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Marinismo
Marinism (Italian: ''marinismo'', or ''secentismo'', "17th century") is the name now given to an ornate, witty style of poetry and verse drama written in imitation of Giambattista Marino (1569–1625), following in particular ''La Lira'' and ''L'Adone''. Features The critic James V. Mirollo, the author of the first monograph in English on the subject, distinguished the terms as follows:James V. Mirollo. ''The Poet of the Marvelous.'' Columbia University Press, New York, 1963. :''Marinismo'' first appeared in the last 9thcentury as a label for the themes and techniques of Marino and his followers. It continues to be used synonymously with ''secentismo'' and ''concettismo'', although the former has more pejorative connotations as well as wider cultural implications, while the latter embraces the European practice of the witty style. ''Marinista'' and ''Marinisti'' go back to the ''seicento'' 7th century Stigliani detractorrefers 1627] to Marino's followers as ''i Marinisti'' (''Oc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Culteranismo
''Culteranismo'' is a stylistic movement of the Baroque period of Spanish history that is also commonly referred to as ''Gongorismo'' (after Luis de Góngora). It began in the late 16th century with the writing of Luis de Góngora and lasted through the 17th century. ''Culteranismo'' is characterized by an ornamental, ostentatious vocabulary and a message that is complicated by a heavy use of metaphors and complex syntactical order. The name blends ''culto'' ("cultivated") and ''luteranismo'' ("Lutheranism") and was coined by its opponents to present it as a heresy of "true" poetry. Poetry from this movement seems to use as many words as possible to convey little meaning or to conceal meaning. It is also associated with Latinized syntax and mythological allusions. ''Culteranismo'' existed in stark contrast with ''conceptismo'', another movement of the Baroque period which is characterized by a witty style, word games, simple vocabulary, and an attempt to convey multiple meanin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Euphuism
Euphuism is a peculiar mannered style of English prose. It takes its name from a prose romance by John Lyly. It consists of a preciously ornate and sophisticated style, employing a deliberate excess of literary devices such as antitheses, alliterations, repetitions and rhetorical questions. Classical learning and remote knowledge of all kinds are displayed. Euphuism was fashionable in the 1580s, especially in the Elizabethan era, Elizabethan court. ''Euphues'' (1580) "Euphues" is the Greek for "graceful, witty". John Lyly published the works ''Euphues (1578), Euphues: The Anatomy of Wit'' (1578) and ''Euphues and his England'' (1580). Both works illustrated the intellectual fashions and favourite themes of Renaissance society—in a highly artificial and mannered style. The plots are unimportant, existing merely as structural elements on which to display conversations, discourses and letters mostly concerning the subject of love. Its essential features had already appeared in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marinism
Marinism (Italian: ''marinismo'', or ''secentismo'', "17th century") is the name now given to an ornate, witty style of poetry and verse drama written in imitation of Giambattista Marino (1569–1625), following in particular ''La Lira'' and ''L'Adone''. Features The critic James V. Mirollo, the author of the first monograph in English on the subject, distinguished the terms as follows:James V. Mirollo. ''The Poet of the Marvelous.'' Columbia University Press, New York, 1963. :''Marinismo'' first appeared in the last 9thcentury as a label for the themes and techniques of Marino and his followers. It continues to be used synonymously with ''secentismo'' and ''concettismo'', although the former has more pejorative connotations as well as wider cultural implications, while the latter embraces the European practice of the witty style. ''Marinista'' and ''Marinisti'' go back to the ''seicento'' 7th century Stigliani detractorrefers 1627] to Marino's followers as ''i Marinisti'' (''Oc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giambattista Marino
Giovanni Battista was a common Italian given name (see Battista for those with the surname) in the 16th-18th centuries. It refers to "John the Baptist" in English, the French equivalent is "Jean-Baptiste". Common nicknames include Giambattista, Gianbattista, Giovambattista, or Giambo. In Genoese the nickname was Baciccio, and a common shortening was Giovan Battista, Giobatta or simply G.B.. The people listed below are Italian unless noted otherwise. * Giovanni Battista Adriani (c.1511–1579), historian. * Giovanni Battista Agnello (fl. 1560–1577), author and alchemist. * Giovanni Battista Aleotti (1546–1636), architect. * Giovanni Battista Amendola (1848–1887), sculptor. * Giovanni Battista Amici (1786–1863), astronomer and microscopist. * Giovanni Battista Angioletti (1896-1961), writer and journalist. * Giovanni Battista Ballanti (1762–1835), sculptor. * Giovanni Battista Barbiani (1593–1650), painter. * Giovanni Battista Beccaria (1716–1781), physicist. * Giovanni ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Columbia University Press
Columbia University Press is a university press based in New York City, and affiliated with Columbia University. It is currently directed by Jennifer Crewe (2014–present) and publishes titles in the humanities and sciences, including the fields of literary and cultural studies, history, social work, sociology, religion, film, and international studies. History Founded in May 1893, In 1933 the first four volumes of the ''History of the State of New York'' were published. In early 1940s revenues rises, partially thanks to the ''Encyclopedia'' and the government's purchase of 12,500 copies for use by the military. Columbia University Press is notable for publishing reference works, such as ''The Columbia Encyclopedia'' (1935–present), ''The Columbia Granger's Index to Poetry'' (online as ''The Columbia World of Poetry Online'') and ''The Columbia Gazetteer of the World'' (also online) and for publishing music. First among American university presses to publish in electronic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1627 In Literature
