Mark Adams (musician)
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Mark Adams (musician)
Slave was an American Ohio-based funk band popular in the late 1970s and early 1980s. Trumpeter and multi-instrumentalist Steve Washington, born in New Jersey, attended East Orange High School, and was one of the first users of the "electric trumpet". He and Trombonist Floyd Miller formed the group in Dayton, Ohio in 1975. Career During late 1975 and spring of 1976, trombonist Floyd Miller teamed with trumpeter Steve Washington to form Slave. The original line-up included Tom Lockett Jr. (tenor and alto sax), Carter Bradley (keyboards), Mark Adams (bass), Mark "Drac" Hicks (lead and rhythm guitar, background vocals), Danny Webster (rhythm and lead guitar, lead and background vocals), Orion "Bimmy" Wilhoite (alto and tenor sax), and Tim "Tiny" Dozier (drums). They scored their first big hit with the single "Slide" in 1977 for Cotillion Records, which is the label they remained with until 1984. In 1978 Slave's sound changed slightly when drummer/percussionist Steve Arrington, a ...
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Dayton, Ohio
Dayton () is the sixth-largest city in the U.S. state of Ohio and the county seat of Montgomery County. A small part of the city extends into Greene County. The 2020 U.S. census estimate put the city population at 137,644, while Greater Dayton was estimated to be at 814,049 residents. The Combined Statistical Area (CSA) was 1,086,512. This makes Dayton the fourth-largest metropolitan area in Ohio and 73rd in the United States. Dayton is within Ohio's Miami Valley region, north of the Greater Cincinnati area. Ohio's borders are within of roughly 60 percent of the country's population and manufacturing infrastructure, making the Dayton area a logistical centroid for manufacturers, suppliers, and shippers. Dayton also hosts significant research and development in fields like industrial, aeronautical, and astronautical engineering that have led to many technological innovations. Much of this innovation is due in part to Wright-Patterson Air Force Base and its place in the ...
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Gramophone Record
A phonograph record (also known as a gramophone record, especially in British English), or simply a record, is an analog sound storage medium in the form of a flat disc with an inscribed, modulated spiral groove. The groove usually starts near the periphery and ends near the center of the disc. At first, the discs were commonly made from shellac, with earlier records having a fine abrasive filler mixed in. Starting in the 1940s polyvinyl chloride became common, hence the name vinyl. The phonograph record was the primary medium used for music reproduction throughout the 20th century. It had co-existed with the phonograph cylinder from the late 1880s and had effectively superseded it by around 1912. Records retained the largest market share even when new formats such as the compact cassette were mass-marketed. By the 1980s, digital media, in the form of the compact disc, had gained a larger market share, and the record left the mainstream in 1991. Since the 1990s, records con ...
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Stone Jam
Stone Jam is the fifth album by the American funk band Slave. It was released in 1980 on Cotillion Records and reissued in 1997 on Rhino Records. It was produced by Jimmy Douglass and Steve Washington. The album was listed on the ''Billboard'' 200, ''Billboard's'' 1981 Year-End Chart and was certified Gold by the RIAA. It contains the hit singles "Sizzlin' Hot", "Feel My Love", and "Watching You". Overview Slave's fifth album, ''Stone Jam'', was their highest charting since their first, ''Slave'', and their second to be certified Gold, ''Slave'' received the certification in 1977. The band's drummer, Steve Arrington, took on more singing responsibilities than on previous albums and this, combined with the vocals of Starleana Young, contributed to the album's success. The single "Watching You" entered the ''Billboard'' Hot 100 and also joined "Sizzlin' Hot" and "Feel My Love" on the R&B Singles Chart. Reception and accolades Alex Henderson of Allmusic breaks Slave's brand of fun ...
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Just A Touch Of Love
''Just A Touch Of Love'' is the fourth album by the American funk band Slave, released in 1979. It was the band's second album with the vocals of Steve Arrington and Starleana Young. Vocalist Curt Jones joined the band at this time. The album reached number eleven on Billboard's Top Soul Albums chart in 1980. The title track was released as a single, reaching the top ten on the Soul Singles chart. Track listing #Just A Touch Of Love - (Danny Webster, Mark Adams, Mark Hicks, Raye Turner, Starleana Young, Steve Arrington) (6:24) #Are You Ready For Love? - ( Curt Jones, Danny Webster, Floyd Miller, Mark Adams, Mark Hicks, Raye Turner, Starleana Young, Steve Arrington) (5:58) #Funky Lady (Foxy Lady) - (James R. Wilson) (4:33) #Roots - ( Curt Jones, Mark Adams, Starleana Young, Steve Arrington, Raye Turner) (5:00) #Painted Pictures - (Charles Carter, Raye Turner, Steve Washington) (0:26) #Thank You - (Floyd Miller, Kipper Jones, Mark Adams, Steve Arrington, Steve Washington) ...
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The Concept
''The Concept'' is the third album by the American funk band Slave, released in 1978. The album reached number eleven on Billboard's Top Soul Albums chart. This was the band's first album to include Steve Arrington Steven Ralph Arrington (born March 5, 1956) is an American singer, songwriter, drummer, record producer, engineer and minister, who grew up in Dayton, Ohio. Biography Arrington played in various local bands before joining and touring with The M ... and Starleana Young on vocals. Track listing #"Stellar Fungk" (8:43) #"The Way You Love Is Heaven" (4:33) #"Thank You Lord" (1:31) #"Drac Is Back" (3:59) #"We've Got Your Party" (4:49) #"Just Freak" (7:56) #"Coming Soon" (6:20) Charts Singles References External links Slave - ''The Concept'' at Discogs {{DEFAULTSORT:Concept 1978 albums Slave (band) albums Cotillion Records albums ...
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The Hardness Of The World
''The Hardness Of The World'' is the second album by the American funk band Slave, released in 1977, their second album release that year. The lead single "The Party Song" reached number 22 on the Billboard Hot Soul Singles The Hot R&B/Hip-Hop Songs chart ranks the most popular R&B and hip hop songs in the United States and is published weekly by ''Billboard''. Rankings are based on a measure of radio airplay, sales data, and streaming activity. The chart had 100 p ... chart. Track listing #Life Can Be Happy 4:16 #The Great American Funk Song 3:50 #Can't Get Enough Of You 4:07 #Baby Sinister 6:45 #The World's On Hard 3:26 #The Party Song 4:07 #We Can Make Love 5:28 #Volcano Rupture 6:23 Charts Singles References External links Slave - ''The Hardness Of The World'' at Discogs {{DEFAULTSORT:Hardness of the World 1977 albums Slave (band) albums Cotillion Records albums ...
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Recording Industry Association Of America
The Recording Industry Association of America (RIAA) is a trade organization that represents the music recording industry in the United States. Its members consist of record labels and distributors that the RIAA says "create, manufacture, and/or distribute approximately 85% of all legally sold recorded music in the United States". RIAA is headquartered in Washington, D.C. RIAA was formed in 1952. Its original mission was to administer recording copyright fees and problems, work with trade unions, and do research relating to the record industry and government regulations. Early RIAA standards included the RIAA equalization curve, the format of the stereophonic record groove and the dimensions of 33 1/3, 45, and 78 rpm records. RIAA says its current mission includes: #to protect intellectual property rights and the First Amendment rights of artists #to perform research about the music industry #to monitor and review relevant laws, regulations, and policies Between 2001 and 202 ...
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Slave (Slave Album)
''Slave'' is the self-titled debut studio album by the American R&B/funk band Slave. It was released in 1977 through Cotillion Records. Recording sessions took place at Century Sound Studios in Sayreville, New Jersey. Production was handled by Jeff Dixon. The album peaked at number 22 on the ''Billboard'' 200 and number six on the Top R&B/Hip-Hop Albums. It was certified gold by the Recording Industry Association of America on June 14, 1977. Its lead single, "Slide", made it to number 32 on the ''Billboard'' Hot 100, topped the US Hot R&B/Hip-Hop Songs chart, and also reached number 58 in Canadian Singles Chart. Track listing Personnel *Stephen C. "The Fearless Leader" Washington – songwriter, backing vocals, percussion, trumpet, arrangement, concept *Mark "Drac" Hicks – songwriter, backing vocals, lead and rhythm guitar, arrangement *Mark Leslie "Mr. Mark"/"The Hansolor" Adams – songwriter, bass, arrangement *Daniel "Danny" Webster – songwriter, lead and backing voca ...
