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Marco Antonio Mainardi
Andrea Mainardi, also known as ''il Chiaveghino'', (active 1590–1613) was an Italian painter of the late-Renaissance period, active in Cremona. Mainardi and his nephew Marcantonio, were pupils of Bernardino Campi in Cremona. He painted the main altarpiece depicting ''Christ healing the Blind'' for the church of San Facio. He opened a school or studio with Giovanni Battista Trotti in Cremona. Among the pupils at this school were Giovanni Battista Tortiroli and Carlo Natali Carlo Natali, also known as ''il Guardolino'', (circa 1592- 1683) was an Italian painter of the Baroque period, active in Cremona and Bologna Biography Carlo was initially a pupil of the Mannerist painters Andrea Mainardi and Giovanni Battista ....L Lanzi, T Roscoe; page 184. Marcantonio was still active in 1628. References 16th-century births 17th-century deaths 16th-century Italian painters Italian male painters 17th-century Italian painters Painters from Cremona Renaissance painters ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Italian People
, flag = , flag_caption = The national flag of Italy , population = , regions = Italy 55,551,000 , region1 = Brazil , pop1 = 25–33 million , ref1 = , region2 = Argentina , pop2 = 20–25 million , ref2 = , region3 = United States , pop3 = 17-20 million , ref3 = , region4 = France , pop4 = 1-5 million , ref4 = , region5 = Venezuela , pop5 = 1-5 million , ref5 = , region6 = Paraguay , pop6 = 2.5 million , region7 = Colombia , pop7 = 2 million , ref7 = , region8 = Canada , pop8 = 1.5 million , ref8 = , region9 = Australia , pop9 = 1.0 million , ref9 = , region10 = Uruguay , pop10 = 1.0 million , r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Renaissance
The Renaissance ( , ) , from , with the same meanings. is a period in European history marking the transition from the Middle Ages to modernity and covering the 15th and 16th centuries, characterized by an effort to revive and surpass ideas and achievements of classical antiquity. It occurred after the Crisis of the Late Middle Ages and was associated with great social change. In addition to the standard periodization, proponents of a "long Renaissance" may put its beginning in the 14th century and its end in the 17th century. The traditional view focuses more on the early modern aspects of the Renaissance and argues that it was a break from the past, but many historians today focus more on its medieval aspects and argue that it was an extension of the Middle Ages. However, the beginnings of the period – the early Renaissance of the 15th century and the Italian Proto-Renaissance from around 1250 or 1300 – overlap considerably with the Late Middle Ages, conventionally da ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cremona
Cremona (, also ; ; lmo, label= Cremunés, Cremùna; egl, Carmona) is a city and ''comune'' in northern Italy, situated in Lombardy, on the left bank of the Po river in the middle of the ''Pianura Padana'' ( Po Valley). It is the capital of the province of Cremona and the seat of the local city and province governments. The city of Cremona is especially noted for its musical history and traditions, including some of the earliest and most renowned luthiers, such as Giuseppe Guarneri, Antonio Stradivari, Francesco Rugeri, Vincenzo Rugeri, and several members of the Amati family. History Ancient Celtic origin Cremona is first mentioned in history as a settlement of the Cenomani, a Gallic ( Celtic) tribe that arrived in the Po valley around 400 BC. However, the name Cremona most likely dates back to earlier settlers and puzzled the ancients, who gave many fanciful interpretations. Roman military outpost In 218 BC the Romans established on that spot their first military outpo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Andrea Mainardi Detto Il Chiaveghino, Madonna Col Bambino Tra I Ss
