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Marenzio
Luca Marenzio (also Marentio; October 18, 1553 or 1554 – August 22, 1599) was an Italian composer and singer of the late Renaissance. He was one of the most renowned composers of madrigals, and wrote some of the most famous examples of the form in its late stage of development, prior to its early Baroque transformation by Monteverdi. In all, Marenzio wrote around 500 madrigals, ranging from the lightest to the most serious styles, packed with word-painting, chromaticism, and other characteristics of the late madrigal style. Marenzio was influential as far away as England, where his earlier, lighter work appeared in 1588 in the ''Musica Transalpina'', the collection that initiated the madrigal craze in that country. Marenzio worked in the service of several aristocratic Italian families, including the Gonzaga, Este, and Medici, and spent most of his career in Rome. Early years According to biographer Leonardo Cozzando, writing in the late 17th century, Marenzio was born at ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Claudio Monteverdi
Claudio Giovanni Antonio Monteverdi (baptized 15 May 1567 – 29 November 1643) was an Italian composer, choirmaster and string player. A composer of both secular and sacred music, and a pioneer in the development of opera, he is considered a crucial transitional figure between the Renaissance and Baroque periods of music history. Born in Cremona, where he undertook his first musical studies and compositions, Monteverdi developed his career first at the court of Mantua () and then until his death in the Republic of Venice where he was ''maestro di cappella'' at the basilica of San Marco. His surviving letters give insight into the life of a professional musician in Italy of the period, including problems of income, patronage and politics. Much of Monteverdi's output, including many stage works, has been lost. His surviving music includes nine books of madrigals, large-scale religious works, such as his ''Vespro della Beata Vergine'' (''Vespers for the Blessed Virgin'') ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Madrigal
A madrigal is a form of secular vocal music most typical of the Renaissance (15th–16th c.) and early Baroque (1600–1750) periods, although revisited by some later European composers. The polyphonic madrigal is unaccompanied, and the number of voices varies from two to eight, but usually features three to six voices, whilst the metre of the madrigal varies between two or three tercets, followed by one or two couplets. Unlike the verse-repeating strophic forms sung to the same music, most madrigals are through-composed, featuring different music for each stanza of lyrics, whereby the composer expresses the emotions contained in each line and in single words of the poem being sung. As written by Italianized Franco–Flemish composers in the 1520s, the madrigal partly originated from the three-to-four voice frottola (1470–1530); partly from composers' renewed interest in poetry written in vernacular Italian; partly from the stylistic influence of the French chanson; and from ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Luigi D'Este
Luigi d'Este (21 December 1538 – 30 December 1586) was an Italian Catholic cardinal, the second son of the five children of Ercole II d'Este, Duke of Modena and Ferrara, and Renée, daughter of Louis XII of France. Biography Luigi, a member of the House of Este, was born in Ferrara. A man of the world whose personal emblem was Prometheus bearing fire in the stalk of fennel, he was made a Cardinal of the Roman Catholic Church in Pius IV's consistory of 26 February 1561 and served as Cardinal Protector of the kingdom of France, which made him one of the most powerful and influential members of the College of Cardinals; he kept as his secretary Arnaud d'Ossat, a skillful French diplomat who was eventually made a cardinal himself. He was Bishop of Ferrara (1550) and Apostolic Administrator of Ferrara (1561 – 8 October 1563), deacon of S. Angelo in Pescheria (1577–1583) He participated in the Papal conclave, 1565–1566 but not in the conclave of 1572, as he was absent in Fra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Brescia
Brescia (, locally ; lmo, link=no, label= Lombard, Brèsa ; lat, Brixia; vec, Bressa) is a city and ''comune'' in the region of Lombardy, Northern Italy. It is situated at the foot of the Alps, a few kilometers from the lakes Garda and Iseo. With a population of more than 200,000, it is the second largest city in the administrative region and the fourth largest in northwest Italy. The urban area of Brescia extends beyond the administrative city limits and has a population of 672,822, while over 1.5 million people live in its metropolitan area. The city is the administrative capital of the Province of Brescia, one of the largest in Italy, with over 1,200,000 inhabitants. Founded over 3,200 years ago, Brescia (in antiquity Brixia) has been an important regional centre since pre-Roman times. Its old town contains the best-preserved Roman public buildings in northern Italy and numerous monuments, among these the medieval castle, the Old and New cathedral, the Renaissance ' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Renaissance Music
Renaissance music is traditionally understood to cover European music of the 15th and 16th centuries, later than the Renaissance era as it is understood in other disciplines. Rather than starting from the early 14th-century '' ars nova'', the Trecento music was treated by musicology as a coda to Medieval music and the new era dated from the rise of triadic harmony and the spread of the ' ''contenance angloise'' ' style from Britain to the Burgundian School. A convenient watershed for its end is the adoption of basso continuo at the beginning of the Baroque period. The period may be roughly subdivided, with an early period corresponding to the career of Guillaume Du Fay (c. 1397–1474) and the cultivation of cantilena style, a middle dominated by Franco-Flemish School and the four-part textures favored by Johannes Ockeghem (1410's or 20's – 1497) and Josquin des Prez (late 1450's – 1521), and culminating during the Counter-Reformation in the florid counterpoint of Palest ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Musica Transalpina
