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Manaveda
Manaveda (Malayalam മാനവേദന് (1585–1658 AD), the Zamorin Raja of Calicut in northern Kerala is renowned as the author of Krishnanattam. It is a dance drama and presents the story of Krishna in a series of eight plays. The second Manaveda (Ruling period 1658-1662 AD) Asvati Tirunal Manaveda is the one who destroyed the power of the Portuguese with the help of Dutch. He reinstated the Mutta Tavali Prince on the throne of Cochin.The contribution of Kerala to Sanskrit Literature; K.Kunjunni Raja; University of Madras 1980; pages 119 to 152 As he was a patron of letters, Melpathur Narayana Bhattathiri was quite probably a friend of him. Early life He was born to the royal family of the Zamorin Rajas of Calicut in 1585. Though much is not known about parents and childhood, it is said he had education from Anayath Krishna pisharody and Desamangalath varrier. He grew up into a poetic genius and a farsighted ruler. Contributions Only two of his books are av ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Manaveda Statue Near Panjajanyam Guest House In Guruvayur
Manaveda (Malayalam മാനവേദന് (1585–1658 AD), the Zamorin Raja of Kozhikode, Calicut in northern Kerala is renowned as the author of Krishnanattam. It is a dance drama and presents the story of Krishna in a series of eight plays. The second Manaveda (Ruling period 1658-1662 AD) Asvati Tirunal Manaveda is the one who destroyed the power of the Portuguese with the help of Dutch. He reinstated the Mutta Tavali Prince on the throne of Cochin.The contribution of Kerala to Sanskrit Literature; K.Kunjunni Raja; University of Madras 1980; pages 119 to 152 As he was a patron of letters, Melpathur Narayana Bhattathiri was quite probably a friend of him. Early life He was born to the royal family of the Zamorin Rajas of Kozhikode, Calicut in 1585. Though much is not known about parents and childhood, it is said he had education from Anayath Krishna pisharody and Desamangalath varrier. He grew up into a poetic genius and a farsighted ruler. Contributions Only tw ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Krishnanattam
Krishnaattam (Malayalam: കൃഷ്ണാട്ടം, IAST: Kṛṣṇanāṭṭaṃ) is a temple art in Kerala, India. It is a dance drama and presents the story of Krishna in a series of eight plays and was created by Manaveda (1585–1658 AD), the then Zamorin Raja of Calicut in northern Kerala. The eight plays are: Avataram, Kaliyamardanam, Rasakrida, Kamsavadham, Swayamvaram, Banayuddham, Vividavadham and Swargarohanam. It survives in its glory at the Guruvayur Sri Krishna temple (Thrissur district, Kerala, India). The troupe of players, once maintained by Zamorin of Calicut came to Guruvayur Devaswom. in 1958.The only troupe of artists are well maintained by devaswom till date. Origin Krishnanattam is based on Krishnagiti (1654 AD) written by Manaveda, Zamorin of Kozhikode. It is believed that the Zamorin had a vision of Krishna who gave the king a peacock feather, which became the living symbol of this dance-drama. Krishnanattam players wore a peacock feather a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Krishnanattam Mudra
Krishnaattam (Malayalam: കൃഷ്ണാട്ടം, IAST: Kṛṣṇanāṭṭaṃ) is a temple art in Kerala, India. It is a dance drama and presents the story of Krishna in a series of eight plays and was created by Manaveda (1585–1658 AD), the then Zamorin Raja of Calicut in northern Kerala. The eight plays are: Avataram, Kaliyamardanam, Rasakrida, Kamsavadham, Swayamvaram, Banayuddham, Vividavadham and Swargarohanam. It survives in its glory at the Guruvayur Sri Krishna temple (Thrissur district, Kerala, India). The troupe of players, once maintained by Zamorin of Calicut came to Guruvayur Devaswom. in 1958.The only troupe of artists are well maintained by devaswom till date. Origin Krishnanattam is based on Krishnagiti (1654 AD) written by Manaveda, Zamorin of Kozhikode. It is believed that the Zamorin had a vision of Krishna who gave the king a peacock feather, which became the living symbol of this dance-drama. Krishnanattam players wore a peacock feather a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Krishnanattam 1
Krishnaattam (Malayalam: കൃഷ്ണാട്ടം, IAST: Kṛṣṇanāṭṭaṃ) is a temple art in Kerala, India. It is a dance drama and presents the story of Krishna in a series of eight plays and was created by Manaveda (1585–1658 AD), the then Zamorin Raja of Calicut in northern Kerala. The eight plays are: Avataram, Kaliyamardanam, Rasakrida, Kamsavadham, Swayamvaram, Banayuddham, Vividavadham and Swargarohanam. It survives in its glory at the Guruvayur Sri Krishna temple (Thrissur district, Kerala, India). The troupe of players, once maintained by Zamorin of Calicut came to Guruvayur Devaswom. in 1958.The only troupe of artists are well maintained by devaswom till date. Origin Krishnanattam is based on Krishnagiti (1654 AD) written by Manaveda, Zamorin of Kozhikode. It is believed that the Zamorin had a vision of Krishna who gave the king a peacock feather, which became the living symbol of this dance-drama. Krishnanattam players wore a peacock feather and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Krishnanattam Kalari
