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Margarete Herzberg
Margarete Herzberg (10 February 1921 – 29 March 2007) was a German operatic mezzo-soprano. Life Born in Osnabrück, Herzberg studied singing at the Leipzig Conservatory with Gertrud Bartsch. The mezzosoprano belonged to the ensemble of the Landestheater Altenburg. Later, Herzberg belonged together with Philine Fischer, Günther Leib, Werner Enders, Helmuth Kaphahn and others to the ensemble of the Handel Festival, Halle. She was awarded the first Handel Prize in 1956 together with the collective of the first '' Poro'' production of the Handel Festival under the musical direction of Horst-Tanu Margraf. Herzberg was engaged at the Rostock People's Theatre and later freelanced. Herzberg sang Abigail in Verdi's ''Nabucco'' at the Leipzig Opera, accompanied by the Leipzig Gewandhaus Orchestra under Rolf Reuter, and in Weimar and Dessau Salome in Richard Strauss' eponymous opera. Her repertoire included Ortrud (Wagner's '' Lohengrin''), Cherubino (Mozart's ''The marriage of F ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mezzo-soprano
A mezzo-soprano or mezzo (; ; meaning "half soprano") is a type of classical female singing voice whose vocal range lies between the soprano and the contralto voice types. The mezzo-soprano's vocal range usually extends from the A below middle C to the A two octaves above (i.e. A3–A5 in scientific pitch notation, where middle C = C4; 220–880 Hz). In the lower and upper extremes, some mezzo-sopranos may extend down to the F below middle C (F3, 175 Hz) and as high as "high C" (C6, 1047 Hz). The mezzo-soprano voice type is generally divided into the coloratura, lyric, and dramatic mezzo-soprano. History While mezzo-sopranos typically sing secondary roles in operas, notable exceptions include the title role in Bizet's '' Carmen'', Angelina (Cinderella) in Rossini's ''La Cenerentola'', and Rosina in Rossini's ''Barber of Seville'' (all of which are also sung by sopranos and contraltos). Many 19th-century French-language operas give the leading female role to mezzos, includin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Marriage Of Figaro
''The Marriage of Figaro'' ( it, Le nozze di Figaro, links=no, ), K. 492, is a ''commedia per musica'' (opera buffa) in four acts composed in 1786 by Wolfgang Amadeus Mozart, with an Italian libretto written by Lorenzo Da Ponte. It premiered at the Burgtheater in Vienna on 1 May 1786. The opera's libretto is based on the 1784 stage comedy by Pierre Beaumarchais, '' La folle journée, ou le Mariage de Figaro'' ("The Mad Day, or The Marriage of Figaro"). It tells how the servants Figaro and Susanna succeed in getting married, foiling the efforts of their philandering employer Count Almaviva to seduce Susanna and teaching him a lesson in fidelity. Considered one of the greatest operas ever written, it is a cornerstone of the repertoire and appears consistently among the top ten in the Operabase list of most frequently performed operas. In 2017, BBC News Magazine asked 172 opera singers to vote for the best operas ever written. ''The Marriage of Figaro'' came in first out of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kapellmeister
(, also , ) from German ''Kapelle'' (chapel) and ''Meister'' (master)'','' literally "master of the chapel choir" designates the leader of an ensemble of musicians. Originally used to refer to somebody in charge of music in a chapel, the term has evolved considerably in its meaning and is today used for denoting the leader of a musical ensemble, often smaller ones used for TV, radio, and theatres. Historical usage In German-speaking countries during the approximate period 1500–1800, the word often designated the director of music for a monarch or nobleman. For English speakers, it is this sense of the term that is most often encountered, since it appears frequently in biographical writing about composers who worked in German-speaking countries. During that period, in Italy, the position (Italian: ''maestro di capella'') largely referred to directors of music assigned to cathedrals and sacred institutions rather than those under royal or aristocratic patronage. A Kapellmeister ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mass In C Major (Beethoven)
