Marino Marini (musician)
Marino Marini (11 May 1924 – 20 March 1997) was an Italian musician who achieved international success in the 1950s and 1960s. Biography He was born into a family of musicians in Seggiano in the province of Grosseto to parents originally from Montecelio, Lazio. After briefly studying electronics, he studied piano, violin and composition at the Conservatorio Rossini at Bologna, teaching music on his graduation. In 1947, after military service, he was appointed artistic director of the Metropolitan music hall in Naples, where he developed a liking for Neapolitan music. In 1948 he visited the United States for six months, meeting Dizzy Gillespie, Stan Kenton and Charlie Ventura. American jazz was also a formative influence. On his return, Marini wrote music for films and revues and played in cabaret in Rome and Naples. In 1954, he placed a newspaper advert seeking “young musicians without experience, singing in tune. If not cheerful, don't apply." From the many applic ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Seggiano
Seggiano is a ''comune'' (municipality) in the Province of Grosseto in the Italian region Tuscany, located about south of Florence and about northeast of Grosseto. The center is situated on the foothills of the north-western hills of Monte Amiata in a dominating position with respect to the underlying course of the Orcia river and its tributaries, Vivo and Ente. Seggiano borders the following municipalities: Abbadia San Salvatore, Castel del Piano, Castiglione d'Orcia. Near Seggiano is the "Giardino di Daniel Spoerri", a sculpture garden by the artist Daniel Spoerri. Territory The municipality covers an area of less than , between the north-west slopes of the volcanic massif of Monte Amiata and a section of the Val d'Orcia, the point at which creeps from the province of Siena towards that of Grosseto. It is bordered to the north by the municipality of Castiglione d'Orcia and the province of Siena, in the east with the same province and the municipality of Abbadia San Salvato ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Domenico Modugno
Domenico Modugno (; 9 January 1928 – 6 August 1994) was an Italian singer, actor and, later in life, a member of the Italian Parliament. He is known for his 1958 international hit song "Nel blu, dipinto di blu (song), Nel blu dipinto di blu", for which he received Grammy Awards for Grammy Award for Record of the Year, Record of the Year and Grammy Award for Song of the Year, Song of the Year. He is considered the first Italian cantautore.Domenico Modugno: biography Early life The youngest of four children, Modugno was born at Polignano a Mare, in the province of Bari (Apulia), on 9 January 1928. His father, Vito Cosimo Modugno, was a Municipal police (Italy), municipal police commander, w ...[...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Letkiss
Letkajenkka, also known as Letkajenkaa in English and many other languages, is a Finnish dance. History of the music genre letkajenkka/letkis Letkajenkka / letkis is a music genre and a general noun as well as two songs by the same name ("Letkajenkka" and "Letkis") as proper nouns, after which the genre got its name; jenkka, on the other hand, is a general noun, a music and dance genre like waltz. The popular music genre and the ensuing dance craze were at their hottest during 1963–1965. Letkajenkka is based on the idea of performing Jenkka music using non-traditional instruments. Traditional instruments for playing the jenkka, a Finnish traditional folk dance, are instruments such as the violin and accordion. In the early 1960s some composers thought of writing jenkka tunes for more contemporary bands with more modern instruments, such as wind instruments (for a more swing-like jenkka) and amplified instruments like electric guitars, basses, and drums (a more rock 'n' roll ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Twist (dance)
The twist is a dance that was inspired by rock and roll music. From 1959 to the early sixties it became a worldwide dance craze, enjoying immense popularity while drawing controversies from critics who felt it was too provocative. It inspired dances such as the Jerk, the Pony, the Watusi, the Mashed Potato, the Monkey, and the Funky Chicken, but none were as popular. Having seen teenagers in Tampa, Florida doing the dance, Hank Ballard wrote " The Twist", which became the B-side of Hank Ballard and The Midnighters' 1959 single "Teardrops on Your Letter". Dick Clark, having noticed the dance becoming popular among teenagers, recommended to Cameo Records that the more wholesome Chubby Checker rerecord the song, which was released in 1959 and became a number one hit in 1960. The dance became passé among teenagers as it became acceptable among adults and the song was re-released, becoming a number one hit again in 1962. A world record was set in DeLand, Florida, on October 11, ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Cha-cha-cha (dance)
The cha-cha-cha (also called cha-cha), is a dance of Cuban origin. It is danced to the music of the same name introduced by the Cuban composer and violinist Enrique Jorrin in the early 1950s. This rhythm was developed from the danzón-mambo. The name of the dance is an onomatopoeia derived from the shuffling sound of the dancers' feet when they dance two consecutive quick steps (correctly, on the fourth count of each measure) that characterize the dance. In the early 1950s, Enrique Jorrín worked as a violinist and composer with the charanga group Orquesta América. The group performed at dance halls in Havana where they played danzón, danzonete, and danzon-mambo for dance-oriented crowds. Jorrín noticed that many of the dancers at these gigs had difficulty with the syncopated rhythms of the danzón-mambo. To make his music more appealing to dancers, Jorrín began composing songs where the melody was marked strongly on the first downbeat and the rhythm was less syncopated. W ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Tarantella
() is a group of various southern Italian folk dances originating in the regions of Calabria, Campania and Puglia. It is characterized by a fast upbeat tempo, usually in time (sometimes or ), accompanied by tambourines. It is among the most recognized forms of traditional southern Italian music. The specific dance-name varies with every region, for instance ''Sonu a ballu'' in Calabria, ''tammurriata'' in Campania, and ''pizzica'' in Salento. Tarantella is popular in Southern Italy and Argentina. The term may appear as in a linguistically masculine construction. History In the Italian province of Taranto, Apulia, the bite of a locally common type of wolf spider, named "tarantula" after the region, was popularly believed to be highly venomous and to lead to a hysterical condition known as tarantism. This became known as the "tarantella". R. Lowe Thompson proposed that the dance is a survival from a "Dianic or Dionysiac cult", driven underground. John Compton later ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Time Signature
