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Mark Moore
Mark Moore (born 12 January 1965) is a British dance music record producer and DJ. He was founder of the dance / Sampling (music), sampling pioneers S'Express, and runs the London nightclubs, 'Electrogogo' and 'Can Can'. Biography Moore began his DJ career in 1983 playing at the fashionable London club, 'The Mud Club', run by Philip Sallon. Later that year as his popularity grew he was given a slot at the alternative, mixed/gay night 'Asylum' at Heaven (nightclub), Heaven nightclub, which later became 'Pyramid' at Heaven. He soon became a successful DJ often appearing in Time Out's 'best DJ' polls. As well as playing new-wave electronic dance music, such as Yello, Cabaret Voltaire (band), Cabaret Voltaire, Soft Cell and New Order (band), New Order; Moore was one of the first DJs in the UK to support and play Chicago House music and Detroit techno, Detroit Techno. In 1988 Moore launched S'Express with co-writer/co-producer Pascal Gabriel. The first single "Theme From S'Express" ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
London
London is the capital and largest city of England and the United Kingdom, with a population of just under 9 million. It stands on the River Thames in south-east England at the head of a estuary down to the North Sea, and has been a major settlement for two millennia. The City of London, its ancient core and financial centre, was founded by the Romans as '' Londinium'' and retains its medieval boundaries.See also: Independent city § National capitals The City of Westminster, to the west of the City of London, has for centuries hosted the national government and parliament. Since the 19th century, the name "London" has also referred to the metropolis around this core, historically split between the counties of Middlesex, Essex, Surrey, Kent, and Hertfordshire, which largely comprises Greater London, governed by the Greater London Authority.The Greater London Authority consists of the Mayor of London and the London Assembly. The London Mayor is distinguished fr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Heaven (nightclub)
Heaven is a superclub in Charing Cross, London, England. It has a long association with London's LGBT scene and is home to long-running gay night G-A-Y. The club is known for Paul Oakenfold's acid house events in the 1980s, the underground nightclub festival Megatripolis, and for being the birthplace of ambient house. Soundshaft also hosted Future, a regular night on Thursdays run by Andrew Weatherall and Terry Farley. At the end of the night, both crowds would come together when the doors connecting Heaven & Future opened for the last couple of songs. History Beginnings Heaven was opened in December 1979 by Jeremy Norman in a former night club called Global Village, which was housed in the arches beneath Charing Cross railway station, once part of Adelphi Arches, a large wine-cellar for the hotel above. Norman was also chairman of Burke's Peerage, the publishers. The original hi-tech interior was designed by his partner, Derek Frost. Norman, an entrepreneur, had started an e ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Remix
A remix (or reorchestration) is a piece of media which has been altered or contorted from its original state by adding, removing, or changing pieces of the item. A song, piece of artwork, book, video, poem, or photograph can all be remixes. The only characteristic of a remix is that it appropriates and changes other materials to create something new. Most commonly, remixes are a subset of audio mixing in music and song recordings. Songs may be remixed for a large variety of reasons: * to adapt or revise a song for radio or nightclub play * to create a stereo or surround sound version of a song where none was previously available * to improve the fidelity of an older song for which the original master has been lost or degraded * to alter a song to suit a specific music genre or radio format * to use some of the original song's materials in a new context, allowing the original song to reach a different audience * to alter a song for artistic purposes * to provide additional version ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
William Orbit
William Mark Wainwright (born 15 December 1956),"William Orbit." ''Contemporary Musicians''. Vol. 30. Farmington Hills, MI: Gale, 2000. Retrieved via ''Biography in Context'' database, 7 May 2017. Available onlinvia ''Encyclopedia.com'' known professionally as William Orbit, is a British musician and record producer who has sold 200 million recordings worldwide of his own work, his production and song-writing work. He is a recipient of multiple Grammy Awards, Ivor Novello Awards and other music industry awards. Early life Orbit (Wainwright) was raised in Palmers Green, a suburb of London. His parents were both schoolteachers; he was the elder of two sons. He left school at the age of 16, and subsisted for a number of years in various low-paying jobs, while seeking an outlet for his creativity. Around this time, while rooming with a friend who was trying to start a recording studio, Orbit found his musical calling. Torch Song and Bassomatic In 1980, Orbit teamed up with electro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Superfly Guy
"Superfly Guy" is a song by British dance music act S'Express, released as the second single from their debut album, ''Original Soundtrack'' (1988). It was a hit on the charts in Europe and reached number five on the UK singles charts in August 1988. Charts References External links "Superfly Guy"at AllMusic.com "Superfly Guy"at Discogs.com Discogs (short for discographies) is a database of information about audio recordings, including commercial releases, promotional releases, and bootleg or off-label releases. While the site was originally created with a goal of becoming the l ... {{Authority control 1988 songs 1988 singles S'Express songs UK Independent Singles Chart number-one singles Song articles with missing songwriters ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
UK Singles Chart
The UK Singles Chart (currently titled Official Singles Chart, with the upper section more commonly known as the Official UK Top 40) is compiled by the Official Charts Company (OCC), on behalf of the British record industry, listing the top-selling Single (music), singles in the United Kingdom, based upon physical sales, paid-for downloads and music streaming, streaming. The Official Chart, broadcast on BBC Radio 1 and MTV (Official UK Top 40), is the UK music industry's recognised official measure of singles and albums popularity because it is the most comprehensive research panel of its kind, today surveying over 15,000 retailers and digital services daily, capturing 99.9% of all singles consumed in Britain across the week, and over 98% of albums. To be eligible for the chart, a Single (music), single is currently defined by the Official Charts Company (OCC) as either a 'single bundle' having no more than four tracks and not lasting longer than 25 minutes or one digital audio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Theme From S'Express
