Marcel L'Herbier
Marcel L'Herbier (; 23 April 1888 – 26 November 1979) was a French filmmaker who achieved prominence as an avant-garde theorist and imaginative practitioner with a series of silent films in the 1920s. His career as a director continued until the 1950s and he made more than 40 feature films in total. During the 1950s and 1960s, he worked on cultural programmes for French television. He also fulfilled many administrative roles in the French film industry, and he was the founder and the first President of the French film school Institut des hautes études cinématographiques (IDHEC). Early life Marcel L'Herbier was born in Paris on 23 April 1888 into a professional and intellectual family, and as he grew up he demonstrated a multi-talented disposition for sports, dancing, debating and the arts. He attended a Society of Mary (Marists), Marist school and then the Lycée Voltaire (Paris), Lycée Voltaire, followed by the École des Hautes Études Sociales in Paris. He worked hard ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Marcelle Pradot
Marcelle Pradot (born Marcelle Marie Claire Pénicaud, or Pénicaut; 27 July 1901 – 24 June 1982) was a French actress who worked principally in silent films. She was born at Montmorency, Val-d'Oise, near Paris. At the age of 18 while she was taking classes in dancing and singing in Paris, she was asked by Marcel L'Herbier to appear in his film ''Le Bercail'' (1919). She went on to appear in a further eight of L'Herbier's silent films, and then in his first sound film ''L'Enfant de l'amour'' (1930) with which she ended her acting career. She was noted as an aristocratic beauty, and she was described by the critic Louis Delluc as "the Infanta of French cinema". Marcelle Pradot and Marcel L'Herbier were married in late 1923, and their daughter Marie-Ange was born in the following year. Marcelle Pradot died in Neuilly-sur-Seine in 1982, two and a half years after L'Herbier.Yvan Foucart. ''Dictionnaire des comédiens français disparus''; nouvelle édition. (Domont: Dupli-Pri ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Feu Mathias Pascal
''Feu Mathias Pascal'' (''The late Matthias Pascal'') is a 1925 French silent film written and directed by Marcel L'Herbier. It was the first film adaptation of Luigi Pirandello's novel '' Il fu Mattia Pascal''. Background Since seeing a Paris production of Pirandello's play '' Sei personnaggi in cerca d'autore'', L'Herbier had been eager to collaborate with the author on a film of one of his works, but hitherto Pirandello had been unwilling to give permission for any adaptations because he would not accept the compromises that were asked of him. When however a proposal was put to him on L'Herbier's behalf to film his novel '' Il fu Mattia Pascal'', he was sufficiently impressed by the film-maker's earlier work to give his enthusiastic agreement.Marcel L'Herbier, ''La Tête qui tourne''. (Paris: Belfond, 1979.) pp. 115–117. L'Herbier's ideal choice for the title role was the Russian émigré actor Ivan Mosjoukine who was under contract to the Films Albatros company. Negotiatio ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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The Late Mattia Pascal
''The Late Mattia Pascal'' ( ) is a 1904 novel by Luigi Pirandello. It is one of his best-known works and was his first major treatment of the theme of the mask.''The Oxford Companion to Italian Literature''; edited by Peter Hainsworth and David Robey. Oxford: Oxford University Press, 2002. p. 249. Plot summary The protagonist, Mattia Pascal, finds that his promising youth has, through misfortune or misdeed, dissolved into a dreary dead-end job and a miserable marriage. His inheritance and the woman he loved are stolen from him by the same man, his eventual wife and mother-in-law badger him constantly, and his twin daughters, neglected by their mother, can provide him with joy only until an untimely death takes them. Death robs him even of his beloved mother. To escape, he decides one day to sneak off to Monte Carlo, where he encounters an amazing string of luck, acquiring a small fortune. While reading a newspaper on his return home, he discovers, to his immense shock and d ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Luigi Pirandello
Luigi Pirandello (; 28 June 1867 – 10 December 1936) was an Italian dramatist, novelist, poet, and short story writer whose greatest contributions were his plays. He was awarded the 1934 Nobel Prize in Literature for "his almost magical power to turn psychological analysis into good theatre." Pirandello's works include novels, hundreds of short stories, and about 40 plays, some of which are written in Sicilian. Pirandello's tragic farces are often seen as forerunners of the Theatre of the Absurd. Biography Early life Pirandello was born into an upper-class family in an area called "Caos" ("Chaos" in Italian, but in Sicilian dialect lit. "Trouser", from the shape of a nearby ravine), near Porto Empedocle, a poor suburb of Girgenti (Agrigento, a town in southern Sicily). His father, Stefano, belonged to a wealthy family involved in the sulphur industry, and his mother, Caterina Ricci Gramitto, was also of a well-to-do background, descending from a family of the bourgeois prof ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Darius Milhaud
Darius Milhaud (; 4 September 1892 – 22 June 1974) was a French composer, conductor, and teacher. He was a member of Les Six—also known as ''The Group of Six''—and one of the most prolific composers of the 20th century. His compositions are influenced by jazz and Brazilian music and make extensive use of polytonality. Milhaud is considered one of the key modernist composers.Reinhold Brinkmann & Christoph Wolff, ''Driven into Paradise: The Musical Migr ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Robert Mallet-Stevens