''Musica Transalpina'' is a collection of madrigals published in England in 1588. The madrigals had crossed the Alps (hence the name) in the sense that the madrigal form was borrowed from the Italians, and the pieces were mainly by Italians (although the lyrics were rendered into English). It is significant for marking the beginning of the golden age of the madrigal in England. ''Musica transalpina'' contains 57 separate pieces by 18 composers, with Alfonso Ferrabosco the elder having the most, and Luca Marenzio second most.Gustave Reese, ''Music in the Renaissance''. New York, W. W. Norton & Co., 1954. . p. 821 Ferrabosco had lived in England in the 1560s and 1570s, which could explain the large number of his compositions in the book; he was relatively unknown in Italy. Publication history The collection appeared with a dedication to Gilbert Talbot. It was edited by Nicholas Yonge and printed by Thomas East. Several similar anthologies followed immediately after the succes ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Concerto Delle Donne
The ''concerto delle donne'' (; also ''concerto di donne'' or ''concerto delle (or di) dame'') was a group of professional female singers in the late Italian Renaissance, primarily in the court of Ferrara, Italy. Renowned for their technical and artistic virtuosity, the ensemble was founded by Alfonso II, Duke of Ferrara, in 1580 and was active until the court was dissolved in 1597. Giacomo Vincenti, a music publisher, praised the women as ''"virtuose giovani"'' (young virtuosas), echoing the sentiments of contemporaneous diarists and commentators. The origins of the ensemble lay in an amateur group of high-placed courtiers who performed for each other within the context of the Duke's informal ''musica secreta'' () in the 1570s. The ensemble evolved into an all-female group of professional musicians, the ''concerto delle donne'', who performed formal concerts for members of the inner circle of the court and important visitors. Their signature style of florid, highly ornamente ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Dowland
John Dowland (c. 1563 – buried 20 February 1626) was an English Renaissance composer, lutenist, and singer. He is best known today for his melancholy songs such as "Come, heavy sleep", " Come again", "Flow my tears", " I saw my Lady weepe", " Now o now I needs must part" and " In darkness let me dwell", but his instrumental music has undergone a major revival, and with the 20th century's early music revival, has been a continuing source of repertoire for lutenists and classical guitarists. Career and compositions Very little is known of John Dowland's early life, but it is generally thought he was born in London; some sources even put his birth year as 1563. Irish historian W. H. Grattan Flood claimed that he was born in Dalkey, near Dublin, but no corroborating evidence has ever been found either for that or for Thomas Fuller's claim that he was born in Westminster. There is, however, one very clear piece of evidence pointing to Dublin as his place of origin: he dedic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Coccaglio
Coccaglio (Brescian: ) is a town and ''comune'' in the province of Brescia, in Lombardy, Italy. It is approximately west of Brescia and southeast of Bergamo. It was the birthplace, in 1553, of Luca Marenzio, one of the most influential composers of madrigals A madrigal is a form of secular vocal music most typical of the Renaissance (15th–16th c.) and early Baroque (1600–1750) periods, although revisited by some later European composers. The polyphonic madrigal is unaccompanied, and the number ... of the late 16th century. References Cities and towns in Lombardy {{Brescia-geo-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lucrezia De' Medici
Lucrezia de' Medici was the name for several women from the Medici family: *Lucrezia di Piero de' Medici (1447–1493), best known as Nannina de' Medici. *Lucrezia di Lorenzo de' Medici (August 4, 1470 – between November 10 and November 15, 1550), the elder daughter of Lorenzo de' Medici and Clarice Orsini, and the grandmother of Pope Leo XI. In 1485 she married Jacopo Salviati. She was mother to cardinal Giovanni Salviati and Maria Salviati. * Lucrezia di Cosimo de' Medici (June 7, 1544 – 1562) *Lucrezia di Francesco de' Medici (November 7, 1572 – April 14, 1574), the daughter of Francesco I de' Medici Francesco I (25 March 1541 – 19 October 1587) was the second Grand Duke of Tuscany, ruling from 1574 until his death in 1587. He was a member of the House of Medici. Biography Born in Florence, Francesco was the son of Cosimo I de' Medic ... and Johanna of Austria. She died as an infant. Lucrezia Lists of women {{Italy-noble-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Scudi
The ''scudo'' (pl. ''scudi'') was the name for a number of coins used in various states in the Italian peninsula until the 19th century. The name, like that of the French écu and the Spanish and Portuguese escudo, was derived from the Latin ''scutum'' ("shield"). From the 16th century,Klütz: ''Münznamen...'' the name was used in Italy for large silver coins. Sizes varied depending on the issuing country. The first ''scudo d'argento'' (silver shield) was issued in 1551 by Charles V (1519–1556) in Milan. Under Maria Theresa and Joseph II the ''scudo d'argento'' had a weight of 23.10 g and a fineness of 896/1000. In the Kingdom of Lombardy–Venetia (under the control of the Habsburg Austrian Empire), the Lombardy–Venetia scudo was equivalent to the Conventionsthaler and was subdivided into six '' lire''. Before the Napoleonic Wars, the lira was subdivided into 20 ''soldi'', each of 12 ''denari''. Later, the lira was made up of 100 ''centesimi''. When Austria-Hungary deci ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Henry III Of France
Henry III (french: Henri III, né Alexandre Édouard; pl, Henryk Walezy; lt, Henrikas Valua; 19 September 1551 – 2 August 1589) was King of France from 1574 until his assassination in 1589, as well as King of Poland and Grand Duke of Lithuania from 1573 to 1575. As the fourth son of King Henry II of France, he was not expected to inherit the French throne and thus was a good candidate for the vacant throne of the Polish–Lithuanian Commonwealth, where he was elected List of Polish rulers#Polish–Lithuanian Commonwealth, 1569–1795, monarch in 1573. During his brief rule, he signed the Henrician Articles into law, recognizing the szlachta's right to Royal elections in Poland, freely elect their monarch. Aged 22, Henry abandoned Poland–Lithuania upon inheriting the French throne when his brother, Charles IX of France, Charles IX, died without issue. France was at the time plagued by the French Wars of Religion, Wars of Religion, and Henry's authority was undermi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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