|
Marie Geistinger
Marie Charlotte Cäcilie Geistinger (1836–1903) was a celebrated Austrian actress and operatic soprano, known as the "Queen of Operetta". She frequently appeared in works by Jacques Offenbach, Johann Strauss II and Franz von Suppé. She achieved particular acclaim for performing Rosalinda in the première of ''Die Fledermaus'' at the Theater an der Wien in 1874. In 1881, her debut at the Bowery Theatre, Thalia Theatre in New York City, New York was well received. Early life Born in Graz on 26 July 1836, Geistinger was the daughter of the Russian court actors Nikolaus Geistinger, an opera singer, and his wife Charlotte, who was the granddaughter of the Brunswick court actor Karl Grassmann. Well educated, she was given a sound introduction to music by K. M. Wolf in Vienna. From 1844, she appeared in children's roles in Graz. She made her official début in August 1850 at the Max-Schaiger Theatre in Munich. Career Apart from appearing in the title role of Johann Wilhelm Christern ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Barbe-bleue (opera)
''Barbe-bleue'' (, ''Bluebeard'') is an opéra bouffe, or operetta, in three acts (four scenes) by Jacques Offenbach to a French libretto by Henri Meilhac and Ludovic HalévyLamb A. Barbe-bleue. In: ''The New Grove Dictionary of Opera''. Macmillan, London and New York, 1997. based on Charles Perrault's 1697 story. Performance history The work was composed while Offenbach was travelling during 1865, in Vienna, Brussels and Cologne, conducting his works in those cities. Other distractions during the period were the marriage on 9 August in Étretat of his eldest daughter Berthe to Charles Comte (for which he composed a mass) and problems with gout (which he encouraged the press to report). It was first performed at the Théâtre des Variétés, Paris on 5 February 1866, playing for five months. Following the great success of the creators' ''Belle Hélène'', the roles were close relations of the composer's antique operetta: Dupuis (Paris) another seducer, in Barbe-Bleue, Kopp (M ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Heinrich Laube
Heinrich Laube (18 September 1806 – 1 August 1884), German dramatist, novelist and theatre-director, was born at Sprottau in Prussian Silesia. Life He studied theology at Halle and Breslau (1826–1829), and settled in Leipzig in 1832. Here he at once came into prominence with his political essays, collected under the title ''Das neue Jahrhundert'', in two parts — ''Polen'' (1833) and ''Politische Briefe'' (1833) — and with the novel ''Das junge Europa'', in three parts — ''Die Poeten'', ''Die Krieger'', ''Die Bürger'' — (1833–1837). These writings, in which, after the fashion of Heinrich Heine and Ludwig Börne, he severely criticized the political regime in Germany, together with the part he played in the literary movement known as “ Das junge Deutschland,” led to his being subjected to police surveillance and his works confiscated. On his return, in 1834, from a journey to Italy, undertaken in the company of Karl Gutzkow, Laube was expelled from Saxony and im ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mary Stuart (play)
''Mary Stuart'' (german: Maria Stuart, ) is a verse play by Friedrich Schiller that depicts the last days of Mary, Queen of Scots. The play consists of five acts, each divided into several scenes. The play had its première in Weimar, Germany on 14 June 1800. The play formed the basis for Donizetti's opera ''Maria Stuarda'' (1835). Synopsis Mary Stuart is imprisoned in England — nominally for the murder of her husband Darnley, but actually due to her claim to the throne of England held by Queen Elizabeth I. While Mary's cousin, Elizabeth, hesitates over signing Mary's death sentence, Mary hopes for a reprieve. After Mary finds out that Mortimer (created by Schiller), the nephew of her custodian, is on her side, she entrusts her life to him. Mortimer is supposed to give Robert Dudley, the Earl of Leicester, a letter from Mary, in which she pleads for help. This is a delicate situation, for Leicester seems to support Queen Elizabeth. After numerous requests, Mary finally gai ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Friedrich Schiller
Johann Christoph Friedrich von Schiller (, short: ; 10 November 17599 May 1805) was a German playwright, poet, and philosopher. During the last seventeen years of his life (1788–1805), Schiller developed a productive, if complicated, friendship with the already famous and influential Johann Wolfgang von Goethe. They frequently discussed issues concerning aesthetics, and Schiller encouraged Goethe to finish works that he had left as sketches. This relationship and these discussions led to a period now referred to as Weimar Classicism. They also worked together on ''Xenien'', a collection of short satirical poems in which both Schiller and Goethe challenge opponents of their philosophical vision. Early life and career Friedrich Schiller was born on 10 November 1759, in Marbach, Württemberg, as the only son of military doctor Johann Kaspar Schiller (1733–1796) and Elisabetha Dorothea Schiller (1732–1802). They also had five daughters, including Christophine, the eldest. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maximilian Steiner
Maximilian Steiner (27 August 1830 – 29 May 1880) was an Austrian actor and theater director and manager. He is known particularly for his leadership of Vienna's Theater an der Wien from 1869 to 1880, a period during which the theater reduced the importance of folk plays (dialect drama) and was prominent in developing and promoting the fashion of a Viennese style of operetta. Life and career Steiner was born in Ofen, near Budapest in Hungary, then a part of the Austro-Hungarian empire. In the early 1850s, he began work in the stage crew of the theatre in Temeswar (now in Romania). In 1854,1853 is the year given by Constantin von Wurzbach, "Steiner, Maximilian," in ''Biographisches Lexikon des Kaiserthums Oesterreich,'' 38. Theil. Kaiserlich-königliche Hof- und Staatsdruckerei, Vienna, 1879, p. 79. he was engaged by the theater director Friedrich Strampfer as an actor in the German-language theater. He continued to act in that theater and others in the region till 1862, gaining ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ludwig Anzengruber