Andrea is a given name which is common worldwide for both males and females, cognate to Andreas, Andrej and Andrew. Origin of the name The name derives from the Greek word ἀνήρ (''anēr''), genitive ἀνδρός (''andrós''), that refers to man as opposed to woman (whereas ''man'' in the sense of ''human being'' is ἄνθρωπος, ''ánthropos''). The original male Greek name, ''Andréas'', represents the hypocoristic, with endearment functions, of male Greek names composed with the ''andr-'' prefix, like Androgeos (''man of the earth''), Androcles (''man of glory''), Andronikos (''man of victory''). In the year 2006, it was the third most popular name in Italy with 3.1% of newborns. It is one of the Italian male names ending in ''a'', with others being Elia (Elias), Enea (Aeneas), Luca (Lucas), Mattia (Matthias), Nicola (Nicholas), Tobia (Tobias). In recent and past times it has also been used on occasion as a female name in Italy and in Spain, where it is consid ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bernardino Campi
Bernadino Campi (1522–1591) was a Renaissance painter from Cremona, who worked in Reggio Emilia. He is known as one of the teachers of Sofonisba Anguissola and of Giovanni Battista Trotti (il Malosso). In Cremona, his extended family owned the main artistic studios. Giulio Campi and Antonio Campi, half-brothers, were distant relatives of Bernardino; the latter is generally considered the most talented of the family. All were active and prominent painters locally. Influences on Bernardino include local Cremonese such as Camillo Boccaccino and artists from neighbouring regions such as Correggio, Parmigianino and Giulio Romano. He made a number of sets of copies of the '' Eleven Caesars'' by Titian, then in the Gonzaga collection, adding one of Domitian, which he based on a work by Giulio Romano. Titian's originals were all lost in an 18th-century fire in Madrid. Bernardino was commissioned by Vespasiano Gonzaga to lead a team of artists including Pietro Martire Pesenti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
San Facio, Cremona
San Facio, also commonly called the Chiesa del Foppone, is a late Baroque architecture, Roman Catholic, now deconsecrated church in Cremona, region of Lombardy, Italy. The church was completed in 1781, to officiate the burials in the surrounding ossuary of those dying in the adjacent hospital (Ospedale Maggiore e Ospedale Vecchio) of Cremona. It was called ''Foppone'' because of it operational similarity to the '' Nuovi Sepolcri'' (1695) in Milan. The surrounding large cemetery crypts in the portico formed part of an 18th-century urge to provide, systematize, and formalize the burials for the indigent. From the courtyard, the architecture seems dour except for the domes of the church. The interior of the church in Greek Cross layout, is decorated by Giovanni Manfredini with Grotteschi, an ornamentation then utilized in cemetery churches due to their prevalence in Roman catacombs. A guide from 1820 cites the first altar on the right of the entrance has a Caravaggesque canvas dep ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giovanni Battista Trotti
Giovanni Battista Trotti (1555 – 11 June 1612) was an Italian painter of the late-Renaissance period, active mainly in Piacenza, Parma, and his native city of Cremona. In Cremona, he was initially a pupil of Bernardino Campi, whose niece he married. He painted in the ''Palazzo dei Giardino'' in Parma. He painted a ''Crucifixion'' in the Cremona Cathedral; while in San Pietro, he painted a ''Santa Maria Egiziaca'' ( St. Mary of Egypt). He painted the ''Beheading of John the Baptist'' for San Domenico at Cremona, and in San Francesco and Sant'Agostino at Piacenza. He was employed by the court of Parma, along with Agostino Carracci; and Agostino found Trotti disagreeable on which account he acquired the name of ''II Malosso'' (bad bone). Other pictures by him are: a ''Immaculate Conception'' for San Francesco Grande, in Piacenza, and a ''Descent from the Cross'', now found in the Brera Academy. He painted frescoes in the cupola of Sant'Abbondi, after designs by Campi, and in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giovanni Battista Tortiroli
Giovanni Battista Tortiroli (1621-1651) was an Italian painter of the Baroque period. He was born in Cremona. He was a pupil of the Mannerist painter, Andrea Mainardi, but them moved to worked both in Rome and in Naples Naples (; it, Napoli ; nap, Napule ), from grc, Νεάπολις, Neápolis, lit=new city. is the regional capital of Campania and the third-largest city of Italy, after Rome and Milan, with a population of 909,048 within the city's adminis ..., and there altering his style. He died at the age of thirty. A pupil of Tortiroli was Giovanni Battista Lazzaroni. by Filippo de Boni, page 542. References * 17th-century Italian painters[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carlo Natali
