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Mandal Church
Mandal Church ( no, Mandal kirke) is a parish church of the Church of Norway in Lindesnes Municipality in Agder county, Norway. It is located in the town of Mandal. It is one of the two churches for the Mandal parish which is part of the Lister og Mandal prosti ( deanery) in the Diocese of Agder og Telemark. The white, wooden church was built in a long church design in 1821 using plans drawn up by the architect Jørgen Gerhard Løser. It was designed in an empire/ neoclassical style. The church seats about 1,000 people, making it the largest wooden church in Norway. The sanctuary is a large hall supported by colossal columns. A small, cylindrical pulpit is placed above the altarpiece, a rather unusual location compared to most churches in Norway. The church is notable for its distinctive rectangular shape with a simple tower on the roof above the main entrance. History The earliest existing historical records of the church date back to the year 1358, but the church was not n ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lindesnes Municipality
Lindesnes ( en, the Naze) is a List of municipalities of Norway, municipality in Agder county, Norway. It is located in the Traditional districts of Norway, traditional district of Sørlandet. The administrative centre of the municipality is the town of Mandal, Norway, Mandal. Other villages in Lindesnes include Åvik, Høllen, Lindesnes, Høllen, Skofteland, Svenevig, Vigmostad, Heddeland, Bjelland, Breland, Koland, Laudal, Øyslebø, Bykjernen, Skjebstad, Sånum-Lundevik, Skogsfjord-Hesland, Krossen, Harkmark, Skinsnes-Ime, and Tregde-Skjernøy. The municipality is the 126th largest by area out of the 356 municipalities in Norway. Lindesnes is the 55th most populous municipality in Norway with a population of 23,147. The municipality's population density is and its population has increased by 4.3% over the previous 10-year period. General information The municipality of Lindesnes was created as a new municipality on 1 January 1964 after the merger of the older municipaliti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Neoclassicism
Neoclassicism (also spelled Neo-classicism) was a Western cultural movement in the decorative and visual arts, literature, theatre, music, and architecture that drew inspiration from the art and culture of classical antiquity. Neoclassicism was born in Rome largely thanks to the writings of Johann Joachim Winckelmann, at the time of the rediscovery of Pompeii and Herculaneum, but its popularity spread all over Europe as a generation of European art students finished their Grand Tour and returned from Italy to their home countries with newly rediscovered Greco-Roman ideals. The main Neoclassical movement coincided with the 18th-century Age of Enlightenment, and continued into the early 19th century, laterally competing with Romanticism. In architecture, the style continued throughout the 19th, 20th and up to the 21st century. European Neoclassicism in the visual arts began c. 1760 in opposition to the then-dominant Rococo style. Rococo architecture emphasizes grace, ornamentati ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Constitution Of Norway
nb, Kongeriket Norges Grunnlov nn, Kongeriket Noregs Grunnlov , jurisdiction =Kingdom of Norway , date_created =10 April - 16 May 1814 , date_ratified =16 May 1814 , system =Constitutional monarchy , branches = Judicial, Executive, and Legislative , chambers =Unicameral , executive =Prime Minister , courts = Supreme court, Court of impeachment, and subordinate courts , federalism =No , electoral_college =No , date_legislature =7 October 1814 , citation = , location_of_document = Storting , writer =Norwegian Constituent Assembly , head_of_state=Monarchy of Norway , supersedes=King's Law (Lex Regia) , wikisource = Constitution of Norway The Constitution of Norway (complete name: The Constitution of the Kingdom of Norway; Danish: ; Norwegian Bokmål: ; Norwegian Nynorsk: ) was adopted on 16 May and signed on 17 May 1814 by the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Norwegian Constituent Assembly
The Norwegian Constituent Assembly (in Norwegian ''Grunnlovsforsamlingen'', also known as ''Riksforsamlingen'') is the name given to the 1814 constitutional assembly at Eidsvoll in Norway, that adopted the Norwegian Constitution and formalised the dissolution of the union with Denmark. In Norway, it is often just referred to as ''Eidsvollsforsamlingen'', which means ''The Assembly of Eidsvoll''. The Assembly The election started in February 1814 in Christiania (now Oslo) in order to draft the Norwegian Constitution. The Assembly gathered at the manor house at Eidsvoll (''Eidsvollsbygningen'') and became known as "The Men of Eidsvoll" (''Eidsvollsmennene''). They first met on 10 April by Eidsvoll Church before the assembly formally opened the next day. It was intended to be composed of delegates from the entire country but the northernmost parts were not represented because of the long distances and lack of time. The presidents and vice presidents of the assembly were chosen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Election Church
An election church ( no, valgkirke) is a term used for approximately 300 churches in Norway that were used as polling stations during the elections to the Norwegian Constituent Assembly at Eidsvoll in 1814. This was Norway's first national elections and this assembly is the group that wrote the Constitution of Norway. The churches were used because they were the natural center of public life for most places in the country, and because the parish ( no, prestegjeld) was the basic unit of the electoral system. The parish priest was the chief official in the local community, and it was usually the parish priest that administered the elections. The elections were essentially indirect elections, in which the people of each parish chose an "elector". A few days later, all the electors in the county met together at a central church in the county. At that meeting, the electors chose the representatives to send to Eidsvoll. In some small towns with only one congregation, the selection took ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Adolph Tidemand
Adolph Tidemand (14 August 18148 August 1876) was a noted Norwegian romantic nationalism painter. Among his best known paintings are ''Haugianerne'' (''The Haugeans''; 1852) and '' Brudeferd i Hardanger'' (''The Bridal Procession in Hardanger''; 1848), painted in collaboration with Hans Gude. Biography Adolph Tidemand was born in Mandal, Norway as the son of customs inspector and Storting representative Christen Tidemand (1779–1838) and Johanne Henriette Henrikke Haste (1779–1859). He received private art lessons in his home town and his talent was soon recognized. He then was enrolled in an art school in Christiania, moving on to Copenhagen in the period 1832–1837. Upon arrival in Copenhagen, he was rejected by the Royal Danish Academy of Fine Arts and studied at a private school of art, but by 1833 he was a pupil at the Academy, earning Academy exhibitions in 1835 and 1836. He studied there for five years and then began a journey to Italy to study further. But when Tidema ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Norway In 1814