Ludwig Anzengruber (29 November 1839 – 10 December 1889) was an Austrian dramatist, novelist and poet. He was born and died in Vienna, Austria. Origins The Anzengruber line originated in the district of Ried im Innkreis in Upper Austria. Ludwig's grandfather, Jakob Anzengruber, was a farm-worker on the Obermayr estate at Weng near Hofkirchen an der Trattnach. His father, Johann Anzengruber, left the family home at an early age and moved to Vienna, where he found work as a bookkeeper in the treasury of the Austrian crown lands. In 1838 he married Maria Herbich, the daughter of a petit bourgeois pharmacist. It is not surprising that the social standing of his parents – his father, from peasant stock, and his mother, a petty bourgeois – regularly played an important role in Ludwig Anzengruber's later works. Ludwig's greatest influence in becoming a dramatist was his father who himself had been a secret poet in the style of Friedrich Schiller, but without success. Only o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cagliostro In Wien
' (''Cagliostro in Vienna'') is an operetta in three acts by Johann Strauss II to a libretto by F. Zell and Richard Genée. It premiered on 27 February 1875 at the Theater an der Wien, featuring Marie Geistinger and Alexander Girardi. Reception The premiere was highly successful, in no small part due to the audience favourite Alexander Girardi Elizabeth Forbes: "Girardi, Alexander", ''Grove Music Online'' ed. L. Macy (1850–1918) as Blasoni. Another notable performer at the premiere was Marie Geistinger (1836–1903) who had created the role of Rosalinde in Strauss's ''Die Fledermaus''. However, weaknesses in the libretto and—by Strauss's standards—the pallid music, meant the work could not garner the level of long-term public support of the composer's other works. These shortcomings were corrected in a version with a revised libretto by Gustav Quedenfeldt and music by Karl Tutein (who included themes from the Kaiser-Walzer) which premiered on 8 May 1941 in Danzig (Gdańsk). ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Der Karneval In Rom
' (''The Carnival in Rome'') —also known as '— is an operetta in three acts composed by Johann Strauss II to a libretto by Josef Braun, Richard Genée and Maximilian Steiner. It was Strauss' second operetta and based on Victorien Sardou's 1861 comedy ''Piccolino''. The work premiered on 1 March 1873 at the Theater an der Wien The is a historic theatre in Vienna located on the Left Wienzeile in the Mariahilf district. Completed in 1801, the theatre has hosted the premieres of many celebrated works of theatre, opera, and symphonic music. Since 2006, it has served prima ....Traubner (2003) p. 115 Roles References Notes Sources * * Traubner, Richard (2003''Operetta: A Theatrical History'' Routledge. {{DEFAULTSORT:Karneval in Rom, Der Operas by Johann Strauss II German-language operettas 1874 operas Operas Operas based on plays Operas based on works by Victorien Sardou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Indigo Und Die Vierzig Räuber
' (''Indigo and the Forty Thieves'') is an operetta composed by Johann Strauss II to a German libretto by Maximilian Steiner based on the tale "Ali Baba and the Forty Thieves" from ''The Book of One Thousand and One Nights''. Performance history It was first staged on 10 February 1871 at the Theater an der Wien in Vienna, Austria. It was initially granted a warm reception by Vienna's theatre-going public, but the press was more divided in opinion. Typical published reactions were: "It consists of dance music on which Strauss has overlaid text and characters ... A man of Strauss' reputation should never have allowed his name to be associated with such a venture ... It is an interesting production and is a foretaste of great things to come." The work was successfully restaged in Paris in 1875 under the title ''Queen Indigo'', then, rechristened ''A Night on the Bosphorus'', it was presented in London in 1876. Finally, after Strauss' death, the operetta was entirely reworked in 1906 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Die Schöne Galathee
Die, as a verb, refers to death, the cessation of life. Die may also refer to: Games * Die, singular of dice, small throwable objects used for producing random numbers Manufacturing * Die (integrated circuit), a rectangular piece of a semiconductor wafer * Die (manufacturing), a material-shaping device * Die (philately) * Coin die, a metallic piece used to strike a coin * Die casting, a material-shaping process ** Sort (typesetting), a cast die for printing * Die cutting (web), process of using a die to shear webs of low-strength materials * Die, a tool used in paper embossing * Tap and die, cutting tools used to create screw threads in solid substances * Tool and die, the occupation of making dies Arts and media Music * ''Die'' (album), the seventh studio album by rapper Necro * Die (musician), Japanese musician, guitarist of the band Dir en grey * DJ Die, British DJ and musician with Reprazent * "DiE", a 2013 single by the Japanese idol group BiS * die!, an inactive German ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Geneviève De Brabant
''Geneviève de Brabant'' is an opéra bouffe, or operetta, by Jacques Offenbach, first performed in Paris in 1859. The plot is based on the medieval legend of Genevieve of Brabant. For the 1867 version two additional characters, men-at-arms, were added to Act 2 and given a comic duet, in English-speaking countries widely known as the "Gendarmes' Duet" or the "bold gendarmes", from H. B. Farnie's English adaptation. As well as being a popular performance piece, it formed the basis for the U.S. "Marines' Hymn". Performance history The two-act French libretto was written by Louis-Adolphe Jaime and Étienne Tréfeu, and the opera was first staged at the Théâtre des Bouffes-Parisiens, Paris, on 19 November 1859. A new three-act version (in which the "Gendarmes' Duet" first appeared), revised by Hector-Jonathan Crémieux, was first given at the Théâtre des Menus-Plaisirs, Paris, on 26 December 1867. An expanded five-act version was devised for a production at the Théâtre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
