|
Marie-Jeanne
Marie-Jeanne Godwin (née Pelus, August 12, 1920 – December 27, 2007) was an American ballet dancer. She was one of the first students of George Balanchine's School of American Ballet. Her dance career started at the Ballet Caravan in 1937, followed by stints at Ballet Russe de Monte Carlo, American Ballet Caravan, Ballet International and Ballet Society, before becoming a founding member of the New York City Ballet, where she danced for one season. She then joined Grand Ballet du Marquis de Cuevas, before briefly returning to the New York City Ballet in 1953, and retired in 1954. She was associated with Balanchine throughout her career. Early life and training Marie-Jeanne Pelus was born on August 12, 1920, in Manhattan, New York. She was the only child of a French milliner mother and an Italian chef father, both immigrants. She was born on her family's kitchen table because while her father was cooking dinner, her mother went into labor. She saw her first ballet on New Year' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Sonnambula (Balanchine)
''La Sonnambula'' ''(The Sleepwalker)'' is a ballet by the co-founder and ballet master of New York City Ballet, George Balanchine, made to Vittorio Rieti's music using themes from the operas of Vincenzo Bellini including ''La Sonnambula'', ''Norma'', ''I Puritani'' and '' I Capuleti e i Montecchi'' (1830–35). The ballet premiered as ''The Night Shadow'' with the Ballet Russe de Monte Carlo on Wednesday, 27 February 1946, at City Center of Music and Drama, New York, with sets and costumes designed by Dorothea Tanning and costumes executed by Karinska. It was first performed by the New York City Ballet on 6 January 1960 at City Center of Music and Drama. The ballet tells the story of a Coquette, a Poet, and a beautiful Sleepwalker. The original 1946 program describes the story as follows: Amid the somber walls of a decaying castle a masked ball has just begun. The host, an eccentric nobleman, receives his guests, among them a poet and a dazzling coquette. The poet, seduce ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Concerto Barocco
''Concerto Barocco'' is a neoclassical ballet made for students at the School of American Ballet by George Balanchine, subsequently ballet master and co-founder of New York City Ballet, to Johann Sebastian Bach's Concerto in D minor for Two Violins, BWV 1043. After an open dress rehearsal on May 29, 1941, in the Little Theatre of Hunter College, New York, the official premiere took place June 27, 1941, at Teatro Municipal in Rio de Janeiro as part of American Ballet Caravan's South American tour. ''Concerto Barocco'' subsequently entered the repertory of the Ballet Russe de Monte Carlo, premiering on September 9, 1945, at New York City Center.Martin, John"THE DANCE: BALLET RUSSE: Monte Carlo Company to Present New Works in City Center Season,"''New York Times'' (August 26, 1945). The New York City Ballet premiere was October 11, 1948, as one of three ballets on the program of its first performance at New York City Center. Three years later, in 1951, Balanchine replaced th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Serenade (ballet)
''Serenade'' is a ballet by George Balanchine to Tchaikovsky's 1880 '' Serenade for Strings in C'', Op. 48. Serenade is credited as being George Balanchine's first full-length ballet in America. Using the students of his newly formed School of American Ballet, Balanchine choreographed this ballet for an American audience that had not been widely exposed to ballet before.Bird, "Principles of Choreography as Exemplified in the Works of George Balanchine" (1980). Master's Theses. 1851 Students of the School of American Ballet gave the first performance on Sunday, 10 June 1934 on the Felix M. Warburg estate in White Plains, N.Y., where '' Mozartiana'' had been danced the previous day. It was then presented by the Producing Company of the School of American Ballet on 6 December at the Avery Memorial Theatre of the Wadsworth Atheneum with sets by the painter William Littlefield. Balanchine presented the ballet as his response to the generous sponsorships he received during his immig ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mozartiana (ballet)
