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Mani's Parents
''Mani's Parents'' is a color painting on silk drawn in the coastal areas of southern China during the late Yuan and early Ming dynasties. It is in the collection of the Asian Art Museum of San Francisco, US, and was donated by Ivory Brendage. The title given on the official website of the museum is "Fragment of a Manichaen Mandala". After Miki Morita's research, especially after comparing it with "The Birth of Mani", it is believed that the painting is a work of Manichaeism, depicting the image of the father and mother of Mani, the founder of the religion, Mani and Mani. Morita's research results were published in "Piecing a Picture Together: A New Manichaean Perspective on a Chinese Religious Painting in the Asian Art Museum of San Francisco", a view which was also adopted by the religious art historian Gu Leci in her work "Mani's Pictures". This painting was originally part of a large-scale Manichean silk painting. The drawing technique and artistic style are the same as thos ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
English Language
English is a West Germanic language of the Indo-European language family, with its earliest forms spoken by the inhabitants of early medieval England. It is named after the Angles, one of the ancient Germanic peoples that migrated to the island of Great Britain. Existing on a dialect continuum with Scots, and then closest related to the Low Saxon and Frisian languages, English is genealogically West Germanic. However, its vocabulary is also distinctively influenced by dialects of France (about 29% of Modern English words) and Latin (also about 29%), plus some grammar and a small amount of core vocabulary influenced by Old Norse (a North Germanic language). Speakers of English are called Anglophones. The earliest forms of English, collectively known as Old English, evolved from a group of West Germanic (Ingvaeonic) dialects brought to Great Britain by Anglo-Saxon settlers in the 5th century and further mutated by Norse-speaking Viking settlers starting in the 8th and 9th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
San Francisco
San Francisco (; Spanish language, Spanish for "Francis of Assisi, Saint Francis"), officially the City and County of San Francisco, is the commercial, financial, and cultural center of Northern California. The city proper is the List of California cities by population, fourth most populous in California and List of United States cities by population, 17th most populous in the United States, with 815,201 residents as of 2021. It covers a land area of , at the end of the San Francisco Peninsula, making it the second most densely populated large U.S. city after New York City, and the County statistics of the United States, fifth most densely populated U.S. county, behind only four of the five New York City boroughs. Among the 91 U.S. cities proper with over 250,000 residents, San Francisco was ranked first by per capita income (at $160,749) and sixth by aggregate income as of 2021. Colloquial nicknames for San Francisco include ''SF'', ''San Fran'', ''The '', ''Frisco'', and '' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Asian Art Museum (San Francisco)
The Asian Art Museum of San Francisco – Chong-Moon Lee Center for Asian Art and Culture"About" Asian Art Museum website. Quote: "Strategically located on the Pacific Rim and serving one of the most diverse communities in the United States, the ''Asian Art Museum of San Francisco – Chong-Moon Lee Center for Asian Art and Culture'' is uniquely positioned to lead a diverse, global audience in discovering the distinctive materials, aesthetics and intellectual achievements of Asian art and cultures, and to serve as a bridge of understanding between Asia and the United States and between the diverse cultures of Asia." (emphasis added) is a in |
Zsuzsanna Gulácsi
Zsuzsanna Gulácsi (Chinese name: ; Persian name: ; born on 10 April 1966) is a Hungarian-born American historian, art historian of pan-Asiatic religions. She is a professor of art history, Asian studies, and comparative religious studies at Northern Arizona University (NAU). Her teaching covers Early and Eastern Christian (Syriac and Armenian) art, Islamic art, with special attention to the medium of the illuminated book; as well as late ancient and mediaeval Buddhist art from South, Central, and East Asia. She is a specialist of Manichaean art, in addition, her research also focuses on the artistic heritage of other Silk Road religions such as Buddhism and East Syriac Christianity, with special attention to Manichaeism. Career Gulácsi went to the United States in 1990 in pursuit of a postgraduate education in Central Eurasian Studies and Art History and studied at Indiana University Bloomington. She received a double major PhD degree in 1998. From 1999 to 2003, sh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Collection Of Chinese Manichaean Hanging Scrolls
Collection or Collections may refer to: * Cash collection, the function of an accounts receivable department * Collection (church), money donated by the congregation during a church service * Collection agency, agency to collect cash * Collections management (museum) ** Collection (museum), objects in a particular field forms the core basis for the museum ** Fonds in archives ** Private collection, sometimes just called "collection" * Collection (Oxford colleges), a beginning-of-term exam or Principal's Collections * Collection (horse), a horse carrying more weight on his hindquarters than his forehand * Collection (racehorse), an Irish-bred, Hong Kong based Thoroughbred racehorse * Collection (publishing), a gathering of books under the same title at the same publisher * Scientific collection, any systematic collection of objects for scientific study Collection may also refer to: Computing * Collection (abstract data type), the abstract concept of collections in computer science ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Icon Of Mani
''Icon of Mani'' ( ja, マニ像; Icon of Mani) is a silk painting hanging scroll from the Yuan or Ming period, from the coastal area of southern China, depicting Mani. The portrait of the founder Mani has been completely Sinicized. Discovery process The black and white photo of this painting was originally published in the 1937 Japanese Oriental Art Periodical "Guo Hua", but did not give the location of the collection and other relevant information. According to the research of Hungarian Asian religious art historian Zsuzsanna Gulácsi, the painting has similar features to the Mani statue depicted in the "Sermon on Mani's Teaching of Salvation". It should be an icon used by Manichae in southern China for religious worship. Originally it was not possible to verify the source, so it is generally believed that it was lost during World War II. However, the documentary linguistics professor Yoshida of Kyoto University discovered the original work of "Icon of Mani" at the Fujita Mus ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Manichaean Painting Of The Buddha Jesus