The time signature (also known as meter signature, metre signature, or measure signature) is a notational convention used in Western musical notation to specify how many beats (pulses) are contained in each measure (bar), and which note value is equivalent to a beat. In a music score, the time signature appears at the beginning as a time symbol or stacked numerals, such as or (read ''common time'' or ''four-four time'', respectively), immediately following the key signature (or immediately following the clef symbol if the key signature is empty). A mid-score time signature, usually immediately following a barline, indicates a change of meter. There are various types of time signatures, depending on whether the music follows regular (or symmetrical) beat patterns, including simple (e.g., and ), and compound (e.g., and ); or involves shifting beat patterns, including complex (e.g., or ), mixed (e.g., & or & ), additive (e.g., ), fractional (e.g., ), and irrational met ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Neapolitan Language
, altname = , states = Italy , region = Abruzzo, Apulia, Basilicata, Calabria, Campania, Lazio, Marche, Molise , ethnicity = ''Mezzogiorno'' Ethnic Italians , speakers = 5.7 million , date = 2002 , ref = e18 , familycolor = Indo-European , fam2 = Italic , fam3 = Romance , fam4 = Italo-Dalmatian , iso2 = nap , iso3 = nap , glotto = neap1235 , glottorefname = Continental Southern Italian , glottoname = Continental Southern Italian , glotto2 = sout3126 , glottorefname2 = South Lucanian , glottoname2 = South Lucanian = (Vd) Lausberg , map = Neapolitan_languages-it.svg , mapcaption = Intermediate Neapolitan dialects , map2 = Romance_languages.png , mapcaption2 = Neapolitan as part of the European Romance languages Neapolitan (autonym: ; it, napoletano) i ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Canzone Napoletana
Canzone napoletana (), sometimes referred to as Neapolitan song ( nap, canzona napulitana ), is a generic term for a traditional form of music sung in the Neapolitan language, ordinarily for the male voice singing solo, although well represented by female soloists as well, and expressed in familiar genres such as the love song and serenade. Many of the songs are about the nostalgic longing for Naples as it once was. The genre consists of a large body of composed popular music—such songs as "’O sole mio"; "Torna a Surriento"; " Funiculì, Funiculà"; " Santa Lucia" and others. The Neapolitan song became a formal institution in the 1830s due to an annual song-writing competition for the Festival of Piedigrotta, dedicated to the Madonna of Piedigrotta, a well-known church in the Mergellina area of Naples. The winner of the first festival was a song entitled "Te voglio bene assaie"; it is traditionally attributed to the prominent opera composer Gaetano Donizetti, although an art ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Honeymoon (1959 Film)
''Honeymoon'' ( es, link=no, Luna de miel), also shown as ''The Lovers of Teruel'' in the United States, is a 1959 film by the British director-writer Michael Powell based in part on the ballet ''El Amor Brujo'' by Manuel de Falla. The film stars Anthony Steel, Ludmilla Tchérina and Spanish ballet dancer Antonio, and features Léonide Massine. The film functions as a travelogue around Spain with dance interludes, mainly set to the repeated theme of "The Honeymoon Song" by Mikis Theodorakis. Performed in the film by Marino Marini and his quartet, it was subsequently recorded by many performers, including The Beatles. It is one of Powell's least regarded movies. Plot Ballet dancer Anna Cato (Ludmilla Tchérina) has just given up the ballet to marry Australian farmer Kit Kelly (Anthony Steel). They are touring Spain in their open top Bentley for their honeymoon before going to live on the sheep station that Kit runs in Australia. An American car races past them at high speed ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Michael Powell (director)
Michael Latham Powell (30 September 1905 – 19 February 1990) was an English filmmaker, celebrated for his partnership with Emeric Pressburger. Through their production company The Archers, they together wrote, produced and directed a series of classic British films, notably ''The Life and Death of Colonel Blimp'' (1943), ''A Canterbury Tale'' (1944), ''I Know Where I'm Going!'' (1945), '' A Matter of Life and Death'' (1946, also called ''Stairway to Heaven''), ''Black Narcissus'' (1947), '' The Red Shoes'' (1948), and ''The Tales of Hoffmann'' (1951). His later controversial 1960 film ''Peeping Tom'', while today considered a classic, and a contender as the first "slasher", was so vilified on first release that his career was seriously damaged. Many filmmakers such as Martin Scorsese, Francis Ford Coppola and George A. Romero have cited Powell as an influence. In 1981, he received the BAFTA Academy Fellowship Award along with his partner Pressburger, the highest honour the ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Mikis Theodorakis
Michail "Mikis" Theodorakis ( el, Μιχαήλ "Μίκης" Θεοδωράκης ; 29 July 1925 – 2 September 2021) was a Greek composer and lyricist credited with over 1,000 works. He Film score, scored for the films ''Zorba the Greek (film), Zorba the Greek'' (1964), ''Z (1969 film), Z'' (1969), and ''Serpico'' (1973). He composed the "Mauthausen Trilogy", also known as "The Ballad of Mauthausen", which has been described as the "most beautiful musical work ever written about the The Holocaust, Holocaust" and possibly his best work. Up until his death, he was viewed as Greece's best-known living composer. He was awarded the Lenin Peace Prize. Politically, he was associated with the left because of his long-standing ties to the Communist Party of Greece (KKE). He was an MP for the KKE from 1981 to 1990. Despite this however, he ran as an independent candidate within the centre-right New Democracy (Greece), New Democracy party in 1989, in order for the country to emerge from t ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |