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Manchán Of Lemanaghan
Saint Manchán mac Silláin (died 664), ''Manchianus'' in Latin sources, is the name of an early Irish saint, patron of Liath Mancháin, now Lemanaghan, in County Offaly.Stalmans and Charles-Edwards, "Meath, saints of (act. ''c''.400–''c''.900)". ''Oxford Dictionary of National Biography''.Breen, "Manchán, Manchianus, Manchíne". ''Dictionary of Irish Biography''. He is not to be confused with the scholar Manchán or Manchéne, abbot of Min Droichit (Co. Offaly). There are variant traditions concerning the saint's pedigree, possibly owing to confusion with one of several churchmen named Manchán or Mainchín. The most reliable genealogy makes him a son of Sillán son of Conall, who is said be a descendant of Rudraige Mór of Ulster, and names his mother Mella. Foundation of the monastery Manchán's church, Liath Mancháin, was located in the kingdom of Delbnae Bethra and its remains now lie approximately two kilometres from Pollagh. The foundation was never able to compet ...
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List Of Saints Of Ireland
This is a list of the saints of Ireland, which attempts to give an overview of saints from Ireland or venerated in Ireland. The vast majority of these saints lived during the 4th–10th centuries, the period of early Christian Ireland, when Celtic Christianity produced many missionaries to Great Britain and the European continent. For this reason, Ireland in a 19th-century adage is described as "the land of saints and scholars". The introduction of Christianity into Ireland was during the end of the 4th century. Its exact introduction is obscure, though the strict ascetic nature of monasticism in Ireland derives from the Desert Fathers. Although there were some Christians in Ireland before him, Patrick, a native of Roman Britain, played a significant role in its full Christianisation. Some of the most well known saints are Saint Patrick, Colmcill, Brigid of Kildare and the Twelve Apostles of Ireland. After 1000, the prerogative of naming saints was granted exclusively to Rome, ...
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Ériu (journal)
''Ériu'' is an academic journal of Irish language studies. It was established in 1904 as the journal of the School of Irish Learning in Dublin.''Ériu''
Royal Irish Academy.
When the school was incorporated into the in 1926, the academy continued publication of the journal, in the same format and with the same title. Originally, the journal was published in two parts annually, together making a volume, but parts slipped further apart after Volume III. Articles are written in either Irish or English.


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Martyrology Of Donegal
A martyrology is a catalogue or list of martyrs and other saints and beati arranged in the calendar order of their anniversaries or feasts. Local martyrologies record exclusively the custom of a particular Church. Local lists were enriched by names borrowed from neighbouring churches. Consolidation occurred, by the combination of several local martyrologies, with or without borrowings from literary sources. This is the now accepted meaning in the Latin Church. In the Eastern Orthodox Church, the nearest equivalent to the martyrology is the Synaxarion and the longer Menologion. As regards form, one should distinguish between simple martyrologies that simply enumerate names, and historical martyrologies, which also include stories or biographical details; for the latter, the term ''passionary'' is also used. Oldest examples The martyrology, or ''ferial'', of the Roman Church in the middle of the fourth century still exists. It comprises two distinct lists, the ''Depositio martyr ...
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Martyrology Of Tallaght
The ''Martyrology of Tallaght'', which is closely related to the '' Félire Óengusso'' or ''Martyrology of Óengus the Culdee'', is an eighth- or ninth-century martyrology, a list of saints and their feast days assembled by Máel Ruain and/or Óengus the Culdee at Tallaght Monastery, near Dublin. The '' Martyrology of Tallaght'' is in prose and contains two sections for each day of the year, one general and one for Irish saints. It also has a prologue and an epilogue.Welch, Robert, & Bruce Stewart, ''The Oxford Companion to Irish Literature'' (Oxford University Press, 1996, )p. 359at google.co.uk ''Prologue'' and Irish paganism The prologue contains a famous verse on the declining pagan faith in Ireland: ''Senchatraig na ngente/iman roerud rudad/itfossa can adrad/amail Lathrach Lugdach.'' ''Ind locáin rogabtha/dessib ocus trírib/it rúama co ndálib/co cétaib, co mílib.'' which reads in translation as ''The old cities of the pagans to which length of occupation ...
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Annals Of Clonmacnoise
The ''Annals of Clonmacnoise'' ( ga, Annála Chluain Mhic Nóis) are an early 17th-century Early Modern English translation of a lost Irish chronicle, which covered events in Ireland from prehistory to 1408. The work is sometimes known as ''Mageoghagan's Book'', after its translator Conall the Historian. Translation The Irish chronicle was translated into English, in the style of the Elizabethan period, in 1627 by Conall Mag Eochagáin, of Lismoyny (Co. Westmeath), near Clara, Co. Offaly. Mag Eochagáin dedicated this translation to his brother-in-law, Toirdhealbhach Mac Cochláin, whose family was among the last to uphold and practice native Irish Gaelic customs. The translation was completed on 20 April 1627, in the Castle of Lemanaghan in County Offaly. The original manuscript of Mag Eochagáin's translation is lost, but there are several copies of it in both the Library of Trinity College and in the British Museum. The original work was in Irish Gaelic. Mag Eochagái ...
