|
Marie Hanfstängl
Marie Hanfstängl (30 April 1848, in Breslau – 5 September 1917, in Munich), born Marie Schroeder (or ''Schröder''), was a notable German operatic soprano singer and singing teacher, whose career was mostly conducted in Germany. Marie Schröder was a pupil of Pauline Viardot's in Baden-Baden. She appeared at the Théâtre Lyrique in Paris in 1866, but returned to Germany on the outbreak of war in 1870. In 1871 she was engaged by the Court Opera House at Stuttgart. After marrying Erwin Hanfstaengl, a member of the distinguished Stuttgart photographer and art-publishing family headed by Franz Hanfstaengl,Franz Hanfstaengl moved in Bavarian royal circles, and was photographer of Ludwig II, Franz Liszt and Richard Wagner: the son Edgar was closely attached to the Duchess Sophie Charlotte in Bavaria. Marie resumed her musical studies in 1878, going to Vannucini in Florence, and thereafter was employed by the Stadt-Theater at Frankfurt. She sang at the Metropolitan Opera as Marie ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marie Hanfstaengl
Marie may refer to: People Name * Marie (given name) * Marie (Japanese given name) * Marie (murder victim), girl who was killed in Florida after being pushed in front of a moving vehicle in 1973 * Marie (died 1759), an enslaved Cree person in Trois-Rivières, New France * ''Marie'', Biblical reference to Holy Mary, mother of Jesus * Marie Curie, scientist Surname * Jean Gabriel Marie (other) * Peter Marié (1826–1903), American socialite from New York City, philanthropist, and collector of rare books and miniatures * Rose Marie (1923–2017), American actress and singer * Teena Marie (1956–2010), American singer, songwriter, and producer Places * Marie, Alpes-Maritimes, commune of the Alpes-Maritimes department, France * Lake Marie, Umpqua Lighthouse State Park, Winchester Bay, Oregon, U.S. * Marie, Arkansas, U.S. * Marie, West Virginia, U.S. Art, entertainment, and media Music * "Marie" (Cat Mother and the All Night Newsboys song), 1969 * "Marie" (Johnny Hallyd ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1848 Births
1848 is historically famous for the wave of revolutions, a series of widespread struggles for more liberal governments, which broke out from Brazil to Hungary; although most failed in their immediate aims, they significantly altered the political and philosophical landscape and had major ramifications throughout the rest of the century. Ereignisblatt aus den revolutionären Märztagen 18.-19. März 1848 mit einer Barrikadenszene aus der Breiten Strasse, Berlin 01.jpg, Cheering revolutionaries in Berlin, on March 19, 1848, with the new flag of Germany Lar9 philippo 001z.jpg, French Revolution of 1848: Republican riots forced King Louis-Philippe to abdicate Zeitgenössige Lithografie der Nationalversammlung in der Paulskirche.jpg, German National Assembly's meeting in St. Paul's Church Pákozdi csata.jpg, Battle of Pákozd in the Hungarian Revolution of 1848 Events January–March * January 3 – Joseph Jenkins Roberts is sworn in, as the first president of the inde ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Martha (opera)
''Martha, oder Der Markt zu Richmond'' (''Martha, or The Market at Richmond'') is a ''romantic comic'' opera in four acts by Friedrich von Flotow set to a German libretto by and based on a story by Jules-Henri Vernoy de Saint-Georges. Flotow had composed the first act of a ballet, ''Harriette, ou la servante de Greenwiche'', derived from a text by Saint-Georges, for the ballerina Adèle Dumilâtre. This was first performed by the Paris Opera Ballet at the Salle Le Peletier on 21 February 1844. The time available for the composition was short, so the second and third acts were assigned, respectively, to Friedrich Burgmüller and Édouard Deldevez. The opera ''Martha'' was an adaptation of this ballet. Critical appreciation According to Gustav Kobbé, ''Martha'', though written by a native of Mecklenburg and first performed in Vienna, is French in character and elegance. Flotow was French in his musical training, as were the origins of both the plot and the score of this work, ef ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lucia Di Lammermoor