Robert Mallet-Stevens (March 24, 1886 – February 8, 1945) was an influential French architect and designer. Early life Mallet-Stevens was born in Paris in a house called Maison-Laffitte (designed by François Mansart in the 17th century). His father and his grandfather were art collectors in Paris and Brussels. He received his formal training at the École Spéciale d'Architecture in Paris, during which he wrote ''Guerande'' about relationships between the different forms of art. Career In 1924 Mallet-Stevens published a magazine called ''La Gazette Des 7 Arts'' and at the same time with the help of Ricciotto Canudo founded the ''Club des amis du 7ème art''. A Paris street in the 16th arrondissement, Rue Mallet-Stevens, was built by him in the 1920s and has on it six houses designed by him. A portfolio of 32 of Mallet-Stevens' designs was published under the title ''Une Cité Moderne'' in 1922. In addition to designing shops, factories, a fire station in Paris, apartment ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Fernand Léger
Joseph Fernand Henri Léger (; February 4, 1881 – August 17, 1955) was a French painting, painter, sculpture, sculptor, and film director, filmmaker. In his early works he created a personal form of cubism (known as "tubism") which he gradually modified into a more Figurative art, figurative, populism, populist style. His boldly simplified treatment of modern subject matter has caused him to be regarded as a forerunner of pop art. Biography Léger was born in Argentan, Orne, Lower Normandy, where his father raised cattle. Fernand Léger initially trained as an architect from 1897 to 1899, before moving in 1900 to Paris, where he supported himself as an architectural draftsman. After military service in Versailles, Yvelines, Versailles, Yvelines, in 1902–1903, he enrolled at the School of Decorative Arts after his application to the École des Beaux-Arts was rejected. He nevertheless attended the Beaux-Arts as a non-enrolled student, spending what he described as "three empty an ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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L'Inhumaine
''L'Inhumaine'' ("the inhuman woman") is a 1924 French science fiction drama film directed by Marcel L'Herbier. It has the subtitle ''histoire féerique'' ("fairy story", "story of enchantment"). ''L'Inhumaine'' is notable for its experimental techniques and for the collaboration of many leading practitioners in the decorative arts, architecture and music. The film caused controversy on its release. Background In 1923, while seeking to recover his health after a bout of typhoid, and his fortunes following the collapse of his film adaptation of ''Résurrection'', Marcel L'Herbier received a proposal from his old friend the opera singer Georgette Leblanc to make a film in which she would star and for which she would secure partial funding from American financiers. L'Herbier revived a scenario which he had written under the title ''La Femme de glace'' (''Woman of Ice''); when Leblanc declared this to be too abstract for her liking and for American taste, he enlisted Pierre Mac Orlan ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Resurrection (Tolstoy Novel)
''Resurrection'' ( pre-reform Russian: ; post-reform rus, Воскресение, Voskreséniye, also translated as ''The Awakening''), first published in 1899, was the last novel written by Leo Tolstoy. The book is the last of his major long fiction works published in his lifetime. Tolstoy intended the novel as a panoramic view of Russia at the end of the 19th century from the highest to the lowest levels of society and an exposition of the injustice of man-made laws and the hypocrisy of the institutionalized church. The novel also explores the economic philosophy of Georgism, of which Tolstoy had become a very strong advocate towards the end of his life, and explains the theory in detail. The publication of ''Resurrection'' led to Tolstoy's excommunication by the Holy Synod from the Russian Orthodox Church in 1901. Background The theme for the new novel had been supplied by Tolstoy's friend Anatoly Koni. He told Tolstoy the story of a man who had come to him for legal aid. As ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Don Juan Et Faust
Don, don or DON and variants may refer to: Places *County Donegal, Ireland, Chapman code DON * Don (river), a river in European Russia * Don River (other), several other rivers with the name * Don, Benin, a town in Benin * Don, Dang, a village and hill station in Dang district, Gujarat, India * Don, Nord, a ''commune'' of the Nord ''département'' in northern France *Don, Tasmania, a small village on the Don River, located just outside Devonport, Tasmania *Don, Trentino, a commune in Trentino, Italy * Don, West Virginia, a community in the United States *Don Republic, a temporary state in 1918–1920 *Don Jail, a jail in Toronto, Canada People Role or title * Don (honorific), a Spanish, Portuguese, and Italian title, given as a mark of respect *Don, a crime boss, especially in the Mafia , ''Don Konisshi'' (コニッシー) *Don, a resident assistant at universities in Canada and the U.S. *University don, in British and Irish universities, especially at Oxford, Cambridge ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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El Dorado (1921 Film)
''El Dorado'' is a French silent film directed in 1921 by Marcel L'Herbier. The film was notable for integrating a number of technical innovations into its narrative of a "cinematic melodrama". It achieved considerable success on its release, as a ground-breaking film that was distinctively French at a time when the cinema was felt to be dominated by American productions. Background In his previous five films Marcel L'Herbier had explored a variety of photographic and narrative techniques in the fast-developing medium of film, and in 1921 he wanted to draw them together in the context of a story which would have a broad appeal for the public. He was also eager to film in the landscapes of Spain which had long been an inspiration for him, especially as filtered through the writings of Maurice Barrès. He submitted an original scenario for a melodrama called ''El Dorado'', set in Andalusia, to his producer Léon Gaumont, and rather to his surprise it was immediately accepted. L' ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |