Marianne Beate Kielland
Marianne Beate Kielland, (born October 12, 1975 in Lørenskog, Norway) is a Norwegian mezzo-soprano. In 2009, she was awarded the Nordlysprisen. Recordings *''Veslemøy synsk'' (Song cycle by Olav Anton Thommessen) (2011) - Nils Anders Mortensen piano. The cycle is based on the text ''Haugtussa'' by the Norwegian poet Arne Garborg. *''Händel cantatas for solo alto'' (2010) - Bergen Barokk *''Come away death'' (Songs by Erich Wolfgang Korngold, Korngold, Plagge, Sibelius, Maja Ratkje, Ratkje, Finzi og Mussorgsky) (2009) - Sergei Osadchuk *''Johann Sebastian Bach, J. S. Bach: Vergnügte Pleißenstadt, BWV 216, ''Vergnügte Pleißenstadt'', BWV 216'' (2005) - Osaka Bach Ensemble/Joshua Rifkin *''J. S. Bach: Matthew Passion'' (2006) - Dresdner Kammerchor/Kölner Kammerorchester/Helmut Müller-Brühl *''J. S. Bach: Alto solo cantatas BWV 35, BWV 54, 54, BWV 169, 169, BWV 170, 170 and BWV 200, 200'' (2005) - Kölner Kammerorchester/Helmut Müller-Brühl *''J. S. Bach: Alto solo cantat ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Dresdner Kammerchor
The Dresdner Kammerchor (Dresden Chamber Choir) is a mixed chamber choir which was founded in 1985 by Hans-Christoph Rademann in Dresden and is still conducted by him. The semiprofessional ensemble of about 40 singers has appeared internationally. History and performances Hans-Christoph Rademann founded the choir in 1985 while he was still a student at the Musikhochschule Dresden. Most of the singers were fellow students. The choir is still connected to the conservatory, now called Hochschule für Musik "Carl Maria von Weber", and many members are students or alumni. It is part of the profile of the Dresdner Kammerchor to perform and record music written for the court of Dresden under Augustus the Strong and his successor Frederick Augustus II, including works by Johann David Heinichen, Johann Adolf Hasse and Jan Dismas Zelenka. The choir has also performed contemporary music and won awards in international competitions for that repertory. The choir has appeared at festival ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
1975 Births
It was also declared the ''International Women's Year'' by the United Nations and the European Architectural Heritage Year by the Council of Europe. Events January * January 1 - Watergate scandal (United States): John N. Mitchell, H. R. Haldeman and John Ehrlichman are found guilty of the Watergate cover-up. * January 2 ** The Federal Rules of Evidence are approved by the United States Congress. ** Bangladesh revolutionary leader Siraj Sikder is killed by police while in custody. ** A bomb blast at Samastipur, Bihar, India, fatally wounds Lalit Narayan Mishra, Minister of Railways. * January 5 – Tasman Bridge disaster: The Tasman Bridge in Hobart, Tasmania, Australia, is struck by the bulk ore carrier , killing 12 people. * January 7 – OPEC agrees to raise crude oil prices by 10%. * January 10–February 9 – The flight of '' Soyuz 17'' with the crew of Georgy Grechko and Aleksei Gubarev aboard the '' Salyut 4'' space station. * January 15 – Alvor Agreem ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Bodvar Moe
Bodvar Drotninghaug Moe (born 31 March 1951, Mo i Rana, Norway) is a Norwegian composer, musician (bass) and music teacher. He studied composition under Olav Anton Thommessen, Bjørn Kruse, Jan Sandström and Rolf Martinson. Moe has been the musical director of Nordland Teater and has remained a central participant in the "Composer Meeting northern Scandinavia." Since 2005 he has been the musical director for Mo Orkesterforening. By Nesna University College, he was named amanuensis in 2005 and was promoted to professor in 2011. Høgskolen i Nesna Awards * Rana Municipality Culture (1989) *[...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Ragnar Rasmussen
Ragnar ( non, Ragnarr ) is a masculine Germanic given name, composed of the Old Norse elements ''ragin-'' "counsel" and ''hari-'' "army". Origin and variations The Proto-Germanic forms of the compounds are "ragina" (counsel) and "harjaz" or "hariz" (army). The Old High German form is ''Raginheri, Reginheri'', which gave rise to the modern German form Rainer, the French variant Rainier, the Italian variant Ranieri and the Latvian variant Renārs. The Old English form is "Rægenhere" (attested for example in the name of the son of king Rædwald of East-Anglia). The name also existed among the Franks as "Ragnahar" (recorded as Ragnachar in the book "History of the Franks" by Gregory of Tours). History of usage The name is on record since the 9th century, both in Scandinavia and in the Frankish empire; the form ''Raginari'' is recorded in a Vandalic (5th or 6th century) graffito in Carthage. The name was variously latinized as ''Raganarius'', ''Reginarius'', ''Ragenarius'', ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Alf Hurum
Alf Thorvald Hurum (21 September 1882 – 12 August 1972) was a Norwegian composer and painter. Early and personal life Hurum was born in Kristiania (now Oslo), Norway. He was a son of Thorvald Hurum (1839-1909) and Jakobine Olava Haslum (1844-1929). From 1905 to 1907, he studied composition at the Berliner Akademie der Künste. Among other, his instructors included Max Bruch. He was married in Berlin, Germany in 1908 with Elizabeth Leslie Wight (1884-1984). From 1934, Hurum and his wife settled in Honolulu, Hawaii. Career Among his works are two violin sonatas, from 1911 and 1915 respectively, ''Lilja'' (for men's chorus) from 1919, the suite ''Eventyrland'' from 1920, the symphonic poem ''Bendik og Årolilja'' from 1923, and a symphony in D minor from 1927. After settling at Honolulu, he served as president of the ''Association of Honolulu Artists'', and was honorary member of the ''Morning Music Club''. His visual art is represented in the Honolulu Museum of Art and in t ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Ragnar Bjerkreim