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Annals Of Inisfallen
Annals ( la, annāles, from , "year") are a concise historical record in which events are arranged chronologically, year by year, although the term is also used loosely for any historical record. Scope The nature of the distinction between annals and history is a subject based on divisions established by the ancient Romans. Verrius Flaccus is quoted by Aulus Gellius as stating that the etymology of ''history'' (from Greek , , equated with Latin , "to inquire in person") properly restricts it to primary sources such as Thucydides's which have come from the author's own observations, while annals record the events of earlier times arranged according to years. White distinguishes annals from chronicles, which organize their events by topics such as the reigns of kings, and from histories, which aim to present and conclude a narrative implying the moral importance of the events recorded. Generally speaking, annalists record events drily, leaving the entries unexplained and equally ...
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Annals Of The Four Masters
The ''Annals of the Kingdom of Ireland'' ( ga, Annála Ríoghachta Éireann) or the ''Annals of the Four Masters'' (''Annála na gCeithre Máistrí'') are chronicles of medieval Irish history. The entries span from the Deluge, dated as 2,242 years after creation to AD 1616. Publication delay Due to the criticisms by 17th century Irish historian Tuileagna Ó Maol Chonaire, the text was not published in the lifetimes of any of the participants. Text The annals are mainly a compilation of earlier annals, although there is some original work. They were compiled between 1632 and 1636, allegedly in a cottage beside the ruins of Donegal Abbey, just outside Donegal Town. At this time, however, the Franciscans had a house of refuge by the River Drowes in County Leitrim, just outside Ballyshannon, and it was here, according to others, that the ''Annals'' were compiled.
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Annals Of Ulster
The ''Annals of Ulster'' ( ga, Annála Uladh) are annals of medieval Ireland. The entries span the years from 431 AD to 1540 AD. The entries up to 1489 AD were compiled in the late 15th century by the scribe Ruaidhrí Ó Luinín, under his patron Cathal Óg Mac Maghnusa, on the island of ''Senadh-Mic-Maghnusa'', also known as ''Senad'' or Ballymacmanus Island (now known as Belle Isle, where Belle Isle Castle is located), near Lisbellaw, on Lough Erne in the kingdom of ''Fir Manach'' (Fermanagh). Later entries (up to AD 1540) were added by others. Entries up to the mid-6th century are retrospective, drawing on earlier annalistic and historical texts, while later entries were contemporary, based on recollection and oral history. T. M. Charles-Edwards has claimed that the main source for its records of the first millennium A.D. is a now lost Armagh continuation of the '' Chronicle of Ireland''. The Annals used the Irish language, with some entries in Latin. Becaus ...
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Metalwork
Metalworking is the process of shaping and reshaping metals to create useful objects, parts, assemblies, and large scale structures. As a term it covers a wide and diverse range of processes, skills, and tools for producing objects on every scale: from huge ships, buildings, and bridges down to precise engine parts and delicate jewelry. The historical roots of metalworking predate recorded history; its use spans cultures, civilizations and millennia. It has evolved from shaping soft, native metals like gold with simple hand tools, through the smelting of ores and hot forging of harder metals like iron, up to highly technical modern processes such as machining and welding. It has been used as an industry, a driver of trade, individual hobbies, and in the creation of art; it can be regarded as both a science and a craft. Modern metalworking processes, though diverse and specialized, can be categorized into one of three broad areas known as forming, cutting, or joining processes. Mo ...
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Romanesque Sculpture
Romanesque art is the art of Europe from approximately 1000 AD to the rise of the Gothic style in the 12th century, or later depending on region. The preceding period is known as the Pre-Romanesque period. The term was invented by 19th-century art historians, especially for Romanesque architecture, which retained many basic features of Roman architectural style – most notably round-headed arches, but also barrel vaults, apses, and acanthus-leaf decoration – but had also developed many very different characteristics. In Southern France, Spain, and Italy there was an architectural continuity with the Late Antique, but the Romanesque style was the first style to spread across the whole of Catholic Europe, from Sicily to Scandinavia. Romanesque art was also greatly influenced by Byzantine art, especially in painting, and by the anti-classical energy of the decoration of the Insular art of the British Isles. From these elements was forged a highly innovative and coherent style ...
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