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Martha And Mary Magdalene (Caravaggio)
''Martha and Mary Magdalene'' (c. 1598) is a painting by the Italian Baroque master Michelangelo Merisi da Caravaggio. It is in the Detroit Institute of Arts. Alternate titles include ''Martha Reproving Mary'', ''The Conversion of the Magdalene'', and the ''Alzaga Caravaggio''. History Caravaggio's ''Martha and Mary'' is dated to 1598–99, when he was in the entourage of Cardinal Francesco Maria Del Monte. Little is known of its history between those years and 25 June 1971, when its owners attempted to sell it at Christie's in London (lot 21). It remained unsold at 130,000 guineas, despite the confidence of the restorer Juan Corradini of Buenos Aires. Later converts were Benedict Nicolson and Mina Gregori (as late as January 1974). Today it is generally considered an autograph work. It was acquired by the Detroit Institute of Arts in 1973. It is thought that the painting was originally in the collection of Caravaggio's patron Ottavio Costa. His will of 6 August 1606, contains a ...
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Caravaggio
Michelangelo Merisi (Michele Angelo Merigi or Amerighi) da Caravaggio, known as simply Caravaggio (, , ; 29 September 1571 – 18 July 1610), was an Italian painter active in Rome for most of his artistic life. During the final four years of his life he moved between Naples, Malta, and Sicily until his death. His paintings have been characterized by art critics as combining a realistic observation of the human state, both physical and emotional, with a dramatic use of lighting, which had a formative influence on Baroque painting. Caravaggio employed close physical observation with a dramatic use of chiaroscuro that came to be known as tenebrism. He made the technique a dominant stylistic element, transfixing subjects in bright shafts of light and darkening shadows. Caravaggio vividly expressed crucial moments and scenes, often featuring violent struggles, torture, and death. He worked rapidly with live models, preferring to forgo drawings and work directly onto the canvas. His ...
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Courtesans
Courtesan, in modern usage, is a euphemism for a "kept" mistress or prostitute, particularly one with wealthy, powerful, or influential clients. The term historically referred to a courtier, a person who attended the court of a monarch or other powerful person. History In European feudal society, the court was the centre of government as well as the residence of the monarch, and social and political life were often completely mixed together. Prior to the Renaissance, courtesans served to convey information to visiting dignitaries, when servants could not be trusted. In Renaissance Europe, courtiers played an extremely important role in upper-class society. As it was customary during this time for royal couples to lead separate lives—commonly marrying simply to preserve bloodlines and to secure political alliances—men and women would often seek gratification and companionship from people living at court. In fact, the verb 'to court' originally meant "to be or reside at court ...
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Ochre
Ochre ( ; , ), or ocher in American English, is a natural clay earth pigment, a mixture of ferric oxide and varying amounts of clay and sand. It ranges in colour from yellow to deep orange or brown. It is also the name of the colours produced by this pigment, especially a light brownish-yellow. A variant of ochre containing a large amount of hematite, or dehydrated iron oxide, has a reddish tint known as "red ochre" (or, in some dialects, ruddle). The word ochre also describes clays coloured with iron oxide derived during the extraction of tin and copper. Earth pigments Ochre is a family of earth pigments, which includes yellow ochre, red ochre, purple ochre, sienna, and umber. The major ingredient of all the ochres is iron(III) oxide-hydroxide, known as limonite, which gives them a yellow colour. * Yellow ochre, , is a hydrated iron hydroxide (limonite) also called gold ochre. * Red ochre, , takes its reddish colour from the mineral hematite, which is an anhydrous iron ...
