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Martians Come Back!
''Martians Come Back!'' is an album by American jazz trumpeter, composer and arranger Shorty Rogers, released on the Atlantic label in August 1956. accessed March 23, 2016 Reception Jim Todd, writing for , described the album as "a good overview of Rogers' work in the company of a who's who of West Coast jazz, playing arrangements for trumpet section and rhythm, quintet, and brass and winds with rhythm."Track listing ''All compositions by Shorty Rogers except where noted.'' # "Martians Come Back" - 6:13 # "Astral Alley" - 4:35 # "Lotus Bud" - 4:56 # "Dickie ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shorty Rogers
Milton "Shorty" Rogers (born Milton Rajonsky; April 14, 1924 – November 7, 1994) was an American jazz musician, one of the principal creators of West Coast jazz. He played trumpet and flugelhorn and was in demand for his skills as an arranger. Biography Rogers was born in Great Barrington, Massachusetts, United States. He worked first as a professional musician with Will Bradley and Red Norvo. From 1947 to 1949, he worked extensively with Woody Herman and in 1950 and 1951 he played with Stan Kenton. On June 7, 1953, Rogers and his orchestra, including Johnny "Guitar" Watson, performed for the famed ninth Cavalcade of Jazz concert at Wrigley Field in Los Angeles, produced by Leon Hefflin, Sr. Also featured that day were Roy Brown and his Orchestra, Don Tosti and His Mexican Jazzmen, Earl Bostic, Nat "King" Cole, and Louis Armstrong and his All Stars with Velma Middleton. From 1953 through 1962, Rogers recorded a series of albums for RCA Victor (later reissued on RCA's ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Graas
John Graas (March 14, 1917 – April 13, 1962) was an American jazz French horn player, composer, and arranger from the 1940s through 1962. He had a short but busy career on the West Coast, and became known as a pioneer of the French horn in jazz. Music career Graas was born in Dubuque, Iowa, on March 14, 1917. He was educated in classical music and attended Tanglewood Music Center, where he performed under the tutelage of Serge Koussevitsky. He soon became interested in jazz and studied ways to bring jazz and classical music together, an early effort at what would later be called Third Stream music. Following the path of his dual interests, he was a member of the Indianapolis Symphony Orchestra (1941), the Claude Thornhill Orchestra (1942), the Army Air Corps band during World War II (1942–1945), the Cleveland Orchestra (1945–1946), the Tex Beneke Orchestra (1946–1949), and the Stan Kenton Orchestra (1950–1953). The 1950s were a period of intense activi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Leroy Vinnegar
Leroy Vinnegar (July 13, 1928 – August 3, 1999) was an American jazz bassist. Born in Indianapolis, Indiana, United States, the self-taught Vinnegar established his reputation in Los Angeles, California, during the 1950s and 1960s. His trademark was the rhythmic "walking" bass line, a steady series of ascending or descending notes, and it brought him the nickname "The Walker". Besides his jazz work, he also appeared on a number of soundtracks and pop albums, notably Van Morrison's 1972 album, ''Saint Dominic's Preview''. Music career He recorded extensively as both a leader and sideman. He came to public attention in the 1950s as a result of recording with Lee Konitz, André Previn, Stan Getz, Shorty Rogers, Chet Baker, Shelly Manne, Joe Castro and Serge Chaloff. He played bass on Previn and Manne's ''My Fair Lady'' album, one of the most successful jazz records ever produced. He also performed on another of jazz's biggest hit albums, Eddie Harris and Les McCann's '' Swi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ralph Peña (musician)
Ralph Raymond Peña (February 24, 1927, Jarbidge, Nevada - May 20, 1969, Mexico City) was an American jazz double bassist and composer. Peña learned to play low brass instruments as a child and began playing professionally in the early 1940s, becoming known as a jazz double bassist. In this capacity, in the early 1950s he worked with Charlie Barnet, Stan Getz, Barney Kessel, Billy May, Jack Montrose, Vido Musso, Art Pepper, Duane Tatro, and Cal Tjader. He recorded with Shorty Rogers from 1955 to 1958, appearing with Rogers in the film ''The Man with the Golden Arm'' in 1955, and also played with Jimmy Giuffre in 1955 and 1956 and Buddy DeFranco in the late 1950s. He played in a duo with Pete Jolly from 1958 to 1962 and occasionally recorded with Jolly, Giuffre, and Rogers together. In the early 1960s he worked with Ben Webster, Frank Sinatra, George Shearing, Joe Pass, Bud Shank, Dick Grove, Anita O'Day, Ella Fitzgerald, and Nancy Wilson. Late in the 1960s he worked on film sound ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Piano