''Mozartiana'' is a ballet choreographed by George Balanchine to Tchaikovsky's Orchestral Suite No. 4, ''Mozartiana''. The current version of the ballet was made for New York City Ballet's Tchaikovsky Festival, and premiered on June 4, 1981, at the New York State Theater. It is considered Balanchine's last major work. Balanchine had previously choreographed to the same score in 1933, for his short-lived troupe Les Ballets 1933 in Paris, his first major ballet to music by Tchaikovsky. It had its American premiere the following year, and Balanchine made some changes to the choreography in 1935. This earlier version was performed by several troupes until 1956. This version's choreography and designs are completely different from the 1981 version. Previous versions In 1933, George Balanchine and librettist Boris Kochno co-founded Les Ballets 1933, after being dismissed from the Original Ballet Russe. The company was mainly funded by Edward James, and also backed by friends such as c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Muriel Stuart
Muriel Stuart (1885, Norbury, South London – 18 December 1967), born Muriel Stuart Irwin, was a poet, the daughter of a Scottish barrister. She was particularly concerned with the topic of sexual politics, though she first wrote poems about World War I. She later gave up poetry writing; her later publications are on gardening. She was hailed by Hugh MacDiarmid as the best woman poet of the Scottish Renaissance although she was Scottish only by family origin and lived all her life in England. Despite this, his comment led to her inclusion in many Scottish anthologies. Thomas Hardy described her poetry as "superlatively good". Like other female poets of her era, she reflects the weight of social expectations on women and the experience of post-war spinsterhood.Jane Dowson and Alice Entwistle, ''A History of Twentieth-Century British Women's Poetry'', Cambridge / New York: Cambridge University, 2005, p. 83 Her most famous poem, "In the Orchard", is entirely dialogues and i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
André Eglevsky
André Eglevsky (21 December 19174 December 1977) was a Russian-born ballet dancer and teacher who studied in France and, from 1932, danced with Colonel W. de Basil's Ballet Russe de Monte Carlo for several years, as well as other companies in Europe and New York City. He became a United States citizen in the late 1930s and danced with the American Ballet Theatre and New York City Ballet. After retiring from performance in 1958, he set up his own ballet school and the Eglevsky Ballet Company in New York. Early life and education Eglevsky was born in Moscow. After the Revolution, he and his mother emigrated to France when he was eight, his mother having decided that his talent as a dancer demanded that he be properly trained. Many classically trained dancers and teachers had emigrated to France and London in this period. Eglevsky studied ballet in Nice with Maria Nevelskaya (also known as Maria Nevelska formerly of the Bolshoi Ballet), Lubov Egorova, Mathilde Kschessinska, A ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
George De Cuevas
Jorge Cuevas Bartholín, known as George de Cuevas (1885 – 22 February 1961), was a Chilean-born ballet impresario and choreographer who was best known for the Grand Ballet du Marquis de Cuevas that he formed in 1944. Life and career Cuevas was born as Jorge Cuevas Bartholín in 1885 in Santiago, Chile, a son of Eduardo Cuevas Avaria (1821–1897), a prominent Chilean politician and former diplomat, and his third wife, the former María Manuela del Carmen Bartholín de la Guarda, who was half Danish. He had five siblings: Roberto, Luís, Enrique, Sara, and Carmela. He also had 11 half-siblings from his father's previous marriages. Though Cuevas was apparently homosexual, he married Margaret Rockefeller Strong, a granddaughter of John D. Rockefeller, in Paris on 3 August 1927. Around the time of the wedding, Cuevas had been serving as a secretary at the Chilean legation in London; the bride had been raised in Italy and studied chemistry at Cambridge University. The Cuevases ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Teatro Colón
The Teatro Colón (Spanish: ''Columbus Theatre'') is the main opera house in Buenos Aires, Argentina. It is considered one of the ten best opera houses in the world by National Geographic. According to a survey carried out by the acoustics expert Leo Beranek among leading international opera and orchestra directors, the Teatro Colón has the room with the best acoustics for opera and the second best for concerts in the world. The present Colón replaced an original theatre which opened in 1857. Towards the end of the century it became clear that a new theatre was needed and, after a 20-year process, the present theatre opened on 25 May 1908, with Giuseppe Verdi's ''Aïda''. The Teatro Colón was visited by the foremost singers and opera companies of the time, who would sometimes go on to other cities including Montevideo, Rio de Janeiro and São Paulo. After this period of huge international success, the theatre's decline became clear and plans were made for massive ren ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Apollo (ballet)
