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Manfred Cordes
Manfred Cordes (born 1953) is a German conductor of early music, musicologist and teacher. He is professor at the Hochschule für Künste Bremen and was its rector from 2007 to 2012. Publications * ''Die lateinischen Motetten des Iacobus Regnart im Spiegel der Tonarten- und Affektenlehre des 16. Jahrhunderts.'' University of Bremen 1991 (Dissertation) * ''Pian e forte.'' Hauschild, Bremen 1998; * ''Nicola Vicentinos Enharmonik.'' (Book+CD), Akademische Druck- und Verlags-Anstalt, Graz/Austria, 2007; Discography Extensive discography with his ensemble Weser-Renaissance on the CPO label. * ''The Spirit of the Renaissance'' Works from Josquin des Prez to Hans Leo Hassler cpo 999 294-2 (1993) * Thomas Stoltzer (1480–1526) Missa duplex per totum annum; 3 Psalm Motets cpo 999 295-2 (1994) * ''Hanseatische Festmusiken um 1600'' – Wedding motets by Julius Johannes Weiland, Julius Ernst Rautenstein, Heinrich Albert, Andreas Hakenberger, Philipp Dulichius, Christoph Bernha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hochschule Für Künste Bremen
The University of the Arts Bremen (German: Hochschule für Künste Bremen, HfK Bremen) is a public university in Bremen, Germany. It is one of the most successful arts institutions, and its origins date back to 1873. The University of the Arts Bremen runs a Faculty of Fine Arts and Design, and a Faculty of Music, with approximately 900 students, 65 professors and about 180 assistant professors. The academic subdivisions within the University are Music, Art, Design and practical theory. The institution's specialisms in both music and visual arts is unique within Germany, save for the Berlin University of the Arts. Recent works and exhibitions combine visual art, digital media and music, with emphasis on co-operation between disciplines. History In 1998, the institution celebrated the tenth anniversary of the University of the Arts and the 125th anniversary of the Art Academy. Since 2003, the Fine Arts Faculty of the University of the Arts Bremen has been located at Speicher XI, i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Leonhard Lechner
Leonhard Lechner (also Leonard, 15539 September 1606) was a German composer, kapellmeister, tenor and music editor who was taught by Orlando de Lassus. He added Athesinus to his signature, referring to his origin in today's South Tyrol. His last positions were at the court of court of Stuttgart. He is regarded as a "leading German composer of choral music in the later 16th century". While many of his works are lost, a Passion, many expressive songs, and a song cycle are extant. The complete works were published by Bärenreiter in 14 volumes. Life Lechner was born in South Tyrol in 1553. Lechner was originally Catholic but became a Protestant as an adult. As a boy, he sang in the Bayrische Kantorei in Landshut, led by Orlande de Lassus. It was a group of the Bavarian Hofkapelle (court chapel). He was regarded as Lassus' "most distinguished pupil and a great creative force in German music". Lechner was probably in Italy during the 1570s. From 1575, he taught at a school in Nu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sophie Elisabeth, Duchess Of Brunswick-Lüneburg
Elisabeth Sophie of Mecklenburg, Duchess of Brunswick-Lüneburg (20 August 1613 – 12 July 1676) was a German poet, composer and impresario. Life She began studying music at the court of her father, Duke John Albert II of Mecklenburg-Güstrow, where was an orchestra known for its use of fine English musicians, such as William Brade. She moved to the court of Kassel, which also had a strong musical tradition, when the Thirty Years War threatened her court in 1628. In 1635, she married the learned Augustus the Younger, Duke of Brunswick-LüneburgSee Walter, ''Sophie Elisabeth'' with whom she had two children: * Ferdinand Albert I, Duke of Brunswick-Lüneburg * Marie Elisabeth of Brunswick-Wolfenbüttel. Elisabeth Sophie was charged with organizing the court orchestra, and at times worked closely with Heinrich Schütz, who was appointed ''absentes'' Kapellmeister in 1655. She may have collaborated with him on arias in his ''Theatralische neue Vorstellung von der Maria Magdalena ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Andreas Hammerschmidt