''Lucia di Lammermoor'' () is a (tragic opera) in three acts by Italian composer Gaetano Donizetti. Salvadore Cammarano wrote the Italian-language libretto loosely based upon Sir Walter Scott's 1819 historical novel ''The Bride of Lammermoor''. Donizetti wrote ''Lucia di Lammermoor'' in 1835, when he was reaching the peak of his reputation as an opera composer. Gioachino Rossini had recently retired and Vincenzo Bellini had died shortly before the premiere of ''Lucia'' leaving Donizetti as "the sole reigning genius of Italian opera".Mackerras, p. 29 Not only were conditions ripe for Donizetti's success as a composer, but there was also a widespread interest in the history and culture of Scotland. The perceived romance of its violent wars and feuds, as well as its folklore and mythology, intrigued 19th century readers and audiences. Sir Walter Scott dramatized these elements in his novel ''The Bride of Lammermoor'', which inspired several musical works including ''Lucia''.Mackerra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mignon
''Mignon'' is an 1866 ''opéra comique'' (or opera in its second version) in three acts by Ambroise Thomas. The original French libretto was by Jules Barbier and Michel Carré, based on Goethe's 1795-96 novel '' Wilhelm Meisters Lehrjahre''. The Italian version was translated by Giuseppe Zaffira. The opera is mentioned in James Joyce's " The Dead" (''Dubliners'') and Willa Cather's '' The Professor's House''. Thomas's goddaughter Mignon Nevada was named after the main character. Performance history The first performance was at the Opéra-Comique in Paris on 17 November 1866. The piece proved popular: more than 100 performances took place by the following July, the 1,000th was given there on 13 May 1894, and the 1,500th on 25 May 1919. The opera was also adapted and translated into German for performance in Berlin with Madame Lucca as Mignon. Lucca was well received, but the German critics were unhappy with the opera's alterations to the Goethe original, so Thomas composed a shor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Sonnambula
''La sonnambula'' (''The Sleepwalker'') is an opera semiseria in two acts, with music in the '' bel canto'' tradition by Vincenzo Bellini set to an Italian libretto by Felice Romani, based on a scenario for a ''ballet-pantomime'' written by Eugène Scribe and choreographed by Jean-Pierre Aumer called ''La somnambule, ou L'arrivée d'un nouveau seigneur''. The ballet had premiered in Paris in September 1827 at the height of a fashion for stage works incorporating somnambulism. The role of Amina was originally written for the soprano sfogato Giuditta Pasta and the tenor Giovanni Battista Rubini, but during Bellini's lifetime another soprano sfogato, Maria Malibran, was a notable exponent of the role. The first performance took place at the Teatro Carcano in Milan on 6 March 1831. The majority of twentieth-century recordings have been made with a soprano cast as Amina, usually with added top-notes and other changes according to tradition, although it was released in soprano sfogat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Faust (opera)
''Faust'' is an opera in five acts by Charles Gounod to a French libretto by Jules Barbier and Michel Carré from Carré's play ''Faust et Marguerite'', in turn loosely based on Johann Wolfgang von Goethe's ''Faust, Part One''. It debuted at the Théâtre Lyrique on the Boulevard du Temple in Paris on 19 March 1859, with influential sets designed by Charles-Antoine Cambon and Joseph Thierry, Jean Émile Daran, Édouard Desplechin, and Philippe Chaperon. Performance history The original version of Faust employed spoken dialogue, and it was in this form that the work was first performed. The manager of the Théâtre Lyrique, Léon Carvalho cast his wife Caroline Miolan-Carvalho as Marguerite and there were various changes during production, including the removal and contraction of several numbers. The tenor Hector Gruyer was originally cast as Faust but was found to be inadequate during rehearsals, being eventually replaced by a principal of the Opéra-Comique, Joseph-Théodore ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles Gounod