In 1814, the Kingdom of Norway made a brief and ultimately unsuccessful attempt to regain its independence. While Norway had always legally been a separate kingdom, since the 16th century it had shared a monarch with Denmark; Norway was a subordinate partner in the combined state, whose government was based in Copenhagen. Due to its alliance with France during the Napoleonic Wars, Denmark was forced to sign the Treaty of Kiel in January 1814 ceding Norway to Sweden. However, many Norwegians were inspired by the rising tide of nationalism and resented being handed over without their consent to Sweden, a state they viewed as a traditional rival. Under the leadership of Christian Frederick, who was the Danish government's representative in Norway and also the king of Denmark's cousin and heir presumptive, Norway attempted to assert its rights as an independent state. A government was established and a constitution written, under which Christian Frederick was elected king of Norwa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Consecrate
Consecration is the solemn dedication to a special purpose or service. The word ''consecration'' literally means "association with the sacred". Persons, places, or things can be consecrated, and the term is used in various ways by different groups. The origin of the word comes from the Latin stem ''consecrat'', which means dedicated, devoted, and sacred. A synonym for consecration is sanctification; its antonym is desecration. Buddhism Images of the Buddha and bodhisattvas are ceremonially consecrated in a broad range of Buddhist rituals that vary depending on the Buddhist traditions. Buddhābhiseka is a Pali and Sanskrit term referring to these consecration rituals. Christianity In Christianity, consecration means "setting apart" a person, as well as a building or object, for God. Among some Christian denominations there is a complementary service of "deconsecration", to remove a consecrated place of its sacred character in preparation for either demolition or sale for sec ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Norwegian Directorate For Cultural Heritage
The Directorate for Cultural Heritage ( no, Riksantikvaren or ''Direktoratet for kulturminneforvaltning'') is a government agency responsible for the management of cultural heritage in Norway. Subordinate to the Norwegian Ministry of the Environment, it manages the '' Cultural Heritage Act of June 9, 1978''. The directorate also has responsibilities under the Norwegian Planning and Building Law. Cultural Heritage Management in Norway The directorate for Cultural Heritage Management is responsible for management on the national level. At the regional level the county municipalities are responsible for the management in their county. The Sami Parliament is responsible for management of Sámi heritage. On the island of Svalbard the Governor of Svalbard has management responsibilities. For archaeological excavations there are five chartered archeological museums. History The work with cultural heritage started in the early 1900s, and the first laws governing heritage findings came ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nave
The nave () is the central part of a church, stretching from the (normally western) main entrance or rear wall, to the transepts, or in a church without transepts, to the chancel. When a church contains side aisles, as in a basilica-type building, the strict definition of the term "nave" is restricted to the central aisle. In a broader, more colloquial sense, the nave includes all areas available for the lay worshippers, including the side-aisles and transepts.Cram, Ralph Adams Nave The Catholic Encyclopedia. Vol. 10. New York: Robert Appleton Company, 1911. Accessed 13 July 2018 Either way, the nave is distinct from the area reserved for the choir and clergy. Description The nave extends from the entry—which may have a separate vestibule (the narthex)—to the chancel and may be flanked by lower side-aisles separated from the nave by an arcade. If the aisles are high and of a width comparable to the central nave, the structure is sometimes said to have three naves. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Choir (architecture)
A choir, also sometimes called quire, is the area of a church or cathedral that provides seating for the clergy and church choir. It is in the western part of the chancel, between the nave and the sanctuary, which houses the altar and Church tabernacle. In larger medieval churches it contained choir-stalls, seating aligned with the side of the church, so at right-angles to the seating for the congregation in the nave. Smaller medieval churches may not have a choir in the architectural sense at all, and they are often lacking in churches built by all denominations after the Protestant Reformation, though the Gothic Revival revived them as a distinct feature. As an architectural term "choir" remains distinct from the actual location of any singing choir – these may be located in various places, and often sing from a choir-loft, often over the door at the liturgical western end. In modern churches, the choir may be located centrally behind the altar, or the pulpit. The back-choir ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Altarpiece
An altarpiece is an artwork such as a painting, sculpture or relief representing a religious subject made for placing at the back of or behind the altar of a Christian church. Though most commonly used for a single work of art such as a painting or sculpture, or a set of them, the word can also be used of the whole ensemble behind an altar, otherwise known as a reredos, including what is often an elaborate frame for the central image or images. Altarpieces were one of the most important products of Christian art especially from the late Middle Ages to the era of the Counter-Reformation. Many altarpieces have been removed from their church settings, and often from their elaborate sculpted frameworks, and are displayed as more simply framed paintings in museums and elsewhere. History Origins and early development Altarpieces seem to have begun to be used during the 11th century, with the possible exception of a few earlier examples. The reasons and forces that led to the developme ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