Krishnaattam (Malayalam: കൃഷ്ണാട്ടം, IAST: Kṛṣṇanāṭṭaṃ) is a temple art in Kerala, India. It is a dance drama and presents the story of Krishna in a series of eight plays and was created by Manaveda (1585–1658 AD), the then Zamorin Raja of Calicut in northern Kerala. The eight plays are: Avataram, Kaliyamardanam, Rasakrida, Kamsavadham, Swayamvaram, Banayuddham, Vividavadham and Swargarohanam. It survives in its glory at the Guruvayur Sri Krishna temple (Thrissur district, Kerala, India). The troupe of players, once maintained by Zamorin of Calicut came to Guruvayur Devaswom. in 1958.The only troupe of artists are well maintained by devaswom till date. Origin Krishnanattam is based on Krishnagiti (1654 AD) written by Manaveda, Zamorin of Kozhikode. It is believed that the Zamorin had a vision of Krishna who gave the king a peacock feather, which became the living symbol of this dance-drama. Krishnanattam players wore a peacock feather and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Zamorin
The Samoothiri (Anglicised as Zamorin; Malayalam: , Arabic: ''Sāmuri'', Portuguese: ''Samorim'', Dutch: ''Samorijn'', Chinese: ''Shamitihsi''Ma Huan's Ying-yai Sheng-lan: 'The Overall Survey of the Ocean's Shores' 433 Translated and Edited by J. V. G. Mills. Cambridge University Press for the Hakluyt Society (1970).) was the hereditary Nair monarch and ruler of the Kingdom of Kozhikode (Calicut) in the South Malabar region of India. Calicut was one of the most important trading ports on the southwest coast of India. At the peak of their reign, they ruled over a region extending from Kozhikode Kollam (Kollam) to the borders of Panthalayini Kollam (Koyilandy).Varier, M. R. Raghava. "Documents of Investiture Ceremonies" in K. K. N. Kurup, Edit., "India's Naval Traditions". Northern Book Centre, New Delhi, 1997K. V. Krishna Iyer, ''Zamorins of Calicut: From the earliest times to AD 1806''. Calicut: Norman Printing Bureau, 1938. The Zamorins belonged to the Eradi caste of the Saman ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Śloka
Shloka or śloka ( sa, श्लोक , from the root , Macdonell, Arthur A., ''A Sanskrit Grammar for Students'', Appendix II, p. 232 (Oxford University Press, 3rd edition, 1927). in a broader sense, according to Monier-Williams's dictionary, is "any verse or stanza; a proverb, saying"; but in particular it refers to the 32-line verse, derived from the Vedic ''anuṣṭubh'' metre, used in the ''Bhagavad Gita'' and many other works of classical Sanskrit literature. In its usual form it consists of four ''pādas'' or quarter-verses, of 8 syllables each, or (according to an alternative analysis) of two half-verses of 16 syllables each. The metre is similar to the Vedic ''anuṣṭubh'' metre, but with stricter rules. The ''śloka'' is the basis for Indian epic poetry, and may be considered the Indian verse form ''par excellence'', occurring as it does far more frequently than any other metre in classical Sanskrit poetry. The ''śloka'' is the verse-form generally used in the ''Maha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Narayaniyam
''Narayaniyam'' is a medieval-era Sanskrit text, comprising a summary study in poetic form of the ''Bhāgavata Purana''. It was composed by Melputhur Narayana Bhattathiri, (1560–1666 AD) one of the celebrated Sanskrit poets in Kerala. Even though the Narayaneeyam is believed to be composed as early as 1586 AD, earliest available manuscripts came only after more than 250 years. The Bhagavata Purana is a major Hindu scripture consisting of about 18,000 verses, mainly devoted to the worship of Krishna. The poem The ''nārāyaṇīyam'' (pronunciation IPA: ɑːrɑːjəɳiːjəm condenses the Bhagavata Purana into 1034 verses, divided into one hundred ''dasakam'', or cantos. The work occupies a very high place in Sanskrit literature, both because of the intense devotional fervour of the verses, and because of their extraordinary literary merit. The ''nārāyanīyam'' is one of the most popular religious texts in Kerala and Tamil Nadu, and devout Hindus often recite it together in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mahakavya
Mahākāvya (lit. great kāvya, court epic), also known as ''sargabandha'', is a genre of Indian epic poetry in Classical Sanskrit. The genre is characterised by ornate and elaborate descriptions of scenery, love, battles and so on — in short, everything that tests a poet's skill at description. Typical examples of ''mahākāvya'' are the ''Kumarasambhava'' and the '' Kiratarjuniya.'' It is considered the most prestigious form in the Sanskrit literature. The genre evolved from the earlier epics, the Mahabharata and the Ramayana. Despite the length of ''mahākāvya''s (15-30 cantos, a total of about 1500-3000 verses), they are still much shorter than the Ramayana (500 cantos, 24000 verses) and the Mahabharata (about 100000 verses). Classical examples The Buddhist poet and philosopher Aśvaghoṣa (c. 80 – c. 150 CE) is one of the earliest Sanskrit poets with surviving Kāvya literature. His ''Buddhacarita'' (''Acts of the Buddha'') calls itself a ''mahākāvya'' and was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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