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Maria Anna Adamberger
Maria Anna/Anna Marie "Nanny" Adamberger (23 October 1752 – 5 November 1807), born Jaquet, was an Austrian actress. She was played ''ingénue'' roles in comedies and originated the role of Madame Vogelsang in ''Der Schauspieldirektor'' ("The Impresario") by Mozart. Career Adamberger received her training from her father, actor Karl J. Jacquet (1726–1813). She started playing in the ''Theater nächst der Burg'' ("Theatre Next to the Castle") in 1760, at the age of 8, and became a member of the company in 1768, aged 16. After playing some tragic roles and not being satisfied with the success she achieved in them, she decided to only perform in comedies. She became known known as an excellent ''ingénue'' playing the roles of naïve or lively and whimsical young women in comedies and achieved considerable success and fame. In 1786, she originated the spoken role of Madame Vogelsang in Woflgang Amadeus Mozart's ''singspiel Der Schauspieldirektor'' ("The Impresario"), pl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Burgtheater
The Burgtheater (literally:"Castle Theater" but alternatively translated as "(Imperial) Court Theater"), originally known as '' K.K. Theater an der Burg'', then until 1918 as the ''K.K. Hofburgtheater'', is the national theater of Austria in Vienna. It is the most important German-language theater and one of the most important theatres in the world. aeiou-Burgtheater "Burgtheater" (history) ''Encyclopedia of Austria'', Aeiou Project, 1999 The Burgtheater was opened in 1741 and has become known as ''"die Burg"'' by the Viennese population; its theater company has created a traditional style and speech typical of Burgtheater performances. History The original Burgtheater was set up in a |
Ingénue
The ''ingénue'' (, , ) is a stock character in literature, film and a role type in the theater, generally a girl or a young woman, who is endearingly innocent. ''Ingénue'' may also refer to a new young actress or one typecast in such roles. The term comes from the feminine form of the French adjective meaning "ingenuous" or innocent, virtuous and candid. The term may also imply a lack of sophistication and cunning. Typically, the ''ingénue'' is beautiful, kind, gentle, sweet, virginal and often naïve; additionally, she is often in mental, emotional, or even physical danger—usually a target of the cad—whom she may have mistaken for the hero. The ''ingénue'' usually lives with her father, husband, or a father figure. The vamp (femme fatale) is often a foil for the ''ingénue'' (or the damsel in distress). The ''ingénue'' is often accompanied by a romantic side plot. This romance is usually considered pure and harmless to both participants. In many cases, the male p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Royal Court
A royal court, often called simply a court when the royal context is clear, is an extended royal household in a monarchy, including all those who regularly attend on a monarch, or another central figure. Hence, the word "court" may also be applied to the coterie of a senior member of the nobility. Royal courts may have their seat in a designated place, several specific places, or be a mobile, itinerant court. In the largest courts, the royal households, many thousands of individuals comprised the court. These courtiers included the monarch or noble's camarilla and retinue, household, nobility, clergy, those with court appointments, bodyguards, and may also include emissaries from other kingdoms or visitors to the court. Foreign princes and foreign nobility in exile may also seek refuge at a court. Near Eastern and Far Eastern courts often included the harem and concubines as well as eunuchs who fulfilled a variety of functions. At times, the harem was walled off and separate ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kohlhammer Verlag
W. Kohlhammer Verlag GmbH, or Kohlhammer Verlag, is a German publishing house headquartered in Stuttgart. History Kohlhammer Verlag was founded in Stuttgart on 30 April 1866 by . Kohlhammer had taken over the businesses of his late father-in-law, a 120-year-old printer and a profitable . The printing business, operating out of the back of a commercial building at 14 Urbanstrasse, became W. Kohlhammer Verlag and was funded by proceeds from the bathhouse until it was closed in 1890. Kohlhammer purchased the ''Deutsche Feuerwehrzeitung'' in 1882 and printed that publication until 1923. In 1872 Kohlhammer started a weekly newspaper, the ''Neue Deutsche Familienblatt'' that by 1914 had a circulation of 185,000. Contemporary Employees of Kohlhammer joined those of other Stuttgart-based companies in early 2016 to petition the mayor to abate traffic congestion hindering their operations inside the city. In 2017, Kohlhammer Verlag employed about 400 people in Stuttgart, Würzburg and Aug ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Posse Mit Gesang
''Posse mit Gesang'' ("farce with singing", plural: Possen) is a form of popular German-language music drama, that developed in the late 18th and early 19th centuries. Early examples are sometimes called 'Possenspil' or 'Possenspiel'. It is also sometimes referred to simply as 'Posse' (farce). Associated with Vienna, and also Berlin and Hamburg, the Posse mit Gesang was similar to the Singspiel, but generally had more action and less music than the more operatic form. Viennese examples included Ferdinand Raimund's ''Der Alpenkönig und der Menschenfeind'' of 1828 and many of the works of Johann Nestroy. Composers who contributed music for Posse included Wenzel Müller, Conradin Kreutzer, and Philip Jakob Riotte. Some 20th-century examples of posse written by Walter Kollo were '' Filmzauber'' (1912) and ' (1913). More specialized examples of the genre were 'Lokalposse' (daily life themes), 'Zauberposse' (magic), 'Charakterposse' (personalities), 'Situationsposse' (situations), an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Molière