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Lead White
White lead is the basic lead carbonate 2PbCO3·Pb(OH)2. It is a complex salt, containing both carbonate and hydroxide ions. White lead occurs naturally as a mineral, in which context it is known as hydrocerussite, a hydrate of cerussite. It was formerly used as an ingredient for lead paint and a cosmetic called Venetian ceruse, because of its opacity and the satiny smooth mixture it made with dryable oils. However, it tended to cause lead poisoning, and its use has been banned in most countries. White lead compounds known as lead soap were also used as additive for lubricants for bearings and in machine shops. Lead soap was also used as an oil drying agent for paints made with drying oil or air drying paints made with alkyd resins. Lead is often used with cobalt driers. Lead free substitutes have been developed to replace this use of lead in paint. History What is commonly known today as the "Dutch method" for the preparation of white lead was described as early as Theoph ...
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Pigments
A pigment is a colored material that is completely or nearly insoluble in water. In contrast, dyes are typically soluble, at least at some stage in their use. Generally dyes are often organic compounds whereas pigments are often inorganic compounds. Pigments of prehistoric and historic value include ochre, charcoal, and lapis lazuli. Economic impact In 2006, around 7.4 million tons of inorganic, organic, and special pigments were marketed worldwide. Estimated at around US$14.86 billion in 2018 and will rise at over 4.9% CAGR from 2019 to 2026. The global demand for pigments was roughly US$20.5 billion in 2009. According to an April 2018 report by ''Bloomberg Businessweek'', the estimated value of the pigment industry globally is $30 billion. The value of titanium dioxide – used to enhance the white brightness of many products – was placed at $13.2 billion per year, while the color Ferrari red is valued at $300 million each year. Physical principles Lik ...
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Leonardo Da Vinci
Leonardo di ser Piero da Vinci (15 April 14522 May 1519) was an Italian polymath of the High Renaissance who was active as a painter, Drawing, draughtsman, engineer, scientist, theorist, sculptor, and architect. While his fame initially rested on his achievements as a painter, he also became known for #Journals and notes, his notebooks, in which he made drawings and notes on a variety of subjects, including anatomy, astronomy, botany, cartography, painting, and paleontology. Leonardo is widely regarded to have been a genius who epitomized the Renaissance humanism, Renaissance humanist ideal, and his List of works by Leonardo da Vinci, collective works comprise a contribution to later generations of artists matched only by that of his younger contemporary, Michelangelo. Born Legitimacy (family law), out of wedlock to a successful Civil law notary, notary and a lower-class woman in, or near, Vinci, Tuscany, Vinci, he was educated in Florence by the Italian painter and sculptor ...
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Bernardino Luini
Bernardino Luini (c. 1480/82 – June 1532) was a north Italian painter from Leonardo's circle during the High Renaissance. Both Luini and Giovanni Antonio Boltraffio were said to have worked with Leonardo directly; he was described as having taken "as much from Leonardo as his native roots enabled him to comprehend". Consequently, many of his works were attributed to Leonardo. He was known especially for his graceful female figures with elongated eyes, called Luinesque by Vladimir Nabokov. Biography Luini was born as Bernardino de Scapis in Runo, a ''frazione'' of Dumenza, near Lake Maggiore. Details of his life are scant. In 1500 he moved to Milan with his father. According to Lomazzo, he trained under Giovan Stefano Scotto, although for others he was a pupil of Ambrogio Bergognone. In 1504-1507 he was probably in Treviso, as attested by a ''Madonna with Child'' signed ''Bernardinus Mediolanensis faciebat'' which is however of disputed attribution. His first fresco works a ...
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Origen
Origen of Alexandria, ''Ōrigénēs''; Origen's Greek name ''Ōrigénēs'' () probably means "child of Horus" (from , "Horus", and , "born"). ( 185 – 253), also known as Origen Adamantius, was an Early Christianity, early Christian scholar, Asceticism#Christianity, ascetic, and Christian theology, theologian who was born and spent the first half of his career in Early centers of Christianity#Alexandria, Alexandria. He was a prolific writer who wrote roughly 2,000 treatises in multiple branches of theology, including textual criticism, exegesis, biblical exegesis and biblical hermeneutics, hermeneutics, homiletics, and spirituality. He was one of the most influential and controversial figures in early Christian theology, Christian apologetics, apologetics, and asceticism. He has been described as "the greatest genius the early church ever produced". Origen sought martyrdom with his father at a young age but was prevented from turning himself in to the authorities by his mother ...