The ''Manichaean Painting of the Buddha Jesus'' ( zh, t=夷數佛幀, w=I2-shu4 fo2-chên1, p=Yí shù fó zhēn; ), is a Chinese Southern Song dynasty silk hanging scroll preserved at the Seiunji Temple in Kōshū, Yamanashi, Japan. It measures 153.5 cm in height, 58.7 cm in width, dates from the 12th to 13th centuries, and depicts a solitary nimbate figure on a dark-brown medieval Chinese silk. According to the Hungarian historian Zsuzsanna Gulácsi, this painting is one of the six documented Chinese Manichaean hanging scrolls from Zhejiang province from the early 12th century, which titled (lit. "Silk Painting of the Buddha rophetJesus").) is the Chinese translation of the name ''Jesus'' by the Manichaeans. Description The painting depicts a monumental, solitary figure, with glittering lines of gold and various colours. The upper half is occupied by a cloaked deity seated in lotus position and hands held close to one another in front of the chest. He is holding ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Salvation Theory
Soteriology (; el, σωτηρία ' "salvation" from σωτήρ ' "savior, preserver" and λόγος ' "study" or "word") is the study of religious doctrines of salvation. Salvation theory occupies a place of special significance in many religions. In the academic field of religious studies, soteriology is understood by scholars as representing a key theme in a number of different religions and is often studied in a comparative context; that is, comparing various ideas about what salvation is and how it is obtained. Buddhism Buddhism is devoted primarily to liberation from ''Duḥkha'' or suffering by breaking free of '' samsara'', the cycle of compulsory rebirth, by attaining nirvana. Many types of Buddhism, Theravada, Mahayana and Vajrayana (or Tantric), emphasize an individual's meditation and subsequent liberation from ''samsara'', which is to become enlightened. However, the Pure Land traditions of Mahayana Buddhism generally focus on the saving nature of the Celestial ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sermon On Mani's Teaching Of Salvation
''Sermon on Mani's Teaching of Salvation'' ( zh, t=冥王聖幀, l=Sacred Scroll of the King of the Underworld) is a Yuan dynasty silk hanging scroll, measuring 142 × 59 centimetres and dating from the 13th century, with didactic themes: a multi-scenic narrative that depicts Mani's Teachings about the Salvation combines a sermon subscene with the depictions of soteriological teaching in the rest of the painting. The painting was regarded as a depiction of the six realms of saṃsāra by Japanese Buddhists, therefore it was called "Painting of the Six Paths of Rebirth" ( ja, 六道図). After being studied by scholars like , , Zsuzsanna Gulácsi and Jorinde Ebert, they concluded that the painting is a Manichaean work of art. It was probably produced by a 13th-century painter from Ningbo, a city in southern China, and is kept today in the Museum of Japanese Art Yamato Bunkakan in Nara, Nara. Description The painting is divided into five scenes, with titles given by Zsuzsanna ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Birth Of Mani
''The Birth of Mani'' is a 摩尼教, Manichean silk cloth color painting painted in the Fujian Province, Fujian Zhejiang area during the 元朝, Yuan period, depicting the founder of the sect Mani (prophet), Mani The scene of birth, a scholar who specializes in Manichaeism Ma Xiaohe called it "a rare treasure". This picture is now in the collection of Japan Kyushu National Museum. The drawing technique and artistic style are similar to "''Mani's Community Established''" and "Mani's Parents", "The Birth of Mani" and "Manichean Universe Map". " It was originally part of a large-scale Manichean silk painting, but now the silk painting has been lost, leaving only the birth picture. Description According to the research of the Hungarians, Hungarian Asian religious art historian Zsuzsanna Gulácsi , this painting mainly presents three themes: glory, incarnation , and birth celebration. The top of the center of the picture depicts ten Ji Letian in brightly colored costumes, driving t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Episodes From Mani's Missionary Work
''Episodes from Mani's Missionary Work'' is a Manichean silk color painting drawn in the coastal area of southern China during the yuan to ming period. It is now in a private Japanese collection. The whole picture can be roughly divided into five scenes, depicting the missionary process of a Manichean elector. According to Hungary Asian religious art historian Zsuzsanna Gulácsi, this priest is probably the founder of Manichaeism Mani himself. This painting was originally part of a large-scale Manichean silk painting. The drawing technique and artistic style are similar to "''Mani's Community Established''" and " Mani's Parents", " The Birth of Mani" and " Manichean Universe Map". In Japanese it is called with Mani's Community Established being called Description Like the other two Manichaean works "''Sermon on Mani's Teaching of Salvation''" and "''Mani's Community Established''" this picture also depicts several scenes, but it is different from the former and the latte ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mani's Community Established
''Mani's Community Established'' (Japanese: ) is a Manichaen silk color painting drawn in the coastal area of southern China during the yuan to ming period, depicts the missionary history of Manichaeism and the establishment of its churches in three scenes. The preservation is intact and undamaged. This painting was originally part of a large Manichae silk painting, The drawing technique and artistic style are very similar to "'' Episodes from Mani's Missionary Work''", "The Birth of Mani", " Mani's Parents" and "The Manichean Universe Map". The painting is now in a private collection in Japan. In Japanese it is called with Episodes from Mani's Missionary Work being called Description According to the research of the Hungarian Asian religious art historian Zsuzsanna Gulácsi, the content described in this work continues "The Legend of the Holy One", using a method similar to the current collage to present the follow-up missionary history and development of the Manichae Ord ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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