Ragnar Bjerkreim (born 19 April 1958) is Norwegian composer with film scores as his specialty. Bjerkreim was born in Bjerkreim, and has a master's degree in music from University of Oslo; his thesis was entitled "The Function of Film Music". He received his first success as a composer for the two ''Kamilla and the Thief'' movies. Bjerkreim is now one of the most productive composers in Norwegian television. He is also board chairman of the Norwegian Society of Composers and Lyricists NOPA, the Norwegian Society of Composers and Lyricists is a society for creators of music and song lyrics in Norway. The object of the society is to promote Norwegian creative music, musical works and lyrics and other texts in musical works, strengt .... References * 1958 births Living people People from Bjerkreim Norwegian composers Norwegian male composers Norwegian film score composers Male film score composers University of Oslo alumni {{Norway-composer-stub ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Antonio Vivaldi
Antonio Lucio Vivaldi (4 March 1678 – 28 July 1741) was an Italian composer, virtuoso violinist and impresario of Baroque music. Regarded as one of the greatest Baroque composers, Vivaldi's influence during his lifetime was widespread across Europe, giving origin to many imitators and admirers. He pioneered many developments in orchestration, violin technique and Program music, programatic music. He consolidated the emerging concerto form into a widely accepted and followed idiom, which was paramount in the development of Johann Sebastian Bach's instrumental music. Vivaldi composed many instrumental concertos, for the violin and a variety of other musical instruments, as well as Sacred Music, sacred choral works and more than List of operas by Antonio Vivaldi, fifty operas. His best-known work is a series of violin concertos known as ''The Four Seasons (Vivaldi), the Four Seasons''. Many of his compositions were written for the all-female music ensemble of the ''Ospedale ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
BWV 232
The Mass in B minor (), BWV 232, is an extended setting of the Mass ordinary by Johann Sebastian Bach. The composition was completed in 1749, the year before the composer's death, and was to a large extent based on earlier work, such as a Sanctus Bach had composed in 1724. Sections that were specifically composed to complete the Mass in the late 1740s include the "Et incarnatus est" part of the Credo. As usual for its time, the composition is formatted as a Neapolitan mass, consisting of a succession of choral movements with a broad orchestral accompaniment, and sections in which a more limited group of instrumentalists accompanies one or more vocal soloists. Among the more unusual characteristics of the composition is its scale: a total performance time of around two hours, [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
BWV 200
''Bekennen will ich seinen Namen'' (I shall acknowledge His name), BWV 200, is an arrangement by Johann Sebastian Bach of an aria from Gottfried Heinrich Stölzel's passion-oratorio ''Die leidende und am Kreuz sterbende Liebe''. He scored it for alto, two violins and continuo, possibly as part of a Church cantata, cantata for the feast of Candlemas, Purification. He probably led the first performance around 1742. History and text Bach arranged in ''Bekennen will ich seinen Namen'' an aria, "Dein Kreuz, o Bräutgam meiner Seelen" (Your cross, o bridegroom of my soul" from Gottfried Heinrich Stölzel's passion-oratorio ''Die leidende und am Kreuz sterbende Liebe''.Bach Digital Work at Bach's arrangement, dated around 1742–1743, was possibly part of a cantata for the Marian feast of Candlemas, Purification. The prescribed readings for the day were , and . Bach likely performed his arrangement in 1742 in Leipzig. Music The aria is scored for solo alto voice, two violins, and b ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
BWV 170
The (BWV; ; ) is a catalogue of compositions by Johann Sebastian Bach. It was first published in 1950, edited by Wolfgang Schmieder. The catalogue's second edition appeared in 1990. An abbreviated version of that second edition, known as BWV2a, was published in 1998. The catalogue groups compositions by genre. Even within a genre, compositions are not necessarily collated chronologically. For example, BWV 992 was composed many years before BWV 1. BWV numbers were assigned to 1,126 compositions in the 20th century, and more have been added to the catalogue in the 21st century. The Anhang (Anh.; Annex) of the BWV lists over 200 lost, doubtful and spurious compositions. History The first edition of the ''Bach-Werke-Verzeichnis'' was published in 1950. It allocated a unique number to every known composition by Bach. Wolfgang Schmieder, the editor of that catalogue, grouped the compositions by genre, largely following the 19th-century Bach Gesellschaft (BG) edition f ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
BWV 169
Johann Sebastian Bach composed the church cantata (God alone shall have my heart), 169, a solo cantata for an alto soloist, in Leipzig for the 18th Sunday after Trinity, and first performed it on 20 October 1726. History and words Bach wrote the cantata during his fourth year in Leipzig, for the 18th Sunday after Trinity. The prescribed readings for the Sunday were from the First Epistle to the Corinthians, Paul's thanks for grace of God in Ephesus (), and from the Gospel of Matthew, the Great Commandment (). The unknown author of the text concentrated on the love of God in movements 2 to 5 and added one movement about the love of your neighbour in movement 6, continued in the concluding chorale, the third stanza of Martin Luther's "". The poet connected the first recitative to the following aria by starting the two thoughts in the recitative by a related line from the aria as a motto, and ending both with the a recapitulation of the first line. The second recitative is a ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |