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Marching Brass
Marching brass instruments are brass instruments specially designed to be played while moving. Most instruments do not have a marching version - only the following have marching versions: * Trumpet * Mellophone/French horn * Baritone * Euphonium * Trombone - Flugabone * Tuba (either as a Sousaphone or Contrabass bugle) The main difference between the concert horns and their marching counterparts is that the bell has been relocated to project sound forward rather than over (or under) the player's shoulder. Because these instruments are used in an activity that is predominantly outdoors they tend to be sturdier and more resistant to wear and tear than their concert counterparts. These instruments are used by various groups ranging from high school marching bands to drum and bugle corps. Bugles The drum and bugle corps activity has been a driving force of innovation behind the creation of marching brass instruments for many decades. The mellophone and the contrabass bugle are ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sousaphone Marching Brass
The sousaphone ( ) is a brass instrument in the tuba family. Created around 1893 by J. W. Pepper at the direction of American bandleader John Philip Sousa (after whom the instrument was then named), it was designed to be easier to play than the concert tuba while standing or marching, as well as to carry the sound of the instrument above the heads of the band. Like the tuba, sound is produced by moving air past the lips, causing them to vibrate or "buzz" into a large cupped mouthpiece. Unlike the tuba, the instrument is bent in a circle to fit around the body of the musician; it ends in a large, flaring bell that is pointed forward, projecting the sound ahead of the player. Because of the ease of carrying and the direction of sound, it is widely employed in marching bands, as well as various other musical genres. Sousaphones were originally made of brass. Beginning in the mid-20th century, some sousaphones have also been made of lighter materials such as fiberbrass & plastic. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tuba
The tuba (; ) is the lowest-pitched musical instrument in the brass family. As with all brass instruments, the sound is produced by lip vibrationa buzzinto a mouthpiece. It first appeared in the mid-19th century, making it one of the newer instruments in the modern orchestra and concert band. The tuba largely replaced the ophicleide. ''Tuba'' is Latin for "trumpet". A person who plays the tuba is called a tubaist, a tubist, or simply a tuba player. In a British brass band or military band, they are known as bass players. History Prussian Patent No. 19 was granted to Wilhelm Friedrich Wieprecht and Johann Gottfried Moritz (1777–1840) on September 12, 1835 for a "bass tuba" in F1. The original Wieprecht and Moritz instrument used five valves of the Berlinerpumpen type that were the forerunners of the modern piston valve. The first tenor tuba was invented in 1838 by Carl Wilhelm Moritz (1810–1855), son of Johann Gottfried Moritz. The addition of valves made it po ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fanfare Orchestra
A fanfare orchestra (Dutch ''fanfareorkest'', French ''harmonie-fanfare'') is a type of brass band consisting of the entire saxophone family, trumpets, trombones, euphoniums, baritone horns, flugelhorns and alto/tenor- or F-horns, as well as percussion. They are seldom seen outside of Europe, with a high concentration of these bands in Belgium and the Netherlands, many of them civil bands with a few Dutch bands also serving the Armed forces of the Netherlands and its veterans. Bands sporting similar instruments are also active in France, Luxembourg and in Germany, many of these German bands sporting fanfare band titles as several of them started up as these. Switzerland, Portugal, Lithuania and Norway have few such civil bands. Introduction Starting in the 19th century, the adoption of the British brass band tradition in several countries in Europe as well as the enduring tradition of military bands made their way into the formation of the fanfare orchestra in the Low Countrie ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Brass Section
The brass section of the orchestra, concert band, and jazz ensemble consist of brass instruments, and is one of the main sections in all three ensembles. The British-style brass band contains only brass and percussion instruments. They contain instruments given Hornbostel-Sachs classification 423 ( brass instruments). Orchestra The typical brass section of a modern orchestra is as follows: *4 French horns *2–3 Trumpets *2 Tenor trombones *1 Bass trombone *1 Tuba Concert band The brass section of the concert band is generally larger and more diverse than the brass section of the orchestra. The typical brass section of a concert band is as follows: *4–6 Trumpets and/or cornets *4 French horns *2–3 Tenor trombones *1 Bass trombone *2 Euphoniums and/or baritone horns *2 Tubas The brass instruments that are sometimes, but very rarely, used in the concert band: * Flugelhorn * Tenor (alto) Horn * Piccolo trumpet * Bass trumpet * Wagner tuba * Alto trombone * Contr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Drum And Bugle Corps (classic)
Classic (or "Golden Age") drum and bugle corps are musical ensembles that descended from military bugle and drum units returning from World War I and succeeding wars. Traditionally, drum and bugle corps served as signaling units as early as before the American Civil War, with these signaling units having descended in some fashion from ancient drum and fife corps. With the advent of the radio, bugle signaling units became obsolete and surplus equipment was sold to veteran organizations (such as the Veterans of Foreign Wars and American Legion, two major organizers for classic drum corps). These organizations formed drum and bugle corps of civilians and veterans, and the corps performed in community events and local celebrations. Over time, rivalries between corps emerged and the competitive drum and bugle corps circuit evolved. The term "classic" is used for the purposes of this article to differentiate it from modern drum and bugle corps, using the time period of the establishme ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bore (wind Instruments)
