Mark Stevens (other)
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Mark Stevens (other)
Mark or Marc Stevens or Stephens may refer to: *Mark Stevens (actor) (1916–1994), American actor *Mark Stevens (gridiron football) (born 1962), American and Canadian football player *Mark Stevens (footballer) (born 1975), Australian-rules footballer *Marc Stevens (actor) (1943–1989), American erotic performer *Mark Stevens (art critic), New York magazine art critic, author, and 2005 Pulitzer Prize winner *Mark Stevens (film editor), American film editor *Mark Stevens (venture capitalist) (born 1960), venture capitalist at S-Cubed Capital *Mark Stephens (solicitor) (born 1957), British media & human rights lawyer, mediator & broadcaster *Marc Stevens (fighter), American mixed martial arts fighter *Robert X. Cringely (born 1953), pen name of technology journalist Mark Stephens *Mark Stevens (cricketer) (born 1959), former English cricketer *Marc Stevens (cryptology) (born 1981), cryptology researcher, author of HashClash *Mark Stevens (attorney), criminal defense lawyer in Salem, N ...
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Mark Stevens (actor)
Mark Stevens (born Richard William Stevens; December 13, 1916 – September 15, 1994) was an American actor, who appeared in films, and on television. He was one of four who played the lead role in the television series ''Martin Kane, Private Eye''; he appeared in 1953–54. Early life Born in Cleveland, Ohio, Stevens first studied to become a painter before becoming active in theater work. He then launched a radio career as an announcer in Akron, Ohio. Early career Warner Bros – as Stephen Richards Moving to Hollywood, he became a Warner Bros. contract actor at $100 a week in 1943. The studio darkened and straightened his curly red hair and covered his freckles. At first he was billed as Stephen Richards. They gave him small parts, often uncredited, in films like ''Destination Tokyo'' (1943), ''Passage to Marseille'' (1944), ''The Doughgirls'' (1944), ''Hollywood Canteen'' (1944), ''Objective, Burma!'' (1945), '' God Is My Co-Pilot'' (1945), ''The Horn Blows at Midnight'' ...
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