Jean-Baptiste Poquelin (, ; 15 January 1622 (baptised) – 17 February 1673), known by his stage name Molière (, , ), was a French playwright, actor, and poet, widely regarded as one of the greatest writers in the French language and world literature. His extant works include comedies, farces, tragicomedies, comédie-ballets, and more. His plays have been translated into every major living language and are performed at the Comédie-Française more often than those of any other playwright today. His influence is such that the French language is often referred to as the "language of Molière". Born into a prosperous family and having studied at the Collège de Clermont (now Lycée Louis-le-Grand), Molière was well suited to begin a life in the theatre. Thirteen years as an itinerant actor helped him polish his comedic abilities while he began writing, combining Commedia dell'arte elements with the more refined French comedy. Through the patronage of aristocrats including ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bourgeoisie
The bourgeoisie ( , ) is a social class, equivalent to the middle or upper middle class. They are distinguished from, and traditionally contrasted with, the proletariat by their affluence, and their great cultural and financial capital. They are sometimes divided into a petty (), middle (), large (), upper (), and ancient () bourgeoisie and collectively designated as "the bourgeoisie". The bourgeoisie in its original sense is intimately linked to the existence of cities, recognized as such by their urban charters (e.g., municipal charters, town privileges, German town law), so there was no bourgeoisie apart from the citizenry of the cities. Rural peasants came under a different legal system. In Marxist philosophy, the bourgeoisie is the social class that came to own the means of production during modern industrialization and whose societal concerns are the value of property and the preservation of capital to ensure the perpetuation of their economic supremacy in society. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Peasant
A peasant is a pre-industrial agricultural laborer or a farmer with limited land-ownership, especially one living in the Middle Ages under feudalism and paying rent, tax, fees, or services to a landlord. In Europe, three classes of peasants existed: slave, serf, and free tenant. Peasants might hold title to land either in fee simple or by any of several forms of land tenure, among them socage, quit-rent, leasehold, and copyhold. In some contexts, "peasant" has a pejorative meaning, even when referring to farm laborers. As early as in 13th-century Germany, the concept of "peasant" could imply "rustic" as well as "robber", as the English term villain/villein. In 21st-century English, the word "peasant" can mean "an ignorant, rude, or unsophisticated person". The word rose to renewed popularity in the 1940s–1960s as a collective term, often referring to rural populations of developing countries in general, as the "semantic successor to 'native', incorporating all its conde ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ernst Brandes
Ernst Brandes (3 October 1758 – 13 May 1810) was a Hannoverian lawyer, official, writer, and scholar. Brandes witnessed the French Revolution as a journalist. Influenced by Edmund Burke, he is regarded by commentators as a voice of conservatism and Anglophile political views during the Enlightenment. His 1787 treatise ''Ueber die Weiber'' argued against the emerging feminist notion of the equality of the sexes Gender equality, also known as sexual equality or equality of the sexes, is the state of equal ease of access to resources and opportunities regardless of gender, including economic participation and decision-making; and the state of valuing d .... Works * ''Ueber die Weiber'' (Leipzig, 1787) References Bibliography * Carl Haase: ''Ernst Brandes in den Jahren 1805 und 1806. Fünf Briefe an den Grafen Münster.'' In: ''Niedersächsisches Jahrbuch für Landesgeschichte (NsJbLG).'' 34, 1962, S. 194 * Walter Richter: ''Der Esperance- und ZN-Orden'', in: Einst un ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Heinrich Joseph Von Collin
Heinrich Joseph von Collin (1771–1811), Austrian dramatist, was born in Vienna, on 26 December 1771. He received a legal education and entered the Austrian ministry of finance where he found speedy promotion. In 1805 and in 1809, when Austria was under the heel of Napoleon, Collin was entrusted with important political missions. In 1803 he was, together with other members of his family, ennobled, and in 1809 made ''Hofrat''. He died on 28 July 1811 in Vienna. His tragedy ''Regulus'' (1801), written in strict classical form, was received with enthusiasm in Vienna, where literary taste, less advanced than that of northern Germany, was still under the ban of French classicism. But in his later dramas, ''Coriolan'' (1804), ''Polyxena'' (1804), ''Balboa'' (1806), and ''Bianca della Porta'' (1808), he made some attempt to reconcile the pseudo-classic type of tragedy with that of Shakespeare and the German romanticists. As a lyric poet (''Gedichte'', collected 1812), Collin has left a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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