|
Marquand Collection
The Art Collection of Henry Gurdon Marquand was a collection of antiques and paintings owned by Henry Gurdon Marquand, the second president of the Metropolitan Museum of Art, until his death in 1902. History In the late 1840s, after the sale of his family's jewelry business and store (which was renamed to Ball, Tompkins & Black), Marquand traveled to Europe where he met Henry Kirke Brown and other expatriate American sculptors in Rome. While there, he "began to 'frequent studios' and "to understand the artists' 'hopes, aims, and aspirations.' There Marquand fell under the spell of what Henry James called 'the old and complex civilization.'" He returned in 1852 with his new wife and spent a year in Rome, where the first of their six children was born. In 1889, he became the second president of the Metropolitan Museum of Art, and made many significant gifts to the Metropolitan Museum, including works by Filippo Lippi, Lucas van Leyden, Frans Hals, Anthony van Dyck, Rembrandt, Diego ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Henry G
Henry may refer to: People *Henry (given name) *Henry (surname) * Henry Lau, Canadian singer and musician who performs under the mononym Henry Royalty * Portuguese royalty ** King-Cardinal Henry, King of Portugal ** Henry, Count of Portugal, Henry of Burgundy, Count of Portugal (father of Portugal's first king) ** Prince Henry the Navigator, Infante of Portugal ** Infante Henrique, Duke of Coimbra (born 1949), the sixth in line to Portuguese throne * King of Germany **Henry the Fowler (876–936), first king of Germany * King of Scots (in name, at least) ** Henry Stuart, Lord Darnley (1545/6–1567), consort of Mary, queen of Scots ** Henry Benedict Stuart, the 'Cardinal Duke of York', brother of Bonnie Prince Charlie, who was hailed by Jacobites as Henry IX * Four kings of Castile: **Henry I of Castile **Henry II of Castile **Henry III of Castile **Henry IV of Castile * Five kings of France, spelt ''Henri'' in Modern French since the Renaissance to italianize the name and to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Church Society
Church Society is a conservative, evangelical Anglican organisation and registered charity formed in 1950 by the merger of the Anglican Church Association (founded 1865) and National Church League (founded 1906 by amalgamation of two earlier bodies). In May 2018, Church Society merged with two other evangelical Anglican organisations, Reform and the Fellowship of Word and Spirit to provide a united voice for conservative evangelicals within the Church of England. The journal of Church Society is ''Global Anglican'', formerly '' Churchman'' (established 1879). Editors have included Henry Wace, Philip Edgecumbe Hughes and Gerald Bray. The current editor is Peter Jensen. Anglicans associated with the society include J. C. Ryle, J. T. Tomlinson, W. H. Griffith-Thomas, Henry Wace, William Joynson-Hicks (Home Secretary), Geoffrey Bromiley, Philip Edgecumbe Hughes, J. I. Packer, Alan Stibbs, John Stott, Alec Motyer, Wallace Benn, and Rod Thomas. History and predecessors The orig ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Henry Walters
Henry Walters (September 26, 1848 – November 30, 1931) was noted as an art collector and philanthropist, a founder of the Walters Art Gallery (now the Walters Art Museum) in Baltimore, Maryland, which he donated to the city in his 1931 will for the benefit of the public. From the late 19th century, Walters lived most of the time in New York City, where from 1903 on, he served on the executive committee of the Metropolitan Museum of Art in Manhattan on Fifth Avenue. He was selected as second vice president in 1913, a position he held until his death. Like his father William Thompson Walters, (1820-1894), he was a businessman in the railroad industry, serving as president of the Atlantic Coast Line Railroad (1894-1902), which had been established by his father. Biography Henry Walters was born in 1848 to William Thompson Walters, (1820-1894), a businessman who later founded the southeastern railroad line, Atlantic Coast Line Company. Henry graduated from Georgetown University ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Léonard Limosin
Leonard or ''Leo'' is a common English masculine given name and a surname. The given name and surname originate from the Old High German ''Leonhard'' containing the prefix ''levon'' ("lion") from the Greek Λέων ("lion") through the Latin '' Leo,'' and the suffix ''hardu'' ("brave" or "hardy"). The name has come to mean "lion strength", "lion-strong", or "lion-hearted". Leonard was the name of a Saint in the Middle Ages period, known as the patron saint of prisoners. Leonard is also an Irish origin surname, from the Gaelic ''O'Leannain'' also found as O'Leonard, but often was anglicised to just Leonard, consisting of the prefix ''O'' ("descendant of") and the suffix ''Leannan'' ("lover"). The oldest public records of the surname appear in 1272 in Huntingdonshire, England, and in 1479 in Ulm, Germany. Variations The name has variants in other languages: * Leen, Leendert, Lenard (Dutch) * Lehnertz, Lehnert (Luxembourgish) * Len (English) * :hu:Lénárd (Hungarian) * Lenar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Retable
A retable is a structure or element placed either on or immediately behind and above the altar or communion table of a church. At the minimum it may be a simple shelf for candles behind an altar, but it can also be a large and elaborate structure. A retable which incorporates sculptures or painting is often referred to as an altarpiece. According to the Getty ''Art & Architecture Thesaurus Online'', "A 'retable' is distinct from a ' reredos'; while the reredos typically rises from ground level behind the altar, the retable is smaller, standing either on the back of the altar itself or on a pedestal behind it. Many altars have both a reredos and a retable." 'Retable' This distinction is not always upheld in common use, an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Intaglio (printmaking)
Intaglio ( ; ) is the family of printing and printmaking techniques in which the image is incised into a surface and the incised line or sunken area holds the ink. It is the direct opposite of a relief print where the parts of the matrix that make the image stand ''above'' the main surface. Normally, copper or in recent times zinc sheets, called plates, are used as a surface or matrix, and the incisions are created by etching, engraving, drypoint, aquatint or mezzotint, often in combination. Collagraphs may also be printed as intaglio plates. After the decline of the main relief technique of woodcut around 1550, the intaglio techniques dominated both artistic printmaking as well as most types of illustration and popular prints until the mid 19th century. Process In intaglio printing, the lines to be printed are cut into a metal (e.g. copper) plate by means either of a cutting tool called a burin, held in the hand – in which case the process is called ''engraving''; or t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Declamation