This article contains information about the literary events and publications of 1627. Events *January 1 – Menasseh Ben Israel, founder of the first Hebrew printing press in Amsterdam, produces its first publication, a Spanish rite prayer book. New books Prose *Francis Bacon (died 1626) – ''Sylva Sylvarum, or A Natural History'' and ''New Atlantis'' *Jean-Pierre Camus – ''Hyacinthe'' *George Hakewill – ''An Apologie or Declaration of the Power and Providence of God'' * Marin Mersenne – ''Traité de l'harmonie universelle'' *Honoré d'Urfé (died 1625) – ''L'Astrée'' (completed) New drama *William Davenant – ''The Cruel Brother'' *William Hawkins – ''Apollo Shroving'' *Philip Massinger – ''The Great Duke of Florence'' * Thomas Vincent – ''Paria'' (in Latin) Poetry *Michael Drayton – miscellaneous poems, including ''The Battle of Agincourt'', ''First Steps up Parnassus'', and ''Nymphidia'' *Phineas Fletcher – ''Locustae, vel Pietas Jesuitica'' (in Latin a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chiasmus
In rhetoric, chiasmus ( ) or, less commonly, chiasm (Latin term from Greek , "crossing", from the Greek , , "to shape like the letter Χ"), is a "reversal of grammatical structures in successive phrases or clauses – but no repetition of words". A similar device, antimetabole, also involves a reversal of grammatical structures in successive phrases or clauses in an A-B-B-A configuration, but unlike chiasmus, presents a repetition of words. Examples Chiasmus balances words or phrases with similar, though not identical, meanings: "Dotes" and "strongly loves" share the same meaning and bracket, as do "doubts" and "suspects". Additional examples of chiasmus: For comparison, the following is considered antimetabole, in which the reversal in structure involves the same words: Both chiasmus and antimetabole can be used to reinforce antithesis. In chiasmus, the clauses display inverted parallelism. Chiasmus was particularly popular in the literature of the ancient worl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antithesis
Antithesis (Greek for "setting opposite", from "against" and "placing") is used in writing or speech either as a proposition that contrasts with or reverses some previously mentioned proposition, or when two opposites are introduced together for contrasting effect. This is based on the logical phrase or term. Antithesis can be defined as "a figure of speech involving a seeming contradiction of ideas, words, clauses, or sentences within a balanced grammatical structure. Parallelism of expression serves to emphasize opposition of ideas". An antithesis must always contain two ideas within one statement. The ideas may not be structurally opposite, but they serve to be functionally opposite when comparing two ideas for emphasis. According to Aristotle, the use of an antithesis makes the audience better understand the point the speaker is trying to make. Further explained, the comparison of two situations or ideas makes choosing the correct one simpler. Aristotle states that antith ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alliteration
Alliteration is the conspicuous repetition of initial consonant sounds of nearby words in a phrase, often used as a literary device. A familiar example is "Peter Piper picked a peck of pickled peppers". Alliteration is used poetically in various languages around the world, including Arabic, Irish, German, Mongolian, Hungarian, American Sign Language, Somali, Finnish, Icelandic. Historical use The word ''alliteration'' comes from the Latin word ''littera'', meaning "letter of the alphabet". It was first coined in a Latin dialogue by the Italian humanist Giovanni Pontano in the 15th century. Alliteration is used in the alliterative verse of Old English, Old Norse, Old High German, Old Saxon, and Old Irish. It was an important ingredient of the Sanskrit shlokas. Alliteration was used in Old English given names. This is evidenced by the unbroken series of 9th century kings of Wessex named Æthelwulf, Æthelbald, Æthelberht, and Æthelred. These were followed in the 10th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Assonance
Assonance is a resemblance in the sounds of words/syllables either between their vowels (e.g., ''meat, bean'') or between their consonants (e.g., ''keep, cape''). However, assonance between consonants is generally called ''consonance'' in American usage. The two types are often combined, as between the words ''six'' and ''switch'', in which the vowels are identical, and the consonants are similar but not completely identical. If there is repetition of the same vowel or some similar vowels in literary work, especially in stressed syllables, this may be termed "vowel harmony" in poetry (though linguists have a different definition of "vowel harmony"). A special case of assonance is rhyme, in which the endings of words (generally beginning with the vowel sound of the last stressed syllable) are identical—as in ''fog'' and ''log'' or ''history'' and ''mystery''. Vocalic assonance is an important element in verse. Assonance occurs more often in verse than in prose; it is used in Eng ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Literary Consonance
Consonance is a stylistic literary device identified by the repetition of identical or similar consonants in neighboring words whose vowel sounds are different (e.g. coming home, hot foot). Consonance may be regarded as the counterpart to the vowel-sound repetition known as assonance. Alliteration is a special case of consonance where the repeated consonant sound is at the stressed syllable, as in "few flocked to the fight" or "around the rugged rock the ragged rascal ran". Alliteration is usually distinguished from other types of consonance in poetic analysis, and has different uses and effects. Another special case of consonance is sibilance, the use of several |
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