Icon Of Mani
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Icon Of Mani
''Icon of Mani'' ( ja, マニ像; Icon of Mani) is a silk painting hanging scroll from the Yuan or Ming period, from the coastal area of southern China, depicting Mani. The portrait of the founder Mani has been completely Sinicized. Discovery process The black and white photo of this painting was originally published in the 1937 Japanese Oriental Art Periodical "Guo Hua", but did not give the location of the collection and other relevant information. According to the research of Hungarian Asian religious art historian Zsuzsanna Gulácsi, the painting has similar features to the Mani statue depicted in the "Sermon on Mani's Teaching of Salvation". It should be an icon used by Manichae in southern China for religious worship. Originally it was not possible to verify the source, so it is generally believed that it was lost during World War II. However, the documentary linguistics professor Yoshida of Kyoto University discovered the original work of "Icon of Mani" at the Fujita Mus ...
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Silk Painting
Silk painting refers to paintings on silk. They are a traditional way of painting in Asia. Methods vary, but using traditional supplies of 100% silk fabric, stretched in a frame, and applying textile paints or dyes are the beginnings of an amazing creative process in making textile art and the process National styles China One of the earliest surviving Chinese silk paintings is a 2-metre long T-shaped painting, dated from around 165 BCE, from the Mawangdui. However, painting on silk quickly gave way to painting on other supports. Silk painting employs gutta as a resist, allowing fine patterns to be achieved. The Tibetan Thangka is the best known religious painting. Vietnam Ancient period Silk painting (Tranh lụa) was a traditional artisanry in Vietnam. There have been some old silk paintings, e.g. portraits of Nguyễn Trãi, Phùng Khắc Khoan, Trịnh Đình Kiên, Phan Huy Cẩn, Phan Huy Ích, Phan Huy Thực, and Phan Huy Vịnh dated from Lê and Nguyễn dynas ...
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Collection Of Chinese Manichaean Hanging Scrolls
Collection or Collections may refer to: * Cash collection, the function of an accounts receivable department * Collection (church), money donated by the congregation during a church service * Collection agency, agency to collect cash * Collections management (museum) ** Collection (museum), objects in a particular field forms the core basis for the museum ** Fonds in archives ** Private collection, sometimes just called "collection" * Collection (Oxford colleges), a beginning-of-term exam or Principal's Collections * Collection (horse), a horse carrying more weight on his hindquarters than his forehand * Collection (racehorse), an Irish-bred, Hong Kong based Thoroughbred racehorse * Collection (publishing), a gathering of books under the same title at the same publisher * Scientific collection, any systematic collection of objects for scientific study Collection may also refer to: Computing * Collection (abstract data type), the abstract concept of collections in computer science ...
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Chinese Manichaean Art
Chinese can refer to: * Something related to China * Chinese people, people of Chinese nationality, citizenship, and/or ethnicity **''Zhonghua minzu'', the supra-ethnic concept of the Chinese nation ** List of ethnic groups in China, people of various ethnicities in contemporary China ** Han Chinese, the largest ethnic group in the world and the majority ethnic group in Mainland China, Hong Kong, Macau, Taiwan, and Singapore ** Ethnic minorities in China, people of non-Han Chinese ethnicities in modern China ** Ethnic groups in Chinese history, people of various ethnicities in historical China ** Chinese nationality law, Nationals of the People's Republic of China ** Taiwanese nationality law, Nationals of the Republic of China ** Overseas Chinese, Chinese people residing outside the territories of Mainland China, Hong Kong, Macau, and Taiwan * Sinitic languages, the major branch of the Sino-Tibetan language family ** Chinese language, a group of related languages spoken predomina ...
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Manichaean Diagram Of The Universe
The ''Manichaean Diagram of the Universe'' ( zh, t=摩尼教宇宙圖; ja, マニ教宇宙図) is a Yuan dynasty silk painting describing the cosmology of Manichaeism, in other words, the structure of universe according to Manichaean vision. The painting in vivid colours on a silk cloth (originally measuring approximately 158 by 60 centimetres) survives in three parts, whose proper relation to one another and digital reconstruction (shown here) was published by Zsuzsanna Gulácsi. The painting was discovered by with his research team in 2010, and identified as a depiction of the cosmos according to the Manichaean religion. According to the team, this piece of art was probably produced by a painter from southern China (Zhejiang or Fujian province) around the period of Yuan dynasty, which ruled China from 1271 to 1368; and the only painting currently known that covers Manichaeism's cosmologic view in complete form. How and when it was transferred to Japan is a mystery. Descriptio ...
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Cosmology
Cosmology () is a branch of physics and metaphysics dealing with the nature of the universe. The term ''cosmology'' was first used in English in 1656 in Thomas Blount (lexicographer), Thomas Blount's ''Glossographia'', and in 1731 taken up in Latin by German philosophy, German philosopher Christian Wolff (philosopher), Christian Wolff, in ''Cosmologia Generalis''. Religious cosmology, Religious or mythological cosmology is a body of beliefs based on Mythology, mythological, Religion, religious, and Esotericism, esoteric literature and traditions of Cosmogony, creation myths and eschatology. In the science of astronomy it is concerned with the study of the chronology of the universe. Physical cosmology is the study of the observable universe's origin, its large-scale structures and dynamics, and the ultimate fate of the universe, including the laws of science that govern these areas. It is investigated by scientists, such as astronomers and physicists, as well as Philosophy, ph ...
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Mani's Community Established
''Mani's Community Established'' (Japanese: ) is a Manichaen silk color painting drawn in the coastal area of southern China during the yuan to ming period, depicts the missionary history of Manichaeism and the establishment of its churches in three scenes. The preservation is intact and undamaged. This painting was originally part of a large Manichae silk painting, The drawing technique and artistic style are very similar to "'' Episodes from Mani's Missionary Work''", "The Birth of Mani", " Mani's Parents" and "The Manichean Universe Map". The painting is now in a private collection in Japan. In Japanese it is called with Episodes from Mani's Missionary Work being called Description According to the research of the Hungarian Asian religious art historian Zsuzsanna Gulácsi, the content described in this work continues "The Legend of the Holy One", using a method similar to the current collage to present the follow-up missionary history and development of the Manichae Ord ...
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Episodes From Mani's Missionary Work
''Episodes from Mani's Missionary Work'' is a Manichean silk color painting drawn in the coastal area of southern China during the yuan to ming period. It is now in a private Japanese collection. The whole picture can be roughly divided into five scenes, depicting the missionary process of a Manichean elector. According to Hungary Asian religious art historian Zsuzsanna Gulácsi, this priest is probably the founder of Manichaeism Mani himself. This painting was originally part of a large-scale Manichean silk painting. The drawing technique and artistic style are similar to "''Mani's Community Established''" and " Mani's Parents", " The Birth of Mani" and " Manichean Universe Map". In Japanese it is called with Mani's Community Established being called Description Like the other two Manichaean works "''Sermon on Mani's Teaching of Salvation''" and "''Mani's Community Established''" this picture also depicts several scenes, but it is different from the former and the latte ...
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Birth Of Mani
''The Birth of Mani'' is a 摩尼教, Manichean silk cloth color painting painted in the Fujian Province, Fujian Zhejiang area during the 元朝, Yuan period, depicting the founder of the sect Mani (prophet), Mani The scene of birth, a scholar who specializes in Manichaeism Ma Xiaohe called it "a rare treasure". This picture is now in the collection of Japan Kyushu National Museum. The drawing technique and artistic style are similar to "''Mani's Community Established''" and "Mani's Parents", "The Birth of Mani" and "Manichean Universe Map". " It was originally part of a large-scale Manichean silk painting, but now the silk painting has been lost, leaving only the birth picture. Description According to the research of the Hungarians, Hungarian Asian religious art historian Zsuzsanna Gulácsi , this painting mainly presents three themes: glory, incarnation , and birth celebration. The top of the center of the picture depicts ten Ji Letian in brightly colored costumes, driving t ...