Declamation (from the Latin: ''declamatio'') is an artistic form of public speaking. It is a dramatic oration designed to express through articulation, emphasis and gesture the full sense of the text being conveyed. History In Ancient Rome, declamation was a genre of ancient rhetoric and a mainstay of the Roman higher education system. It was separated into two component subgenres, the ''controversia'', speeches of defense or prosecution in fictitious court cases, and the ''suasoria'', in which the speaker advised a historical or legendary figure as to a course of action. Roman declamations survive in four corpora: the compilations of Seneca the Elder and Calpurnius Flaccus, as well as two sets of ''controversiae'', the ''Major Declamations'' and ''Minor Declamations'' spuriously attributed to Quintilian. Declamation had its origin in the form of preliminary exercises for Greek students of rhetoric: works from the Greek declamatory tradition survive in works such as the collectio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pentimenti
A pentimento (plural pentimenti), in painting, is "the presence or emergence of earlier images, forms, or strokes that have been changed and painted over". The word is , from the verb , meaning 'to repent'. Significance Pentimenti may show that a composition originally had an element, for example, a head or a hand, in a slightly different place, or that an element no longer in the final painting was originally planned. The changes may have been done in the underdrawing of the painting, or by the visible layers of paint differing from the underdrawing, or by the first painted treatment of the element having been over-painted. Some pentimenti have always been visible on the final painting with careful inspection; others are revealed by the increasing transparency that some paint acquires after several centuries. Others, especially in the underdrawing, can only be seen with modern methods such as X-rays and infrared reflectography and photographs. These are able to record photogr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Plato
Plato ( ; grc-gre, Πλάτων ; 428/427 or 424/423 – 348/347 BC) was a Greek philosopher born in Athens during the Classical period in Ancient Greece. He founded the Platonist school of thought and the Academy, the first institution of higher learning on the European continent. Along with his teacher, Socrates, and his student, Aristotle, Plato is a central figure in the history of Ancient Greek philosophy and the Western and Middle Eastern philosophies descended from it. He has also shaped religion and spirituality. The so-called neoplatonism of his interpreter Plotinus greatly influenced both Christianity (through Church Fathers such as Augustine) and Islamic philosophy (through e.g. Al-Farabi). In modern times, Friedrich Nietzsche diagnosed Western culture as growing in the shadow of Plato (famously calling Christianity "Platonism for the masses"), while Alfred North Whitehead famously said: "the safest general characterization of the European philosophical tra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lawrence Alma-Tadema
Sir Lawrence Alma-Tadema, (; born Lourens Alma Tadema ; 8 January 1836 – 25 June 1912) was a Dutch painter who later settled in the United Kingdom becoming the last officially recognised denizen in 1873. Born in Dronryp, the Netherlands, and trained at the Royal Academy of Antwerp, Belgium, he settled in London, England in 1870 and spent the rest of his life there. A classical-subject painter, he became famous for his depictions of the luxury and decadence of the Roman Empire, with languorous figures set in fabulous marbled interiors or against a backdrop of dazzling blue Mediterranean Sea and sky. Alma-Tadema was considered one of the most popular Victorian painters. Though admired during his lifetime for his draftsmanship and depictions of Classical antiquity, his work fell into disrepute after his death, and only since the 1960s has it been re-evaluated for its importance within nineteenth-century British art. Biography Early life Lourens Alma Tadema was born on 8 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
A Reading From Homer
''A Reading from Homer'' (sometimes ''Listening to Homer'') is an 1885 painting by Lawrence Alma-Tadema. It depicts an imaginary festival scene from ancient Greece with youth reading poetry to a small audience on a marble balcony overlooking the sea. The painting has been in the collection of the Philadelphia Museum of Art since 1924. Background The painting was commissioned in 1882 by the U.S. banker Henry Gurdon Marquand (1819–1902), after he had acquired a small Alma-Tadema painting, ''Amo Te, Ama Me'' (1881, oil on panel, , now in the Fries Museum, Leeuwarden). The commission was for a larger work which was originally intended to depict Plato teaching philosophy to a small group of followers arranged around the marble courtyard of a temple precinct overlooking the sea, with Plato seated on a marble chair between the columns of the temple. After working on the painting of Plato for a considerable time, Alma-Tadema was still dissatisfied with the result and he repainted ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Van Dyck
Sir Anthony van Dyck (, many variant spellings; 22 March 1599 – 9 December 1641) was a Brabantian Flemish Baroque artist who became the leading court painter in England after success in the Southern Netherlands and Italy. The seventh child of Frans van Dyck, a wealthy Antwerp silk merchant, Anthony painted from an early age. He was successful as an independent painter in his late teens, and became a master in the Antwerp guild in 1618. By this time he was working in the studio of the leading northern painter of the day, Peter Paul Rubens, who became a major influence on his work. Van Dyck worked in London for some months in 1621, then returned to Flanders for a brief time, before travelling to Italy, where he stayed until 1627, mostly in Genoa. In the late 1620s he completed his greatly admired ''Iconography'' series of portrait etchings, mostly of other artists. He spent five years in Flanders after his return from Italy, and from 1630 was court painter for the archd ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