In music, the bore of a wind instrument (including woodwind and brass) is its interior chamber. This defines a flow path through which air travels, which is set into vibration to produce sounds. The shape of the bore has a strong influence on the instrument's timbre. Bore shapes The cone and the cylinder are the two idealized shapes used to describe the bores of wind instruments. Other shapes are not generally used, as they tend to produce dissonant, anharmonic overtones and an unmusical sound. Instruments may consist of a primarily conical or cylindrical tube, but begin in a mouthpiecs, and end in a rapidly-expanding "flare" or "bell". This flare reduces the acoustic impedance mismatch between the instrument and the air, allowing the instrument to transmit sound to the air more effectively. These shapes affect the prominence of harmonics associated with the timbre of the instrument. A bore that flares from the mouthpiece reduces resistance to the breath, while a bore that na ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Flugelhorn
The flugelhorn (), also spelled fluegelhorn, flugel horn, or flügelhorn, is a brass instrument that resembles the trumpet and cornet but has a wider, more conical bore. Like trumpets and cornets, most flugelhorns are pitched in B, though some are in C. It is a type of valved bugle, developed in Germany in the early 19th century from a traditional English valveless bugle. The first version of a valved bugle was sold by Heinrich Stölzel in Berlin in 1828. The valved bugle provided Adolphe Sax (creator of the saxophone) with the inspiration for his B soprano (contralto) saxhorns, on which the modern-day flugelhorn is modeled. Etymology The German word ''Flügel'' means ''wing'' or ''flank'' in English. In early 18th century Germany, a ducal hunt leader known as a ''Flügelmeister'' blew the ''Flügelhorn'', a large semicircular brass or silver valveless horn, to direct the wings of the hunt. Military use dates from the Seven Years' War, where this instrument was employed as a pre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Valve Trombone
A valve is a device or natural object that regulates, directs or controls the flow of a fluid (gases, liquids, fluidized solids, or slurries) by opening, closing, or partially obstructing various passageways. Valves are technically fittings, but are usually discussed as a separate category. In an open valve, fluid flows in a direction from higher pressure to lower pressure. The word is derived from the Latin ''valva'', the moving part of a door, in turn from ''volvere'', to turn, roll. The simplest, and very ancient, valve is simply a freely hinged flap which swings down to obstruct fluid (gas or liquid) flow in one direction, but is pushed up by the flow itself when the flow is moving in the opposite direction. This is called a check valve, as it prevents or "checks" the flow in one direction. Modern control valves may regulate pressure or flow downstream and operate on sophisticated automation systems. Valves have many uses, including controlling water for irrigation, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hearing Range
Hearing range describes the range of frequencies that can be heard by humans or other animals, though it can also refer to the range of levels. The human range is commonly given as 20 to 20,000 Hz, although there is considerable variation between individuals, especially at high frequencies, and a gradual loss of sensitivity to higher frequencies with age is considered normal. Sensitivity also varies with frequency, as shown by equal-loudness contours. Routine investigation for hearing loss usually involves an audiogram which shows threshold levels relative to a normal. Several animal species are able to hear frequencies well beyond the human hearing range. Some dolphins and bats, for example, can hear frequencies over 100 kHz. Elephants can hear sounds at 14–16 Hz, while some whales can hear infrasonic sounds as low as 7 Hz. Measurement A basic measure of hearing is afforded by an audiogram, a graph of the absolute threshold of hearing (minimum discer ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Infrasound
Infrasound, sometimes referred to as low status sound, describes sound waves with a frequency below the lower limit of human audibility (generally 20 Hz). Hearing becomes gradually less sensitive as frequency decreases, so for humans to perceive infrasound, the sound pressure must be sufficiently high. The ear is the primary organ for sensing low sound, but at higher intensities it is possible to feel infrasound vibrations in various parts of the body. The study of such sound waves is sometimes referred to as infrasonics, covering sounds beneath 20 Hz down to 0.1 Hz (and rarely to 0.001 Hz). People use this frequency range for monitoring earthquakes and volcanoes, charting rock and petroleum formations below the earth, and also in ballistocardiography and seismocardiography to study the mechanics of the heart. Infrasound is characterized by an ability to get around obstacles with little dissipation. In music, acoustic waveguide methods, such as a large pipe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pedal Tone
Pedal tones (or pedals) are special low notes in the harmonic series of brass instruments. A pedal tone has the pitch of its harmonic series' fundamental tone. Its name comes from the foot pedal keyboard pedals of a pipe organ, which are used to play 16' and 32' sub-bass notes by pressing the pedals with the player's feet. Brasses with a bell do not naturally vibrate at this frequency. A closed cylinder vibrates at only the odd members of its harmonic series. This set of pitches is too sparse to be musically useful for brass instruments; therefore, the bells and mouthpieces of brasses are crafted to adjust these pitches. The bell significantly raises all pitches in the series, particularly on the low end, while the mouthpiece lowers the higher harmonics, limiting the amount to which higher harmonics are raised by the bell. The resulting compressed set of pitches resembles a new harmonic series that includes the even members. This new series is similar to that of a stopped co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