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Mani's Parents
''Mani's Parents'' is a color painting on silk drawn in the coastal areas of southern China during the late Yuan and early Ming dynasties. It is in the collection of the Asian Art Museum of San Francisco, US, and was donated by Ivory Brendage. The title given on the official website of the museum is "Fragment of a Manichaen Mandala". After Miki Morita's research, especially after comparing it with "The Birth of Mani", it is believed that the painting is a work of Manichaeism, depicting the image of the father and mother of Mani, the founder of the religion, Mani and Mani. Morita's research results were published in "Piecing a Picture Together: A New Manichaean Perspective on a Chinese Religious Painting in the Asian Art Museum of San Francisco", a view which was also adopted by the religious art historian Gu Leci in her work "Mani's Pictures". This painting was originally part of a large-scale Manichean silk painting. The drawing technique and artistic style are the same as thos ...
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Salvation Theory
Soteriology (; el, σωτηρία ' "salvation" from σωτήρ ' "savior, preserver" and λόγος ' "study" or "word") is the study of religious doctrines of salvation. Salvation theory occupies a place of special significance in many religions. In the academic field of religious studies, soteriology is understood by scholars as representing a key theme in a number of different religions and is often studied in a comparative context; that is, comparing various ideas about what salvation is and how it is obtained. Buddhism Buddhism is devoted primarily to liberation from ''Duḥkha'' or suffering by breaking free of '' samsara'', the cycle of compulsory rebirth, by attaining nirvana. Many types of Buddhism, Theravada, Mahayana and Vajrayana (or Tantric), emphasize an individual's meditation and subsequent liberation from ''samsara'', which is to become enlightened. However, the Pure Land traditions of Mahayana Buddhism generally focus on the saving nature of the Celestial ...
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Manichaean Painting Of The Buddha Jesus
The ''Manichaean Painting of the Buddha Jesus'' ( zh, t=夷數佛幀, w=I2-shu4 fo2-chên1, p=Yí shù fó zhēn; ), is a Chinese Southern Song dynasty silk hanging scroll preserved at the Seiunji Temple in Kōshū, Yamanashi, Japan. It measures 153.5 cm in height, 58.7 cm in width, dates from the 12th to 13th centuries, and depicts a solitary nimbate figure on a dark-brown medieval Chinese silk. According to the Hungarian historian Zsuzsanna Gulácsi, this painting is one of the six documented Chinese Manichaean hanging scrolls from Zhejiang province from the early 12th century, which titled (lit. "Silk Painting of the Buddha rophetJesus").) is the Chinese translation of the name ''Jesus'' by the Manichaeans. Description The painting depicts a monumental, solitary figure, with glittering lines of gold and various colours. The upper half is occupied by a cloaked deity seated in lotus position and hands held close to one another in front of the chest. He is holding ...
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Cao'an
Cao'an ( Samuel N. C. Lieu and Ken ParryManichaean and (Nestorian) Christian Remains in Zayton (Quanzhou, South China). ARC DP0557098) is a temple in Jinjiang, Fujian, . Originally constructed by Chinese Manicheans, it was considered by later worshipers as a Buddhist temple. This "Manichean temple in Buddhist disguise" is seen by modern experts on Manichaeism as "the only extant Manichean temple in China", or "the only Manichean building which has survived intact". In 2021, Cao'an was inscribed on the UNESCO World Heritage List along with many other sites near Quanzhou because of its unique testimony to the exchange of religious ideas and cultures in medieval China. Over 2022 the number of tourists to the location doubled and preservation efforts began. Geography The temple is located on the southern slope of Huabiao Hill near Shedian Village just west of downtown Jinjiang.Li Yukun (李玉昆福建晋江草庵摩尼教遗址(The relics of Manichaean temple Cao'an in Jinjian ...
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