The piano is a stringed keyboard instrument in which the strings are struck by wooden hammers that are coated with a softer material (modern hammers are covered with dense wool felt; some early pianos used leather). It is played using a keyboard, which is a row of keys (small levers) that the performer presses down or strikes with the fingers and thumbs of both hands to cause the hammers to strike the strings. It was invented in Italy by Bartolomeo Cristofori around the year 1700. Description The word "piano" is a shortened form of ''pianoforte'', the Italian term for the early 1700s versions of the instrument, which in turn derives from ''clavicembalo col piano e forte'' (key cimbalom with quiet and loud)Pollens (1995, 238) and ''fortepiano''. The Italian musical terms ''piano'' and ''forte'' indicate "soft" and "loud" respectively, in this context referring to the variations in volume (i.e., loudness) produced in response to a pianist's touch or pressure on the keys: the grea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lou Levy (pianist)
Louis A. "Lou" Levy (March 5, 1928 – January 23, 2001) was an American jazz pianist. Biography Levy was born to Jewish parents in Chicago, Illinois, United States, and start to play the piano aged twelve. His chief influences were Art Tatum and Bud Powell. A professional at age nineteen, Levy played with Georgie Auld (1947 and later), Sarah Vaughan, Chubby Jackson (1947–1948), Boyd Raeburn, Woody Herman's Second Herd (1948–1950), Tommy Dorsey (1950) and Flip Phillips. Levy left music for a few years in the early 1950s and then returned to gain a strong reputation as an accompanist to singers, working with Peggy Lee (1955–1973), Ella Fitzgerald (1957–1962), June Christy, Anita O'Day and Pinky Winters. Levy also played with Dizzy Gillespie, Shorty Rogers, Stan Getz, Terry Gibbs, Benny Goodman, Supersax and most of the major West Coast players. Levy recorded as a leader for Nocturne (1954), RCA, Jubilee, Philips, Interplay (1977), and Verve Verve may refer to: ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pete Jolly
Pete Jolly (born Peter A. Ceragioli Jr., June 5, 1932 – November 6, 2004) was a two-time Grammy-nominated American West Coast jazz pianist and accordionist. He is known for his performance of television themes and movie soundtracks. Biography Jolly began playing the accordion at age three and appeared on the radio program ''Hobby Lobby'' at the age of seven. He was raised in Phoenix, Arizona, a hotbed of jazz at the time. One of his best friends and collaborators in Phoenix was guitarist Howard Roberts, whom he met at the age of 13. Following Roberts to Los Angeles in 1952, he immediately began working with the best players on the West Coast jazz scene, including Shorty Rogers. He moved easily into studio and session work. Besides his performances as a pianist, he also played the accordion. His composition "Little Bird" (a minor hit on Fred Astaire's Ava Records) was nominated for a Grammy Award in 1963, and he formed the Pete Jolly Trio in 1964. With the Trio and as a so ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guitar
The guitar is a fretted musical instrument that typically has six strings. It is usually held flat against the player's body and played by strumming or plucking the strings with the dominant hand, while simultaneously pressing selected strings against frets with the fingers of the opposite hand. A plectrum or individual finger picks may also be used to strike the strings. The sound of the guitar is projected either acoustically, by means of a resonant chamber on the instrument, or amplified by an electronic pickup and an amplifier. The guitar is classified as a chordophone – meaning the sound is produced by a vibrating string stretched between two fixed points. Historically, a guitar was constructed from wood with its strings made of catgut. Steel guitar strings were introduced near the end of the nineteenth century in the United States; nylon strings came in the 1940s. The guitar's ancestors include the gittern, the vihuela, the four- course Renaissance guitar, and the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Barney Kessel