Charles-François Gounod (; ; 17 June 181818 October 1893), usually known as Charles Gounod, was a French composer. He wrote twelve operas, of which the most popular has always been ''Faust (opera), Faust'' (1859); his ''Roméo et Juliette'' (1867) also remains in the international repertory. He composed a large amount of church music, many songs, and popular short pieces including his Ave Maria (Bach/Gounod), Ave Maria (an elaboration of a Johann Sebastian Bach, Bach piece), and ''Funeral March of a Marionette''. Born in Paris into an artistic and musical family Gounod was a student at the Conservatoire de Paris and won France's most prestigious musical prize, the Prix de Rome. His studies took him to Italy, Austria and then Prussia, where he met Felix Mendelssohn, whose advocacy of the music of Bach was an early influence on him. He was deeply religious, and after his return to Paris, he briefly considered becoming a priest. He composed prolifically, writing church music, songs ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Barber Of Seville
''The Barber of Seville, or The Useless Precaution'' ( it, Il barbiere di Siviglia, ossia L'inutile precauzione ) is an ''opera buffa'' in two acts composed by Gioachino Rossini with an Italian libretto by Cesare Sterbini. The libretto was based on Pierre Beaumarchais's French comedy ''The Barber of Seville'' (1775). The première of Rossini's opera (under the title ''Almaviva, o sia L'inutile precauzione'') took place on 20 February 1816 at the Teatro Argentina, Rome, with designs by Angelo Toselli. Rossini's ''Barber of Seville'' has proven to be one of the greatest masterpieces of comedy within music, and has been described as the opera buffa of all "opere buffe". After two hundred years, it remains a popular work. Composition history Rossini's opera recounts the events of the first of the three plays by French playwright Pierre Beaumarchais that revolve around the clever and enterprising character named Figaro, the barber of the title. Mozart's opera ''The Marriage of Fi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Margarete Dessoff
Emma Margarete "Gretchen" Dessoff (11 June 1874 – 27 November 1944) was a German choral conductor, singer, and voice teacher. Life Germany Margarete (sometimes incorrectly spelled Margarethe) Dessoff was born in Vienna and came to Frankfurt am Main when she was six years old, her father (Felix Otto Dessoff) having been appointed conductor of the Frankfurt Opera House. Dessoff studied voice with Gustav Gunz und Marie Schröder-Hanfstängl (1892–97) at Dr. Hoch's Konservatorium in Frankfurt and from 1912 directed the women's chorus there. Dessoff's singing career was cut short when a famous opera singer (probably Hanfstängl) teaching at Dr. Hoch's apparently ruined her voice. She regained it through private lessons (with Jenny Hahn, a pupil of Julius Stockhausen), but had she not lost her voice she might never have become a well-known and well-loved choral director. In addition to the ''Dessoff'scher Frauenchor'' (first concert in 1907 at Dr. Hoch's Konservatorium), w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hoch Conservatory
Dr. Hoch's Konservatorium – Musikakademie was founded in Frankfurt am Main on 22 September 1878. Through the generosity of Frankfurter Joseph Hoch, who bequeathed the Conservatory one million German gold marks in his testament, a school for music and the arts was established for all age groups. Instrumental to the foundation, prosperity and success of the conservatory was its director Joachim Raff who did most of the work including setting the entire curriculum and hiring all its faculty. It has played an important role in the history of music in Frankfurt. Clara Schumann taught piano, as one of distinguished teachers in the late 19th century, gaining international renown for the conservatory. In the 1890s, about 25% of the students came from other countries: 46 were from England and 23 from the United States. In the 1920s, under director Bernhard Sekles, the conservatory was far ahead of its time: Sekles initiated the world's first Jazz Studies (directed by Mátyás Seibe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
_-_Archivio_Storico_Ricordi_ICON012449.jpg "Click for more on -> Lucia Di Lammermoor")
.jpg "Click for more on -> Hoch Conservatory")