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RPM (magazine)
''RPM'' ( and later ) was a Canadian music-industry publication that featured song and album charts for Canada. The publication was founded by Walt Grealis in February 1964, supported through its existence by record label owner Stan Klees. ''RPM'' ceased publication in November 2000. ''RPM'' stood for "Records, Promotion, Music". The magazine's title varied over the years, including ''RPM Weekly'' and ''RPM Magazine''. Canadian music charts ''RPM'' maintained several format charts, including Top Singles (all genres), Adult Contemporary, Dance, Urban, Rock/Alternative and Country Tracks (or Top Country Tracks) for country music. On 21 March 1966, ''RPM'' expanded its Top Singles chart from 40 positions to 100. On 6 December 1980, the main chart became a top-50 chart and remained this way until 4 August 1984, whereupon it reverted to a top-100 singles chart. For the first several weeks of its existence, the magazine did not compile a national chart, but simply printed the cur ...
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Top R&B/Hip-Hop Albums
Top R&B/Hip-Hop Albums is a music chart published weekly by '' Billboard'' magazine that ranks R&B and hip hop albums based on sales in the United States and is compiled by Nielsen SoundScan. The chart debuted as Hot R&B LPs in the issue dated January 30, 1965 in an effort by the magazine to further expand into the field of rhythm and blues music. It then went through several name changes, being known as Soul LPs in the 1970s and Top Black Albums in the 1980s, before returning to the R&B identification in 1990 and affixing a hip hop designation in 1999 to reflect the latter's growing sales and relationship to R&B during the decade. From 1965 through 2009, the chart was compiled based on reported sales at a core panel of stores with a "higher-than-average volume" of R&B and/or hip-hop album sales to monitor buying trends of the African-American community. This panel included more independent and smaller chain stores compared to the high percentage of mass merchants that account fo ...
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Billboard (magazine)
''Billboard'' (stylized as ''billboard'') is an American music and entertainment magazine published weekly by Penske Media Corporation. The magazine provides music charts, news, video, opinion, reviews, events, and style related to the music industry. Its music charts include the Hot 100, the 200, and the Global 200, tracking the most popular albums and songs in different genres of music. It also hosts events, owns a publishing firm, and operates several TV shows. ''Billboard'' was founded in 1894 by William Donaldson and James Hennegan as a trade publication for bill posters. Donaldson later acquired Hennegan's interest in 1900 for $500. In the early years of the 20th century, it covered the entertainment industry, such as circuses, fairs, and burlesque shows, and also created a mail service for travelling entertainers. ''Billboard'' began focusing more on the music industry as the jukebox, phonograph, and radio became commonplace. Many topics it covered were spun-off ...
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Billboard 200
The ''Billboard'' 200 is a record chart ranking the 200 most popular music albums and EPs in the United States. It is published weekly by '' Billboard'' magazine and is frequently used to convey the popularity of an artist or groups of artists. Often, a recording act will be remembered by its " number ones", those of their albums that outperformed all others during at least one week. The chart grew from a weekly top 10 list in 1956 to become a top 200 list in May 1967, and acquired its current name in March 1992. Its previous names include the ''Billboard'' Top LPs (1961–1972), ''Billboard'' Top LPs & Tape (1972–1984), ''Billboard'' Top 200 Albums (1984–1985) and ''Billboard'' Top Pop Albums (1985–1992). The chart is based mostly on sales – both at retail and digital – of albums in the United States. The weekly sales period was originally Monday to Sunday when Nielsen started tracking sales in 1991, but since July 2015, tracking week begins on Friday (to coinc ...
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