Ludwig van Beethoven composed the Mass in C major, Op. 86, to a commission from Prince Nikolaus Esterházy II in 1807. The mass, scored for four vocal soloists, choir and orchestra, was premiered that year by the Prince's musical forces in Eisenstadt. Beethoven performed parts of it in his 1808 concert featuring the premieres of four major works including his Fifth Symphony. The mass was published in 1812 by Breitkopf & Härtel. Both the Prince and contemporary critic E. T. A. Hoffmann were generally displeased by the work, though the latter still considered it "entirely worthy of the great master ecause of itsinner structure ndintelligent orchestration". The work has since been overshadowed by the later and better known Missa solemnis, though critics such as Michael Moore have noted the Mass in C major's superiority in "directness and an emotional content". History and composition Beethoven had studied counterpoint in Vienna with Johann Georg Albrechtsberger, an autho ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Requiem (Mozart)
The Requiem in D minor, K. 626, is a requiem mass by Wolfgang Amadeus Mozart (1756–1791). Mozart composed part of the Requiem in Vienna in late 1791, but it was unfinished at his death on 5 December the same year. A completed version dated 1792 by Franz Xaver Süssmayr was delivered to Count Franz von Walsegg, who commissioned the piece for a requiem service on 14 February 1792 to commemorate the first anniversary of the death of his wife Anna at the age of 20 on 14 February 1791. The autograph manuscript shows the finished and orchestrated Introit in Mozart's hand, and detailed drafts of the Kyrie and the sequence Dies irae as far as the first eight bars of the Lacrymosa movement, and the Offertory. It cannot be shown to what extent Süssmayr may have depended on now lost "scraps of paper" for the remainder; he later claimed the Sanctus and Benedictus and the Agnus Dei as his own. Walsegg probably intended to pass the Requiem off as his own composition, as he is know ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Erschallet, Ihr Lieder, Erklinget, Ihr Saiten! BWV 172
(), , is a church cantata by Johann Sebastian Bach, composed in Weimar for Pentecost Sunday in 1714. Bach led the first performance on 20 May 1714 in the , the court chapel in the ducal Schloss. ''Erschallet, ihr Lieder'' is an early work in a genre to which he later contributed complete cantata cycles for all occasions of the liturgical year. Bach was appointed in Weimar in the spring of 1714, a position that called for the performance of a church cantata each month. He composed ''Erschallet, ihr Lieder'' as the third cantata in the series, to a text probably written by court poet Salomon Franck. The text reflects different aspects of the Holy Spirit. The librettist included a quotation from the day's prescribed Gospel reading in the only recitative, and for the closing chorale he used a stanza from Philipp Nicolai's hymn "" (1599). The work is in six movements, and scored for four vocal soloists, four-part choir, three trumpets, timpani, oboe, bassoon and a string orchestra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gott Der Herr Ist Sonn Und Schild, BWV 79
Johann Sebastian Bach composed the church cantata (God the Lord is sun and shield), 79, in Leipzig in 1725, his third year as Thomaskantor, for Reformation Day and led the first performance on 31 October 1725. The text was written by an unknown poet, who did not refer to the prescribed readings for the day. Bach began the libretto for the feast with a quotation from Psalm 84 and included two hymn stanzas, the first from Martin Rinckart's "", associated with Reformation Day in Leipzig, as the third movement, and as the last movement the final stanza of Ludwig Helmbold's "". Bach composed a work of "festive magnificence", structured in six movements, with an aria following the opening chorus, a pair of recitative and duet following the first chorale. He scored the work for three vocal soloists, a four-part choir, and a Baroque instrumental ensemble of two horns, timpani, two transverse flutes (added for a later performance), two oboes, strings and continuo. He achieved a unity wi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Christmas Oratorio