Carlo Natali, also known as ''il Guardolino'', (circa 1592- 1683) was an Italian painter of the Baroque period, active in Cremona and Bologna Biography Carlo was initially a pupil of the Mannerist painters Andrea Mainardi and Giovanni Battista Trotti in Cremona. He then moved to train with Guido Reni. He then moved to Rome and then Genoa. In Genoa, he painted a frieze for the Palazzo Doria, where he met Giulio Cesare Procaccini (died 1628). He returned to Cremona where he worked in the ''fabbrica'' of the Cathedral until his death. Carlo was the father of one of the Italian painters named Giovanni Battista Natali. This Natali was born in Bologna, circa 1630 and died in Cremona, circa 1700. He became a pupil of Pietro da Cortona Pietro da Cortona (; 1 November 1596 or 159716 May 1669) was an Italian Baroque painter and architect. Along with his contemporaries and rivals Gian Lorenzo Bernini and Francesco Borromini, he was one of the key figures in the emergence of Roman ... ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
16th-century Births
The 16th century begins with the Julian year 1501 ( MDI) and ends with either the Julian or the Gregorian year 1600 ( MDC) (depending on the reckoning used; the Gregorian calendar introduced a lapse of 10 days in October 1582). The 16th century is regarded by historians as the century which saw the rise of Western civilization and the Islamic gunpowder empires. The Renaissance in Italy and Europe saw the emergence of important artists, authors and scientists, and led to the foundation of important subjects which include accounting and political science. Copernicus proposed the heliocentric universe, which was met with strong resistance, and Tycho Brahe refuted the theory of celestial spheres through observational measurement of the 1572 appearance of a Milky Way supernova. These events directly challenged the long-held notion of an immutable universe supported by Ptolemy and Aristotle, and led to major revolutions in astronomy and science. Galileo Galilei became a champion ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
17th-century Deaths
The 17th century lasted from January 1, 1601 ( MDCI), to December 31, 1700 ( MDCC). It falls into the early modern period of Europe and in that continent (whose impact on the world was increasing) was characterized by the Baroque cultural movement, the latter part of the Spanish Golden Age, the Dutch Golden Age, the French ''Grand Siècle'' dominated by Louis XIV, the Scientific Revolution, the world's first public company and megacorporation known as the Dutch East India Company, and according to some historians, the General Crisis. From the mid-17th century, European politics were increasingly dominated by the Kingdom of France of Louis XIV, where royal power was solidified domestically in the civil war of the Fronde. The semi-feudal territorial French nobility was weakened and subjugated to the power of an absolute monarchy through the reinvention of the Palace of Versailles from a hunting lodge to a gilded prison, in which a greatly expanded royal court could be more easily k ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
16th-century Italian Painters
The 16th century begins with the Julian year 1501 ( MDI) and ends with either the Julian or the Gregorian year 1600 ( MDC) (depending on the reckoning used; the Gregorian calendar introduced a lapse of 10 days in October 1582). The 16th century is regarded by historians as the century which saw the rise of Western civilization and the Islamic gunpowder empires. The Renaissance in Italy and Europe saw the emergence of important artists, authors and scientists, and led to the foundation of important subjects which include accounting and political science. Copernicus proposed the heliocentric universe, which was met with strong resistance, and Tycho Brahe refuted the theory of celestial spheres through observational measurement of the 1572 appearance of a Milky Way supernova. These events directly challenged the long-held notion of an immutable universe supported by Ptolemy and Aristotle, and led to major revolutions in astronomy and science. Galileo Galilei became a champion o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