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Alabaster
Alabaster is a mineral or rock that is soft, often used for carving, and is processed for plaster powder. Archaeologists and the stone processing industry use the word differently from geologists. The former use it in a wider sense that includes varieties of two different minerals: the fine-grained massive type of gypsum and the fine-grained banded type of calcite.''More about alabaster and travertine'', brief guide explaining the different use of these words by geologists, archaeologists, and those in the stone trade. Oxford University Museum of Natural History, 2012/ref> Geologists define alabaster only as the gypsum type. Chemically, gypsum is a Water of crystallization, hydrous sulfur, sulfate of calcium, while calcite is a carbonate of calcium. The two types of alabaster have similar properties. They are usually lightly colored, translucent, and soft stones. They have been used throughout history primarily for carving decorative artifacts."Grove": R. W. Sanderson and Francis ...
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Saint Catherine (Caravaggio)
''Saint Catherine of Alexandria'' (c. 1598) is an oil painting (173x133 cm) by the Italian Baroque master Caravaggio, painted from 1598- 1599. It is part of the Thyssen-Bornemisza Collection of Madrid. History and description The painting was part of the collection of Cardinal Francesco Maria Del Monte, where it was cataloged in 1627 The saint, together with Mary Magdelene, were among the Cardinal's favorites. According to Alessandro Zuccari, it was painted on the suggestion of the Cardinal when Caravaggio was living with him in the Palazzo Madama. As the model for the saint, Caravaggio controversially chose Fillide Melandroni, a well known Roman prostitute he had fallen in love with and who caused him many problems. Fillide would again model for him in '' Martha and Mary Magdalene'', ''Judith Beheading Holofernes'', and in a single portrait burned in Berlin during World War II.Su Fillide, Riccardo Bassani, Flora Bellini, ''Caravaggio assassino'', Roma, 1994, p. 26, n. 20. ...
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Vincenzo Giustiniani
Marchese Vincenzo Giustiniani (13 September 1564 – 27 December 1637) was an aristocratic Italian banker, art collector and intellectual of the late 16th and early 17th centuries, known today largely for the Giustiniani art collection, assembled at the Palazzo Giustiniani, near the Pantheon, in Rome, and at the family palazzo at Bassano by Vincenzo and his brother, Cardinal Benedetto, and for his patronage of the artist Caravaggio. Biography Vincenzo's father, Giuseppe Giustiniani, had been the last Genoese ruler of the Aegean island of Chios, which had been a family possession for centuries. In 1566 the island was lost to the Ottomans. On April 14, 1566 an Ottoman fleet under Piali Pasha arrive at the port of Chios and occupied it. The island was pillaged; churches destroyed or converted to mosques. Some members of the family were taken captive and transported to Constantinople. About twenty younger Giustinianis were drafted as janissaries. Three accepted their fate; the oth ...
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Portrait Of A Courtesan (Caravaggio)
''Portrait of a Courtesan'' (also known as ''Portrait of Fillide'') was a painting by the Baroque master Michelangelo Merisi da Caravaggio. Painted between 1597 and 1599, it was destroyed in Berlin in 1945 and is known only from photographs. It has been suggested that the portrait represents the goddess Flora. Interpretation Earlier scholars identified the flower she presses to her breast as orange blossom or bergamot, symbol of marriage and fidelity, and claimed the subject as Caterina Campi, wife of Caravaggio's friend Onorio Longhi. Caravaggio scholar John Gash, however, identifies the flowers as "definitely jasmine", symbol of erotic love, and therefore more suitable to a courtesan than to a respectable married woman. The portrait belonged to Caravaggio's patron, Marchese Vincenzo Giustiniani, and the 1638 inventory of the Giustiniani collection lists a "portrait of a courtesan named Fillide", identified by modern scholars as Fillide Melandroni. But the commissioner was Fi ...
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