''Apollo'' (originally ''Apollon musagète'' and variously known as ''Apollo musagetes'', ''Apolo Musageta'', and ''Apollo, Leader of the Muses'') is a neoclassical ballet in two ''tableaux'' composed between 1927 and 1928 by Igor Stravinsky. It was choreographed in 1928 by twenty-four-year-old George Balanchine, with the composer contributing the libretto. The scenery and costumes were designed by André Bauchant, with new costumes by Coco Chanel in 1929. The scenery was executed by Alexander Shervashidze, with costumes under the direction of Mme. A. Youkine. The American patron of the arts Elizabeth Sprague Coolidge had commissioned the ballet in 1927 for a festival of contemporary music to be held the following year at the Library of Congress in Washington, D.C. The story centres on Apollo, the Greek god of music, who is visited by three Muses: Terpsichore, muse of dance and song; Polyhymnia, muse of mime; and Calliope, muse of poetry. The ballet takes Classical antiquity a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tschaikovsky Piano Concerto No
Pyotr Ilyich Tchaikovsky , group=n ( ; 7 May 1840 – 6 November 1893) was a Russian composer of the Romantic period. He was the first Russian composer whose music would make a lasting impression internationally. He wrote some of the most popular concert and theatrical music in the current classical repertoire, including the ballets '' Swan Lake'' and ''The Nutcracker'', the '' 1812 Overture'', his First Piano Concerto, Violin Concerto, the '' Romeo and Juliet'' Overture-Fantasy, several symphonies, and the opera ''Eugene Onegin''. Although musically precocious, Tchaikovsky was educated for a career as a civil servant as there was little opportunity for a musical career in Russia at the time and no system of public music education. When an opportunity for such an education arose, he entered the nascent Saint Petersburg Conservatory, from which he graduated in 1865. The formal Western-oriented teaching that he received there set him apart from composers of the contemporary na ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
American Ballet
The American Ballet was the first professional ballet company George Balanchine created in the United States. The company was founded with the help of Lincoln Kirstein and Edward Warburg, managed by Alexander Merovitch and populated by students of Kirstein and Balanchine's School of American Ballet. Having failed to mount a tour, American Ballet began performing at the Old Met. After being allowed to stage only two dance performances (''Orfeo ed Euridice'') in 1936 and an evening of dances choreographed to the music of Igor Stravinsky in 1937), Balanchine moved the company to Hollywood in 1938. The company was restarted as the American Ballet Caravan and toured North and South America, although it too folded after several years. See also *New York City Ballet Footnotes External links Sunday NY Times, June 10, 1934 John Martin, February 24, 1935 NY Times, August 8, 1935from Lincoln Kirstein, August 25, 1935 Sunday NY Times review of benefit for the Westchester County Girl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lew Christensen
Lewellyn Farr Christensen (May 6, 1909 – October 9, 1984) was a ballet dancer, choreographer and director for many companies. He was largely associated with George Balanchine and the San Francisco Ballet, which he directed from 1952–1984. Other companies Christensen was a part of include Ballet Caravan, directed by Lincoln Kirstein, and Ballet Society, directed by Kirstein and Balanchine. Early life and training Christensen was born in Brigham City, Utah, to a family with roots in dance and music. His grandfather, Lars Christensen, who emigrated from Denmark, taught folk and social dances.Sowell, Debra. "Christensen Brothers." ''International Encyclopedia of Dance.'' Vol. 2. ed. Selma Jeanne Cohen. 1998. 160. Christensen was raised a Mormon, and this upbringing informed his latter career with of a sense of focusing on propriety. Christensen began studying dance with his uncles and music with his father when he was ten. He was taught early ballet technique by Stefano ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
.jpg "Click for more on -> Teatro Colón")
.jpg "Click for more on -> Tschaikovsky Piano Concerto No")