"Theme from S-Express" is an acid house song by British electronic dance music group S'Express, from their debut studio album, ''Original Soundtrack'' (1989), written and produced by Mark Moore and Pascal Gabriel. One of the landmarks of early acid house and late 1980s sampling culture, the single became an instant hit upon its release in April 1988, peaking at number one on the UK Singles Chart for two weeks. It fared less well in the United States, only reaching number 91 on the ''Billboard'' Hot 100, but reaching number one on the ''Billboard'' Hot Dance Club Play chart. It peaked at number 11 in Australia and number two in West Germany, France and the Netherlands. Production The song samples liberally from many other works, including heavy usage of Rose Royce's "Is It Love You're After", and TZ's "I Got the Hots for You", which provided the song's campy hook. The song made prominent use of the line "Drop that ghetto blaster" from the song "Tales of Taboo" by Karen Finle ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Guardian
''The Guardian'' is a British daily newspaper. It was founded in 1821 as ''The Manchester Guardian'', and changed its name in 1959. Along with its sister papers ''The Observer'' and ''The Guardian Weekly'', ''The Guardian'' is part of the Guardian Media Group, owned by the Scott Trust. The trust was created in 1936 to "secure the financial and editorial independence of ''The Guardian'' in perpetuity and to safeguard the journalistic freedom and liberal values of ''The Guardian'' free from commercial or political interference". The trust was converted into a limited company in 2008, with a constitution written so as to maintain for ''The Guardian'' the same protections as were built into the structure of the Scott Trust by its creators. Profits are reinvested in journalism rather than distributed to owners or shareholders. It is considered a newspaper of record in the UK. The editor-in-chief Katharine Viner succeeded Alan Rusbridger in 2015. Since 2018, the paper's main news ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pascal Gabriel
Pascal Gabriel (born 15 December 1956) is a Belgian-born musician based in London, England and Paris, France. Background Pascal Gabriel's musical career began in 1977 in the punk rock band The Razors (bass guitar). He left Belgium for London in 1979. During the early 1980s, he had spells in various experimental groups, including art-school band Church of Friendly Valley with scratch video artist George Barber, and an electronic project whose only performance was in a supermarket. He formed a duo with guitarist Danny Kustow, as well as touring as a percussionist with the Tom Robinson Band, before starting to pick up work as a freelance sound engineer in various London studios, earning a reputation for innovative remixes for artists such as Marc Almond (Soft Cell) and Yello. In 1983 he had his first release, with two experimental tracks on the Touch cassette ''T2 Meridians One'', alongside future collaborator Simon Fisher Turner, before beginning to concentrate on studio work. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Detroit Techno
Detroit techno is a type of techno music that generally includes the first techno productions by Detroit-based artists during the 1980s and early 1990s. Prominent Detroit techno artists include Juan Atkins, Eddie Fowlkes, Derrick May, Jeff Mills, Kevin Saunderson, Blake Baxter, Drexciya, Mike Banks, and Robert Hood. The Belleville Three The three individuals most closely associated with the birth of Detroit techno as a genre are Juan Atkins, Kevin Saunderson and Derrick May, also known as the " Belleville Three".Hanf, Mathias Kilian. ''Detroit Techno: Transfer of the Soul through the Machine'' VDM Verlag Dr. Müller, 2010. The three, who were high school friends from Belleville, Michigan, created electronic music tracks in their basement(s). Derrick May once described Detroit techno music as being a "complete mistake ... like George Clinton and Kraftwerk caught in an elevator, with only a sequencer to keep them company." While attending Washtenaw Community College, Atkins ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chicago House
Chicago house refers to house music produced during the mid to late 1980s within Chicago. The term is generally used to refer to the first ever house music productions, which were by Chicago-based artists in the 1980s. History and origins Disco edits Following Chicago's Disco Demolition Night in mid-1979, disco music's mainstream popularity fell into decline. In the early 1980s, fewer and fewer disco records were being released, but the genre remained popular in some Chicago nightclubs and on at least one radio station, WBMX-FM. In this era, Chicago radio jocks The Hot Mix 5, and club DJs Ron Hardy and Frankie Knuckles played various styles of dance music, including older disco records, newer Italo disco, electro, EBM tracks, B-boy hip hop music by Man Parrish, Jellybean Benitez, Arthur Baker and John Robie as well as electronic pop music by Kraftwerk, Telex and Yellow Magic Orchestra. Some of these DJs also made and played their own edits of their favorite songs on r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
New Order (band)
New Order are an English rock band formed in 1980 by vocalist and guitarist Bernard Sumner, bassist Peter Hook and drummer Stephen Morris. The members regrouped after the demise of their previous band Joy Division due to the suicide of lead singer Ian Curtis. They were joined by Gillian Gilbert on keyboards later that year. New Order's integration of post-punk with electronic and dance music made them one of the most acclaimed and influential bands of the 1980s. They were the flagship band for Manchester-based independent record label Factory Records and its nightclub The Haçienda, and they worked in long-term collaboration with graphic designer Peter Saville. While the band's early years were overshadowed by the legacy of Joy Division, their experience of the early 1980s New York club scene saw them increasingly incorporate dance rhythms and electronic instrumentation into their work. Their 1983 hit " Blue Monday" became the best-selling 12-inch single of all time and a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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