Maand Mand or Maand ( hi, मांड गायकी) is a style of singing in Rajasthan, used in folk songs. It is similar to t ...
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Thaat
A Thaat () is a "Parent scale" in North Indian or Hindustani music. It is the Hindustani equivalent of the term ''Melakartha raga'' of Carnatic Music. The concept of the ''thaat'' is not exactly equivalent to the western musical scale because the primary function of a ''thaat'' is not as a tool for music composition, but rather as a basis for classification of ragas. There is not necessarily strict compliance between a raga and its parent ''thaat''; a raga said to 'belong' to a certain ''thaat'' need not allow all the notes of the ''thaat'', and might allow other notes. ''Thaats'' are generally accepted to be heptatonic by definition. The term ''thaat'' is also used to refer to the frets of stringed instruments like the sitar and the veena. It is also used to denote the posture adopted by a Kathak dancer at the beginning of their performance. History The modern ''thaat'' system was created by Vishnu Narayan Bhatkhande (1860–1936), an influential musicologist in the field o ...
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Purba (raga)
Purba may refer to: *Deep Roy (born 1957), a Kenyan-born Indian actor, born Mohinder Purba *Kīla (Buddhism) - a ceremonial knife or dagger, also known as a "Phurba" *Pipra (Purba) Pipra (Purba) is a village and market center in Kanchan Roop Municipality in Saptari District in the Sagarmatha Zone of south-eastern Nepal. It was merged in the municipality along with other 8 Villages since 18 May 2013. At the time of the 1991 ...

Lalita Gauri
Lalita or Lalitha may refer to: Hinduism * Tripura Sundari, or Lalita, a goddess in Shaktism * Lalita (gopi), a figure in Krishna tradition Film * ''Lalita'' (1949 film), an Indian folklore Oriya film * ''Lalitha'' (film), a 1976 Tamil film * ''Lalita'' (1984 film), an Indian Bengali film People * Lalitha (actress) (1930–1982), Indian actress * Lalita Babar (born 1989), Indian long-distance runner * Lalita D. Gupte (fl. from 1971), India banker * Lalita Iyer (fl. from 2004), Indian writer * Lalitha Kumaramangalam (born 1958), Indian politician * Lalitha Kumari (born 1967), Indian film actress * Lalitha Kumari (pastor) (1942–2013), Indian priest * Lalita Lajmi (born 1932), Indian painter * Lalitha Lenin (born 1946), Indian poet * Lalita Panyopas (born 1971), Thai actress * Lalita Pawar (1916–1998), Indian actress * Lalitha Rajapakse (1900–1976), Ceylonese lawyer and politician * Lalita Ramakrishnan (born 1959), American microbiologist * Lalitha Ravish (fl. fr ...
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Bhatiyar
Bhatiyar () is a Hindustani classical raga assigned to the Marva thaat. Theory Arohana: Avarohana: Vadi: Samavadi: Thaat: Marva Marva (Hebrew: מרווה) is a two-month Israel Defense Forces basic training program for young Jews from the Diaspora which offers an opportunity to experience the IDF and Israeli life. The program is based at Sde Boker. History Marva, origina .... Pakad or Chalan: S m P D N r' N D m P G r S M D S', r' N D P, D m P G r S Or we have other way for Chalan as S-D-P-D-m-P-G-M-D-S, r-N-D-P-D-m-P-G-r-s Time: Early morning, 3–6 Behaviour Behaviour refers to practical aspects of the music. It is complicated to talk about this for Hindustani music since many of the concepts are fluid, changing, or archaic. The following information cannot be ''accurate,'' but it can attempt to reflect how the music existed. Notes References Sources * * External linksSRA on Samay and Ragas
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