Andreas Hammerschmidt (1611 or 1612 – 29 October 1675), the "Orpheus of Zittau," was a German Bohemian composer and organist of the early to middle Baroque era. He was one of the most significant and popular composers of sacred music in Germany in the middle 17th century. Life He was born at Brüx, a small Protestant community in Bohemia, to a Saxon father and a Bohemian mother. In 1626 the family had to flee Bohemia, during the Thirty Years' War, after it had become Catholic; they settled in Freiberg, Saxony, where Andreas must have received his musical education. He probably did not study with composer Christoph Demantius, who was ''Kantor'' at Freiberg and the most significant musician in the city while Hammerschmidt was there; however he may have known him. Many famous musicians of the early Baroque spent time in Freiberg but it is uncertain which of them taught Hammerschmidt; at any rate he received a superb musical training while there. Hammerschmidt left Freiberg ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Michael Jacobi
Michael Jacobi (1618—1663) was a North German composer and kantor. He studied law at Strasbourg (1641) and travelled widely before taking employment as kantor first at Kiel (1648) then at Lüneburg (1651). Under his supervision the first passions were performed at Lüneburg.Julie Anne Sadie ''Companion to Baroque Music'' p161 He collaborated with the poet Johann Rist for many years including on settings of Rist's ''Das friedewünschende Teutschland'' for the Peace of Westphalia. Recordings *Liedeinlagen zu Rists Das friedewünschende Teutschland: 1. Himmel, weine bitterlich 2. Bist du denn blind, o Teutsches Reich. 3. So ligt denn nun das arme Weib. Weser-Renaissance Ensemble Bremen dir. Manfred Cordes Manfred Cordes (born 1953) is a German conductor of early music, musicologist and teacher. He is professor at the Hochschule für Künste Bremen and was its rector from 2007 to 2012. Publications * ''Die lateinischen Motetten des Iacobus Regnar .... cpo References 1618 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johann Andreas Herbst
Johann Andreas Herbst (baptized June 9, 1588 – January 24, 1666) was a German composer and music theorist of the early Baroque era. He was a contemporary of Michael Praetorius and Heinrich Schütz, and like them, assisted in importing the grand Venetian style and the other features of the early Baroque into Protestant Germany. Life He was born at Nuremberg, and most likely had his early education there. Possibly he studied with Hans Leo Hassler, one of the most prominent German composers at the turn of the century, since Hassler was teaching in Nuremberg while Herbst was a student, and there is a close stylistic relationship between the music of the two composers. Herbst became ''Kapellmeister'' at Butzbach in 1614, at Darmstadt in 1618, and at Frankfurt am Main in 1623. In 1636 he accepted a position in Nuremberg, and returned to the city of his birth; it was evidently a frustrating appointment for him, for he wrote of his time there bitterly, and in 1644 he went back to Fr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johannes Schop
Johann Schop (ca. 1590 – 1644) was a German violinist and composer, much admired as a musician and a technician, who was a virtuoso and whose compositions for the violin set impressive technical demands for that area at that time. In 1756 Leopold Mozart commented on the difficulty of a trill in a work by Schop, probably composed before 1646. He worked in Hamburg. He published books of violin music in 4 to 6 parts; some of his music was performed at the Peace of Westphalia celebrations. His melody ''Werde munter, mein Gemüte'' of 1641 was used by Johann Sebastian Bach for the chorale movements (6 and 10) of his cantata ''Herz und Mund und Tat und Leben, BWV 147''. The sixth movement is ''Wohl mir, daß ich Jesum habe'', and the tenth movement is ''Jesu bleibet meine Freude''. Under the English title, ''Jesu, Joy of Man's Desiring'', Bach's chorale has been arranged for different instruments, notably for piano by Myra Hess Dame Julia Myra Hess, (25 February 1890 – 25 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Geistliche Chor-Music 1648
' (Sacred choral music) is a collection of motets on German texts for choir by Heinrich Schütz. It was printed in Dresden in 1648 as his ' ( Op. 11), and comprises 29 individual settings for five to seven voices, which were assigned numbers 369 to 397 in the Schütz-Werke-Verzeichnis (SWV). The original title was ' which indicates that Schütz planned a second part. It is also known as ''Geistliche Chor-Music 1648''. The collection contains earlier and new works and a German arrangement of a motet by Andrea Gabrieli. History Schütz assembled a collection of 29 motets, which were assigned numbers 369 to 397 in the SWV, in 1648, the year that ended the Thirty Years' War. The original title was ' which indicates that Schütz planned at least a second part. The collection contains earlier and new works and a German arrangement of a motet by Andrea Gabrieli. In an extended foreword, Schütz describes the work as examples of composition in counterpoint without basso continuo, fo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jacob Regnart
Jacob Regnart (French: ''Jacques Regnart''; 1540s – 16 October 1599) was a Flemish Renaissance composer. He spent most of his career in Austria and Bohemia, where he wrote both sacred and secular music. Biography Regnart was born at Douai, one of five brothers. His first documented appearance is in 1560 as a tenor at the Hofkapelle in Prague under Habsburg ruler Archduke Maximilian; Regnart claimed to have worked there since 1557. In 1564 his first works were published; he moved to Vienna and then Italy, where he studied from 1568 to 1570. The first fruits of these studies, ''Il primo libro delle canzone italiane'', would be published in 1574, with many subsequent volumes to follow. In November 1570 he became an instructor for Maximilian's chapel choir, and upon Maximilian's death, Emperor Rudolf II hired him as a member of his Hofkapelle. It was in the 1570s that his volumes of three-voice ''Teutsche Lieder'' (German songs) appeared, printed by the Gerlachs of Nuremberg; the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johann Theile
Johann Theile (29 July 1646 – 24 June 1724) was a German composer of the Baroque era, famous for the opera ''Adam und Eva, Der erschaffene, gefallene und aufgerichtete Mensch'', first performed in Hamburg on 2 January 1678. Life After studying law in Leipzig and Halle, Theile took instruction in composition in Weißenfels. His teacher there was the great Heinrich Schütz, the most prominent German composer of the 17th century. Theile is believed to have been one of his last pupils, and is considered one of the most gifted among them. Between 1673 and 1675 he held the position of Court Kapellmeister for Duke Christian Albrecht of Schleswig-Holstein-Gottorp. Some years later he held the position of Kapellmeister in Wolfenbüttel, where he commenced a musical apprenticeship to Johann Rosenmüller, who by this time had permanently returned to Northern Germany after having spent most of his career in Italy. He also worked in Naumburg, where he likewise held the position of Kape ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cipriano De Rore
Cipriano de Rore (occasionally Cypriano) (1515 or 1516 – between 11 and 20 September 1565) was a Franco-Flemish composer of the Renaissance, active in Italy. Not only was he a central representative of the generation of Franco-Flemish composers after Josquin des Prez who went to live and work in Italy, but he was one of the most prominent composers of madrigals in the middle of the 16th century. His experimental, chromatic, and highly expressive style had a decisive influence on the subsequent development of that secular music form.Owens, Grove Online Life Early years Little is known of Rore's early life. His probable birth years (1515/1516) are known from his age at death (49, recorded on his tombstone in the cathedral in Parma), and his probable birthplace was a small town in Flanders, Ronse (Renaix), right on the boundary between the French- and Dutch-speaking areas. Recent research has established that his parents were Celestinus Rore (died before 1564) and Barbara Van ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cantiones Sacrae (Schütz)
' (Vocal sacred music, literally: Sacred chants), Op. 4, is a collection of forty different pieces of vocal sacred music on Latin texts, composed by Heinrich Schütz and first published in 1625. The pieces have individual numbers 53 to 93 in the ' (SWV), the catalogue of his works. The general title ' was common at the time and was used by many composers, including Palestrina, Byrd and Tallis (1589 and 1591) and Hans Leo Hassler (1591). Schütz composed the motets and madrigals, based on texts from a 1553 prayerbook ' by Andreas Musculus, for four voices (SATB) and basso continuo. Some of the settings form groups of up to five pieces, including the expressive Passion motets, ', SWV 56 to 60. ', SWV 81, is a joyful setting of Psalm 149. The Protestant composer dedicated his work to the Catholic politician Hans Ulrich von Eggenberg. He published it as his ''.'' The counterpoint of the ''Cantiones'' has been regarded as unmatched in the sacred vocal works of the 17th century. Hi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