The ''Christmas Oratorio'' (German: ''Weihnachtsoratorium''), , is an oratorio by Johann Sebastian Bach intended for performance in church during the Christmas season. It is in six parts, each part a cantata intended for performance on one of the major feast days of the Christmas period. It was written for the Christmas season of 1734 and incorporates music from earlier compositions, including three secular cantatas written during 1733 and 1734 and a largely lost church cantata, BWV 248a. The date is confirmed in Bach's autograph manuscript. The next complete public performance was not until 17 December 1857 by the Sing-Akademie zu Berlin under Eduard Grell. The ''Christmas Oratorio'' is a particularly sophisticated example of parody music. The author of the text is unknown, although a likely collaborator was Christian Friedrich Henrici (Picander). The work belongs to a group of three oratorios written in 1734 and 1735 for major feasts, the other two works being the ''Asce ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Contralto
A contralto () is a type of classical female singing voice whose vocal range is the lowest female voice type. The contralto's vocal range is fairly rare; similar to the mezzo-soprano, and almost identical to that of a countertenor, typically between the F below middle C (F3 in scientific pitch notation) to the second F above middle C (F5), although, at the extremes, some voices can reach the D below middle C (D3) or the second B above middle C (B5). The contralto voice type is generally divided into the coloratura, lyric, and dramatic contralto. History "Contralto" is primarily meaningful only in reference to classical and operatic singing, as other traditions lack a comparable system of vocal categorization. The term "contralto" is only applied to female singers; men singing in a similar range are called "countertenors". The Italian terms "contralto" and "alto" are not synonymous, "alto" technically denoting a specific vocal range in choral singing without regard to factors ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Herbert Kegel
Herbert Kegel (29 July 1920 – 20 November 1990) was a German conductor. Kegel was born in Dresden. He studied conducting with Karl Böhm and composition with Boris Blacher at the Dresden Conservatory from 1935 to 1940. In 1946 he began conducting in Pirna and Rostock; and in 1948 he began a three-decade-long association with the Leipzig Radio Orchestra and Choir, of which he became the principal conductor in 1960. Meanwhile, in 1977 Kegel took the position of principal conductor of Dresden Philharmonic Orchestra, which he kept until 1985. Kegel was married to the Italian soprano Celestina Casapietra Celestina Casapietra (born 23 August 1938) is an Italian operatic soprano who was a member of the Berlin State Opera for decades. She made an international career, and recorded several operas and concerts. Life and career Born in Genoa, Casapi ... from 1966 to 1983. Their son is active as a singer, media presenter and actor. In 1990, he died by suicide in Dresden. Re ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Waldfriedhof Schöneiche Bei Berlin Dezember 2013 04
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Waldfriedhof is German for woodland cemetery. Cemeteries called Waldfriedhof include * Munich Waldfriedhof, Munich * Waldfriedhof Dahlem, Berlin * Waldfriedhof Zehlendorf, Berlin * See also * Woodland Cemetery (other) Woodland Cemetery may refer to: * Woodland cemetery, a type of cemetery or it may refer to specific places: in Sweden * Skogskyrkogården (The Woodland Cemetery) in Stockholm, Sweden in the United States (by state) * Woodland Cemetery (Quincy, I ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hansel And Gretel (opera)
''Hansel and Gretel'' (German: ') is an opera by nineteenth-century composer Engelbert Humperdinck, who described it as a ' (fairy-tale opera). The libretto was written by Humperdinck's sister, Adelheid Wette, based on the Grimm brothers' fairy tale "Hansel and Gretel". It is much admired for its folk music-inspired themes, one of the most famous being the "" ("Evening Benediction") from act 2. The idea for the opera was proposed to Humperdinck by his sister, who approached him about writing music for songs that she had written for her children for Christmas based on "Hansel and Gretel". After several revisions, the musical sketches and the songs were turned into a full-scale opera. Humperdinck composed ''Hansel and Gretel'' in Frankfurt in 1891 and 1892. The opera was first performed in the Hoftheater in Weimar on 23 December 1893, conducted by Richard Strauss. It has been associated with Christmas since its earliest performances and today it is still most often performed a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