Barney Kessel (October 17, 1923 – May 6, 2004) was an American jazz guitarist born in Muskogee, Oklahoma. Known in particular for his knowledge of chords and inversions and chord-based melodies, he was a member of many prominent jazz groups as well as a "first call" guitarist for studio, film, and television recording sessions. Kessel was a member of the group of session musicians informally known as the Wrecking Crew. Biography Kessel was born in Muskogee, Oklahoma in 1923. Kessel's father was an immigrant from Hungary who owned a shoe shop. His only formal musical study was three months of guitar lessons at the age of 12. He began his career as a teenager touring with local dance bands. When he was 16, he started playing with the Oklahoma A&M band, Hal Price & the Varsitonians. The band members nicknamed him "Fruitcake" because he practiced up to 16 hours a day. Kessel gained attention because of his youth and being the only white musician playing in all African American ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alto Saxophone
The alto saxophone is a member of the saxophone family of woodwind instruments. Saxophones were invented by Belgian instrument designer Adolphe Sax in the 1840s and patented in 1846. The alto saxophone is pitched in E, smaller than the B tenor but larger than the B soprano. It is the most common saxophone and is used in popular music, concert bands, chamber music, solo repertoire, military bands, marching bands, pep bands, and jazz (such as big bands, jazz combos, swing music). The alto saxophone had a prominent role in the development of jazz. Influential jazz musicians who made significant contributions include Don Redman, Jimmy Dorsey, Johnny Hodges, Benny Carter, Charlie Parker, Sonny Stitt, Lee Konitz, Jackie McLean, Phil Woods, Art Pepper, Paul Desmond, and Cannonball Adderley. Although the role of the alto saxophone in classical music has been limited, influential performers include Marcel Mule, Sigurd Raschèr, Jean-Marie Londeix, Eugene Rousseau, and Frederick ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bud Shank
Clifford Everett "Bud" Shank Jr. (May 27, 1926 – April 2, 2009) was an American alto saxophonist and flautist. He rose to prominence in the early 1950s playing lead alto and flute in Stan Kenton's Innovations in Modern Music Orchestra and throughout the decade worked in various small jazz combos. He spent the 1960s as a first-call studio musician in Hollywood. In the 1970s and 1980s, he performed regularly with the L. A. Four. Shank ultimately abandoned the flute to focus exclusively on playing jazz on the alto saxophone. He also recorded on tenor and baritone sax. His most famous recording is probably the version of "Harlem Nocturne" used as the theme song in ''Mickey Spillane's Mike Hammer''. He is also well known for the alto flute solo on the song "California Dreamin'" recorded by The Mamas & the Papas in 1965. Biography Bud Shank was born in Dayton, Ohio, United States. He began with clarinet in Vandalia, Ohio, but had switched to saxophone before attending the Universi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Clarinet
The clarinet is a musical instrument in the woodwind family. The instrument has a nearly cylindrical bore and a flared bell, and uses a single reed to produce sound. Clarinets comprise a family of instruments of differing sizes and pitches. The clarinet family is the largest such woodwind family, with more than a dozen types, ranging from the BB♭ contrabass to the E♭ soprano. The most common clarinet is the B soprano clarinet. German instrument maker Johann Christoph Denner is generally credited with inventing the clarinet sometime after 1698 by adding a register key to the chalumeau, an earlier single-reed instrument. Over time, additional keywork and the development of airtight pads were added to improve the tone and playability. Today the clarinet is used in classical music, military bands, klezmer, jazz, and other styles. It is a standard fixture of the orchestra and concert band. Etymology The word ''clarinet'' may have entered the English language via the Fr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
